David Gascoyne
"And the Seventh Dream is the Dream of Isis"
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white curtains of infinite fatigue
dominating the starborn heritage of the colonies of St Francis
white curtains of tortured destinies
inheriting the calamities of the plagues of the desert
encourage the waistlines of women to expand
and the eyes of men to enlarge like pocket-cameras
teach children to sin at the age of five
to cut out the eyes of their sisters with nail-scissors
to run into the streets and offer themselves to unfrocked priests
teach insects to invade the deathbeds of rich spinsters
and to engrave the foreheads of their footmen with purple signs
for the year is open the year is complete
the year is full of unforeseen happenings
and the time of earthquakes is at hand
today is the day when the streets are full of hearses
and when women cover their ring fingers with pieces of silk
when the doors fall off their hinges in ruined cathedrals
when hosts of white birds fly across the ocean from america
and make their nests in the trees of public gardens
the pavements of cities are covered with needles
the reservoirs are full of human hair
fumes of sulphur envelop the houses of ill-fame
out of which bloodred lilies appear.
across the square where crowds are dying in thousands
a man is walking a tightrope covered with moths
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there is an explosion of geraniums in the ballroom of the hotel
there is an extremely unpleasant odour of decaying meat
arising from the depetalled flower growing out of her ear
her arms are like pieces of sandpaper
or wings of leprous birds in taxis
and when she sings her hair stands on end
and lights itself with a million little lamps like glow-worms
you must always write the last two letters of her christian name
upside down with a blue pencil
she was standing at the window clothed only in a ribbon
she was burning the eyes of snails in a candle
she was eating the excrement of dogs and horses
she was writing a letter to the president of france
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the edges of leaves must be examined through microscopes
in order to see the stains made by dying flies
at the other end of the tube is a woman bathing her husband
and a box of newspapers covered with handwriting
when an angel writes the word tobacco across the sky
the sea becomes covered with patches of dandruff
the trunks of trees bust open to release streams of milk
little girls stick photographs of genitals to the windows of their homes
prayerbooks in churches open themselves at the death service
and virgins cover their parents' beds with tealeaves
there is an extraordinary epidemic of tuberculosis in yorkshire
where medical dictionaries are banned from public libraries
and salt turns a pale violet colour every day at seven o'clock
when the hearts of troubadours unfold like soaked mattresses
when the leaven of the gruesome slum-visitors
and the wings of private airplanes look like shoeleather
shoeleather on which pentagrams have been drawn
shoeleather covered with vomitings of hedgehogs
shoeleather used for decorating wedding-cakes
and the gums of queens like glass marbles
queens whose wrists are chained to the walls of houses
and whose fingernails are covered with little drawings of flowers
we rejoice to receive the blessing of criminals
and we illuminate the roofs of convents when they are hung
we look through a telescope on which the lord's prayer has been written
and we see an old woman making a scarecrow
on a mountain near a village in the middle of spain
we see an elephant killing a stag-beetle
by letting hot tears fall onto the small of its back
we see a large cocoa-tin full of shapeless lumps of wax
there is a horrible dentist walking out of a ship's funnel
and leaving behind him footsteps which make noises
on account of his accent he was discharged from the sanatorium
and sent to examine the methods of cannibals
so that wreaths of passion-flowers were floating in the darkness
giving terrible illnesses to the possessors of pistols
so that large quantities of rats disguised as pigeons
were sold to various customers from neighbouring towns
who were adepts at painting gothic letters on screens
and at tying up parcels with pieces of grass
we told them to cut off the buttons on their trousers
but they swore in our faces and took off their shoes
whereupon the whole place was stifled with vast clouds of smoke
and with theatres and eggshells and droppings of eagles
and the drums of the hospitals were broken like glass
and glass were the faces in the last looking-glass.
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Richard Brautigan
"Love's Not the Way to Treat a Friend"
Love's not the way to treat a friend.
I wouldn't wish that on you. I don't
want to see your eyes forgotten
on a rainy day, lost in the endless purse
of those who can remember nothing.
Love's not the way to treat a friend.
I don't want to see you end up that way
with your body being poured like wounded
marble into the architecture of those who make
bridges out of crippled birds.
Love's not the way to treat a friend.
There are so many better things for you
than to see your feelings sold
as magic lanterns to somebody whose body
casts no light.
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Ted Hughes
"Pike"
Pike, three inches long, perfect
Pike in all parts, green tigering the gold.
Killers from the egg: the malevolent aged grin.
They dance on the surface among the flies.
Or move, stunned by their own grandeur,
Over a bed of emerald, silhouette
Of submarine delicacy and horror.
A hundred feet long in their world.
In ponds, under the heat-struck lily pads -
Gloom of their stillness:
Logged on last year's black leaves, watching upwards.
Or hung in an amber cavern of weeds
The jaws' hooked clamp and fangs
Not to be changed at this date;
A life subdued to its instrument;
The gills kneading quietly, and the pectorals.
Three we kept behind glass,
Jungled in weed: three inches, four,
And four and a half: fed fry to them -
Suddenly there were two. Finally one
With a sag belly and the grin it was born with.
And indeed they spare nobody.
Two, six pounds each, over two foot long.
High and dry in the willow-herb -
One jammed past its gills down the other's gullet:
The outside eye stared: as a vice locks -
The same iron in his eye
Though its film shrank in death.
A pond I fished, fifty yards across,
Whose lilies and muscular tench
Had outlasted every visible stone
Of the monastery that planted them -
Stilled legendary depth:
It was as deep as England. It held
Pike too immense to stir, so immense and old
That past nightfall I dared not cast
But silently cast and fished
With the hair frozen on my head
For what might move, for what eye might move.
The still splashes on the dark pond,
Owls hushing the floating woods
Frail on my ear against the dream
Darkness beneath night's darkness had freed,
That rose slowly towards me, watching.
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R. S. Thomas
"Welsh Landscape"
To live in Wales is to be conscious
At dusk of the spilled blood
That went into the making of the wild sky,
Dyeing the immaculate rivers
In all their courses.
It is to be aware,
Above the noisy tractor
And hum of the machine
Of strife in the strung woods,
Vibrant with sped arrows.
You cannot live in the present,
At least not in Wales.
There is the language for instance,
The soft consonants
Strange to the ear.
There are cries in the dark at night
As owls answer the moon,
And thick ambush of shadows,
Hushed at the fields’ corners.
There is no present in Wales,
And no future;
There is only the past,
Brittle with relics,
Wind-bitten towers and castles
With sham ghosts;
Mouldering quarries and mines;
And an impotent people,
Sick with inbreeding,
Worrying the carcase of an old song.
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Francis Ponge
"The Oyster"
The oyster, the size of an average pebble, looks tougher, its colour is less uniform, brilliantly whitish. It is a stubbornly closed world. And yet, it can be opened: one must then hold it in the hollow of a dish towel, use a jagged and rather tricky knife, repeat this many times. Curious fingers cut themselves on it, nails break on it: it’s tough going. Hitting it that way leaves white circles, like halos, on its envelope.
Inside, one finds a whole world to drink and eat: under a nacreous firmament (strictly speaking), the heavens above recline on the heavens below and form a single pool, a viscous and greenish bag, that flows in and out when you smell it or look at it, fringed with blackish lace along the edges.
Sometimes, a very rare formula pearls in their nacreous throat, and right away you have an ornament.
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Paul Auster
"Northern Lights"
These are the words
that do not survive the world. And to speak them
is to vanish
into the world. Unapproachable
light
that heaves above the earth, kindling
the brief miracle
of the open eye—
and the day that spreads
like a fire of leaves
through the first chill wind
of October
consuming the world
in the plain speech
of desire.
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Charles Bukowski
"notice"
the swans drown in bilge water,
take down the signs,
test the poisons,
barricade the cow
from the bull,
the peony from the sun,
take the lavender kisses from my night,
put the symphonies out on the streets
like beggars,
get the nails ready,
flog the backs of the saints,
stun frogs and mice for the cat,
burn the enthralling paintings,
piss on the dawn,
my love
is dead.
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Paul Éluard
"The Lover"
She is standing on my eyelids
And her hair is in my hair,
She has the shape of my hands,
The colour of my eyes,
She is absorbed in my shadow
Like a stone within the sky.
Her eyes she keeps always open
And doesn’t let me sleep.
Her dreams in broad daylight
Make the suns evaporate,
Make me laugh, weep and laugh,
And speak, with nothing to say.
(Trans: Mary Ann Caws)
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Guillaume Apollinaire
"I Had the Courage"
I had the courage to look backward
The ghosts of my days
Mark my way and I mourn them
Some lie mouldering in Italian churches
Or in little woods of citron trees
Which flower and bear fruit
At the same time and in every season
Other days wept before dying in taverns
Where ardent odes became jaded
Before the eyes of a mulatto girl who inspired poetry
And the roses of electricity open once more
In the garden of my memory
(Trans. Daisy Aldan)
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Percy Bysshe Shelley
"The flower that smiles to-day"
The flower that smiles to-day
To-morrow dies;
All that we wish to stay,
Tempts and then flies.
What is this world's delight? Lightning that mocks the night,
Brief even as bright.
Virtue, how frail it is!
Friendship how rare!
Love, how it sells poor bliss
For proud despair!
But we, though soon they fall, Survive their joy and all
Which ours we call.
Whilst skies are blue and bright,
Whilst flowers are gay,
Whilst eyes that change ere night
Make glad the day,
Whilst yet the calm hours creep, Dream thou – and from thy sleep
Then wake to weep.
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