Good news: I did infact write one myself. It's 8,000 words of pure sap and feels
Bad news: That's all I've done today and I really needed to study for a final today
It breaks my heart that there aren't any Brettsey Royalty AUs. I guess I'll have to write one myself
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It breaks my heart that there aren't any Brettsey Royalty AUs. I guess I'll have to write one myself
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MATT CASEY & SYLVIE BRETT
8.15 | CHICAGO FIRE
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one of my favorite things about agents of shield is that this show about spies and world-threatening forces and betrayal and mystery has an episode where they paused the story and had jeff ward sing ‘don’t you forget about me’ very very incorrectly for nearly 3 minutes.
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Reblog so everyone can hear what they need.
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One of my favorite things in Bones is how annoyed Bones gets when she reaches the crime scene and finds out that there's still flesh on the body
"I was promised a skeleton, this is a meat corpse, my whole thing is skeletons. why did you skeleton-bait me?"
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MATT CASEY & SYLVIE BRETT
8.07 | CHICAGO FIRE
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I don't think I will ever be over the opening flashback scenes & credits of Black Widow. Every time I watch it, I notice something new and another layer of emotion is peeled back.
The way that Melina comforts Yelena while still trying to mentally prepare her for the inevitable future in the Red Room. Then being vulnerable enough to say she didn't want to go back, trusting Alexei with those forbidden words. Then having to be strong as she watched Natasha's heart and hope shatter. Taking just a moment to sit in silence with her pseudo daughter, being vulnerable enough to let the child know she wasn't ready to leave either, that she was sorry, that she wished things were different.
The facial expressions and emotions while American Pi plays. Yelena's obliviousness compared to Natasha's utter despair. The way this dynamic both foreshadows and describes the lives the girls have each already lived.
The desperation in Natasha as soon as they landed in Cuba. Speaking to Melina in Russian, calling her mom, saying she was sorry. Then, protecting Yelena without hesitation. She hasn't been in battle for 3 years, knows that such actions could get her killed, and yet her instinct was to choose love.
The way that you know it was real to all of them, not just Yelena, because of these scenes. It didn't need to be said later because it's evident throughout this entire intro. Despite Nat, Melina, and Alexei all knowing the ruse was over, they continued calling each other mom/dad/girls/sweetheart. They didn't have to anymore, even for Yelena's sake. But they chose to because it had stopped being a ruse to them. It was real.
I may not be a film buff, but these first few scenes feel like an entire movie themselves between the many layers under each statement and palpable emotions. The lighting, music, acting, and visuals perfectly tell the story and it's a shame that people don't respect it more.
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