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zeanis · 28 days
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There's something so real about a lot of these early NMTD videos that even the best of other webseries never quite captured. Maybe it's the range of styles between 4-5 different vloggers (so far we've had Beatrice, Ursula, Benedick, Hero, and Dogberry/Verges). Bea is engaging, snarky, and direct, confidently ready to film herself. Hero is cheerfully sweet and feels wonderfully tuned to the camera and her own style. Ben is a bit awkward and strange and so ready to have a relationship with viewers, without much experience to back it up. Ursula is predominantly behind the camera and seeks to film art as she sees it. Dogberry and Verges have a crappy camera and no sense for filming or vlogging, but so much passion.
The episodes leading up to PROJECT II - ONE SHOT all feel remarkably distinct and unrelated. Yes, these characters are clearly interconnected (seen in VOX POPS through Ursula's storytelling, but also with the linked scenes in "Football Antics" and the Watch's video), but their vlogs are just... different and unrelated. And best of all, they have such different filming, editing, and storytelling styles. They really feel like they're coming from different characters. And there's no clear narrative! What's the story? Is it just a bunch of vlogs from some high school kids circa 2014?
I love ONE SHOT partly because of how it's shot and all (it's great!!), but also... it's just such a COOL way to show off how so many of these threads do fit together. There's an almost-effortless naturalness to how ONE SHOT shows these teens being silly, arguing, and having fun. It's lovely. It's different. It feels so real, so unscripted, so natural.
At this stage, it's so easy to question what Nothing Much to Do is even about. If you don't know the plot of Much Ado About Nothing, I don't think there's any easy way to guess how this story is playing out. And I love that the naturalness of the different filming styles can really make it seem like, no, there's no overarching narrative, there are just a bunch of kids making silly Youtube videos (as was decently common at the time) and having fun online and sharing about their lives. Drama? What drama? (We're in a Shakespeare comedy, aren't we??)
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zeanis · 1 month
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"This is what I'm fucking talking about, Claudio. You need to be ready for anything!" --benedick hobbes, from the ground, after both he and claudio collapsed when his running tackle piggyback ride went south
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zeanis · 1 month
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nothing takes you back to 2014 as hard as hearing the Sherlock theme played on a kazoo
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zeanis · 4 months
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Missing early tumblr? Craving that Dracula Daily mineral? Perhaps obsessed with a certain enemies-to-lovers Shakespeare play?
Look no further, NMTD(Taylor's Version) is here!
Set in a New Zealand High School, told by teenage vloggers at the height of superwholock. It’s Shakespeare’s Much Ado About Nothing for the nostalgic and curious.
A cheeky lil celebration of 10 Years of NMTD
Thee 2014 transmedia experience; with videos, tweets, insta and tumblr posts direct from the characters to your email inbox.
Emails arriving from 24 March - 5 November 2024.
https://thecandlewasters.substack.com/
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zeanis · 7 months
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Kia ora koutou,
After 4 years of being on hiatus we wanted to officially acknowledge that our filmmaking collective has disbanded.
We are so proud of all the work we made, and we loved sharing it with you all. Your gifs, analysis, letters, writing, art, and comments made us feel so lucky. Creating these stories was such a special time in our lives and we can’t thank you enough for being a part of it. We could not have made our 5 webseries in 5 years without your awhi, love, and support. We will be forever grateful for the support of our Kickstarters which allowed us to continue making series, and never forget our fandles or flamangoes.
While as a collective we have gone our separate ways, we are all continuing to be creative folks and if you follow our various social media you will see what we get up to next.
Claris - @/clariskate on instagram Elsie - @/littlebollinger on instagram Minnie - @minniegraced most places Robbie - @robbienicol on instagram Sally - @/salazar.bollinger on instagram
We will continue to post as The Candle Wasters from time to time — NMTD turns 10 next year and we’ll be sure to acknowledge that!
Finally, we are releasing several videos from our YouTube Drafts as part of the final updates to the Kickstarters for Lovely Little Losers and Bright Summer Night. You will see these on your feed. After that, we will not be releasing any further original content on YouTube as The Candle Wasters, though there will be other updates from us as individuals from time to time. For more details on the Kickstarter, please see the Final Updates on each Kickstarter.
Thank you all for joining us on this journey! 
Lots of love, ngā mihi, Claris, Elsie, Minnie, Robbie, and Sally
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zeanis · 6 years
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that moment when you've got the perfect bookmark for your Read Harder 2018 essay collection pick
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zeanis · 9 years
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I am glad Kitso Harper aka The Voice Of Reason left for good because he doesn’t deserve any of this. This is ridiculous.
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zeanis · 9 years
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Also Peter. :-(
Not lovely little losers at all
You upset Beatrice You upset Balthazar I can’t even see Meg but I know she’s probably upset too But worst of all You upset Kit
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zeanis · 9 years
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I love Balthazar and I agree 100% with all of this.
Okay, looking at the lolilo tag in the aftermath of AFTERMATH, a lot of people seem to be thinking of Balthazar as like perfect or not having any flaws but… i disagree. a lot.
I think the responsibility that Balth feels for peter is a Major Flaw. That is not healthy. that is so not how to have a friendship. ultimately Peter is responsible for himself, and while it’s okay to care about friends, it’s really not a good thing that Balth feels guilty about and personally responsible for Peter.
Let’s also not forget that Balth is non-confrontational to a fault and doesn’t sit down and talk things out and actually address problems.
Now this is not me hating on Balth at all, I love him as a character and I think he’s a very interesting character, but he’s certainly Not Perfect. In fact, one might argue that the point of LLL is that Nobody is Perfect.
I know that people often fall into dichotomous thinking that there is “Good” and “Bad” characters, or people, or whatever. But I’d like to encourage people to consider that stories, the world, characters, other people, etc. are a lot more complex than just “Good” or “Bad”.
As always, all dichotomies are false dichotomies. Putting someone (even a character) on a pedestal is one of the worst things you can do to them because they will inevitably fail to live to your expectations of them.
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zeanis · 9 years
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SELFIES WITH CHELSEA!
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zeanis · 9 years
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Have some Jaquie Manders
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zeanis · 9 years
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zeanis · 9 years
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Rose Tyler's Wardrobe, Series 1
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Hi everybody! It’s been a long, long, long time since I wrote a Doctor Who costuming post. I did Martha. I did River. And now it’s Rose’s turn. Well, for Series 1 at least. Series 2 and 4 will get their own posts. :)
I’m excited to do Rose, because she is quite a different creature than Martha or River. Style-wise, Martha was fashionable and neat and as tied together as an upper-class med student can be; River was full of swag and style and time travel. You look at either of their wardrobes and you go “ooooh” and “I wanna wear that!” And you get that reaction because the costumer wanted you to admire these characters and recognize whatever it is about them that gives them that style—in Martha’s case, that’s her elegant background, and in River’s, it’s her habit of living life to its absolute fullest degree. In more condensed terms, the very fact that they’re well-dressed relays something about them as characters, which is the point of costuming.
Is Rose like that, all stylish and gorgeous and decked out in cool textile items? Noooo. Rose is not much of a clothes horse—she gets some sweet outfits, but unlike Martha and River, those outfits are little gems sprinkled in among 2005 hoodies and jeans and godawful bags. And that’s actually really, really special, because it meant the costumer abandoned fashion and style and the temptation to dress Billie Piper as beautifully as possible to be real with the viewer, to have every piece of clothing count not for its aesthetic experience but for its ability to tell you who Rose is, with every grimy shoe and synthetic thread. Rose’s costuming is pure visual storytelling, and I love it. I love it.
With exceptions, of course. Because we all make mistakes.
So! With my gushing out of the way, let’s get on. Guess what time it is? PAJAMA TIME.
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Yeah, no, I’m not going to analyze a striped tank top and white sweats as symbolizing Rose’s imprisonment within her ideal of self and her fundamentally pure soul. They’re pajamas, guys. Pajamas some costume person yanked off a rack and said “uh yeah this might be Billie’s size.” It’s a dull start, but don’t worry; it gets so much more interesting.
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See???? Interesting! The look you see above—worn pink hoodie, cheap pink tank top, shapeless jeans, oddly loud messenger bag and a little Ninth Doctor to hold in one hand—is what Rose is wearing when we start spending any large amount of time with her. Now, I can hear you sighing: this outfit isn’t very glamorous, is it? I mean, Martha was fashionable. River was stylish. But this is so…..ordinary.
And you’re right: as fashion, as style, this is kind of a disappointing outfit. But to tell you about a character using only clothes? It’s AMAZING. Take a long look at it. What can we figure out about Rose, from one outfit?
Actually quite a lot.
Do you see how it’s a couple different shades of pink? This shows you the logic Rose uses when she puts herself together in the morning. While Martha has a solid color palette of reds and golds that she’s layered together in a way that suggests she learned how to look like a class act by osmosis, Rose very much got dressed by grabbing clothes from a drawer. There is a logic to it—pinks go together, right? and jeans go with everything?—but it’s not the elegant color palette Martha would have been acclimated to in her upper-middle-class household. Rose tried, but she didn’t think of going out of her comfort zone of pinks, or of making any fashionable combinations, like having her shirt pick up some of the colors from her bag. She had to get to work, man, she didn’t have time for that. (in technical terms, Rose is using a monochromatic color palette, while Martha uses a more grown-up analogous one. if color palettes are your thing, you get me).
it’s youthful: again, pink, and also the loose-fitting hoodie. She’s not dressed like a Young Adult Person with Career Goals Who Drinks Red Wine And Has a Resume. Rose still looks a little like a kid (also super comfortable.
it’s very, very casual—I’m kind of surprised even a shopgirl was allowed to be this dressed down at a department store, but I haven’t been in a big one in a long time so who knows? Rose is not here to impress anybody, nor really herself.
it’s not high-quality stuff, at all. It’s going to wear out in less than a year; you can almost see through the sweater, it’s so used. This kind of thing shows you that Rose can’t afford the best clothes, and also doesn’t care enough to spend the money she does have that way.
They’re working-class clothes: dependable, comfy, don’t stand out much. Kinda like Rose, when she meets the Doctor.
So already in one outfit, without having to know anything else about her, you know a little about Rose: she’s not the Anna Wintour of the Powell Estate, she’s not rich, she’s not dressing like she expects a lot out of her day—dressed like that, I doubt she even expects a promotion. It all reflects where Rose is going at this point: nowhere.
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Good point, Jackie. And happen it does: the Doctor comes back. Rose, again, is not prepared to wow in the style department. Look at her.
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I want to applaud the costume department for getting the tank-top-and-crappy-hoodie-with-bra-slightly-showing look down perfectly, because this is exactly the sort of thing normal unemployed nineteen-year-old girls wear. Like, wow. Stop spying on me, show.
Fortunately, Nine is not a fashion critic and takes Rose on board despite her tank tops. They go to the end of the world, and it’s very glam, and Rose zips up her hoodie and calls it good.
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God, she’s so normal-looking. I don’t think I’ve ever seen a show where the fashion was this level of accurately boring. Is the show whacking you over the head enough with Rose being normal yet? Is this post?
Just to whack you over the head with it a bit more, Rose is predominantly wearing very dark, ordinary, dull grays, which reinforces how very ~NORMAL~ she is. Considering that these sorts of things were what companions were wearing shortly before Who got kicked off the screen in the 80s, I kinda can’t blame the costumers for veering this hard into Smoll Ordinary Nobodyville.
Though she is still the Smollest Ordinariest Nobody of All, note that Rose is already wearing a deeper shade of pink/maroon than when she was folding shirts and watching Mickey dance. The symbolism, guys! Rose is already deepening and darkening as a person! Ooooh!
Even better, though? Look at Nine’s shirt. Look back at Rose’s hoodie. One adventure in and they’re matching, guys.
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Literally one episode with these two and they’re already so adorable. How. Why, show. Why.
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zeanis · 9 years
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What are you? Are you a frog? A kangaroo? Or like- Kangaroo, guys, come on!
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zeanis · 9 years
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Faustus according to Costa: chickens crashing in a spaceship
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zeanis · 9 years
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OKAY NOW I’M SUSPICIOUS. Correct me if I’m wrong, but we don’t know why Costa’s channel is called Zoos Job. Like, there’s no conceivable reason for us, the viewers, as of yet… But there must be a reason. And I bet it has something to do with the fact that Costa is the CO-founder (emphasis on the co-) of The Nine Worthies. So who’s the other co-founder?
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zeanis · 9 years
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