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jarmdark · 6 years
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jarmdark · 6 years
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OC Cancer the sick
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jarmdark · 6 years
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Random draw
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jarmdark · 6 years
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D: awesome
youtube
Beginner Levels
0:59 - The eraser tool
1:42 - The Magic Wand Tool
2:00 - The Quick Selection Tool
2:36 - Polygonal Lassoo Tool
2:58 - The Pen Tool
Intermediate/Advanced Levels
4:04 - Tonal Selection (The “So that’s how they do it!” stage)
5:24 - Color Range
5:53 - Mask Selection
6:12 - Layer Masks
6:41 - Clipping Masks
Pro Tips (7:05 - onwards)
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jarmdark · 6 years
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Space girl
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jarmdark · 6 years
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Ale (aleksandria) OC
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jarmdark · 7 years
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Poison DAY 3
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jarmdark · 7 years
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jarmdark · 7 years
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DAY #2 DIVIDED
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jarmdark · 7 years
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DAY 1 SWIFT
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jarmdark · 7 years
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I don’t want to hide these very useful apps from you. I have been using Proko’s skelly app (left in the row) for quite a while now, where you can position a skeleton the way you need it to have a reference. You can also light the model and use a mannequin figure, but you don’t have muscles or realistic surfaces. It’s a perfect way to understand how the underlying anatomy behaves in 3D space. It works fine on the iPad, not so much on the old smart phone I used before, and costs 6.99 dollars.
The second one is called ArtPose, the third ArtPose FE. They’re basically the same app – one male, one female – with the same functions. You can choose from different body types, hair styles, hand poses, set your pose, light and camera. Priceless! For 2.99 dollars each.
PS I don’t own the rights for these pictures, but as I consider this to be free advertising for them, I guess the creators might be fine with it. And no, nobody pays me for sharing them ;)
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jarmdark · 7 years
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I have two questions! First: have you ever thought of doing a tarot card suit for your characters? I think it'd work really well for them! And two: help me how do I draw legs
@gravitality
Hi!! I’ve absolutely been thinking about that, yeah, in fact I recently talked about that to my boyfriend just recently. It’ll likely happen after october! And to answer your second question! I made a thing on legs that i hope you’ll find useful!!
So. I’ve already explained basics on legs here, but I don’t think it hurts to go through some extra details to help you understand legs some more.
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The very basic thing is to imagine legs as teardrops. Again, this has already been covered in said tutorial above, but I figured it’s still good to mention even the most basic thing that I know of. I still highly recommend you check it out to get in more detail and to see some other examples and practices that you do. But basically, think of legs in the shapes of teardrops, when it comes to shape. If you need a simple stick-figure to connect the legs in the first place, make sure that they bend at the knees a bit so that the legs don’t come off as stiff and unnatural. 
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As you can see, this method works perfectly for realistic legs as it does for stylistic ones. Remember to use these as a guideline, never to be the exact base of the legs you will be drawing. If you draw traditionally, remember not to draw these guides too hard, or they will be hard to erase/do freestyle!
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But how do you actually draw out the legs without drawing them perfectly straight, as shown to the left? The trick is to add volume to them, and how you do that can be winged to your own liking. The idea is to think in curves. As no leg is perfectly straight. You may make these curves minimal if you don’t want them to be curvy, but keep in mind, still, that not even your own bones are perfectly straight, so it is highly recommended that you make them bend, at least a little. 
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It all depends on how you draw them as well. Say you put your legs together, as shown in this picture, what happens to the fat and muscle? Naturally, they press together, much like how thighs squish on the surface when you sit down (I’m sure most people know what I’m talking about). Make sure this shows in your art! This is very important to keep in mind, because it makes it all look more natural and believable. Try to cross your legs or stand up and sit down again for real-life examples!
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The same applies for stretching your legs, more or less, except they appear to become more ‘hollow’ and slimmer. They become less soft to the touch, too, and might show. Try stretching your legs and feel where the muscles tense and where it feels ‘hollow’. This is very helpful with your art.
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Many leg tutorials talk about legs without mentioning the behind. It requires a tutorial on it’s own, in all honesty, but this is the most simplest way to draw it connecting to the legs. Remember that it comes in many different shapes, and this is just a super basic guide! Two circles overlapping, while following the line and flow of the legs. Remember the muscle/fat as mentioned above!
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Okay, so we got the basics of leg shapes figured out? What if you want o draw them in a certain pose, or with a certain silhouette, but perhaps do not have the reference for it? Or you want to blend your style into it? The key is to not shy away from doodling the form. Make mess, draw lightly and don’t care about the anatomy. That way you’ll get everything down without it appearing stiff. You can clean up the sketch later, always, and if you can, use a reference after you have drawn your pose, to correct your drawing.
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Remember that the hips do a lot to the pose of the legs! Make sure they are in flow with your legs, so that it can look more natural. Remembers that hips ‘rotate’ with the spine.
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I’ve talked about this method before when it comes to posing, and the same applies for the legs. One way to make legs appear ‘steady’ is to picture them standing in a line, and one of those legs need not to stray from the lines too much, making it steady. If you want a dynamic pose despite the steady pose, you can always have the other leg stray from the line, since it only matters that one leg is steady. This method can create good, casual poses without making them appear boring. (also notice how the teardrop shapes are used here, despite the highly stylized legs)
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Do you want a highly dynamic pose, or them to appear unsteady, then skip the line entirely and make both legs aim away from it completely. As you can see, the legs appear more moving, in action, as if they’re fighting, falling, or dancing. As you can imagine, this is not a pose that one could stay steady on, suggesting that it’s taken mid-movement. More about posing and this ‘line’ method is talked about in this tutorial.
Hope this helped you, if you have any questions let me know, and if you’d like to check out all my tutorials they can be found here!
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jarmdark · 7 years
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Arm extension reference. 
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jarmdark · 7 years
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A master post of Thomas Romain’s art tutorials.
There’s not enough space to post all of them, SO here’s links to everything he has posted (on twitter) so far : 1 2 3 4 5 6 7 8 9 10 11 12. 
Now that new semesters have started, I thought people might need these. Enjoy your lessons!
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jarmdark · 7 years
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Neon Divide: Cinematic Keyframes - The Detective (part 1 / 3) - by Lap Pun Cheung
More selected art for Neon Divide on my tumblr [here]
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jarmdark · 7 years
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Art Tutorial Preview
This one was a short weekly tutorial briefly talking about gesture drawing, shapes and how to reference. Next week I’ll do a reference sheet with dynamic poses, I didn’t get to it this week cause I ran out of time. Anyways I hoped this helped some people!
Yo! Get full access to all my tutorials/references through: Patreon: [https://www.patreon.com/lunaartgallery] or Paypal Order: the 10$ package will get you 15 items of anything available on my Patreon, emailed directly to you.
Thank you~!
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jarmdark · 7 years
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Hello, friends!
Meg here for another TUTOR TUESDAY! Today let’s look at noses! They can be quite pesky, I know. If you have any tutorial’s you’d like to see just shoot me a message here or on my personal blog! Seriously guys, send me requests! Keep practicing, have fun, and I’ll see you next week!
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