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#yes the wing is from the body of Nike of Samothrace that I used for the all the angels collage
amaliatheartist · 2 months
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And all the juvie halls, and the Ritalin rats
Ask angels made from neon and fucking garbage
Scream out,
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dottiechan · 3 years
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Tempest (Pt. 1)
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Part 1 | Part 2 | Part 3 | Part 4 | Part 5  
Read on AO3
Pairing: Ava Du Mortain x f!Detective
Wordcount: 1950
Warnings: gay pining, denial of romatic feelings none
Summary: Ava waits for the private detective to arrive while pondering their relationship. (1890s AU)
A/N: I am plagued by the late Victorian AU and Miss Du Mortain, so this happened. I wrote the detective as a female private detective, but other than that I have not specified any details about her. It also passes as a reader insert fic! (You can check out the full art here.)
Ava watches the grey sky as it persistently batters the window with rain, the small streaks on the glass pane casting lines on her handsome face that could be mistaken for tears by someone who doesn’t know her. Anyone who does know her knows that she’d sooner shed her blood than her tears. That is just the way she is. The way she likes to be thought of. The only way she is truly safe.
The heavens have let loose, and god is baring his teeth. And Ava just stands there, hands shoved in the pockets of her trousers, gazing out into the busy street as still and cold as the marble statues dotting the hallway. But only on the outside. Because inside of her, there is a storm to match the tempest that assails the city.
She is agitated the moment an image of her slips into her mind, and she begins chewing on the inside of her cheek when she realises that every minute the private detective isn’t in her sight, she is losing her mind. The nervous gesture is soon quelled by hundreds of years of self-discipline, and is replaced by her signature frown, lips pressed into a thin line, the muscles running along her jawbone tensing under her opaque skin. She is... mortal, she wants to think. Fragile. Unimportant. A job.
But she is also everything.
Which is why she must sever her ties to the woman before the job is over, otherwise the eternity to come will turn into hell on earth without her. Ava deserves hell, she knows that. Not that she believes in the devil, but the sharpness of his pitchfork and the heat of hellfire are sensations not unfamiliar to her. Eternal damnation is just guilt and anger and fear hiding in Satan’s clothing. But she can’t even begin to assign words to the kind of torture a world without her would mean. Ava’s ever so logical mind paralyses in terror at the thought of existing in a time when she isn’t.
She inhales sharply - even brushing the surface of the topic causes so much pain to course through her whole being that she needs to focus on something else - anything else - to continue functioning. So she listens to Nate’s soothing voice as he discusses myths with the professor down the hall. She registers the footsteps of people mulling about the museum on the floor below, the idle chatter of ladies clad in expensive dresses, the booming voices of three men arguing over the origin of a painting in the first hall. She turns her piercing attention on the street now, listening to the sounds of horses and vendors and street urchins, feeling thankful to the steady rain for considerably dulling the sharp tang of the muddy streets in her nostrils. She pulls out her pocket watch then, the ticking matching her now once more steady heartbeat.
The detective isn’t late yet, though she has a feeling that she will be, with the rain clogging the streets with carriages and hansoms as it usually does, especially at such a lively hour in the late morning. Ava wonders what she will wear, how her hair will be styled. She wants the rain to kiss her face, she wants the wind to rake its fingers through her tightly pinned up hair and loosen some strands from their captivity. She wants the warmth of the museum building to engulf her once she steps inside, bringing a rush of blood to her cold cheeks. She wants all this and more, for her own body must stay still for everyone’s sake, thus leaving her to live through the rain, and the wind, and the warmth of the radiators, her own fingers and lips and skin left yearning for a sensation she must deny herself.
Her daydreaming is cut short when two men pass her by, throwing her wide-eyed stares as they clutch their books to their chests and mutter quiet greetings to her. Students of the professor, no doubt, and shocked to their very core by the sight of a woman in trousers easily towering above them. It fills Ava with a savage sort of satisfaction before her insecurities - awakened by the private detective’s appearance in her life - creep up on her. It has never been particularly acceptable for a woman to wear men’s clothing throughout history, and 1896 is no exception. Then again, Ava has never been particularly bothered by this expectation, so it has all been well. Until now, when she begins to wonder if the detective likes this. She has commended her on her bravery before, and agreed with her choice of clothing because of its practicality, but that is hardly an admission of approval or attraction. And besides, she seems to favour dresses herself, even if she is nowhere nearly as extravagant or tightly laced as the dames of the decade. Admittedly, the detective’s pulse always picks up when they speak, especially alone, and her pupils are blown when she catches her staring but...
“I’ve got what we came for... and more,” Nate speaks with quiet excitement as he stalks up to her by the window, and Ava forces herself to look at her friend, hands balling into fists in her pockets. She had been so absorbed in thoughts of the private detective that she almost didn’t notice Nate at all until he reached her.
Pathetic. She needs to focus.
There’s a supernatural on the loose, murdering in the streets of London, and she is thinking about whether or not a mortal woman likes her choice of clothing. She takes the folder Nate hands her, and pries it open to reveal several new pages filled with his neat handwriting. At least their initial hunch has been correct - they’re definitely something corporeal that can pass off as a human, and now thanks to Nate’s research, they’re all but confirmed to have come from Scandinavia originally. And yet it doesn’t help her ease her mind that she knows what they could possibly be - after all, they’re out for the detective by the Agency’s estimate.
“Could it be a dark elf?” she mutters, blonde brows furrowed as she skims through the pages.
“Dökkálfar. My thought exactly,” her friend nods, pleased that Ava has come to the same conclusion.
“Haven’t seen one of those in... well, in a very long time.”
Nate’s shoulders sag a little as his initial enthusiasm ebbs. “I suppose we are about to face one again.”
She wants to reprimand Nate for forgetting the real objective of their mission - it’s protection, after all, not hunting down a rogue. But she thinks of the detective again, a woman so unique and individualistic in a world that tries so hard to oppress her along with her ambitions, and she knows she won’t be able to rest until the threat to her life is no more. It’s her duty, she reasons meekly against the swell of affection filling her chest and pushing against her skin, threatening to crack the solid marble of her stoic facade. But she knows a lie when she hears one. She suddenly thinks of last year, Paris, the Louvre. Nike of Samothrace. The statue of the Winged Victory. Headless, and yet still the symbol of triumph. She has lost her common sense ever since she started working with the detective, but she knows she must win as well, because if she fails... Well, she dare not even think about the consequences it would have on her.
And above all, she must remain as cold to the touch as that carefully carved block of marble.
“I wish we could tell her,” her friend presses on gently, concern and guilt marring the edges of the soft curve of his long lips.
“It’s better this way. Safer,” she croaks, hating the way her voice softens and breaks mid-sentence.
“Safer for whom, I wonder?” Nate sighs, taking the folder Ava hands him and closes it with delicate fingers before leaning against the wall next to her. She hasn’t even realised she sought to support of the wooden panelled hallway until Nate mimicked her movement absent-mindedly.
“What do you mean?”
“Safer for her...” he sighs before glancing at Ava with sad eyes, “or safer for us?”
She averts her eyes, her long ignored self-loathing clawing its way up from the deepest pits of her mind before she clenches her jaw. “For all parties involved.”
But mostly for me, she admits to herself inwardly. The lie obscures her true nature, and she revels in it for once. She doesn’t know what she’d do if the detective flinched away from her in fear instead of being drawn to her like a moth to a flame in the middle of a heavy summer night. For the past 800 years, she thought of herself as nothing but an agent, an element operating in the shadows, making the world a less dangerous place. She hunted her emotions and burned them at the stake, but this witch hunt can only go on for so long without consequences. She always thought of herself as a vampire first and foremost, her base nature being a bloodthirsty monster, but she was human before that. And she’s never felt more human than now. Probably not even when she actually was one.
And that is a terrifying thought to live with, especially when its source is so easily pinpointed. Her. It’s all on her.
“So we lie once more?” Nate sighs, breaking the silence and drawing her attention outwards once more.
“Yes,” she states firmly, the word feeling strangely sour in her mouth. “We tell her this was a dead end. She doesn’t need to know anything else. The Agency, on the other hand, needs to be brought up to speed. Will you do it?”
“I’ll brief them,” Nate nods, pushing himself away from the wall before straightening down his coat. “I suppose that leaves you with watching her?”
“Yes,” Ava speaks through gritted teeth, ignoring the heat crawling up her neck at the thought of being alone with the woman. Her reaction to the detective is unbearable, and yet she brings it upon herself like a masochist inviting the pain. She doesn’t understand why she does it, and yet she has no will to stop.
A nod, retreating footsteps, and Nate is no longer to be seen or heard, not even by her eyes and ears. She slips out her watch from her pocket once more and flips the silver lid open - she is late. Her heartbeat turns into a wild galloping crescendo when she hears a familiar voice on the street though, her heart’s rhythm no longer matching the steady ticking of the pocket watch as it did before.
Ava stares as she exits the hansom with a graceful ease that should be categorised as a criminal offence, wet pieces of stray hairs sticking to her delightful face as she rushes across the street with a purpose that almost leaves her breathless.
She wants to catch the killer, she tells herself. That’s all she wants and nothing more.
Yet as she moves swiftly towards the staircase, unable to wait for her in one place, and wanting, no, needing to see her as soon as possible, deep down Ava hopes the detective is just as eager to be with her as she is.
And then at the very last moment, right before they’re about to come face to face, she schools her features into a blank expression, a great lie of a tabula rasa, her face hardening like sculpted marble - commanding, ancient, beautiful, but so, so cold.
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