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themarmaladefactory · 5 years
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Digital Participation
https://journals.sagepub.com/doi/10.1177/1461444818822816
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themarmaladefactory · 8 years
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themarmaladefactory · 8 years
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themarmaladefactory · 8 years
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themarmaladefactory · 8 years
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themarmaladefactory · 8 years
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themarmaladefactory · 8 years
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Whose London Is it Anyway? A new theatre piece from Malachy Orozco
Hello, Here's a new piece I made. I hope you'll listen to it, sitting back in your favourite chair, with a drink nearby, wearing your best set of headphones - and your eyes, closed. Consider this an invitation to a private performance in the theatre of your mind. https://soundcloud.com/malachyorozco/the-man-with-no-castle Best, Malachy ABOUT: high-powered real estate developer is intentionally homeless. Written and performed by Malachy Orozco. Recorded on 23.1.2016, live at Camden People's Theatre, as part of "Whose London Is it Anyway?"
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themarmaladefactory · 8 years
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themarmaladefactory · 8 years
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themarmaladefactory · 8 years
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themarmaladefactory · 8 years
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themarmaladefactory · 8 years
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EXHIBITION CONCEPT: h y p e r l o c a l
EXHIBITION CONCEPT -Exploring becoming-animal/plant -exploring peripheral uk places/local/place Evening Standard rant...a nice place to open debate/counterpoint/centre/periphery Big cities are centres not just of political power but of finance, business, professional services, culture and fashion. They are where clever, enterprising people gather together, to be among other clever, enterprising people. They need a hinterland for dormitory suburbs, call centres and back-office services. They need the green belt and countryside for leisure and weekending. But they get their momentum from their financial potency and cultural electricity. london-is-where-the-action-is http://www.standard.co.uk/comment/simon-jenkins-sorry-archbishop--but- Option 1. Group show. Single works. Simple theme with aesthetic that may emerge when artist agreed. Option 2. Weekend performance event Central concept >> -ruins/wastelands/edges/penumbra/shadowlands/present but >> hidden/informal economies/ Who has legitimate access to public >> space/(discourse on space/Rosalyn Deutsche. Eviction: Art and Spatial >> Politics /etc)these have been ongoing questions for me for 20 years >> so I’m familiar With terrain but its complex theoretically and could be >> done lazily but if done Properly could be asking urgent questions to >> the current predicament/one part of the patchwork of >> political/resistance/ >> >> Rosalyn Deutsche. Eviction: Art and Spatial Politics >> http://www.h-net.org/reviews/showrev.php?id=966 >> >> Irit Rogoff -problematized here-how do we act-act within and outside a prescribed system/where are the cracks? >> What are we doing? How is it working? In which registers? >> The making and thinking are always inscribed in each other...agreed but what is it about your/our work that makes it pertinent at this time period? >> What questions is it trying to articulate? Or problematize outside questions asked by Irit below? What is new? Urgent? Rather than replaying/making /working within existing terrains? Are our questions/hunches opening up new spaces for thought? Looking Away/ Irit Rogoff http://collabarts.org/?p=6 Having become aware of the very mythic nature of our own critical interventions, it is the minute gatherings of refusal and disruption which are left to us to somehow live out the combined entities of participation and criticism. To make such a statement is to somehow be seemingly gripped by a Situationist ethos, by the echoes of stealthy street actions, remade topographies and inscriptions left behind on walls. How do we occupy the space of commanding attention in ways that is not the take over of street marches nor the romantic covert operations of the agents of ‘detournement’? Perhaps we could say that we simply do not, that we refuse that very notion of a spatial occupation in which our identity is made subjugate to a named commonality. That we live out Agamben’s ‘whatever’ in the vagaries of trivial conversations that ebb and flow, making and remaking the space of appearance as we speak of different things. Inside, distracted, acknowledging that our utterances come back to us in inverted form, conceding the common while refusing its identity – that’s us. Other thinkers: >> Political register: >> Mark Fisher-Capitailst realism >> Dr Nicholas Thoburn >> http://www.manchester.ac.uk/research/nicholas.j.thoburn/ >> Laura Oldfield-Ford In relation to the nature of her work politics, ruins, forgotten places, hinterland, edges 'exploring peripheral UK places/local/place. Simple catch bag theme maybe her book concept EDGELANDS See: http://literaturelandenvironment.org.uk/edgelands/ The terms ‘edgelands’ seems to be gaining a firmer foothold in the popular imagination. The book by Michael Symmons Roberts and Paul Farley, Edgelands: Journeys into England’s True Wilderness made visible an idea that, as Robert Macfarlane pointed out in his review, was already gaining currency in recent discussions of the contemporary border between country and the city. Explore the dynamic of City State vs the satellites of love The Gravity Model comes to mind form my o level geography days-'social physics!' For decades, social scientists have been using a modified version of Isaac Newton's Law of Gravitation to predict movement of people, information, and commodities between cities and even continents. http://en.wikipedia.org/wiki/Gravity_model_of_migration http://classweb.gmu.edu/sgillesp/Info/Gravity.htm http://geography.about.com/library/weekly/aa031601a.htm
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themarmaladefactory · 8 years
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themarmaladefactory · 8 years
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seasons in the agri_sun
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themarmaladefactory · 8 years
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themarmaladefactory · 8 years
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Happy Time in the 0range Bl0ssom Special 250mle
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themarmaladefactory · 8 years
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