katenepveu

[katenepveu]

#hypnotic #harvesting #I didn't listen to this fyi

[katenepveu]

New gesture Emoji in Unicode 15.1: Head Shaking Horizontally and Head Shaking Vertically (aka shake and nod!), and (finally) right facing emoji

Unicode 15.1 will be rolling out to phones and computers across this year. It will include lots of new CJK (Chinese Japanese Korean) ideographs, some new line-breaking rules for syllabic scripts, and a handfull of new emoji! There's a phoenix, a breaking chain, a lime and a brown mushroom, as well as new family silhouettes and a handful of existing emoji, but now facing rightward!

Below are illustrations of the set from a recent Emojipedia summary of the 15.1 update.

The two emoji I'm most excited about are Head Shaking Horizontally and Head Shaking Vertically. That's head shaking and head nodding to you! I wrote these proposals with Jennifer Daniel and the Unicode emoji subcomittee team.

Why the more elaborate names? Well, Unicode tend to describe emoji by form, not function. That's for very good reason, because a head nod might be agreement for you, but in other cultures a vertical movement of the head can mean disagreement. This has provided a double challenge for emoji designers, who have to both show movement and also facial features that aren't too positive or negative. Below are the Emojipedia pair. They've done a great job.

These two emoji are actually made by combining a classic emoji face wtih the horizontal (🙂‍↔️) or vertical arrows (🙂‍↕️ ) using a special Unicode character called a Zero Width Joiner (ZWJ, 'zwidge' to it's friends), which means that even though they're two characters they smoosh together to create one emoji. It's the same process that makes all the different flags, as well as the gender and skin tones.

In fact, all of the emoji in 15.1 are combinations using the ZWJ mechanism; including the phoenix (🐦‍🔥), lime (🍋‍🟩) and brown mushroom (🍄‍🟫 ). Those new right-facing emoji are a combination of the usual left-facing emoji and a rightward arrow🚶‍➡️ .

It's exciting that Unicode have decided to try this set of right-facing characters. Many emoji are left-facing, which is a legacy of their Japanese origins (the word order in Japan means that right-facing makes sense). I've been complaining about emoji directionality since 2015, and I'm glad that this update will mean that lil emoji dude can finally escape a burning building for those of us with a left-to-right writing system and Subject Verb Object word order. They've started with a bunch of people in motion. It will be interesting to see if this set is where it stops or not.

(no no buddy!! To the exit!!)

The use of the ZWJ is an elegant solution because it means that you don't have to make a whole new codepoint for the emoji, it just uses the old one. If someone doesn't have their phone or computer update to 15.1 then it should fall back to just showing 🚶‍➡️, which somewhat conveys the intent. That's the magic of a good ZWJ combination.

Earlier posts on emoji gesture

Gesture emoji: contributing to the Unicode standard

New Publication: The Past and Future of Hand Emoji

Gender Variations for Person in Suit Levitating Emoji - Emoji Proposal

New draft emoji include 3 proposals I co-wrote!

Emoji as Digital Gestures in Language@Internet [Open Access]

Earlier posts on emoji directionality

Emoji Deixis: When emoji don’t face the way you want them to

Don’t run towards the fire (the on-going problem with emoji directions)

#linguistics #emoji

[katenepveu]

I really like dungeon meshi, so take this bit of propaganda

#dungeon meshi

[katenepveu]

#polls #get some money first and worry about the rest later

[katenepveu]

no "other/see results" we die like men

note that I'm not talking about the best SERIES just your favorite CHARACTER

#kel my beloved #tortall #polls

[katenepveu]

HARVEST MOON

listed on my inprnt :)

#dungeon meshi spoilers #fanart #dungeon meshi

[katenepveu]

Soooo I read all of Dungeon Meshi in this past week and I have many thoughts bouncing around in my brain and I think the only thing to do with them is some AGGRESSIVELY CLOSE READING of a scene I wanted to come back to and try to understand better.

So: I want to talk about chapter 28

This entire section of the story is something I feel like I am going to want to come back to a lot, because its such a transitional time and I feel like there are a lot of themes/ideas that I wasn't fully aware of during my first reading, and stuff I missed because of that.

One of the biggest things I have been turning over in my head is... hey, what was UP with the Marcille/Falin bath scene? Maybe it was because I was already primed to pay attention to stuff with them going into the story, or because I had already seen a couple of panels out of context. In any case, it really kind of stuck out to me as being very short but also VERY intense, while also being... hard for me to define? Some part of the nature of the intensity felt like it was going over my head.

I wasn't sure that revisiting it would help with this right away, but to my surprise, it actually WAS a lot easier for me to follow and understand when I went back to it. So I want to just do a close reading of That Scene and some other parts of the chapter & context around it all, because I think it offers insight into Falin & her relationships, and what purpose this chapter serves within the story as a whole.

So first of all, I think it's interesting that the scene starts with Marcille bathing Falin.

It feels very caring in a more platonic, less charged way then what will follow.

Marcille goes from this caretaker mode to joining Falin in the bath, and then of course we get the first of The Panels

(as a small note, I only noticed when revisiting that Marcille is using the rest of her Kelpie soap in the bath. Isn't that just the most heartwrenching little detail. Augh)

Anyway, one of the first things I thought was interesting going back to this is how much it reminded me of the very different sort of intimacy that came just before it - when Laios and Marcille assembled Falin's bones.

This is such a beautiful and intimate sequence, and something about Marcille examining Falin, whole, after the fact... I can't imagine there are not some echoes of those bones in Marcille's mind. The action seems more startling/intense for Falin at first, and maybe part of that is because Marcille has already experienced this level of intimacy with Falin's body in a way Falin herself wasn't a part of.

This panel in particular I think is a summation of the difference in the experience for them. This looks like... near orgasmic for Falin tbh, and Marcille is very focused on the actual like practical part of what she's doing, seemingly completely unaware of the Effect she is having on Falin.

The whole short sequence is focused on this intimacy that Marcille initiated seemingly without fully being aware of what she was actually doing. And once Marcille is satisfied, she is also the one that ends it, sitting back in the bath and moving out of Falin's proximity. All on her own terms, and for her own ends.

HOWEVER... Falin doesn't just let things go.

Instead, she returns Marcille's attention. First, by asking after her wellbeing:

Marcille, of course, deflects (there will be a lot of that in this scene).

But Falin doesn't let it go.

Falin is not a confrontational person. She likes to keep the peace. In this context, and in context of the way that Marcille was the one to come into Falin's space initially, the way that Marcille controlled the initial intimacy... this is striking. I genuinely think that these three panels might convey one of the most assertive actions Falin (as herself) takes in the entire story. One of the only things that outdoes it is the fucking INCITING INCIDENT OF THE WHOLE STORY.

I'd also like to point out here that this action of Falin's also parallels her resurrection by Marcille & Laios. It's is also a forbidden magical action done to save someone(s) she loves, and its something she does TO them, that they are not fully aware/able to react to until its done.

Anyway, back to the bath scene. Falin is taking action here and asserting herself. And how does Marcille react?

She flips out!! She rejects it! She tells Falin that she isn't supposed to be acting like that.

It's a very distancing response from Marcille, and also one that puts her back in that caretaker mode from the start of the scene. She also puts even more distance between herself and Falin by sinking into the water.

Falin doesn't give up though! She continues to assert herself. She's okay, she is allowed to chose to do this.

And Marcille continues to push her away. It looks to me like she only starts to relax a little once she fits Falin into a role she can better define and control. You're a patient, you're recovering, I understand this fact and you don't. Let me take care of you.

But, for a third time, Falin pushes back.

I don't think it’s coincidence that this is where she opens her eyes. She asks directly about the thing that they have both been dancing around:

The resurrection spell. The fact that Falin KNOWS about this, at least in part, recontextualizes the quiet battle for control between the two them. They both know at least some part of the truth. Marcille wants nothing else then to ignore it. Falin wants to be able to talk about it. Marcille's blatant refusal to give her those answers, I think, is what keeps them out of sync - intimate only ever in one direction at a time, never fully together.

And of course, even when directly confronted, Marcille refuses to engage with the truth.

This moment being on the bottom of the page is notable too. There's a beat here. The last panel holds on Falin's face. The reader reaches the bottom of the page, and they are held here for a beat as well, with Falin. It's not quite a rejection yet. What Marcille says isn't directly an answer to Falin's question, but it is a response. A valid one, even! Falin wasn't just asking the question after all, but struggling with guilt that Marcille has every reason to want to reject.

But then you move on the next page, and...

Marcille isn't actually addressing the question at all, not directly. She's deflecting, again. Oh we had a ~difficult time~, there were a lot of "tough situations." Even though she and Falin both know about the resurrection, and Falin has made it clear that she wants to talk about it, Marcille pushes away from the actual topic. She keeps things broad and indirect.

She offers the smallest gesture to Falin - nothing more than a whisper of 'don't worry about it I won't get in trouble' (even though Falin's concern was never just about Marcille getting in trouble).

Marcille then continues to deflect even further, completely changing the subject onto clothes and frog adventures, which seems to distract Falin as well, as she finally gives up on pushing.

And that's where the scene ends! Marcille pushes into Falin's space (without fully realizing), and Falin pushes back. She tries three times to get Marcille to acknowledge her wants, and three times Marcille rejects her, though she does eventually convey some truth. She is honest in her belief that Falin doesn't need to feel guilty, and that things will all work out, even as she continues to deflect the rest of the question. Falin finally accepts that, the topic of conversation changes, and we move on.

But there is a little bit more that happens between them. Towards the end of the chapter, they have this little 'oh no we have to share a bed' situation. Classic stuff.

And Falin seems to realize that the context of this is kinda different now then it was when they were in the magic academy. She's not a kid any more, and they just had those intimate moments in the bath. There's a new tension between them, or one that new at least to the bed sharing of it all.

And in this respect, too Marcille pulls away from what Falin is trying to say. She tries to frame Falin as a kid, tries to insist that nothing is different.

When I first got to this part, it honestly felt... a little uncomfortable? After the bath scene, it is really weird to move into a new intimate situation with Marcille explicitly treating Falin as a kid.

What I have realized in coming back to this scene, though, is how much I think its meant to feel uncomfortable. Throughout the chapter, Marcille's responses to Falin become increasingly patronizing. By letting some of that conflict between them resolve at the end of the first scene, the chapter seems to let things rest, and lets you set it out of your mind.

Then, when the same type of conflict comes back at the end of the chapter, Marcille is even more blatantly treating Falin like a kid, and the unfairness of it hits even stronger. They are both adults, and Falin deserves the truth. After 27 chapters from the perspective of Laios, Marcille, and the others in the group, this progression lets you feel things from Falin's perspective. It's supposed to feel uncomfortable because it IS uncomfortable for Falin, the way no one will quite tell her the truth.

After all, Marcille isn't the only one to do this kind of deflecting when Falin tries to ask about what happened. Laios has a similar response, right down to the 'treating her a bit like a kid' part.

Even more importantly, this final conversation of the chapter reveals one last layer in the knowledge/power imbalance between Falin and the rest of the party: she doesn't actually remember sacrificing herself and teleporting them out.

As I mentioned before, that action was one of the most assertive things we see Falin do in the story, and she doesn't even get to keep that for herself. Instead of being her action, her choice, it becomes yet another thing that the others know more about than her.

I think that's part of why there is such an air of melancholy to this hug they share on the next page

Obviously, obviously, there are so many emotions here for Laios and I don't think its all meant to be viewed as a negative thing, or that he or Marcille are being completely unreasonable. They've been through a lot, and what's more, they think they have time now. So much more time then they actually will have. Time to explain, to open up, to let Falin return to the group in full - as a teammate and not just as someone to be cared for and protected.

But they don't get time. And this relenting by Falin, this "I won't do it again," it's not something that feels triumphant. It's an attempt to comfort them, more a prayer than a promise. As if she is trying to exorcise a spirit. As if she is capable of promising that death won't come, eventually. It's what Laios needs, not what she wants.

That's the real tragedy of the chapter, I think. It's the one time, in the midst of everything, that they have the chance to give Falin what she wants - and they don't do it.

But I do think they realize that, and I think that this failure is a core part of their journey. It's another bittersweet taste to add to the mix - all the missed chances in this chapter to connect, amidst the moments of genuine peace they do get throughout it.

As Laios puts it later...

If Falin hadn't been eaten by the dragon, and perhaps if they hadn't failed her here, they never would have had the adventure that they got to share.

(or, perhaps more tactfully: in life & chapter 28, there are both good times and bad. Thanks, Chilchuk)

#dungeon meshi

[katenepveu]

#the untamed

[katenepveu]

have finished reading Dungeon Meshi, and it was a very impressively cool and coherent work of art that has a lot to say about hunger, desire, consumption, and the interrelatedness of life! but there are two points near or in the finale that I thought were just hilarious:

1) when the layout of the dungeon changes, and the rumor begins to spread among the adventurers in the top levels that "someone has defeated the lord of the dungeon and become the dungeon's new master! …It's Laios!"

the reaction among everybody who has ever met Laios is some variation of "…huh. Laios? THAT guy? I didn't think he had it in him! Wow. Cool. …….....Oh NO."

2) that the huge dramatic climax of the story with the fate of the world teetering on the brink and all our heroes helpless to stop it resolves with a "WHAT HAVE YOU GOT IN YOUR MOUTH?" *chews faster* "SPIT IT OUT RIGHT NOW!!" like a misbehaving dog

#dungeon meshi spoilers #dungeon meshi

[katenepveu]

#fallen london #polls

[katenepveu]

#dungeon meshi spoilers #fanart #dungeon meshi

[katenepveu]

WujiWatch: CQL Rewatch Episode 16

It’s been a while! I decided to watch a few episodes of Story of Yanxi Palace between rewatch episodes, just for a little variety, then ended up mainlining all 70 episodes like my life depended on it. 😂 ANYWAY.

I want to talk about the main event of this episode: Jiang Cheng’s sacrifice. Which is a funny thing about this episode: the main event of the episode is something you don’t know is happening the first time you watch it. Wild.

I know I already wrote a whole previous post in this series about the parallels and differences between Jiang Cheng’s sacrifice and Lan Xichen’s unsuccessful attempt to sacrifice himself for Lan Qiren, but here’s another important difference: Lan Xichen has someone to tell him that his priority should be the survival of the sect, and thus his own survival. Lan Qiren sees the writing on the wall and tells Lan Xichen very bluntly what’s up. Jiang Cheng doesn’t have that.

The person who could and should do that for him, Jiang Fengmian, does the Jiang Fengmian-est thing in his last interaction with Jiang Cheng: he fucking pretends everything’s gonna be fine. He tells Jiang Cheng, in a very obvious lie, that he might come back! Don’t cry, silly!

He does it, by the way, with the best intentions in the world, and it’s actually a very tender moment. I’m not out here to condemn a parent for trying to be kind to their kid in a moment of terrible, terrible trauma.

But I’m also not a feudal lord of a hereditary martial arts sect! And Jiang Fengmian is. Meaning that last moment with Jiang Cheng was his opportunity to inform his successor of his new responsibilities as sect leader, to emphasize that Jiang Cheng can only preserve the sect by preserving himself—and he blows it. In fact, very specifically, he blows it by choosing to act as Jiang Cheng’s father, rather than as his sect leader. That’s the behavior he models.

In the defining moment of Jiang Cheng’s life, then—when he chooses to act as Wei Wuxian’s brother, rather than as his sect leader—he is truly, truly his father’s son.

#the untamed

[katenepveu]

Think about Harrow's AU Bubbles

Thinking about Harrow's AU bubbles, not as fanfic references, but as expressions of her subconscious fears and desires, is so fascinating.

The Harrow Nova one is pretty obvious. Harrow's parents were obsessed with her being a necromancer, were willing to kill for it. It's only natural she'd wonder, "What if I hadn't been?"

And the answer Harrow gives herself is: Your parents and everyone would reject you (except, wildly, for Crux). Also they'd be alive cuz you'd never opened the tomb, and you'd be an unpopular orphan they'd abuse (Just Like Gideon). And you'd still be just as devoted to serving the Ninth with a blade. There's a lot there. But the other really telling bit is her relationship with Gideon. Harrow Nova professes to hate the reverend daughter even as she seeks to (re) create the necro-cav bond with her. But that hatred doesn't seem to be mutual. And the bit about the daughter intervening when Harrow was whipped…

That's Harrow's subconscious saying if their roles had been reversed, "Gideon would have treated me better than I treated her. Gideon would have protected me."

The Ball AU also seems like a reasonable extension of Gideon's childhood query: "What if my other parent is the most important guy in the universe?" Answer: Emperor Dad would throw a big party.

But also… it's a bride-finding ball! That's so very telling. It could have been anything, but Harrow invents another scenario where she's fighting, competing to get to Gideon, to be awarded the role of her sworn partner (first cav, now bride), while outwardly claiming not to want it.

Now The BARI Star AU often gets described as a "coffee shop" one, but it's actually set in a cohort cafeteria. And normally I wouldn't split hairs over that, but I think the cohort setting is actually really significant. The Cohort was Gideon's dream, and also Harrow's rival for Gideon's attention. It's what she kept trying to leave Harrow for.

So now Harrow dreams that she's left Drearburh to join the cohort and will meet Gideon there. Not fight or compete for a role where they're bound to each other, but just meet her there. That feels like yielding. Like compromise. It makes me think Harrow's subconscious has matured past trying to keep Gideon with her always and is instead looking for ways that SHE can be with Gideon. Meet Gideon where she is.

(Also this may be a stretch, but I always find it low-key funny that Harrow imagines Gideon in the cafeteria… I like to think her brain is skimming lists of hypothetical military jobs like... what sees the least action... ah, coffee-adept, she'll be perfectly safe there...)

#the locked tomb

[katenepveu]

part 2 of my pining falin agenda aka I STAND WITH MARCILLE THAT DRESS WAS CUNT

part 1

(ID in alt text)

#dungeon meshi spoilers #fanart #dungeon meshi

[katenepveu]

part 1 of my pining falin agenda aka it was so tragical that falin got benched for the entirety of marcille's little black dress morally bankrupt baddie era and falin thinks so too

(ID in alt text)

part 2

#dungeon meshi spoilers #fanart #dungeon meshi

[katenepveu]

something i've been thinking about is pyrrha's herald bullet.

pyrrha has one herald bullet, stolen from wake. and there is a moment where she points it at ianthe and tells her that it isn't meant for her. a real jack sparrow moment. move aside, neither of us wants this particular bullet to end up in you.

and then she uses it anyway. she uses it on ianthe to get past her into the tomb. and i can't stop thinking about that.

it was for john, right? pyrrha had one bullet and she can only have been saving it to, at a crucial moment, incapacitate john.

and pyrrha picked nona. like, yeah, you could argue that opening the tomb is more useful to killing john in the long run, but is it really? that "death of the emperor" stuff is mostly a lie. pyrrha knows that. pyrrha of all people knows it's not as simple as "open the tomb, the emperor dies."

and yet she wastes the bullet on ianthe, with no fanfare. fuck it, fuck john, fuck revenge, fuck any plans she might've had. she's gotta save nona. and if that pasty bitch is gonna stand between her and her nono's best shot at survival, then there's no question about it. no hesitation.

and isn't that what all this is about, in the end? pyrrha - jaded, angry, cynical pyrrha - forfeits personal revenge because nona needs help, and she can't waste time.

i'm having feelings about it.

#the locked tomb #nona the ninth

[katenepveu]

#tumblr happenings #April 25