this is a race to the end and i don’t intend to win it, baby!!
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I want to see you flagging this titties. No one’s gonna tell me I can’t be horny on main
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Narancia Ghirga in JoJo’s Bizarre Adventure, Part 5: Vento Aureo (1995)
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If Mista were a girl
Someone told me rumors say Mista was meant to be a girl originally, and his character suddenly makes so much more sense in my head.
Remember Mista in Trish’s body? That was quality material for a main female character right there! Take his hitman skills away, and Mista acts so much like an average normal girl/woman would IRL (that is with goals that don’t revolve around men or beauty products). Also no forced feminity performance, but rather a personality that feels natural and genuine, albeit weird at times (but hey, we all have quirks!)
The part about Mista shooting rapists would be on point too, and also women helping women! One complaint would be female Mista taking care of the bullets is stereotypical of women being the main caregiver. But who knows, Bullets may have been slightly different too?
His interactions with Giorno would also make a lot of sense, albeit coming from a more sexist context. The gang is mostly guys, and we see Trish doesn’t get equal treatment. Partially because she’s someone they need to protect, so they are more reserved around her. But even Narancia brings up that he doesn’t understand girls, as if all girls shared a hivemind. And Giorno has been kinda rude in his interactions with Trish.
In the mission against Ghiaccio, it would explain why Giorno was so impressed with Mista (aside from Mista being a genius when he wants to). He suddenly realized that a girl can do just as much for the team, and is not to be taken lightly. So Giorno is like: instant intellectual crush!
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Slightly controversial:
The bench scene is funnier to me, because of the stupid heteronormative belief that women are in only for feelings. That’s why a lot of “nice guys” say shit like: I want a long term relationship, a wife, etc, as if women don’t want to have casual fun as much as men do. Araki’s (anti) take on that is the bench scene: no feelings, only succ.
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The most powerful thing in Part 5 aside from the piano solo
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New Vento Aureo brush-pen art by Hayama Junichi drawn at Montreal’s Otakuthon, posted by the artist on twitter (twitter.com/hayama11/status/1164569808613957632).
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