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#you can dislike the live action but you can't deny that the whole cast is FINE
kiraisukki · 8 months
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I'm not saying you agree with that TLJ article since you tagged it 'mh', but I'm very worried but this latest trend 'Your opinion is wrong because of internalized ___'. Some movies just suck? Like, I hated Ghostbusters 2 because it was bad. I was perfectly okay with having four women as main characters, but that can't be your whole idea for a movie.
I do think that article is interesting, and trying to describe what is basically a wider cultural phenomenon. I’m sure on case by case basis you could rarely boil it down to just a few specific factors and “diagnose” someone except for really obvious lifelong character types who would be in the most obvious demographic. 
Star Wars *already* got a bunch of sexist and racist backlash before TFA, so it’s already in the bracket of movies which got thrown together as the collection of SJWs are ruining our childhood movies like Mad Max, Ghostbusters, etc, so it’s also definitely not like this is a wild stab in the dark that it has pre-existing tension, although in this case the reaction is still really split. But I can see why it’s easy to examine it this way and analyse where it might make people uncomfortable, and wonder to what degree people are prepared to let go of Leading White Man formula for mega blockbusters. 
Something like Wonder Woman, people know what they’re getting into when they see it in the sense that the franchise is completely built around there being a female character in the lead role. So that stands quite alone. And it’s not like there haven’t been action movies with female leads in the past either, but the re-casting in the case of Ghostbusters, or just development of interesting female characters who aren’t beholden to a cookie cutter template/romance arc within a supposedly male-dominated franchise (Furiosa, especially) and changing up old franchises to have more diverse cast (Star Wars) or just completely flip the “male is the default” idea like Ghostbusters and Oceans 8, are deliberately challenging and in some cases - the last 2 especially - are pretty much thumbing the nose to the idea of all-male casts being unremarkable and default. Whether the movies are *good* or not (I thought Ghostbusters was about on the level of, say, a Ghostbusters movie for quality and humour, so okay basically :P) they’re culturally significant at a time when it seems both bizarre and horrifically slow and backwards that we *still* don’t have *even just getting male and female representation right, never mind race and sexuality and disability representation* (I mean for that last point - in some ways these films are already going to be regressive by the time other progressive steps are made, for example Charlize Theron wearing a green screen glove to delete her arm, instead of just hiring an actress with half an arm which is the immediately less-expensive and fiddly route to get the aesthetic…)
But idk, it’s not even like Star Wars was either perfect or extremely progressive, it just managed *not* to have 2-3 white male leads + some other people in the background, and to allow the non white male people to have such a stake in the story they could mess up and make decisions that affected the fate of the galaxy - often negatively, as this is the ESB slot of the trilogy aka where everything is supposed to go in the toilet. There was a lot they could have done better and I’m still annoyed that Maz and Phasma both got pitifully tiny roles but were basically included despite the set up of the movie being extremely restrictive to much exploration and with probably the longest time limit they thought they could allow themselves and still sound like there were any tension in the chase… 
I think it’s definitely always worth exploring whether social issues are having an impact on the reception of a film, though, because it’s a way of addressing the issues in our society, which we *know* exist, and when a film is openly critical of our society, and then people are critical back at it, guessing there may be a nervous backlash from people it made uncomfortable for too-close-to-home reasons makes sense. The critique offered by Kylo Ren to edgy white masculinity is really interesting, and I think it’s probably not hard to imagine SOME people especially who fit the profile are reacting against him, or glorifying him anyway unironically while disliking large amounts of the rest of the movie. 
One of the points that article made as well was that other generic or bad films do much better with audience reaction - in fact some truly terrible films do really well as they’re marketed to a niche audience, and that audience gobbles them up and we get the inverse, of critically panned but audience ratings pretty high.
I mean, I’m assuming if you follow me you’re a Supernatural fan and so we’re all here to gobble up the melodramatic pretty boys :P
So, idk, I think in some ways the picking apart of the film and emphasising its flaws is happening in a strange social climate, where in some ways the discomfort about the film not catering with the most “easy” empathy of a white male main character & with flawed but interesting characters in the other roles particularly prone to being criticised in society for existing anyway and that the SW revival has already had one film threatened boycott over because of Finn being a black stormtrooper on his reveal, and I doubt that feeling has just magically gone away… There comes a point where I wonder how much is basically film review concern trolling when it comes to criticising his and Rose’s arc, or the film in general. 
And how much of the film’s real flaws, plotholes etc if they existed in an easier version of the film with all 4 Chrises in the major roles would take months or years to get properly dissected by the internet while it’s basically as soon as you go back online after the movie someone’s complaining about why Canto Bight even existed.
I mean my “Hm” was “this is interesting and I think it definitely could apply to the wider cultural reaction to the movies” while obviously on a personal level if people have certain standards for films (my dad hates basically *everything* so I don’t think his reaction to TFA was categorically racist or sexist, just that he would be inclined to think pretty much anything JJ Abrams makes is garbage and whoops I never should have naively made him watch the first episode of Fringe with me :P) then if any of these movies are things you can tell would have rubbed you up the wrong way anyway, e.g. you didn’t like the original Ghostbusters that much/have found it far cringey-er on adult rewatches etc then you are absolutely allowed to have a reaction to it on a personal level which is not a sign of the sickness of our society :P 
But I think even if you don’t like the new SW film, it’s worth putting aside your critiques of it for a moment to think about this article and the wider reaction - not to make you guilted into enjoying the film, but because it’s worth at least pondering the wider social issues the film’s already definitely caught up in since like, before TFA came out, so we can’t deny that there’s at least some portion of the audience, whether the loud but small group of assholes who utterly invisibly boycotted TFA, or the wider percentage of the population who’ll be consciously or unconsciously turned off by the cast and the power given to their characters in the story, and the possibly even wider percentage who may still struggle to empathise with female characters because Hollywood has so systematically underrepresented like, what can alternately be the literal largest demographic on the planet, and presented just plain old cis women as characters whose inner lives are valuable and decisions should be respected. 
I mean since I came out the movie I’ve been swinging back and forth on “should Holdo have just told Poe her plan or was the point that this man of a much lower station is getting all up in her business demanding to know and questioning her, and I assume that was intentional so I should agree with Holdo but would this have looked just as bad if a male admiral showed up doing the same thing and they accidentally undermine her by it being a bad decision in general, or is the point that if it had been a male admiral Poe would have shut up and not let an insurrection, but I mean it’s *Poe* and I love him and I totally understand and he was made out to be more sympathetic until *after* the twist so did they WANT us to be critical of Holdo or am I just falling into a trap of not giving female characters the same room to fuck up as male characters -” and that’s BEFORE I get onto the internet and read this debate for weeks, just my confusion about this arc and what it was saying and if it was meant to say one thing or the other or if it’s a bit of bad writing (but not something so bad it would ruin the film to the point of only 50% enthusiasm like Rotten Tomatoes is giving it - like, 93% or something :P) or if it’s doing exactly what it’s supposed to by making my brain cogs go and making me feel I need to write like, a dozen female admiralty into things to allow Holdo a cultural sisterhood of good bad and ugly admirals to be her own person in instead of the only female admiral to ever stick in my head like this :P So idk. 
Hm. Basically. 
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