agntcooper

[agntcooper]

Habiba Muhammadi, tr. by Ibrahim Muhawi, from The Poetry of Arab Women: A Contemporary Anthology; “Untitled Poem”

#words

[agntcooper]

Josh O'Connor for SSAW Magazine

#heyyyy #👀

[agntcooper]

Summer Heather Garden, California by Christopher Burkett

#that me gf

[agntcooper]

Sinéad O'Connor photographed by Kevin Cummins, 1988

[agntcooper]

Emma. (2020) dir. Autumn de Wilde

#film

[agntcooper]

The Room That Doesn't Exist

art by SUIMA

[agntcooper]

expected situations,

pastels

[agntcooper]

Judith Harris, “In Your Absence”

#words

[agntcooper]

CHALLENGERS (2024) Dir. Luca Guadagnino

#idk what fucking possessed me at the cinema when i watched this cos like why did this moment make me indescribably horny #film

[agntcooper]

Past Lives (2023)

Dir. Celine Song

Language: Korean, English

#i need to be on a writers retreat NOW #i dont care that ive done all my best writing in the notes app on the toilet #i just wanna vibe #film

[agntcooper]

Matisse Circle by Leonard Nimroy, The Full Body Project

[agntcooper]

chappell roan — the basement east, nashville — feb 2023

[agntcooper]

new york city 1978

greenwich village

photograph by nick dewolf https://www.flickr.com/photos/dboo/50587667147

[agntcooper]

Philip Seymour Hoffman, July 23, 1967 - February 2, 2014.

On the set of Anthony Minghella’s The Talented Mr. Ripley (1999). Photo by Brigitte Lacombe.

#respect to whoever that twink was in the netflix series but psh outcunted

[agntcooper]

“Sometimes people interpret friction as only meaning conflict, but it is also a creative force. I think of rubbing two sticks to make fire, or the friction that creates the traction between wheel and road that pushes a vehicle forward. That friction generates motion and change, and it’s a useful way of thinking about how the political cultures and worldmaking projects by which we are surrounded don’t operate independently. Instead, they are always rubbing up against each other. Clearly, those processes can have catastrophic effects but they can also make possible new formations of power. You can’t know in advance what will happen. It is so important to work across different forms of knowledge-formation and allow them to interact without trying to create what [sociologist] John Law calls a ‘one-world world’, a homogeneous space in which everything fits perfectly together. This also allows us to consider how knowledge of all kinds, including Indigenous or traditional forms of knowledge, might rub up against each other to create new effects, rather than stand alone as separate planets.”

— Anna Tsing, Creating ‘Wonder in the Midst of Dread’ (via bergmans-ghost)

#sober stuff #words

[agntcooper]

i swam.

ripley - VI. SOME HEAVY INSTRUMENT

[agntcooper]

Jenna Gribbon - The Hunt

#one of my faves