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yet-another-greek-myth-gay · 17 days

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Once again sitting here thinking about how, for all the remorse August felt about the video, for how shitty of a person he felt like he was for posting it, for all his efforts (however subpar they were) to try and apologize to Wille about it...Simon never got a fucking apology.

Which makes sense, and shows how, at August's core, he's still an elitist, superior prick, even if he's more cognizant of his flaws and more uncomfortable with them than he's ever been. He could not be bothered to apologize Simon, doesn't even have the thought cross his mind—why? Because Simon's a nobody. Simon has no power. Like, let's be clear, August has fucked up his life irreparably. There is literally no future where the video will not haunt Simon. (I read a great fanfiction I have to find the link for, where Simon says that he was fucked the minute August hit "post," no matter what Wille said or did, and like...yeah.) That shit was all over the news in Sweden. We see, already, people recognizing him out in public. Beyond even just the emotional turmoil that comes with that video existing, we see, through the posting of his address and the rock through the window, that its existence physically endangers Simon. Even if Simon were to leave the country, move somewhere new and try to start over, it would take one google search of his name to uncover that blight on his life.

That's not to say that Simon couldn't process its existence emotionally, or that he won't be able to lead a happy, fulfilling life with the video existing, because he absolutely can and will! It just incenses me that not once in August's journey of feeling this guilt and shame over the video, and reaching some sort of understanding and peace with Wille, does he once consider giving Simon any sort of apology. (The settlement doesn't count, of course.) It makes sense for his character, and Simon probably wouldn't have accepted the apology, and by no means should be expected to, but the fact that he didn't get one still makes me so angry.

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yet-another-greek-myth-gay · 1 month

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One thing that’s really rubbing me the wrong way about some people’s reaction to the ending is the way people are talking about Wille. I see comments that essentially imply he is nothing without his privilege backing him, that he has no personality outside of his relationship with Simon and he’s gonna be in for a rude awakening after the ending when he realizes the attention on him isn’t gone just because he’s giving up the title of Crown Prince and life as a normal person isn’t going to be an easy or smooth road.

To me it seems like the message has completely gone over some people’s heads.

No part of me felt while watching the ending that everything is now resolved and Wille will live happily ever after without any adversity ever again… No?

The point is he finally has a choice where he ends up.

Wille literally explains this to the Queen in the final scene - that he’s never felt like he’s had a choice. He didn’t choose to be born into the royal family, and as he points out to his mother, neither did she. The public didn’t choose who inherits the crown. None of them chose it. Wille wants a choice. By staying in this role and doing what is expected of him simply because it’s his birthright is exactly what Wille is actively fighting against.

Another common thread I’ve seen thrown around is that Wille has no personality outside of Simon and I think people need to realize that one’s hobbies and interests do not define their personality. Wille very much has a personality and he had one before he met Simon - he’s always been the type to question the status quo and why things are the way they are. In season 1 episode 1, before Wille meets Simon, we see Wille scoffing at being made to mingle and pose for photos with people he doesn’t know and we see him telling Henry and Walter they’re allowed to have their own opinions when they mindlessly agree with everything he says. If anything, he starts losing this side of his personality because of the restrictions the crown puts on him. Wille falling in line with his expectations throughout the series takes him further away from this side of himself that’s always been there. We see how detrimental this is not just to his relationship with Simon, but with Wille’s relationship with himself. How exactly is Wille supposed to find what he’s passionate about when he’s consistently being told that these are the things he should care about, this is how he needs to look to the public? This is all a very intentional narrative choice to demonstrate why Wille staying in his role is detrimental to his mental health and his ability to grow personally.

The ending is not saying “everything is fixed now and Wille will have a totally adversity-free life with Simon.” Nothing is fixed and nothing is certain, but at least he made a choice. He’s going to stumble and he’s going to continue to make mistakes and a life path is not going to construct itself for him, but at least he now has a choice. He doesn’t have to pick a hobby or interest that’s considered suitable for him. He can get tattoos if he wants to. He can get married or not get married. He can have kids or not have kids. He can go to university and study whatever he wants, and yes, he will still have his family’s money. He’s not gonna be destitute and that is indeed a privilege that Wille is aware of. Should he stay in a role he doesn’t want simply and that makes him miserable because he’s privileged? For all we know, maybe his family will cut him off and he’ll literally be on his own, and that’s a risk he’s willing to take to be, in his mind, free.

The public is not suddenly going to lose interest in him, but at least he won’t have to concern himself with the royal court dictating how he and Simon act or appear. He will no longer feel like he needs to control how Simon conducts his social media presence. It’s very clear in s3 that Wille is not personally upset with Simon for posting the song or the picture with the little boy at the worker’s March - he smiles when he sees it - but that he’s worried what the royal court is going to think about it.

As far as the idea that Wille giving up the crown at the end was indeed for Simon because Wille has no identity without Simon, I really don’t think this is fair to say at all, because Wille was unhappy with his position even before he met Simon. He hated that he couldn’t even do something silly and reckless without issuing an apology. He hated that he had to uproot his entire life because he made a mistake and his family was trying to save his image in the eyes of the public. The thing is, before he met Simon, and before the events of the series, Wille didn’t feel like he had a way out, and funnily enough, that’s for the exact same reason people are dunking on him for now - because it’s the only way of life he knew. He didn’t see a way out and it’s through being with Simon that his extremely narrow view of the world gets challenged and he’s finally able to see a way out. Did Simon inspire him to do what he did? Of course he did. This entire concept is materialized through the scene where Simon tells Wille that he never had a choice who he was born as and that he sees how the monarchy makes him feel. To say that Wille gave it up for Simon implies, to me, that Wille would’ve been happy in the role if not for Simon, which I don’t believe is true. He’d still be miserable but perhaps feel less like he has the agency to do things about it. Getting to be with Simon at the end is certainly a big part of why he did it, but that also just kinda goes hand in hand with his own personal freedom, doesn’t it?

I find it kinda funny how much the internet preaches that it’s never too late to figure out who you are or what you wanna do and I see people acting like Wille is somehow doomed because he’s a 17-year-old without any interests or hobbies. Wille’s entire struggle is with having his life completely mapped out for him and it’s like with him giving up his role people are now questioning the fact that he doesn’t have an entire life mapped out for himself. I spent my time when I was 17 blogging on tumblr and doing nothing else and didn’t go to college until I was 24. I’m 29 now and I’m still learning what I’m passionate about. To treat Wille’s lack of hobbies or interests as some kind of moral failure or indicative of a lack of personality really, really bothers me and to me his lack of interests and hobbies has always been a very intentional writing choice, and the ending, if anything, gives him all the time in the world to figure that out. He might even develop an interest and then realize it’s not for him! The amount of people I know that went to college for what they thought they wanted to do then dropped out because they changed their mind, or graduated from school, couldn’t find a job, and then went back to school for something else is endless. This is all part of the human experience and it’s going to be an entirely new journey for him, but that part of his journey did not a part of this particular story, and in that way, the ending is open. It also helps that regardless of Wille’s wealth and privilege, education in Sweden is FREE.

In the end, the message of the ending is exactly what Boris said to Wille in season 2: we can’t choose who we are born as, but we can choose how we want to live, and that’s exactly what the ending is saying, and that’s what Edvin meant when he said the ending is open. Wille’s road is not suddenly going to be perfect and easy, but at least all of his choices, including his mistakes and struggles, can be entirely his own.

#*maddie's voice* yes preach it!#10/10 #agree entirely #abdication truthers #young royals #yr #yr3 #yr season 3 #yr s3 spoilers #spoilers

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yet-another-greek-myth-gay · 1 month

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Look at that smile, Wilhelm loved the picture

#STOP i completely missed the way the kid was looking at simon #oh my god #that's actually going to break me #young royals #yr3 #yr #young royals season 3 #wilhelm yr #simon eriksson

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yet-another-greek-myth-gay · 1 month

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Okay, I am a Wilhelm-defender to the end of my days. I love him to pieces, I understand why he is the way he is, I think he’s doing pretty well for being raised the way he was while acknowledging that he has a lot of room for growth, whatever—but that tent scene. I know we’ve all talked about how buck-wild him shushing Simon is, but what really gets me is him throwing the settlement August from money back in Simon’s face.

Like, for one, that is so fundamentally different from Wille’s incomparable amounts of generational wealth. That is a settlement for a crime in which Simon (and Wille, obviously) was a victim. In a rigged system, it’s the closest Simon is going to get to justice. And Wilhelm knows how much Simon grappled with accepting it, how much distaste he had for that, and that’s not even touching on Linda’s very clear and blatant feelings. He knows that it was a concession on Simon’s part, and that accepting it, instead of pursuing legitimate justice, went against Simon’s sense of integrity. And I get why Wille was defensive—even if I agree with Simon that comparing his Crown Prince lessons to the jobs Rosh, Ayub, and Simon had to work to stay afloat was tone deaf, I understand he had no malice and was just trying to relate, and why he’d be hurt that it seems like his attempts to do that upset Simon. But man, I literally gasped when he brought up the settlement money.

#no wilhelm slander #i love him #i understand him #but mannnnn #young royals #yr s3 #yr #young royals season 3 #spoilers #young royals s3 #yr s3 spoilers #wilhelm yr #simon eriksson #wilmon

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yet-another-greek-myth-gay · 3 months

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People have pointed out that the clip of Simon asking what Wille likes about the monarchy and the clip of him looking sad on the bus have Simon in the same outfit. Personally, I'm worried that Wille, due to a combination of his mother's pressure, his own concerns about Erik's legacy, and their locker room argument last season (where Simon saying that maybe he couldn't accept Wille's family/position was a big blow), is going to get defensive and take that as Simon continuing not to accept his position. If he gets snappy and defensive about it, I could see that starting an argument and leading to sad Simon alone on the bus—and also maybe to that shot of them sitting together in class, looking tense, under the quote about Simon trying to support him and always "doing it wrong," which could happen the next day.

#young royals #yr #prince wilhelm #simon eriksson #wille #wilmon #spoilers #yr s3 spoilers #yr season 3 #yr s3 #yr s3 trailer

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yet-another-greek-myth-gay · 4 months

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All the people are fake, they're made out of metal

#THANK YOU #the moment where you can see the switch #when he goes from happy and light #to having the grief crash down on him again #the moment he REMEMBERS #is one of my favorite bits of acting in the show #just a slow expression shift and a muttered curse #and it tells us so much #young royals #yr #prince wilhelm #edvin ryding #the football field scene

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yet-another-greek-myth-gay · 5 months

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Why You're Wrong About Rachel Zegler

This is a long post, but there's a lot of context missing from the Rachel Zegler "discourse" that I thought I could add with my history of watching this unfold from the beginning.

The Snow White Thing

You probably know this part. There's a curated video of Rachel going viral, framed to make her seem like she's never seen Snow White, she hates the story, she hates the character, she's ungrateful, and single-handedly ruined Disney's brand. The clips from these videos are not new— they were released nearly a year ago in September 2022 and nobody cared about them at the time. Why? Because all the full interviews she did that day at the Disney Exo in 2022 showed a young, charming woman who was excited and proud to be cast in an iconic role. The interviews were very well received and it was a non story. Now that it's been edited down and cut together in a malicious way, and the people sharing them are purposefully misquoting her, they've twisted the context. Normally, this would be a non controversy. Even if that video wasn't taken out of context and spliced together to make her seem like she hates the film, most people wouldn't care. The issue is the response to the video.

Let's get this out of the way: Rachel Zegler doesn't hate Snow White. She relayed that she was afraid of the forest scene as a child and didn't revisit it again until after she was cast in the role. She has since then watched it several times and has expressed for YEARS before that interview came out that she was incredibly honored and grateful to be playing such an iconic Disney princess. If you watch the full videos that those clips came from, this comes across immediately to anyone with their own mind. If you hate someone for being scared of something as a child, I don't know what to tell you. If the role was being given to the biggest Snow White fan, you would be correct that she doesn't deserve it. Unfortunately for you, this role requires talent and Rachel has the Golden Globe and critical acclaim from people who matter within the industry (her peers and critics).

You know who does hate their beloved characters in beloved franchises but the general public still applauds them? Harrison Ford, Sean Connery, Daniel Craig, and Robert Pattinson. They've all expressed outright contempt for the roles and the films they were part of, but nobody cared. People had fun with their quotes but they still respected them. Rachel said nothing even closely resembling their remarks, but she's being torn to shreds. Are we seeing a pattern here?

Rachel never said a single bad thing about the character or the animated film— she said that it was outdated and that set people over the edge, foaming at the mouth to have her burned at the stake. If you think it would be perfectly fine to have a movie about an abused 14 year old girl run away to play housemaid for a bunch of men, get kissed in her sleep/death by an adult man, and then wake up to fall into his arms in 2024, that's certainly a hot take. If you're against remakes, direct your ire at Disney. But if you truly think that plot would work with young girls today, you're the one who's out of touch. It would do far more harm than good to portray a young woman in that light.

She also never said that there was anything wrong with romance or love. She said that the new Snow White wasn't only dreaming of that. I can't stress enough that this wasn't her decision… she was describing the plot of the new film that was written by Greta Gerwig and approved by Disney. There's a prince in the film and he will also have a more developed personality and storyline. If you have a problem with the writing, wait until it comes out so you can write your strongly worded letter to Greta. If you have a problem with the concept in general, take it up with Disney. There's no need for you to be defensive over hurting the legacy of a multi-billion dollar company or a 87 year old cartoon written by a proud racist antisemite. This is the most confusing part of the hate campaign to me because it wasn't even her opinion— she was literally describing the plot of the film she had nothing to do with. It also isn't a new thing. Disney actors have been promoting their newer films this way for years.

It's perfectly okay to like things that are problematic. It's becoming an issue that we refuse to acknowledge that maybe some things we love are harmful. What we can't do is justify why it's not problematic, and in fact everyone who calls it out is the problem and NOT their precious cartoon. The 1937 Snow White was an amazing feat of animation. It's a classic for a reason. But it was also Hitler's favorite film and was directed by a white supremacist (the one who is "rolling in his grave" due to Rachel's existence, according to his son). Things don't exist in a vacuum and we can't ignore the bad parts.

How We Got Here:

The thing that everyone is missing is the source of this campaign. This started in September of 2020 when transphobic actor Gina Carano made fun of trans people by changing her pronouns to beep/bop.boop. Rachel indirectly called her out by coming to the defense of the trans community.

She never called out Gina by name (though she rightfully could have). Mind you, Rachel's first film hadn't come out yet. Nobody knew who she was outside of those of us who were anticipating West Side Story and were fans of her covers on YouTube. She was a "nobody" in the industry. Take this part with a grain of salt because I can't confirm it, but Gina and her fans directly blame Rachel for her being banned from Twitter. Again, I really don't think that matters as she's harmful to the trans community and shouldn't have a platform. What does matter is that fans of Gina (which, let's be real, are just fans of transphobia) have been stalking Rachel's every move since then. Unfortunately for them, there wasn't much they could use against her other than to call her woke and #snowbrown when she was cast a year later as the Disney princess. The noise has always been there, but unless you were a fan of hers, you probably didn't hear about it. It wasn't until two years after this that they had something else against her.

If you've recently seen a video of Rachel crying circulating that claims to be her reaction to the recent Snow White backlash, it's an old video. It's from a vlog from her youtube channel posted in June 2022. It was in response to these exact same transphobic anti-woke conservatives who thought that they had something when she did an interview on the red carpet of the Shazam premiere. When asked why she joined the DC universe, she responded "I needed a job." It was generally well received by most people who thought it was cute and funny, but those who were waiting in the shadows latched onto it as an excuse to send her death threats.

The video was also about a month after she was invited to present at the 2022 Oscars and was made to seem like she bullied the Academy (as a no name newcomer, mind you) into letting her attend. In reality, a fan left a comment on her Instagram asking what she was wearing to the event. She responded that she wasn't invited but would be rooting for everyone from her couch in her boyfriend's pajamas. It was the public who demanded she get an invite and the Oscar's must have agreed that it was very odd that the lead actress of a film that was nominated for Best Film wouldn't get an invite. Whether it was an oversight on their part or a scheduling issue with Rachel's filming, I truly think there was no malicious intent from either party. Keep in mind, she used to be very active with her fans (she's a huge fangirl of things herself and has always had a strong relationship with her fans) and she wasn't used to her comments becoming articles and national tv segments. This was the first time it happened to her. It appears she learned that she's not just a girl who posts on YouTube anymore and she's going to be put under a microscope for every move she makes. She has since shut down her Instagram comments and rarely interacts with fans outside of liking comments these days because of this.

I know this is long, but I need people to understand where this is all coming from. It didn't just happen out of nowhere. It's an orchestrated campaign built by violent conservatives, and thousands of women who saw Barbie this summer are hopping on the bandwagon to beat another woman into submission because they have a lot of internalized misogyny to deal with. She's not smug, you just hate women. It's okay to find people annoying, but it's valuable to look into why you think that. If you see a confident young woman expressing views that don't actually harm anyone and you think she needs to be "humbled" and "put in her place" by the entire internet dogpiling her, you've lost your mind. Using "body language experts" (fake job) to diagnose her as a psychopath is so vile. Everytime someone mentions her name online, the comments beneath it are full of the most violent, misogynistic, racist things I've ever seen. If you're contributing to that, you've chosen your side. Reevaluate or seek help.

I'm tired of seeing this happen to young women. We let this happen to Jennifer Lawrence, Brie Larson, Millie Bobby Brown, Halle Bailey, and Jenna Ortega. It's one thing to call out celebrities and hold them accountable when they're doing something actively harmful, but that's not what this is about. That's never been what this is about. We pick these girls to pieces and examine them and pull them apart to justify our hatred of young women who rise to success too quickly for our liking. We dogpile and try to stamp out the flame before they burn too bright. Barbie is still in theaters and you all loved it, yet you're demanding that a bright girl with a big future be small and submissive and humbled because you have issues. That's not feminism. You're just the girls who would have bullied Weird Barbie for using her hands too much when she talks.

#rachel zegler

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yet-another-greek-myth-gay · 7 months

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Long covid has derailed my life. Make no mistake: It could yours, too.

By Madeline Miller for the Washington Post, August 9th, 2023.

Audio version available in the inline link.

Madeline Miller, a novelist, is the author of “The Song of Achilles” and “Circe.”

In 2019, I was in high gear. I had two young children, a busy social life, a book tour and a novel in progress. I spent my days racing between airports, juggling to-do lists and child care. Yes, I felt tired, but I come from a family of high-energy women. I was proud to be keeping the sacred flame of Productivity burning.

Then I got covid.

I didn’t know it was covid at the time. This was early February 2020, before the government was acknowledging SARS-CoV-2’s spread in the United States.

In the weeks after infection, my body went haywire. My ears rang. My heart would start galloping at random times. I developed violent new food allergies overnight. When I walked upstairs, I gasped alarmingly.

I reached out to doctors. One told me I was “deconditioned” and needed to exercise more. But my usual jog left me doubled over, and when I tried to lift weights, I ended up in the ER with chest pains and tachycardia. My tests were normal, which alarmed me further. How could they be normal? Every morning, I woke breathless, leaden, utterly depleted.

Worst of all, I couldn’t concentrate enough to compose sentences. Writing had been my haven since I was 6. Now, it was my family’s livelihood. I kept looking through my pre-covid novel drafts, desperately trying to prod my sticky, limp brain forward. But I was too tired to answer email, let alone grapple with my book.

When people asked how I was, I gave an airy answer. Inside, I was in a cold sweat. My whole future was dropping away. Looking at old photos, I was overwhelmed with grief and bitterness. I didn’t recognize myself. On my best days, I was 30 percent of that person.

I turned to the internet and discovered others with similar experiences. In fact, my symptoms were textbook — a textbook being written in real time by “first wavers” like me, comparing notes and giving our condition a name: long covid.

In those communities, everyone had stories like mine: life-altering symptoms, demoralizing doctor visits, loss of jobs, loss of identity. The virus can produce a bewildering buffet of long-term conditions, including cognitive impairment and cardiac failure, tinnitus, loss of taste, immune dysfunction, migraines and stroke, any one of which could tank quality of life.

For me, one of the worst was post-exertional malaise (PEM), a Victorian-sounding name for a very real and debilitating condition in which exertion causes your body to crash. In my new post-covid life, exertion could include washing dishes, carrying my children, even just talking with too much animation. Whenever I exceeded my invisible allowance, I would pay for it with hours, or days, of migraines and misery.

There was no more worshiping productivity. I gave my best hours to my children, but it was crushing to realize just how few hours there were. Nothing was more painful than hearing my kids delightedly laughing and being too sick to join them.

Doctors looked at me askance. They offered me antidepressants and pointed anecdotes about their friends who’d just had covid and were running marathons again.

I didn’t say I’d love to be able to run. I didn’t say what really made me depressed was dragging myself to appointments to be patronized. I didn’t say that post-viral illness was nothing new, nor was PEM — which for decades had been documented by people with myalgic encephalomyelitis/chronic fatigue syndrome — so if they didn’t know what I was talking about, they should stop sneering and get caught up. I was too sick for that, and too worried.

I began scouring medical journals the way I used to close-read ancient Greek poetry. I burned through horrifying amounts of money on vitamins and supplements. At night, my fears chased themselves. Would I ever get relief? Would I ever finish another book? Was long covid progressive?

It was a bad moment when I realized that any answer to that last question would come from my own body. I was in the first cohort of an unwilling experiment.

When vaccines rolled out, many people rushed back to “normal.” My world, already small, constricted further.

Friends who invited me out to eat were surprised when I declined. I couldn’t risk reinfection, I said, and suggested a masked, outdoor stroll. Sure, they said, we’ll be in touch. Zoom events dried up. Masks began disappearing. I tried to warn the people I loved. Covid is airborne. Keep wearing an N95. Vaccines protect you but don’t stop transmission.

Few wanted to listen. During the omicron wave, politicians tweeted about how quickly they’d recovered. I was glad for everyone who was fine, but a nasty implication hovered over those of us who weren’t: What’s your problem?

Friends who did struggle often seemed embarrassed by their symptoms. I’m just tired. My memory’s never been good. I gave them the resources I had, but there were few to give. There is no cure for long covid. Two of my friends went on to have strokes. A third developed diabetes, a fourth dementia. One died.

I’ve watched in horror as our public institutions have turned their back on containment. The virus is still very much with us, but the Centers for Disease Control and Prevention has stopped reporting on cases. States have shut down testing. Corporations, rather than improving ventilation in their buildings, have pushed for shield laws indemnifying them against lawsuits.

Despite the crystal-clear science on the damage covid-19 does to our bodies, medical settings have dropped mask requirements, so patients now gamble their health to receive care. Those of us who are high-risk or immunocompromised, or who just don’t want to roll the dice on death and misery, have not only been left behind — we’re being actively mocked and pathologized.

I’ve personally been ridiculed, heckled and coughed on for wearing my N95. Acquaintances who were understanding in the beginning are now irritated, even offended. One demanded: How long are you going to do this? As if trying to avoid covid was an attack on her, rather than an attempt to keep myself from sliding further into an abyss that threatens to swallow my family.

The United States has always been a terrible place to be sick and disabled. Ableism is baked into our myths of bootstrapping and self-reliance, in which health is virtue and illness is degeneracy. It is long past time for a bedrock shift, for all of us.

We desperately need access to informed care, new treatments, fast-tracked research, safe spaces and disability protections. We also need a basic grasp of the facts of long covid. How it can follow anywhere from 10 to 30 percent of infections. How infections accumulate risk. How it’s not anxiety or depression, though its punishing nature can contribute to both those things. How children can get it; a recent review puts it at 12 to 16 percent of cases. How long-haulers who are reinfected usually get worse. How as many as 23 million Americans have post-covid symptoms, with that number increasing daily.

More than three years later, I still have long covid. I still give my best hours to my children, and I still wear my N95. Thanks to relentless experimentation with treatments, I can write again, but my fatigue is worse. I recognize how fortunate I am: to have a caring partner and community, health insurance, good doctors (at last), a job I can do from home, a supportive publishing team, and wonderful readers who recommend my books. I’m grateful to all those who have accepted the new me without making me beg.

Some days, long covid feels manageable. Others, it feels like a crushing mountain on my chest. I yearn for the casual spontaneity and scope of my old life. I miss the friends and family who have moved on. I grieve those lost forever.

So how long am I going to do this? Until indoor air is safe for all, until vaccines prevent transmission, until there’s a cure for long covid. Until I’m not risking my family’s future on a grocery run. Because the truth is that however immortal we feel, we are all just one infection away from a new life.

#covid #covid 19 #Madeline Miller

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