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unlovelyfrankenstein 12 hours
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"Abraxas is the consummate showman. He craves an audience."
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Some light depravity to help you get through the day
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H.P. Lovecraft dances the Charleston in Charleston, S.C., 1926.
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unlovelyfrankenstein 11 days
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I told you before, I didn't want you to read this crap! I never saw such rotten crap in my life!
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unlovelyfrankenstein 13 days
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Tell this to the workers when they ask where their leader went.
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unlovelyfrankenstein 14 days
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unlovelyfrankenstein 14 days
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unlovelyfrankenstein 18 days
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unlovelyfrankenstein 19 days
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unlovelyfrankenstein 22 days
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unlovelyfrankenstein 24 days
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unlovelyfrankenstein 25 days
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unlovelyfrankenstein 26 days
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$15 PRINTS! GET 鈥楨M WHILE THEY鈥橰E HOT!
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unlovelyfrankenstein 29 days
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Ingmar Bergman's 1954's feature film "The Divine Comedy" was shunned by critics and audiences alike. The idea that the Swedish filmmaker would ever team up with the American comedy team the Three Stooges sounds as improbable today as it did when first announced in Variety. "Summer With Monika," his first film to appear in the U.S., hit screens just a year prior to his adaption of Dante Alighieri's classical epic. Hollywood wanted a piece of Bergman almost immediately with Columbia landing the first deal.
Neither audiences nor studio execs were ready for the four-hour feature that Bergman delivered. It played for only three weeks before Columbia withdrew "The Divine Comedy" with the intention of shuffling it to its shorts division with the intention of editing it into a dozen smaller films. This idea never materialized. "The Divine Comedy" went into the vault and Bergman returned to Sweden. Rumor has it that 1957's "The Seventh Seal" is his commentary on the inevitable doom of collaborating with Hollywood.
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unlovelyfrankenstein 1 month
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