ONLY DRAWN BAD: Not That Bombshell.
But I have a frying pan and I know how to use it. ~onlydrawnbadreads.
(Jessi. 40-something. Mom. RPer. Crafter. Mother of Teal Deer. Enthusiastic Capslocker. Fangirls at will. Awkwardest of all Socially Awkward Penguins.)
My one friend group can't stop saying, "See you in hell!" in a cheerful voice instead of, "Talk to you later!" and my other friend group can't stop calling things "penis" instead of "cool" or "good", so I just unironically uttered the phrase, "Sounds penis, see you in hell," as I got off the phone.
I had a very interesting discussion about theater and film the other day. My parents and I were talking about Little Shop of Horrors and, specifically, about the ending of the musical versus the ending of the (1986) movie. In the musical, the story ends with the main characters getting eaten by the plant and everybody dying. The movie was originally going to end the same way, but audience reactions were so negative that they were forced to shoot a happy ending where the plant is destroyed and the main characters survive. Frank Oz, who directed the movie, later said something I think is very interesting:
I learned a lesson: in a stage play, you kill the leads and they come out for a bow — in a movie, they don’t come out for a bow, they’re dead. They’re gone and so the audience lost the people they loved, as opposed to the theater audience where they knew the two people who played Audrey and Seymour were still alive. They loved those people, and they hated us for it.
That’s a real gem of a thought in and of itself, a really interesting consequence of the fact that theater is alive in a way that film isn’t. A stage play always ends with a tangible reminder that it’s all just fiction, just a performance, and this serves to gently return the audience to the real world. Movies don’t have that, which really changes the way you’re affected by the story’s conclusion. Neat!
But here’s what’s really cool: I asked my dad (who is a dramaturge) what he had to say about it, and he pointed out that there is actually an equivalent technique in film: the blooper reel. When a movie plays bloopers while the credits are rolling, it’s accomplishing the exact same thing: it reminds you that the characters are actually just played by actors, who are alive and well and probably having a lot of fun, even if the fictional characters suffered. How cool is that!?
Now I’m really fascinated by the possibility of using bloopers to lessen the impact of a tragic ending in a tragicomedy…
You didn't need to know that, but now i'm seriously thinking for real rules for that game they're playing in the beginning, KJFHDFLJKGFJHSJKGS i kinda wanna make it and make this game an absolute MESS to make everyone SUFFER AHAHAHAA
Lucifer saying WAWAWA was my best idea honestly, he's so pathetic
also, sudden headcanon, vox was the one who tought alastor that he can spy on people using radio. Alastor just never thought of it before, but it's kinda useful when you wanna hear what people talk about you when you leave the room
Y'all, the world is sleeping on what NASA just pulled off with Voyager 1
The probe has been sending gibberish science data back to Earth, and scientists feared it was just the probe finally dying. You know, after working for 50 GODDAMN YEARS and LEAVING THE GODDAMN SOLAR SYSTEM and STILL CHURNING OUT GODDAMN DATA.
So they analyzed the gibberish and realized that in it was a total readout of EVERYTHING ON THE PROBE. Data, the programming, hardware specs and status, everything. They realized that one of the chips was malfunctioning.
So what do you do when your probe is 22 Billion km away and needs a fix? Why, you just REPROGRAM THAT ENTIRE GODDAMN THING. Told it to avoid the bad chip, store the data elsewhere.
Sent the new code on April 18th. Got a response on April 20th - yeah, it's so far away that it took that long just to transmit.
And the probe is working again.
From a programmer's perspective, that may be the most fucking impressive thing I have ever heard.
This site: What the fuck is with all these animated shows getting terrible live-action remakes? We should start remaking live action media as cartoons to balance the scales.