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#you know this is extensive when we're talking about how Oracle of Ages compares to totk's writing
blackautmedia · 5 months
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It ended up being way more intensive than I had planned, but I did finish the writing for the Zelda video.
I managed to grab that James Somerton video he made about queer portrayals in Nintendo before it was privated. I haven't located any evidence suggesting it was plagiarized given the extent he's done it in nearly all his videos but that doesn't mean it hasn't occurred. I'm still trying to search and see if I can find any evidence of plagiarism to credit its proper author(s) if it is in fact stolen. There will be a section discussing the intersection of queerness and race with queer readings of Link and the Gerudo.
That aside, I wanted to share a bit! I picked out paragraphs out of order from how they're actually written, but these are a few of the points in the section about "the natural order of Hyrule."
Both film and TV westerns purport to be based on US history: the past is reframed as a glorious undertaking, the fulfillment of God's wish for his chosen people or as a rescue mission designed to rescue the pitiful other from himself or from some demonic other. Such fantasies serve to justify and legitimize colonial norms and practices. Stam and Spence explain that the colonial enterprise was often presented as a philanthropic "civilizing mission," reframing the colonial presence as a humanitarian intervention rather than an invasion. - Native Americans on Network TV : Stereotypes, Myths, and the 'Good Indian'
In Zelda Lore, it's said according to an entry in Hyrule Historia that "Hylians possessed a special power: it was said that their long ears allowed them to hear the voices of the gods." there's an inherent birth connection to the gods and to divinity in this series.
The best examples of community portrayal in the game exist when you remove Link from the equation. There are numerous instances of the different tribes providing support to one another--the Gerudo providing aid to refugees of Lurelin village, people providing resources to the Rito in their time of crisis, and the construction town helping in the rebuilding effort.
But a central part of what separates gaming from other types of media like books and TV is that you're not just a reader or viewer, but a player--you're asked to actively take part in the narrative and influence it yourself.
That community commentary also conflicts with the desire to treat Link as a demigod with the most major figures in the story continually sacrificing their autonomy and personhood to become resources that Link is ultimately to wield. Rauru gifts Link with some of his powers to save him from the Gloom. Mineru becomes little more than a rock 'em sock 'em robot for Link to pilot with little to no actual concern for her as a person.
Zelda is given the illusion of having agency in this story with how she orchestrates the conditions for Link to be able to defeat Ganon, but ultimately that doesn't come from her utilizing her research skills or building off the things her family provided her. Rauru even says he believes Zelda arrived to them for a reason, and based on what happens, it was ultimately so she could sacrifice herself yet again.
I'm not in the camp of people who wanted to see Zelda permanently stay a dragon at the end, I just want Zelda to not continually be sidelined in a series that constantly asks to sacrifice herself so she can't be an active part of the story.
The land and society once owned by gods must be restored and brought to its former glory as it is fated to be led by the divinely chosen Hylians. To that end, to defeat the evil and violent Middle Easterner who has defied the natural order of Hyrule, everyone must sacrifice themselves for Link to become the divine governor of power.
(This portion is part of the conclusion)
In thinking over what to write for this last portion, I came away feeling Nintendo's patterns here are a good example of why we should heavily value and take seriously the talents of artists and character designers.
It's important because art is so valuable in how it shapes the implications of the story, intentional or not.
I'm not here to convince you to boycott or stop playing Zelda because the issue goes beyond the scope of this individual franchise. What I ask more than anything is to see the people being propagandized as human and to equip yourself with the tools to better detect and resist the narratives both in fiction and non-fictional media.
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chronicbatfictioner · 4 years
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Exchanges and Compromises - Chapter 10
The pretty boy in a tight leather suit was as good and pretty with his stitches as he looked in a tight leather suit, Jason observed. The older man, looking much more like a highly trained and competent fighter, but with a similar mental age as Damian, was having quite a success in entertaining the boy.
Overall, the accommodation was decent - no one could come in undetected, or get out unnoticed. He figured this was some sort of containment unit, originally; only later used as a safe house. It was located, ironically, near Jason's old home at Crime Alley. He knew the area well, even the underground side of it. If he were to escape this place, it would have been easy.
But the boy - 'Stray' - seemed earnest when he said the Oracle's name. Thus far, however, there was no presence of the Oracle themselves. Jason was still unsure if the Oracle was a man, a woman, or a group of people - and has settled for a non-binary pronoun in his mind.
Plus, he was receiving free, neat stitches without having to face some sort of legal authorities. He sincerely doubted that the Gotham Police would be able to provide protection or service quite like this, regardless of what he was told.
"What's the Oracle, by the way?" he finally decided to ask, his curiosity won.
Stray blinked. "Uh, an entity that holds numerous kind of information network to help the good people of Gotham take the city back from evil?" he replied.
"Did you rehearse that?" Jason quipped.
"No, thankfully, I'm a professional. That one came straight out of my sitting end." Stray retorted.
Jason barked a laugh. Stray beamed a little at him. "Sorry... just... it's been a while since I hear sincere sarcasm." Jason apologized.
"Heeey, I like this guy! You're a Gothamite, aren't you?" Talon commented from halfway across the room.
"I... how'd you know?" Jason didn't bother trying to deny it. He realized that only Gothamites would appreciate good sarcasm. "Are you?"
"He's not. He was a circus dude and got this mad skillz in figuring out where people came from." Stray replied. "I am, though."
"I could tell that one, actually. You both know how to fight well, yet you have no superpowers, and you helped a random someone and joined a brawl without wondering who was good, who was bad. Typical Gothamites." Jason snarked, only slightly regretting the rudeness.
Talon seemed unperturbed. "See, kitten? You should really reign in your tempers," he commented.
Stray sighed dramatically. "Seriously, dude. It was you who said something about the brawling party and you're not invited. I was just there to make sure nobody died." he deadpanned. "And by nobody, I meant those ninjas. He has a nasty temper."
"What can I say? I had to join in, we're heroes, man!" Talon quipped.
"Are you heroes like Superman?" Damian asked curiously. "You have colors, but muted, unlike Superman's... rather obnoxiously eye-catching uniform..." he added with a slight scowl on the corner of his lips.
"Costume. But hey, you know, he operates in the daylight hours. He has to be visible, right? Otherwise, people might think of him as a weather blimp or something. We, on the other hand, prefer to work nights because the bad people of Gotham City like to work nights, too." Talon explained; reasonably, simply, but not condescendingly. At least Damian bought the explanation. Jason knew how his tempers would flare if he thought he was being belittled.
He unconsciously sighed. The two 'heroes' have provided adequate meals in the form of Turkish fast food for them. The taste was... horrible, compared to the ones made by the League's cooks. But Damian had eaten them, anyway, after seeing Jason ate his. Jason himself wasn't bothered by the taste - he would never be bothered by the taste of food as long as they're hot and fresh; he'd had his share of eating cold discarded leftovers, anyway.
The bright side of consuming the high-carb food was that Damian was starting to sway on his feet.
"Damian, I believe it's time for me to turn in for the night. Will it be okay if you explain to these two what we're doing in town?" he told Damian. The latter blinked owlishly, obviously fighting his exhaustion.
"I... if you don't mind, Red, I would prefer you to explain to them while I repose. My mind does not want to compose words in English right now," he admitted, and Jason snickered internally.
"You want to go to bed?" Talon asked, a little oblivious of Damian's attempt to behave older than his actual age. "Would you like me to keep you comp--" Jason cleared his throat just in time, and blessed be, Talon seemed to understand and corrected himself, "...stand guard for you?"
"If you deem it necessary, then conduct yourself, Talon. I shall not attempt to escape this... establishment - not especially while Red is quite incapacitated. But I understand you have your orders." Damian replied. Stray coughed, and Jason would swear that he was hiding a giggle.
"So he thinks he's a prisoner." Stray finally commented once Talon and Damian walked out of the med-bay toward the bedrooms.
"I hope we're not since you've both been so kind and am not looking forward to popping a stitch," Jason replied. "at least not tonight. Such neat stitches, too," he added.
"You're not. We'll know if you get out, but we won't stop you." Oracle finally made its presence known, through a projection on the wall. Stray pointed at the area between his eyebrows, and Jason immediately noticed a camera located roughly on the projection's forehead. "So, now that we're all adults here... Stray notwithstanding, care to let us in on what's going on?"
"About the boy being Bruce Wayne's son?" Jason groaned.
"That, among all others. What happened to Ra's Al Ghul and his daughter, Talia? Why are they not here?" Oracle asked. "I have done some researches and found that both Ra's and Talia have disappeared. Care to enlighten us?"
"They're dead," Jason swallowed around the lump in his throat. "They were murdered, and I've been assigned by Talia to send Damian to his father if or when she is deceased."
"And you're sure the father is Bruce Wayne?" Stray asked.
Jason shrugged, "Hey, it's not like I was there when it happened, right? Damian was three years old when I met him for the first time. That's what she told me, and that's what I'm gonna go by."
"If..." Oracle hesitated. "A hypothetical situation here: if you did get to meet Bruce Wayne and told him that he has a son, what's next?"
"I suppose there would be processes - DNA tests and whatnot. I'll remain by Damian's side, regardless. Talia has assigned me to be Damian's main Ghost. That is, the caretaker." Jason explained. "Are you worried that Wayne would not admit it?"
"That's one of the things I worry about," Oracle admitted. "What then, if he won't accept Damian?"
Jason shrugged again. "We shall convince him by all means. Otherwise..." he paused and inhaled sharply. "I can take care of him, legally or whatever."
"Jason Peter Todd, 19, has been a milk-box face for six years. You're a few months away before being declared dead in absentia." Oracle recited. Jason was not surprised. He knew that Stray had collected his blood - presumably for use of identification. "So I suppose you don't want to be declared dead, and thus you allowed Stray to take your blood."
"You're good," Jason smirked. "Talia revered you highly; said that you're the epitome of all that is good in the world. Even while being invisible."
"You're a charmer, obviously," Oracle quipped dryly. Stray actually snickered this time. "You didn't even ask who'd put your face on said milk box,"
"Must be some people my folks owed money to," Jason snorted. "Anyway, I was planned to return to Gotham prior to being declared dead, anyway. So that I can exist alongside Damian if... the scenario you mentioned above happened. It just kind of happened a little too soon." he sighed dejectedly. "I was taking Damian out on a training excursion when they attacked... We tried..." he paused, wondering just how much Oracle knew of the Lazarus Pit. "The damage on their bodies were too extensive. The perpetrators were... long gone when we got back."
"I hope by 'we' you don't mean just Damian and you," Stray remarked, looking a little pale even under his amber-colored goggles. "and who's 'the perpetrators'?"
"Oh, no, I meant me and a number of my trusted compatriots. Damian's guards.  We're spreading out as we speak to divert attention from the League of Shadows, each of us carrying a child of Damian's size. League of Shadows is... 'the perpetrators'. They're a league of murderers and covert assassins that reneged from us to follow Lady Shiva, who was once one of Ra's Seven Men of Death." he explained. "Anyway, Houston, since you said I'm not a prisoner here, I think it would be fair if you answer my question this time. What was the problem Talon talked about to you?"
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