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You were suspicious of their feelings because you had no reason to love yourself—not your body, not your mind. You rejected so much gentleness. What were you looking for?

Carmen Maria Machado, from In the Dream House: A Memoir

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My only ship in Children of Blood and Bone.

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I read Children of Blood and Bone by Tomi Adeyemi (100% recommend) and had to draw Zélie and her epic hair

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children of blood and bone | tomi adeyemi

“As it fades, I see the truth - in plain sight, yet hidden all along. We are all children of blood and bone. All instruments of vengeance and virtue. This truth holds me close, rocking me like a child in a mother’s arms. It binds me in its love as death swallows me in its grasp.”

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I literally stopped reading this book to paint Zelie and now im back reading it again 

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A Song of Wraiths and Ruin (2020)

An instant New York Times bestseller!

The first in a gripping fantasy duology inspired by West African folklore in which a grieving crown princess and a desperate refugee find themselves on a collision course to murder each other despite their growing attraction—from debut author Roseanne A. Brown. This New York Times bestseller is perfect for fans of Tomi Adeyemi, Renée Ahdieh, and Sabaa Tahir.

For Malik, the Solstasia festival is a chance to escape his war-stricken home and start a new life with his sisters in the prosperous desert city of Ziran. But when a vengeful spirit abducts his younger sister, Nadia, as payment to enter the city, Malik strikes a fatal deal—kill Karina, Crown Princess of Ziran, for Nadia’s freedom.

But Karina has deadly aspirations of her own. Her mother, the Sultana, has been assassinated; her court threatens mutiny; and Solstasia looms like a knife over her neck. Grief-stricken, Karina decides to resurrect her mother through ancient magic … requiring the beating heart of a king. And she knows just how to obtain one: by offering her hand in marriage to the victor of the Solstasia competition.

When Malik rigs his way into the contest, they are set on a heart-pounding course to destroy each other. But as attraction flares between them and ancient evils stir, will they be able to see their tasks to the death?

“Magic creates a centuries-long divide between peoples in this stunning debut novel inspired by North African and West African folklore. An action-packed tale of injustice, magic, and romance, this novel immerses readers in a thrilling world and narrative reminiscent of Children of Blood and Bone.” (Publishers Weekly, “An Anti-Racist Children’s and YA Reading List”)

by Roseanne A. Brown  (Author)

Get it here

Roseanne A. Brown is an immigrant from the West African nation of Ghana and a graduate of the University of Maryland, where she completed the Jimenez-Porter Writers’ House program. Her work has been featured by Voice of America, among other outlets. A Song of Wraiths and Ruin is her debut novel.

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Lobizona (2020)

“Garber’s gorgeous novel combines the wonder of a Hogwarts-style magic school with the Twilight-esque dynamics of a hidden magical species that has strict rules about interacting with the human world.” - BOOKLIST (Starred Review)

Some people ARE illegal.

Lobizonas do NOT exist.

Both of these statements are false.

Manuela Azul has been crammed into an existence that feels too small for her. As an undocumented immigrant who’s on the run from her father’s Argentine crime-family, Manu is confined to a small apartment and a small life in Miami, Florida.

Until Manu’s protective bubble is shattered.

Her surrogate grandmother is attacked, lifelong lies are exposed, and her mother is arrested by ICE. Without a home, without answers, and finally without shackles, Manu investigates the only clue she has about her past―a mysterious “Z” emblem―which leads her to a secret world buried within our own. A world connected to her dead father and his criminal past. A world straight out of Argentine folklore, where the seventh consecutive daughter is born a bruja and the seventh consecutive son is a lobizón, a werewolf. A world where her unusual eyes allow her to belong.

As Manu uncovers her own story and traces her real heritage all the way back to a cursed city in Argentina, she learns it’s not just her U.S. residency that’s illegal… .it’s her entire existence.

“With vivid characters that take on a life of their own, beautiful details that peel back the curtain on Romina’s Argentinian heritage, and cutting prose Romina Garber crafts a timely tale of identity and adventure.”–Tomi Adeyemi New York Times bestselling author of Children of Blood and Bone

by Romina Garber (Author)

Get it now here

ROMINA GARBER (pen name Romina Russell) is a New York Times and international bestselling author. Originally from Argentina, she landed her first writing gig as a teen—a weekly column for the Miami Herald that was later nationally syndicated—and she hasn’t stopped writing since. Her books include Lobizona & the ZODIAC series. She is a graduate of Harvard College and a Virgo to the core.

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Here are some Black authors I think you guys will enjoy.

1. L.L McKinney - The Nightmare Verse Series

2. Tomi Adeyemi - Children of Blood and Bone series

3. Kwame Mbalia - Tristan Strong Punches a Hole in the Sky & Tristan Strong Destroys the World

4. Bethany C. Morrow - A Song Below Water, A Chorus Rises, and Little Women remix (The last two come out in 2021)

Reni K Amayo - Daughters of Nri & Descendants Of The First (2021)

Nicole Glover - The Conductors (2021)

I'll add more but if you know any others feel free to add them.

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IG: tometraveler

#My current read #great world building

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“Writing Advice: by Chuck Palahniuk In six seconds, you’ll hate me. But in six months, you’ll be a better writer. From this point forward—at least for the next half year—you may not use “thought” verbs. These include: Thinks, Knows, Understands, Realizes, Believes, Wants, Remembers, Imagines, Desires, and a hundred others you love to use. The list should also include: Loves and Hates. And it should include: Is and Has, but we’ll get to those later. Until some time around Christmas, you can’t write: Kenny wondered if Monica didn’t like him going out at night…” Instead, you’ll have to Un-pack that to something like: “The mornings after Kenny had stayed out, beyond the last bus, until he’d had to bum a ride or pay for a cab and got home to find Monica faking sleep, faking because she never slept that quiet, those mornings, she’d only put her own cup of coffee in the microwave. Never his.” Instead of characters knowing anything, you must now present the details that allow the reader to know them. Instead of a character wanting something, you must now describe the thing so that the reader wants it. Instead of saying: “Adam knew Gwen liked him.” You’ll have to say: “Between classes, Gwen had always leaned on his locker when he’d go to open it. She’s roll her eyes and shove off with one foot, leaving a black-heel mark on the painted metal, but she also left the smell of her perfume. The combination lock would still be warm from her butt. And the next break, Gwen would be leaned there, again.” In short, no more short-cuts. Only specific sensory detail: action, smell, taste, sound, and feeling. Typically, writers use these “thought” verbs at the beginning of a paragraph (In this form, you can call them “Thesis Statements” and I’ll rail against those, later). In a way, they state the intention of the paragraph. And what follows, illustrates them. For example: “Brenda knew she’d never make the deadline. was backed up from the bridge, past the first eight or nine exits. Her cell phone battery was dead. At home, the dogs would need to go out, or there would be a mess to clean up. Plus, she’d promised to water the plants for her neighbor…” Do you see how the opening “thesis statement” steals the thunder of what follows? Don’t do it. If nothing else, cut the opening sentence and place it after all the others. Better yet, transplant it and change it to: Brenda would never make the deadline. Thinking is abstract. Knowing and believing are intangible. Your story will always be stronger if you just show the physical actions and details of your characters and allow your reader to do the thinking and knowing. And loving and hating. Don’t tell your reader: “Lisa hated Tom.” Instead, make your case like a lawyer in court, detail by detail. Present each piece of evidence. For example: “During roll call, in the breath after the teacher said Tom’s name, in that moment before he could answer, right then, Lisa would whisper-shout ‘Butt Wipe,’ just as Tom was saying, ‘Here’.” One of the most-common mistakes that beginning writers make is leaving their characters alone. Writing, you may be alone. Reading, your audience may be alone. But your character should spend very, very little time alone. Because a solitary character starts thinking or worrying or wondering. For example: Waiting for the bus, Mark started to worry about how long the trip would take…” A better break-down might be: “The schedule said the bus would come by at noon, but Mark’s watch said it was already 11:57. You could see all the way down the road, as far as the Mall, and not see a bus. No doubt, the driver was parked at the turn-around, the far end of the line, taking a nap. The driver was kicked back, asleep, and Mark was going to be late. Or worse, the driver was drinking, and he’d pull up drunk and charge Mark seventy-five cents for death in a fiery traffic accident…” A character alone must lapse into fantasy or memory, but even then you can’t use “thought” verbs or any of their abstract relatives. Oh, and you can just forget about using the verbs forget and remember. No more transitions such as: “Wanda remembered how Nelson used to brush her hair.” Instead: “Back in their sophomore year, Nelson used to brush her hair with smooth, long strokes of his hand.” Again, Un-pack. Don’t take short-cuts. Better yet, get your character with another character, fast. Get them together and get the action started. Let their actions and words show their thoughts. You—stay out of their heads. And while you’re avoiding “thought” verbs, be very wary about using the bland verbs “is” and “have.” For example: “Ann’s eyes are blue.” “Ann has blue eyes.” Versus: “Ann coughed and waved one hand past her face, clearing the cigarette smoke from her eyes, blue eyes, before she smiled…” Instead of bland “is” and “has” statements, try burying your details of what a character has or is, in actions or gestures. At its most basic, this is showing your story instead of telling it. And forever after, once you’ve learned to Un-pack your characters, you’ll hate the lazy writer who settles for: “Jim sat beside the telephone, wondering why Amanda didn’t call.” Please. For now, hate me all you want, but don’t use thought verbs. After Christmas, go crazy, but I’d bet money you won’t. (…) For this month’s homework, pick through your writing and circle every “thought” verb. Then, find some way to eliminate it. Kill it by Un-packing it. Then, pick through some published fiction and do the same thing. Be ruthless. “Marty imagined fish, jumping in the moonlight…” “Nancy recalled the way the wine tasted…” “Larry knew he was a dead man…” Find them. After that, find a way to re-write them. Make them stronger.”

— (via 1000wordseveryday)

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Hi, why isn’t there more Children of Blood and Bone fanart? That book was so nice!

Zélie doodle is my contribution. I’m hawful at remembering details so someone tell me if I’m completely off on this one, it’s super late and I need to go to sleep already u_u

#I need to circulate more book art

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The Wayward Son boys.

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Pride Stacks for Pride Month

Don’t forget to celebrate PRIDE Month with a Pride stack. Show off your LGBTQIA reads for the month.

#bookblr #pride stack #pride month #show your pride

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Here’s my Genderfluid Loki mood board contribution for PRIDE. Made in PicsArt.

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Ghada Karmi and Ellen Siegel, in 1973, 1992 and 2011. Photos by Francis Khoo (1, 2) and Jean-Pascal Deillon (3).

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I think I may have just given myself a headache from loving the strawberry squid too much

They’re so pretty it hurts

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mr. and mrs. movingcastle are ready for summer