"why can't they just be friends" not in the homophobic way but in the "their platonic relationship in the source material is far more dynamic and complex than the sanitized personalities they gain as a result of shipping" way
The plot structures of movies need to start taking more cues from classic opera. Open with fucker in a hat who directly addresses the audience and explains what's going on in a way that raises far more questions than it answers, then immediately drop the viewer into the middle of a shouting argument between three of the weirdest people you can possibly imagine.
its fascinating how very very surface level 1920s-ish jazz age inspired aesthetics are very popular (see: hazbin hotel and electroswing and the endless wave of bowtie pinstripe character designs from the 2010s) but the vast vast majority of people who are into that seem fundamentally disinterested in actually engaging with actual jazz age art and culture because that would require engaging with black art