#with what i wanna write | Explore Tumblr Posts and Blogs

strangersteddierthings · 6 months

Text

Childhood friends AU Idea

Steve and Eddie are best friends who make plans to learn the elvish alphabet from The Hobbit so that they can pass notes without worrying about other people reading them.

The end of the school year (Eddie in 6th, Steve in 5th) brings a sadness to the two. Eddie's going to middle school and Steve's not yet, but they can hang out on weekends, and they have all summer so no worries. (Also, it gives Steve a little more time to learn elvish, since it'll be a whole year until they're in the same school again.)

Except yes worries because two weeks into summer, Eddie vanishes. When Steve bikes to his house to investigate, the whole house is empty. Packed up and gone. Steve goes to Wayne for answer and all he gets is a smile that doesn't really reassure and words of "his dad got a job opportunity, had to move on short notice. But don't worry, kiddo. I'll get you the number to their new place so you can call."

He learns elvish anyway. It's harder without Eddie to help but he's determined. Eddie might return, or maybe he'll get an address one day. Send a letter to Eddie in full Elvish.

Steve never gets a number or address. Summer ends and sixth grade comes. He doesn't want to forget all the elvish he's learned, just in case. So, he decides to keep a journal. He can write all about everything that's happening and when he sees Eddie, he can give it to him. It's a double win. Eddie will know everything he's missed out on AND it'll help Steve practice elvish.

Sixth grade ends. Eddie doesn't return. Steve did make friends with Carol Perkins though, so he's not as lonely. He hopes Eddie made a new friend, too. But not a new best friend. That's Steve's position, always.

Seventh grade brings Tommy Hagan, but still no Eddie. It brings a growth spurt and sports. Steve likes the easy camaraderie that comes with sports teams. It's like having a lot of friends, which Steve will only admit to needing in his journal. Needing many little connections of friendship to hold together the big hole Eddie left behind.

The summer between seventh and eighth grade brings him a Bruce Springsteen concert. He'd never thought of a boy kissing another boy until he'd witnessed it on stage but he thinks about it a lot after. The end of that summer brings an awaken he refuses to shy away from even if he has to hide it

Eighth grade brings popularity. Steve's good looking, rich, and liked among his peers. It brings the first (and last) time his dad says he's proud of him.

(Steve will spend the rest of his high school career chasing his father's approval.)

Freshman year brings Eddie back, but he's different. His hair is longer and his clothes are darker and he's distant. Defiant and angry. Steve would recognize him anywhere, dressed in anyway.

Eddie doesn't want his friendship anymore. Avoids him in the halls and cafeteria, but Steve is nothing if not persistent. He writes a full letter in elvish to slip into Eddie's locker, but Eddie catches him. Shoves the letter back, unopened, unread, with a harsh whispered, "Don't you get it Harrington? I don't want to be your friend. Fuck off."

Steve doesn't understand why. Not until the table top rants start. Conformity and jocks and brain-dead rich kids who get by on favoritism.

It hurts. Steve feels his heart break the day he finally gets the not-so-subtle messages drilled into his mind. Eddie hates sports, and rich people, and stupid people. Eddie hates all the things that Steve is.

Eddie hates him.

Sophomore year brings Steve a lot of things. It brings the acknowledgment that he was probably in love with Eddie, the way his heart twists the day he sees Eddie flirting with a girl in the hallway, the way he wants the lights out when hooking up with someone so he can imagine a different person pressed against him, the way he gravitates towards brunettes with brown eyes and the flickering hope it might make Eddie jealous. (The way he'd said the wrong name when Brent went down on him, too absorbed in the fantasy of someone else to get it right. Brent hadn't been offended by it, he'd been thinking of someone else, too. Steve finds solidarity for a little bit, until the school year ends and Brent leaves Hawkins.)

Junior year turns Steve's life upside down (pun intended) with monster's coming out of walls. There's probably a lot more he should write about but his journal's pretty empty this year. Too traumatized to document. (Too afraid of what Eddie would say because Steve still writes in his journal like he plans on sending it to Eddie one day. Better to write nothing than sound crazy.)

And halfway through his senior year (don't think about how he's in it with Eddie, about the 4 classes they share, about how Eddie still won't meet his eye) he wants to fade into the background. Nancy and he break up. She's with Jonathan and he hears the whispers of how pathetic he is to be eating lunch with his ex and the guy that 'stole' her. Steve knows that's a lie, Nancy made her choice, and no one can say otherwise, but it hurts to hear. He can't be bothered to try and make new friends. How would he explain the nightmares? The skittishness. The fear of the dark, of pumpkin patches, of his own damn pool now that he's had time to process last year?

Then, the next year brings him Robin. Well. First it brings him an embarrassing uniform and then Russian torture (don't think about it. Don't think about how he'll shorthand the stock list by writing it in Elvish sometimes. Don't think about how the Russian's almost believe they just work for Scoops until they find the stock list in his pocket. Don't think about how they don't believe that the strange script they can't identify isn't proof he's a spy), but in the end he gets Robin. A Platonic Soulmate who understands the hidden side of him. She asked if he was ever in love, and he thinks of the Eddie he used to know, longs to know again, and describes her instead. She rejects him in the softest way possible and then confesses about Tammy, and he confesses about Eddie in turn.

1986 brings Eddie back into his life in the worst way possible. With a bottle to his neck and them both acting like they've never spoken before. It brings twisting guts as Steve lies awake thinking about Eddie alone in a boathouse instead of sharing a bed with him like they used to in elementary school. It brings Steve leading them to Skull Rock (popularized as a make out spot but started as a set of boys' favorite place to play pirates during the summer). Dustin and Eddie make references Steve pretends to not know, despite his own copies of The Hobbit and Lord of the Rings and the numerous amounts of notebooks turned journals with elvish scrawled throughout.

There's a trek through the Upside Down. In another universe, Steve imagines he and Eddie talk. In this one, Robin sticks to his side like an extension of him (which she is), and glares at Eddie every time he looks in Steve's direction. Robin knows everything, knows it all, because there are no secrets between them.

They make plans to stop Vecna, once and for all, and Robin confesses she has a fear. That it won't turn out okay this time, but they have to try anyway. Steve clinks his bottle against hers and looks across the field to Eddie and Dustin. The stakes feel so much higher this time.

"I'm going to talk to Eddie if we survive. Make it right," he says.

"No. He's going to make it right because you didn't do anything wrong," Robin says, which is more support than he thought he'd get given the grudge she holds in his favor.

Eddie said make him pay and Steve does. Nancy advances, shotgun shot after shot and Steve's bounding down the stairs. Vecna beats him to the ground floor but not by much.

A hatchet's not the best tool to remove a head with but he manages. When he looks up, Nancy and Robin are looking down, both approving.

They find Dustin sobbing over Eddie and- and-

Steve's certain he's broken several of Eddie's ribs but he's breathing again, Nancy finds his pulse beneath all the blood, and Robin's retrieved the cut sheets to make bandages out of. Nothing is clean in this world, infection could kill him later, he might not save Eddie like he wants, but fucking Christ, at least if death claims him, it'll be on the right side of the world in a hospital.

Dustin, Robin, and Steve are at Eddie's side when Nancy leads Wayne into the room. They knew she went out looking for him (Steve was going to but Nancy had shoved him back in the chair with a look that left no room for argument) but even so they're startled by him.

Wayne has always been stoic and reserved, so it's no surprise to Steve when he just lets out a low whistle and says, "of all the people I might see here, you weren't one of 'em."

Steve swallows thickly and says, "well. I am. Here, I mean."

And Wayne gives him a watery smile and crosses the room. Pulls Steve into a hug that Steve thinks he probably wants to give to Eddie instead, but Eddie's not awake and standing and Steve is. But then Wayne says, "I told Eddie he couldn' chase ya away. That if he just talked to ya, you'd understand. He tried so hard to make ya hate him, and for what? For ya to be at his bedside anyway."

And Steve sobs. Loud and ugly and suddenly Dustin's there, and so are Robin and Nancy, and it's probably the most awkward hug for all the others but it's the best hug Steve's had in years. He doesn't even care that he's crying because how can he? Wayne's all but confirmed that Eddie doesn't hate him, maybe never hated him. That Eddie has an explanation, a reason for it all, and all he wants is Eddie to wake up and tell him.

Steve finally gets his apology two days after Eddie's release. It's the first time they've been alone together since- well, since elementary school. Wayne drove him here then lied about needing to check on something and said he'd be back in an hour or so before abandoned them to the awkward silence in Steve's living room.

"I'm sorry, Steve!" Eddie blurts out loudly, then looks startled by his own yelling.

"I know. I forgive you."

"You shouldn't."

"I know. Still do anyway. Would like to know what happened, though."

And Eddie tells him. How his father's debts came calling and they ran. How his mom got sick real fast, and his father's crime spree and prison sentence following her passing. How Eddie discovered the same thing about himself that Steve did but didn't have the same acceptance of himself. Hated that another thing marked him as Other. Freak.

He tells Steve how he couldn't let Steve back in because he was afraid of losing him again if he ever learned.

"I didn't think you'd be okay being friends with a faggot," Eddie spits the word out, dirty and mean and directed at himself.

Steve makes a decision then. "Follow me." And he helps Eddie up the stairs and into his room. Eddie sits on the bed and watches as Steve digs out notebook after notebook after notebook, until they're a tower on his bed. Then he topples them over in his search for the first.

Eddie takes the offered notebook with confusion on his face, looking from the cover, where 1978 is written on it. The summer Eddie vanished from Steve's life.

"Open it."

Eddie does and gasps. "Steve. Is this-"

"Every single one of these notebooks was written to you. For you. About you. I read The Hobbit for you. The Lord of the Rings. I learned elvish for you. I think I've been a little bit in love with you since the day we met on the playground on my second day of first grade."

"Steve," it comes out breathless and awed.

"Eddie," Steve repeats back to him, just as breathless as Eddie tosses the notebook aside and reaches for Steve instead. Hauls him in to kiss him senseless amongst the proof of Steve's devotion.

#steddie #fic #this was supposed to be a paragraph or two #why am i like this #steve has a complicated relationship with his parents #but they arent terrible #the picture descriptions have translation for the elvish if you wanna know what Steves been writing in his journals

2K notes · View notes

hier--soir · 6 months

Text

a lover's pinch | five

joel miller x f!reader

pairing: professor!joel miller x f!reader rating: explicit, 18+ minors dni summary: you and your professor enjoy a day in new york. warnings/tags: au, university professor joel, age gap [20 something years diff], ethically dubious relationship due to inherent power imbalance, oral [m receiving], a smidge of cock worship, spoilers for antony and cleopatra by shakespeare lol, flirting, these fuckos kinda go on a date, prof joel is man of the arts idgaf, a tlou2 easter egg, oral [f receiving] and then oral [f receiving] again, sex acts in public, jealousy, sexting/nudes, unprotected piv sex, exhibitionism, dirty talk, light choking, overstimulation [f], pain kink, kinda dom!joel, describing men as pretty and beautiful because I LIKE IT, soft!joel. word count: 8.3k series masterlist | main masterlist a lover's pinch playlist a/n: so this whole thing is almost entirely sucking fucking and flirting, and i hope you enjoy it before we encounter angst. all credit to willy shakes for the passage from A&C that joel reads in the opening scene. thanks king for inspiring the title of this series lol xo this is part five of ALP. you can read the previous parts here: one, two, three, four.

Sunday.

The sound of paper rustling wakes you. Muted scrapes of page shifting against page.

Through your lashes you can see a thin reed of sun streaming in the window, flaring across the end of the bed to warm your skin. And there’s a dull ache between your legs; a rhythmic throb that dances and twists through your core, through the muscles in the inside of your thighs. The type of pain that is warm – soft in its caress, like the trail of a lover’s fingertips down your spine. A sort of remembrance, or celebration. And you welcome it eagerly; delight in the sharp reminder of how it felt to welcome his body inside yours again. The hot sting of every third second, the meticulous pulse and ache of flesh that you hope stays with you for days.

Another page turns.

You tilt your head to the side, eyes open a mere crack, and smile at the secrecy of it. At the private sincerity of this man who lies awake, sporting nothing but the thin veil of a sheet, gaze fierce and focused on an endless stream of text that raps his attention. It’s a type of heaven for him, you realise. This resting place, as calm and tranquil it is. The only weight that bears down is in the place where his wrist bends, hand coiled around the spine of a book, fingers poised, flicking impatiently against the corner of a page, begging to turn it, to see more.

You take in every ripple of muscle, every dip and curve and freckle and scar. The jut of his elbow. The hard line of his jaw. Watch pink lips part and purr as he whispers the words on the page to himself, and think about how perfect that mouth felt between your thighs.

His fingers pinch the corner of a page, pressing it down into a dog ear before he moves onto the next. You wonder what piqued his interest, what collection of words made him want to mark it, to leave a trail for himself to come back one day and remember.

You break the silence finally. “What are you reading?”

Joel flinches, glasses jolting to the tip of his nose.

“You’re awake.”

“I am,” you hum. When he stares at you for a moment you just smile, snaking a hand out from the sheet to tap the page of his book. “Tell me.”

“Shakespeare,” he murmurs, a faint blotch of red rising at the base of his neck. You want to kiss that blush—taste it. Want to know if his skin smells like you. “Antony and Cleopatra.”

“I love that one,” you yawn. “Where are you up to?”

“Act five,” he says. “Cleopatra’s big scene.”

“Will you read it to me?” you smirk.

There’s an upward shift of an eyebrow. The spark of a curious glint in his eye.

“Really?” he drawls, unimpressed.

“Please?” your smile softens into something kind, something honest.

With a sharp sigh, and a quick adjustment of his glasses, Joel begins to read.

“Give me my robe, put on my crown,” he begins slowly, as if unsure. “I have immortal longings in me: now no more. The juice of Egypt’s grape shall moist his lip: yare, yare, good Iras; quick.”

His voice is a low vibration, a honeyed sound that drifts through the air and has goosebumps raising across your skin. You watch his mouth shape the words, enamoured. Savouring every glimpse of his teeth, every slip of his tongue between them.

“Methinks I hear Antony call; I see him rouse himself to praise my noble act. I hear some mock the luck of Caesar, which the gods give men to excuse their after wrath. Husband, I come. Now to that name my courage prove my title.”

His hair is a mess. A shock of greying curls that have flattened against his scalp after a night of being pressed into his pillow, threatening to spring up again. That dull pain flares in your core again and you rub your thighs together in an attempt to quell the ache. But something stirs there—low, prowling just behind the pain. Something wet and wild that whispers his name.

“I am fire and air,” Joel continues obliviously, licking his thumb to turn the page with ease. “My other elements I give to baser life. So; have you done?”

Slowly, listening—hanging—you shift against the mattress. Allow the sheet to fall down to your stomach, exposing your breasts to the morning air. Your nipples stiffen, chest tightening as he glances at them from the corner of his eye. He pauses, mouth ajar. Swallows. Brown eyes return to the page, and he continues to read.

“Come then, and take the last warmth from my lips.”

Your hand drifts across the mattress, hidden from sight as it traverses the soft plains of the sheets, the blankets, and then the skin of his thigh. Bare, but smattered with soft hairs that tickle your palm and fingertips. Goosebumps tear across his skin and his breathing hitches; the faintest cracks in his calm façade. You surpass where you can see him hardening, fingers floating up his side to rest against his stomach. Gently, you feel across the soft slopes and curves of his tummy. Glide your finger over the dip of his belly button and smile when he clears his throat, legs shifting in a restless dance. And then your hand shifts down. Past his happy trail, past the dark curls at his base, to wrap your fingers softly around his length.

“Farewell, kind Charmian,” Joel’s voice deepens. “Iras, long farewell.”

You lower yourself on the bed, dragging the sheets with you until they rest wayward and wrinkled around his knees. Your cheek nuzzles against his thigh as you stroke him, humming in delight as his cock stiffens in your palm.

Joel sighs. “You don’t have to—”

“Keep going,” you hush, glancing up. He watches you over the top of his glasses, gaze darkening. There’s still sleep in the corners of his eyes, and it’s so soft, so domestic, it almost hurts. You look down, simpering as you admire the sight of his cock, now fully hard and leaking in your grasp.

The head is swollen, a flushed shade so reminiscent to that of his lips that you want to kiss him. But his skin is warm and smooth, like silk as you nuzzle his length against your face. Feel his wetness streak across your skin, over the closed line of your lips, the apple of your cheek. “Joel,” you urge him quietly when he still doesn’t speak.

“Have I the aspic in my lips?” His voice is hoarse when he continues; wanton, rough with sleep and desire. “Dost fall?”

You lathe soft kisses against the tip, along the vein that pulses along the side of his shaft, against the tight swell of his balls, taking your time with him. You giggle when he sucks in a sharp inhale, the muscles in his thighs tightening beneath your cheek.

“Such a pretty cock,” you whisper, swiping your fingers over his weeping head.

“Yeah?” he exhales and drops the book against his stomach, fingers reaching to tuck a loose strand of hair behind your ear. “Gonna show me how much you like it?”

“Mhm,” you bat your eyelashes up at him.

Joel raises the book again, slowly, eyes unfocused and glassy but still watching—still devouring—the way your lips purse around his tip. His stomach tightens when your tongue leaves soft kitten licks against the slit, lapping at the salty precome that rests there.

“If thou and nature,” he murmurs. “Can so gently part.”

And it’s almost painful, the way he sounds. Exhalations of tragic Shakespeare mixed with soft gasps, with curses loosed beneath his breath. The occasional revered whisper of your name, spurring you on.

His free hand settles at the back of your head, thick fingers curling in your hair as your lips part to take him deeper inside your mouth. “Fuck,” he groans, hips shifting against the mattress. “That’s it, baby, god you’re good at that.”

You hum around the weight of him, stomach warming at the praise. Swirl your tongue generously around his girth, lathing saliva over his skin until it’s dripping down to his balls. You cup them gently in your palm, massage him as your lips drag to rest around his tip again, paying close attention to the way he gasps and sighs when the point of your tongue dances along the ridge at the underside of his head.

“Sensitive there?” you ask quietly, eyes flitting up to look at his face. His cheeks are flushed, eyebrows furrowed as he nods.

“S’good,” he confirms, fingers tightening in your hair as you rub that spot again. A fresh bead of precome oozes from his slit and you smile, fingers curling around his length to tap his tip against the flat of your tongue. “Jesus,” he mutters, eyelids fluttering. “Yeah, good girl.”

You shift down on him eagerly, letting the heavy weight of him slip against your tongue, inside the warmth of your mouth, until he’s pressing against the back of your throat and you can hear him moaning.

“Got the prettiest fuckin’ mouth, baby,” Joel whispers. “S’like a fuckin’ dream, seeing those lips on my cock again.”

You whimper and swallow around him. A tear squeezes out of the corner of your eye, trailing a shiny path down to your chin. In steady, measured movements, your head bobs up and down on his length, guided by the gentle press of his hand.

“Yeah,” he sighs. “Take it all, baby, yea—yes.”

You relax your throat and take him deep enough to feel your nose brush against the rough hairs at his base.

“The stroke of death is as a lover’s pinch,” he reads, the cadence of his words stilted and breathy. “Which hurts, and is desired.”

Suddenly, his hips jut upward and you gag, throat constricting around him until your eyes are wet and blurry. He tugs gently on your hair, pulling you backward until you part from him with a splutter, messy strings of saliva dangling between your swollen mouth and his cock.

“God damn,” he swipes a finger across your lower lip. “Doin’ so good, sweetheart. So so good."

You think your eyes water more at that. Sweetheart.

“I want it,” you slur, lids heavy as you make eye contact with him.

“What do you want?” he pushes, cupping your jaw in his large palm. “Tell me.”

“Want you to come in my mouth,” your face warms and you lick your lips, fingers stroking him slowly. “Want all of it.” Everything.

“Okay,” Joel soothes, and then his hand drops from your hair so he can grip himself. Gently, he glides the tip along your bottom lip, trailing his salt across the skin of your chin, your cheeks, your nose, before finally pressing the head back against your tongue. “Take it, come on. It’s yours.”

He presses between your lips, jaw tensing, and his eyes drift back to the book as you begin to move.

“Dost thou lie still?” he reads. “If thus thou vanishes, thou—Christ—thou tell’st the world.”

Your lips are tight around him, mouth sucking and moving in tandem with the strokes of your fingers, wrapped loosely around his base. Carefully, you shift to straddle his shins, forearms resting heavily against his thighs as you bring him to the brink of his orgasm. Yours.

“Fuck,” you hear him spit, and then he’s arching forward, the splay of his palm moving down the length of your spine until his fingers slip into the crevice between your ass cheeks. Gripping and squeezing the flesh there until you’re moaning too, the vibrations of your voice muddling with the wet sounds of your mouth against his cock.

It doesn’t take much longer for coherent thought to evade him, Antony and Cleopatra flung to the wayside of the bed as his broad hands cradle your head, the tip of his cock nudging the back of your throat with every thrust. Your entire body is hot, slick with sweat, the musky scent of Joel filling your nostrils with every rushed inhale. The sounds he’s making turn rougher, deeper; raspy grunts and exhales that are almost animalistic in their intensity, and then—

“Fuckin—look at me,” he bites out, and watery eyes flutter open to meet his gaze. “Need to see those pretty eyes when I fill you up.”

And fuck you’re wet. So wet that it’s seeping onto the skin of your thighs, drooling out of you as you clench around sweet sweet nothing, cunt desperate and begging to be filled again. Tightening your fingers around his cock, you drag your mouth back to suck gently around the pulsating head, and when he comes it’s with a drawn-out, laboured groan that fades into harsh mutterings of your name and fuck and so fuckin’ good at that god damnit and that’s it, swallow it all baby, it’s yours, it’s yours, it’s yours.

You pull off him with a gasp, sucking in deep desperate breaths as you fall onto your back beside him.

Soft sheets stick to the sweat on your skin, and you close your eyes, vaguely aware of how the two of you breathe in sync; a high-strung cacophony of sharp inhales and heavy exhales.

After a few quiet moments you ask, “What time is it?”

“Eighty thirty,” he answers. The mattress jostles and tilts as his large frame shifts on it.

“Probably time to start the day,” you grumble, throat raw and tired.

But you can feel hands on your waist, nudging you backward until your head is slumped amongst the soft pillows again. And when your eyes peak open Joel is getting comfortable between your legs, glasses forgotten somewhere out of sight, hands pressing your thighs into the mattress to reveal your glistening sex to him.

And he says, “No,” shaking his head slowly, near-black eyes piercing as his lips lower to meet your cunt. “Not yet.”

You were unsure, initially, whose idea it was.

Unsure of who spoke first; if you or him brought up the idea of the museum. Unsure if he mentioned the bookstore or you mentioned The Iliad. Unsure, unsure, unsure.

But as you stand on the outskirts of Central Park—showered, dressed, sure—eyes scanning the front window of the shop, the glass overflowing with newspaper cuttings and novel covers and author profiles and ads for signings – you are certain that it was him. Certain that he asked what your plans were for the day, head resting on your thigh, lips and beard still glistening with your come. Certain that you mentioned going to the museum, and that those brown eyes lit up, mouth splitting into a smile as he revealed that he had plans close by. Certain that he introduced the idea of going together.

A bell tinkles and your gaze sharpens, watching as his broad frame slips out the door with a brown paper bag tucked under his armpit. Joel ticks his head wordlessly to the side and you fall into step next to him, two sets of shoes scuffing against the pavement in a perfect rhythm.

“Can I see it?” you ask, eyes roaming curiously around the street.

“Sure,” Joel holds the bag out and you take it carefully, fingers peeling back paper so you can take a peak inside.

“The cover is beautiful,” you breathe, fingers tracing vibrant swaths of gold and red, the white lettering that spells The Iliad. You balance the spine in your palm, curious to flick through to the first page. To see the acknowledgements, her author photo, anything. And as your eyes skirt over the very first page your feet stutter to a stop, pulse increasing as you spot the black marker on the page. A messily scrawled signature.

“Joel.”

Joel says your name, pausing a few steps ahead before turning back to face you. “What’s wrong?” he frowns.

You hold up the page, brows lifted in awe. “She… how did you get a signed copy?”

“We’ve met a few times in passing,” he admits sheepishly, eyes glancing between the book and your face. “I’ve always admired her work, and she offered to set a copy aside for me here. She’s very impressive, the first woman to—”

“The first woman to publish an English translation of The Odyssey,” you interrupt. “Yeah, Joel, I know exactly who Emily Wilson is.”

“And now she’s published The Iliad,” he hums. You begin walking again, the museum in sight now. “I’m lookin’ forward to readin’ it. Especially now that I’ve heard all your thoughts about how women and men translate differently. I’m sure it’ll be on my mind as I go.”

The skin on your face prickles and tightens under his attention. You’re still smiling, a wide and satisfised flash of your teeth, when the two of you reach The Met. Still smiling when he pays for your tickets and leads you toward the Cloisters.

You wander together through the exhibit. Medieval, Bohemian, Byzantine. Jean Pucelle, Robert Campin, Tilman. You catch Joel staring at the Bust of the Virgin, one hand on his hip, knee jutted out as he admires her elegance, the tenderness with which her face was carved.

“You like her?” you tease.

His shoulders stiffen and then relax into a sort of indignant laugh.

“I like terracotta,” he smarts, reaching out to pinch your forearm. When he pulls his hand away you see his eyes dart over your shoulder – a quick glance around the room to see if anyone noticed.

“Oh of course,” you nod, a mock serious expression on your face. “Me too. Terracotta virgins.”

“You know,” he huffs, turning to face you head on. “You oughta start showin’ me a bit of respect. Where’s your reverence for an authority figure, huh?”

“Authority?” your eyes widen, smirking broadly as you take a step forward, the material of your jacket brushing against his. “And what authority might that be?”

“I could fail you,” he murmurs, glancing down at your lips. “Tell everyone you’re the worst student I ever had. Never does as she’s told, always talkin’ back.”

“Oh, Professor,” you whisper back, fingers curling around the hem of his shirt, your snark emboldened by his. “I hate to say it, but you’re not very convincing in your distaste.”

You don’t wait around to see his reaction, turning on your heel and heading into the next room. Your cheeks are sore from smiling at the end of it, eyes tired from reading, and then you reach the courtyard gardens. See the cloisters. See the Romanesque columns with their fluting grooves that lead into arches, see the vast green garden with its flowers of yellow and pink and purple. Herbs and flora border the walking paths, filling the air with the scent of thyme and rosemary, and you can’t help but grin.

“Not bad right?” Joel’s voice comes from behind you.

“Not bad at all,” you turn to smile at him. “Would’ve been cooler if they had some dinosaur bones around here though. A museum should always have a dinosaur.”

“A dinosaur,” he repeats, quietly amused. “Of course, you like dinosaurs.”

“I thought, uh,” Joel clears his throat then. Glances away for a second. “Thought you might like it here; that it might remind you of your time in Greece.”

The words make your chest go all warm and tight. He looks so handsome, so easy in the middle of it all. Dark features and broad shoulders softened by the smell of flowers.

“It does,” you nod. “A little bit.”

“What was it like?” he asks.

“Greece was…” you trail off as you remember it. White sand beaches, turquoise waters, boreks and Doric columns, seemingly endless nights spent translating sheets and sheets and sheets of ancient texts. “It was wonderful, really. I feel so lucky to have had the opportunity, and Professor Samaras was a phenomenal instructor.”

Joel nods, fingers looped and resting across his stomach as he digests your answer.

“Good,” is the response he settles on, finally. “I’m glad. You… you deserve that. You work hard, and your presentation was solid.”

And it’s been less than twenty-four hours, but those words bring you calm now, not frustration like they did last night. So you smile, and thank him, and don’t stop yourself from asking him something in return.

“Have you really never been?” you ask, eyes squinting inquisitively as you watch his face, searching the emotions that flitter across it – near impossible to decipher, as always. “You said you weren’t interested, that first night when we spoke about it… but I would’ve thought… I don’t know, maybe a semester abroad or… or a fellowship?”

“Never,” he looks away. “Always too little time, too little money, too many responsibilities.”

You nod slowly, watch him curiously. You wish you could peel back his skin and see inside of that gorgeous brain, that heart. Understand every trouble, every missed opportunity that weighs on his shoulders.

“There’s still time,” you offer. “You’ve got so much time, Joel.”

Joel looks at you and you can see in his eyes that he’s grateful for the words. See that the earnestness with which you speak brings him some kind of solace, some kind of hope.

His fingers graze the skin of your wrist, curling around it to hold you in place beside him. Your body stills, eyes training carefully on the garden; the green of the grass, the pink of the flowers that bloom amongst it all. One of his fingers searches the skin at the inside of your wrist, swiping and rubbing over the tendons and veins there until he finds where your lifeline pulses. And then he strokes that spot, a calm, meticulous glide of his fingertip, over where blood thrums and rushes inside your body.

The tickling sensation has a painful knot of want curling in your chest, but you don’t stop him. Don’t pull your hand away, don’t take a step back. And with every stroke against skin, you feel it as if it where between your thighs—the soft curling of a finger between your folds, against your clit. It feels feverish, like a steady flame that spreads across your skin, up your chest to lick at the inside of your ribcage.

“Soft,” he says, his voice low and thoughtful. “You’re so soft.” And it sounds painfully like, you’ve got so much time.

And you look at him and he knows. Your face says it all.

Says, let your hands wander wherever they like. Says, if you touched me here—now—I wouldn’t say a word, wouldn’t tell a soul. Says, everything I have to offer is yours if you could only bring yourself to take it. Says, and if your hand won’t wander, won’t stray, I’ll take it in my own and show you where to touch.

So you lead him back inside. Quiet, discreet, slipping past patrons and staff and guards until you find a bathroom. Tuck him inside and smile at the snap of the lock shifting into place behind you.

Joel’s knees meet tile with a soft thud, and dark eyes hold yours as he peels your trousers down, as he drags the slick fabric of your underwear to the side, as he presses the soft cut of his mouth between your legs. He watches you, steadfast, cheeks ablaze and pupils blown as his tongue works you open, calloused fingers holding your left thigh over his shoulder.

And after you’ve come, face pinched and hidden behind your palm, he pulls away. Skirts wet kisses down the inside of your thigh, against the shell of your kneecap, to the bruise that colours your shin.

And he whispers, “Does it hurt?” with his fingers tracing tender splotches of purple and blue.

And you whisper, “No.” with your fingers brushing the curls off his forehead.

Afterwards you walk through the park, pressing through streams of tourists and locals alike; a lively crowd that parts and flurries around the two of you as you push forward. He fields your questions about Emily Wilson, about the years he spent doing his PhD, parrying seamlessly with queries about the West coast, about your undergrad, your roommates.

The bubble doesn’t break until Joel gets the text. Cursing softly, he turns away from you, eyes focused on his screen.

“Everything okay?” you ask.

“Yeah, yes,” Joel says, fingers flying across the touch screen, typing out a response before he tucks his phone away. “I, uh, look I actually forgot that I have somethin’ I need to do tonight.”

“Sounds mysterious,” you smile, eyebrows raised expectantly. But your smile wavers when he doesn’t match your teasing, face relaxing as you wait.

“Rachel and I planned this dinner a few weeks ago,” he explains. “When we both agreed to attend the conference.”

“Oh,” you blink. “That’s nice.”

“It’s this thing we do,” Joel offers, shifting on his feet. “A tradition, I suppose. To celebrate another conference done.” And you remember, I’ve been to twenty of the damn things. His twenty to your one.

“That’s nice,” you repeat, and hold your smile when he checks his phone again.

Hold it when he tells you he should go, that he needs to get ready to meet her. Hold it when he hesitates, staring at you for a moment. Hold it when he presses a chaste kiss to the side of your head, lips meeting your temple, the weakest point of your skull, before turning to walk away from you.

Only when you’re alone do you let the smile fall.

After a lonely dinner, you find yourself back in your hotel room, thinking about Rachel.

Folding your blue dress into a neat square, and then a smaller square. Tucking it into your duffel bag, thinking about the rough sound of her laugh. The soft curve of her jaw, the sparkling greys that curl through her dark hair. You fold your underwear, pack that too, and think of her fluorescent toenails and her dangling earrings. Think of how sure she is; how intelligent, how charismatic. And then you think of yesterday – of her hand on Joel’s arm, soft fingers curling around the sleeve of his blazer, carting him around the conference. Leading him. Standing by his side, making him laugh.

And it burns, this hot feeling in your chest. Something dark green and scalding, fiery enough that you feel the need to sit on the edge of the bed and press your palm against the skin above your breast to tamp it down. Feel your heartbeat there, the rise and fall of your chest with each breath, and tell yourself that this feeling is cruel and unforgiving but that it is wrong. You lay out your clothes for the airport, wrap yourself up in the coarse hotel robe and push away the images your mind creates of them at dinner together. Push away the thought of her foot nudging his beneath the table, the thought of them sitting beside each other, thighs brushing like yours had on the bench last night. Because it’s wrong. Joel isn’t like that. Joel wouldn’t do that.

When Nora calls, you pick up on the second ring.

“How did it go?” she squeals, and you feel your shoulders relax at the sound of her voice.

“It was good,” you respond. “I feel good about it. Glad it’s over though.”

“You never answered my text—" the line crackles a little, muffling the last word of her sentence. “I was worried something bad might’ve happened.”

“Fuck,” you apologise. “Yeah, I’m sorry about that, I—I got caught up with something, I… I wasn’t looking at my phone.”

There’s a beat of silence over the phone. Another fried, crackle over the line.

“Oh you cheeky bitch,” she gasps then. “You could’ve just said you were getting some!”

“Nora—” you try, stomach dropping.

“Who the fuck was it?” she continues eagerly. You can almost picture the way her eyes would widen if she were here with you, hands clenched excitedly at her sides as she pushes for all the gory details. “Was it someone from the conference? Oh my god, was it someone from UNE?”

“No, no,” you rush, feeling an anxious heat rise in your chest. “It was just a random guy, we… I met him at a bar afterwards, it’s no one from Maine. No one from the conference.”

Another pause.

“And?” she asks finally. “How was it?”

You consider her question for a moment. Remember the way he undressed you in the dim light of his hotel room – slow, cautious. Remember the way he looked at you. Those dark brown eyes feasting over every inch of flesh, every mark, every freckle, every scar. The feeling of his hands on your breasts, his bare chest against yours as he pressed inside of you.

Quietly, earnestly, you say, “It was amazing,” and smile when she hollers down the line.

And this feeling is so much kinder, you think. The relief and the warmth that comes with being able to tell someone. To talk about him, even if you’re not really talking about him. Even if she can’t really know the truth.

You put her on speaker, still listening and laughing as she rattles off question after question. Did he go down on you? How big was he? Wait he was older?! You bitch! How old?! That’s hot. Fuck, I need to get laid.

“You really do,” you chuckle, laying down against the pillows and typing out a text to Joel.

Are you enjoying your dinner?

He replies within minutes.

Yeah, the restaurant is nice.

What are you doing?

“Hey Nora?” you interrupt. “I actually need to go.”

“Oh,” she huffs. “Alright, alright, I get it. You’re gonna go get fucked again. Good for you bitch.”

“I love you,” you laugh, already typing out a response to him. “See you tomorrow when I get home.”

Well my bags are packed, and I just tucked myself into bed

You watch the text bubble appear, disappear, and reappear over three times before it vanishes completely. Minutes go by; maybe ten, maybe fifteen, and then—

Show me.

Grinning, you loosen the tie around your robe to reveal a flash of the skin across your chest; the curve of your left breast, the peak of your nipple. Take a picture and make sure he can see your finger snagged between your lips, resting against the softness of your tongue.

For a moment you worry. Feel a spike of fear in your chest that if you send it someone else might catch a glimpse of his screen – that Rachel might see it. But then another text comes through, and you feel that fear melt into a warm pool of liquid.

I know you want to show me, sweetheart.

So you do. You click send and wait, teeth catching against the nail on your thumb.

The response is almost instant.

Jesus.

Are you wet?

You know I am

Are you touching yourself?

Good.

Dinner finished early. Where are you?

You send him the address of your hotel. Call the lobby and tell them to let him up. And when he arrives, you’re waiting for him on the balcony. You hear the heavy pad of his footsteps crossing the room, and then the slide of the glass door. Feel the broad span of his chest press against your back; outstretched fingers that glide around the curve of your waist to settle over your stomach.

Joel doesn’t say a word, nosing at the frizzled kinks of hair at the base of your neck. One of his hands drifts upward, fingers curling beneath the neckline of your robe, just grazing the curve of your breast. You let your eyes fall closed and think this feels like coming home. Think, if this moment could last for hours, for days, for ever, that would be enough, and I’d never ask for another thing. Think, where have I been all of my life, and why was it not here with him?

You say, “Let’s go inside,” as he touches your nipple, and feel him shake his head.

“No,” he says. Presses his hips against your ass, rough denim brushing the backs of your knees. “Want you here.”

You start to say Someone might see, but Joel pushes you forward again and your stomach presses against railing. Your eyes dart down toward the street, the road. To cars and pedestrians and tourists.

“You don’t want that?” his lips brush the side of your neck as he speaks, the softest pressure. He tugs at your robe, guiding it down past your shoulders, elbows, until it pools around your feet. “Don’t want them to see us together?”

“That’s not—” you gasp as his teeth sink into the skin of your shoulder, hot tongue gliding over already bruising flesh. “Fuck, Joel.”

He groans against your skin, lathing wet kisses past your neck to the top of your spine. His hands are on your waist and your stomach and your tits and his jeans chafe against your bare ass, zipper catching every now and then. But your mind is hazy, a blur of thoughts that can only focus on the feeling of teeth and lips, on something long and firm pressing through the material of his pants, rutting slowly against you.

“You’re hard already,” you breathe, surprised—delighted.

Joel grunts, distracted. “Been hard since you sent me that picture.”

A shaky breathes leave your lips as his hand skirts down your stomach, your hipbones, until his fingers slip past the glistening seam of your cunt – tender and swollen and aching.

“But that’s what you wanted, hmm?” he rasps. You whimper as his fingers circle over your entrance, collecting your slick and dragging it upward. A flinch rips through you when he touches your clit, the nerves fraught after being given so much attention throughout the day. “You like knowin’ how much I want you? How badly? You like that I’d leave dinner early just to come here and fuck you?”

Face on fire, you nod; caught out. And then he takes another step forward, bending you further over the railing and pressing himself against you, hard enough that you can feel his cock between your ass cheeks, denim scraping the sensitive skin there.

“That is how much I want you. All the fuckin’ time,” he says. “Get it?”

“Joel,” you stutter urgently, voice almost a squeak. Your thighs shake, knees close to buckling as his finger rubs slow circles against your clit. “S’too—fuck, Joel, it’s too sensitive.” It burns, too much – but his touch only serves to stoke the fire in your belly until it’s a roaring, raging thing, begging for more of too much.

“I know, honey,” he groans, and you think you can hear the sound of his zipper coming undone. “You sore?”

When you don’t answer immediately Joel’s fingers still, body straightening as if he’s about to stop, about to pull away.

“Don’t,” you say quickly. “Just—”

“M’not goin’ anywhere,” Joel hushes. “Does it hurt?”

You hesitate, stomach tightening when his fingers start to move again. “It’s… yeah a little, but it’s…”

“But you like it? Like it when it hurts a little?” he fills the silence, and you can hear the change in his voice. Hear how it deepens, a gravelly effect that has your cunt tightening. You cringe, turn your head to the side in the hopes that he won’t see your reaction. But he doesn’t let it slide. Of course not. “Talk to me.”

“Yeah, yes, I like it,” you admit, exhaling a relieved sigh when you hear his belt hit the ground.

“Good,” he says, and then you can feel him, hot silken skin on your own, the wet glide of his cock against your ass check.

His knuckles brush against you as he adjusts himself, and the weight of his tip at your opening is not unlike the brush of his fingers along your bruised shin. Tender, careful – the touch of someone that would never hurt you. Not unless you asked him to.

When Joel rocks his hips forward, cock splitting you open around his weight, the stretch is long and deep. A sweet, searing burn that has you balancing on the tips of your toes, mouth hanging open as you grip the railing and take it. The night air is cool against your skin, but warm hands land firm on your hips, thumbs circling and rubbing away the goosebumps there

“God,” he grunts into the hinge of your jaw, teeth nipping at the muscle there. “You’re so wet, so needy. Want this cock all the time, don’t you?”

You can only moan in response – a choked, whimper of a noise that scratches its way out of your throat as he bottoms out. His thighs are warm and thick against yours, body practically moulding itself to you as you squirm, cunt pulsing around the thick length of him.

He gives you a moment to adjust, waits to feel you relax against him, and then he’s moving. Slow, powerful thrusts that have you feeling him in your stomach, and wishing you could see his face. Wishing you could watch his nose scrunch up, his lips curl into a snarl as he fucks you. Wishing that everything you’re feeling could be reflected back to you in his face, the way it was last night.

“Thought about you all night,” he says in your ear, a dirty little confession, whispered only for you to hear. “You know how sick that is? At dinner with my colleague, my friend, and I couldn’t get this perfect cunt out of my head. S’drivin’—me—fuckin’—crazy.”

And it’s sick, it’s awful, but you feel your lips peel back, face breaking into a toothy grin at the words. That envy, that jealousy, that dark green sticky feeling - all of it for naught because you were right. Joel Miller is yours.

“Yeah?” you pant, pushing your ass back into him and smiling even wider when he grunts, blunt fingernails digging into your waist. “What were you thinking about?”

“’Bout how tight you always are,” he kisses the side of your neck, tongue flicking incessantly against the skin there. “How perfect you felt around me last night. How you take it so well.” He bites down, sucking until the skin throbs, another mark left in his wake. “How, if I can help it, I’ll never wear a condom when I fuck you again.”

You curse, head lolling back against his shoulder. The confession makes you ache. “Please,” you mutter desperately. “Joel, please.”

“Thought about fillin’ you up,” he continues eagerly. “Fuckin’ you so hard, so deep with my come that you’d feel it for days. And you’d be mine.” His hips snap forward in a particularly harsh thrust and you grunt, cringing as the railing bites into your ribs. Mine mine mine.

“I’m yours,” you moan as he fucks you, a steady smack-smack-smack sound filling the air as his hips collide with the meat of your ass, over, and over, and over again. “You know I am.”

And you want to know what he thinks of that, want to know what comes next, but the sound of laughter echoes up from the street suddenly, and you tense, eyes snapping wide open. Joel doesn’t slow down.

“Look at them,” he hushes, voice quietening some.

His hand raises to point somewhere over the balcony, but you don’t see where; eyes trained on his fingers, his skin, the blue veins that swell and pulse beneath it. Your eyes try to follow it, but you’re looking the wrong way, following the hard line of his wrist, the corded veins in his forearm, his bicep, trying desperately, shamelessly, to catch a glimpse of his face.

“I said look at them,” his voice deepens, an authoritative tone taking over as his long fingers grip your jaw, angling it down until you do as he says.

You can see three of them. Squinting, you try to make out their faces from four storeys up. Stumbling down the street, laughing loudly, bumping shoulders as they walk.

Joel’s hips press forward and you gasp, eyes rolling back as his swollen tip nudges the deepest, softest place inside of you.

“Wait,” you whisper hoarsely, body jerking forward with every practised thrust of his cock. Say again, “Someone might see.”

“I hope they do,” he growls, hand falling to drape over your neck.

His fingers press gently against either side, cradling your pulse point in the palm of his hand. Your brain goes foggy with the pressure, mind buzzing and blurring. The sensation of his broad grip against your throat mixes with the drag of his cock between your thighs and it’s intoxicating; a high that you’ve never experienced before, and never want to end. You don’t realise how loud you’re gasping, moaning, keening his name, until you hear him laugh. A rough, elated sound.

“I knew it,” he chuckles, and you tighten around him, fingers fumbling backward, seeking purchase at the soft flesh of his hips as he continues rocking into you. His hand drops from your neck to your tits, and he squeezes.

“Admit it. Admit you fuckin’ love it,” Joel pants, every word punctuated by a white-hot press of his cock and a heavy exhalation against your neck. “Dirty little thing—you want them to see. Say it.”

“Fuck,” you cry, spine arching as you push backward, meeting the movements of his hips.

“Fuckin’ say it,” he snaps, all hints of laughter gone now, his rough drawl only offset by the fond way his hands play with your tits. Careful, kind; every pinch, every squeeze, every caress a generous and tender display.

“I want it,” you blubber, sight blurring into a mess of streetlights and skyscrapers and strangers on the street. “W-want them to see how you fuck me, how you take care of me.”

“That’s it,” he groans, and you can feel the way he twitches inside of you, cock jerking against your walls in hot fast movements.

“Want them to know,” you continue, and there’s tears streaking messily down your cheeks, your lips moving faster than you can control. “Want them to see us, see how good it is, how perfect.”

And it’s too much now, you think. Finally, too much of too much. The railing is bruising against your stomach. Every stroke of his cock, every graze of your nipples – Joel’s touch akin to the end of a frayed wire, sparking and spitting embers wherever the two of you come into contact. Your cunt is on fire, every inch of sticky wet flesh throbbing and smarting.

“Fuck,” he groans. “Can feel you squeezin’ me, baby, you gonna show them how you come for me? Gonna let them hear it?”

“I can’t,” you choke out, shaking your head numbly. Yours lungs are on fire, mouth dry as you try fruitlessly to suck in breath after breath. “Fuck, I don’t think I can—”

“Hey,” his voice calls. A rough finger wipes across your cheek, smearing the salty tears further across your skin. “You can, you can, I can’t—I fuckin’ need this, need it.”

“It’s too much,” you gasp frantically. But your words aren’t matched by the desperate grind of your hips. Aren’t matched by the way you twitch and shake between him and the glass, abdomen tensing tighter tighter tighter with every thrust. “Fuck, I’m—I’m close but it’s too much, Joel, it’s too much, I can’t, I can’t—”

He pulls out quickly. You gasp wetly at the loss, at how your walls clench and suck around that empty warm space in his absence. Deft hands grip your waist, tilting and turning you until your back is against the railing now, and his mouth is between your legs, wet lips and tongue so soft in comparison, so soothing against that burn.

There’s no shying away now, no stuttering or whining – you simply melt, thigh softening around the curve of his shoulder, allowing him to hold you up as his tongue teases and coaxes you to the edge of your third mind-numbing, toe-curling orgasm that day.

And you don’t notice at first how his bicep shifts and flexes beneath your thigh. Don’t notice how he groans and sighs against your messy cunt, panting and muttering your name as he strokes his cock in tight, wet jerks. And when you come, gushing into his mouth, his eyes snap open, endless spheres of deep brown gazing up at you, desperate to see. Your legs tremble with the force of it, hands grappling for purchase on his shoulders, in his hair. And with your lips parted, tears drying on your cheeks, you watch the way his face crumples—wrecked. How eyebrows furrow and eyelids flutter shut. Joel’s mouth slips away from you, teeth sinking into the flesh of your thigh, something to ground him as he grunts, a low, ragged sound, before you feel him come in warm, thick spurts against your calf.

“Fuck,” you mumble deliriously. Can hardly hear yourself over the roar of your pulse in your ears. “So good, you’re so beautiful.”

Joel’s face is flushed, skin tinged with a deep red that settles across the highest peaks of his cheekbones and disappears into his beard. And when his eyes open again, drowsiness swimming beneath those heavy lids, you can see the way they shine. Glistening with something wet, something earnest. You thumb gently at his waterline, swiping away the tears like he’s done for you.

His lips press a chaste kiss to the pad of your thumb, tongue snaking out to lick his tear from your skin, and you think you must repeat it, So beautiful, because he smiles. Breathing heavily, eyes wet, he grins for you. A flash of white that he quickly smothers against the skin of your leg.

After catching his breath, Joel leads you inside and helps you shower. Stands outside the glass door, hand gripping your elbow to brace your shaking frame as you glide soap over your arms, down your legs. His fingers dig in firmer when you slip a hand between your thighs, whimpering as warm water streams over the sensitive skin there. He doesn’t flinch or shy away when specks of water flick out and dampen his shirt.

“You okay?” he asks as he helps you out, wrapping a towel around your shoulders.

You nod, mind still foggy, and let him rub the coarse fabric over the skin of your arms, your legs, drying you off before he tucks you back into your robe. And when he leads you back into the room, helping you carefully onto the bed, a flash of concern splits across his face. He takes a step back, a step away, until his back is brushing against the wall.

You lay down on the bed, heavy limbs splayed haphazardly across the soft blankets and pillows. Your robe is open, the tie still forgotten somewhere on the balcony, revealing the skin of your stomach, your thighs, still dotted with warm droplets of water.

And Joel's not far, not really; tucked away in the corner of the room, unsure, arms hanging listlessly by his sides as he stares. Takes in every inch of you as if it’s the first time all over again. Perhaps, as if he’s worried it will be the last.

“I should go,” he says, painfully unconvincing.

“Yeah,” you agree quietly, eyelids heavy as you stare back at him.

Your lips part in a soft yawn as you scratch languidly at the skin over your ribs, and dark eyes follow the movement of your fingers. Watch how your skin smarts and pulls beneath your fingernails until you sigh in contentment, the itch disappearing.

“You gotta be up early,” he says.

“I do.”

“And it’s late,” his eyebrows raise.

“Is it?” you smile. Raise your eyebrows in return and laugh when he sighs, hands twitching at his sides.

“Are we really doing this again?” you ask, smile slipping when you notice his frown. The twisted furrow of his brows, the curl of his upper lip. As if all of the features on his face have pinched together in the middle. Something churns in your stomach; a sick feeling that rises to lodge at the base of your throat. Waiting. “Talk to me.”

“M’tryin’,” he admits quietly. “Tryin’… tryin’ to be good. I want to be good.”

Your heart drops. And then, driven by some emotion that you can’t name, don’t want to name, it climbs its way back up, lurching forward in your chest. It claws and scrapes and tears itself out through a crack between two of your ribs, flinging itself across the room at him.

“You are good,” you whisper. Feel your bottom lip wobble, unsteady but sure. Certain of nothing but this as the words slip out. “You’re good, Joel. We are good.”

And when he smiles you think you can see it in his teeth. Little fragments of your heart; the beating core of you, dark red and macerated in the cracks of his canines, the lining of his gums.

Joel closes his eyes and repeats the word. A softly murmured, Good, as if the word itself confounds him, and you think you must be imagining the red smeared across his chin. Your blood seeping out past his lips, dribbling down to stain the skin of his neck.

“I hope you’re right.” He takes a deep, steadying breath. One that shakes the planes of his broad chest, makes it rise to its fullest potential before he sucks another in, shoulders relaxing, and walks across the room towards the bed.

Towards you.

thank you for reading! x

#i hope you wanna know what happened at the dinner with rachel #cause i'm gonna tell you #my writing #fic: a lover's pinch #professor!joel #ALP #joel miller x reader #joel miller fanfiction #joel miller smut

2K notes · View notes

nerd4music · 1 month

Text

THE WALKING DEAD: THE ONES WHO LIVE | S1E4: What We

#twdedit #towledit #richonneedit #the walking dead #the ones who live #twd: the ones who live #michonne grimes #rick grimes #richonne #towl spoilers #tvedit #**#*gifs #**tv #love that she gets to be vulnerable and express this #love that this is what jolts him into finally opening up #writing so good I wanna chew on it

519 notes · View notes

finsterwalds · 2 months

Text

Thinking about better call saul if the action took place in france just because I wanted to see them in cunty robes lmao. More thoughts under the cut!

Obviously the action and the whole premise of bcs/brba wouldn't work in france (legal system aside, the whole cartel and walter white storyline would have to suffer major changes due to social security and the mexican cartel well. not existing here stricto sensu). But let's talk about the real Important Stuff : their names

I think Howard Hamlin would work well as Edouard Hamelin. He looses the cool HH initials yes, but it works really well as a genuine french name imo, and Howard/Edouard are pretty close phonetically

Chuck could still be called Charles without any realism issue, but he'd be nicknamed Charlie rather than Chuck because that's what a french person would go for... nicknames don't work the same, yeah

Kimberly Wexler and James McGill, I have no idea lmao. James when translated becomes Jacques, but it's such a boomerish uncool name that I cannot resolve myself to call my boy like that. It's also one generation too old. Jimmy being born in '60 could technically be called Jacques, but it'd be old-fashioned, as it's a name mostly given to the kids of the decade that came before him. McGill is an irish name, so something funny could be making Jimmy a breton with a funky last name like Gall/LeGall ? That's hilarious to me. But who knows.

Saul Goodman is a pun, so this is even harder for me to conceptualize. Saul's marketing would definitely not work in france at all, as no one would realistically hire a lawyer with a puny name and such chaotic displays (+ I think ads for legal démarchage are illegal mind you). However, let's have a crack at it. It would have to be a pun based off an expression similar to "it's all good man", or implying something positive and familiar... I need to think on that one.

#saul goodman #jimmy mcgill #howard hamlin #kim wexler #better call saul #bcs #breaking bad #brba #french au #my art #fanart #please help if you wanna participate to their naming...... im struggling as you can see #what i love about bcs is how deeply american it is but im just imagining this for fun lol. and also for the outfits #cause come on. any profession immediately becomes better with a Special Outfit involved #i should write about the robes too.... i have headcanons about the cast....#so much to say!!!!

834 notes · View notes

comradekatara · 3 months

Text

katara’s role as the show’s narrator is so underrated because no one really seems to understand just how deeply katara is impacted by the nature of stories, with regards to their craft, their promulgation, and their cultural significance, so they don’t truly register the sheer metatextual brilliance of having her be the resident storyteller of the narrative itself.

the first thing atla establishes about katara is that she is someone who is fueled by dreams and fantasies, and believes in a return to a world where “all four nations lived together in harmony” (which is obviously an illusory ideal, as there was always geopolitical strife even if it wasn’t as overt as the devastating imperialist project they are now subject to), described to her by kanna’s stories about the old days.

katara is someone who indulges in fantasies of adventure and heroism, projecting these ideals onto both herself and others. she is an idealist in the truest, purest sense of the word, and what is an idealist if not someone who tells themselves stories about a more beautiful world to survive?

it’s no coincidence that the episode where katara successfully scares everyone with a very compellingly narrated campfire story is the same episode that she must contend with her heritage, the ominous lacunae in her stories, the pitfalls of her own naive idealization. it’s also not a coincidence that the story she tells was first told to her by her mother.

katara grew up hearing stories passed down to her from kanna and kya, and those stories gave her hope and brought her the possibility of happiness in a bleak, cruel world where she was ultimately alone. there used to be people like her, said the stories, and they were brave, and they fought til their final breaths to hold onto their culture, their love for their people, their humanity.

well that’s who i’m going to be, says katara. someone who fights, someone who cannot be knocked down (because there is no one else left to take her place), someone who will never cease to have faith in the capacity of others for good, for truth, and for justice.

stories are her heritage, they are her culture, they are how she defines herself and how she understands the world around her. stories are how she copes, how she survives; they are all she has left to cling to. and sometimes they are reductive, and sometimes they are outright false, but that’s okay too. she grows, she adjusts her narratives, she learns to leave room for more grey in her neat tapestries of black and white. stories can define a tragic past, but they can also pave the way for a better future. she keeps telling stories.

#i could sunlit garden this girl so easy (probably what hama was thinking)#katara #analysis #kanna&katara #katara&kya #hama&katara #this is also what makes the southern raiders so brilliant as the apotheosis of her arc #but that’s for another post #(one that I’ve probably made before lbr)#everyone in atla has a sunlit garden / mythmaking event / whatever you wanna call it #but katara is the QUEEN of narrativization #and you do not get katara at ALL until you get this #fyi.#anyway i love her so much that i nearly teared up writing this. it’s whatever tho

697 notes · View notes

specialagentartemis · 3 months

Text

I wish Sam and Tucker got to be characters more often. Thinking about how they also have a significant part of their lives they have to hide from their parents because they're also out ghost hunting with Danny all the time. And they have the capacity to walk away from it in a way that Danny doesn't. But they don't. This has got to be a strain on them too, this upended their lives too, and they don't even have any ghost powers to deal with it.

Sam already isn't on good terms with her parents; she could probably tell them upfront exactly how much time she spends hunting ghosts and if she said it in a bitter and sarcastic tone of voice they would probably just frown at her and tsk for her being so morbid and dramatic. I can't imagine she's the kind of kid who talks honestly to her parents about anything anyway. We barely ever see Tucker's parents but the few times we do they seem generically nice and normal. Do they worry about him, suddenly out all the time and coming home harried and beat up and found at the scene of rampant property destruction? Is he lying to them for the first time in his life? Does Danny ever ask them about this or is he too wrapped up in his own Family Angst?

#thinking about the Fright Knight fanfic I wanna write about them all confronting their Worst Fears #and realizing I'm giving them all parental related anxieties #that's just what being 14 is like #Danny Phantom

749 notes · View notes

satoruhour · 5 months

Text

LESSON NO. 1

a/n: bassist!geto teaching you how to play the guitar. loosely based off this but not really connected. as requested by @alcospray 💟 i dont play bass so i just watched a whole bunch of videos for just one song - any bass players wanna correct me feel free to do so ;"). only if u look like geto tho /j. they havent say the three words to each other yet, read it with that in mind :3

wc: 2.1k

“any update from your fan?” gojo nudges him playfully as they wait for the principle of the university to introduce their band for the freshmen orientation, which, weirdly, something that the four of them never thought would happen. they sang about topics that wouldn’t normally get talked about or were shunned — politics, capitalism, authoritarianism — and yet being introduced by the principle of their place of education was quite ironic.

the bassist doesn’t hear gojo at all, not even when his best friend tries to tease him by calling you his fan. there were too many things in geto’s mind way even before this whole performance: his finals, a rival band that sought out to create false rumours about them, you.

always, you, the unexpected distracting thing that infiltrates his mind without fail. from the first night you trodded over to his dorms, opening up to him and letting him take care of you, to the many dates after. he’s taken you to cafés, watched you study way too many times, or simply let you sit through one of his song formation days.

a conscious effort to keep his distance and everything is just you, you, you, and geto is terrified. he’s never liked the kind of love with strings attached, with those mushy, complicated feelings, but no one-night stand, no quick fuck has ever made him feel the way you do.

but lately, he’s seen less of you, unwillingly accepting the principle’s offer to perform for the freshmen because he knew you were one of the group leaders ushering in the new students. at least he could try to search for you in the crowds, even getting a cheeky little text about where your group was meant to sit a week ago. he could be granted at least that when you both have been working so hard for final exams that you two could hardly see each other.

although, throughout their whole set, he sees everyone but you. he loses the bass line often, looks lost on the stage, needs to be cued in, something that never happens to the geto suguru. he’s always been a natural, and yet when it comes to you, you ruin him in the best way possible.

“hey— hey! man, what was that?” gojo slaps him on the back but it doesn’t even register in geto’s head, not really bothered by how he messed up the performance if it wasn’t for gojo’s vocals and shoko adding in her own improvisations for her parts. nanami can only shrug as he comes around to geto’s front.

“she wasn’t there, i looked, too,” nanami mumbled, tapping his drumsticks on his shoulder, “but you’re the most passionate guy i know who loves his guitars and bass lines.”

gojo has to chime in, “he’s the only bass guitarist you know, nanamiii!” and shoko pulls him back with a smack to the back of his head.

the dark-haired guy only clicks his tongue, “sorry ’bout him.”

nanami waves his drumsticks before pointing them at his face, “i know you’re obsessed with her, but i don’t wanna be a drummer if i can’t work with my bassist. sort this out before our next gig. she’s a sweet girl . . just, not when it’s at the expense of the band.”

geto only sighs in relief, landing a hand on his drummer’s shoulder.

“thank you, nanami.” the two exchange smiles before he gives a salute to his other two friends (“do you think he finally loves someone enough for him to be distracted on stage?” shoko says, and gojo gasps dramatically), heading out from the wings and down the stairs at the front of the stage where people look confused at the recent performer looking high and low for where your group was meant to be seated.

he sees not you, but rather your group leader mates who he’s at least seen pictures of, so he has no qualms about heading over to ask about your whereabouts — “the last thing she told our head group leader was that she was down with a nasty flu . . terrible fever and all. our main group leader went to her dorms to check on her and she’s unfit for doing orientations activities. we just sent her loads of soup packets and pei pa koa’s.”

geto laughs at the last part, knowing your need for sweet things. when it’s combined with a soothing coating for your throat, it’s pretty much the only thing you take when you’re sick. with a quick thanks, geto races for the campus bus straight to your dorm, the bass carried on his back rattling with his capo, chord sheets and mute nosily.

at least your annoying roommate’s gone home before school starts so it’s only you when geto knocks on the door. his knuckles rap against the wood, heart breaking when he hears your hoarse voice answer from the other side. soon, he can hear your feet moving towards the door, but it takes a while from how your body is, knocking over some things in the process.

“c-coming!” you groan out, wrapped in layers of clothing and feeling so hot you feel like you were in hell. but you aren’t expecting the sight when you open the door: your boyfriend panting, the guitar case behind him only telling you he’s come straight from the freshmen gig, the expression on his face.

“s-su!” you exclaim, both excitedly and a little worried because you didn’t want to get him sick, something you regret immediately when you go to clutch your throat.

“oh, baby,” geto brushes the hoodie off your head and brushes away the mess of your hair, “you look so pale, i— i would’ve come sooner if i knew—!”

“that’s why i didn’t tell you,” you pout, pushing away his hand gently and stepping back. it hurts to speak, but you feel like you at least need to explain your absence to him, “i was afraid you’d ditch the performance. also— don’t want you to get sick.”

suguru’s expression softens, “don’t worry about me, doll. come,” he takes one more step towards you and you feel so safe with him you don’t take a step away, “let me take care of you.”

the next hours are full of geto, a revered bassist in an upcoming band who dons long hair, piercings and has a menacing dragon down his arm alongside some boots, taking care of you. he runs back and forth between the pantry to make sure you have enough hot water, boiling hot soup to drink, enough layers to keep you warm and even calling gojo to get some tylenol from the supermarket.

“take a breather, sugu, i’m not gonna die,” you laugh slightly with a rasp to your voice, squeezing his hand as you rest against his shoulder. he’s made sure you at least have something in your stomach and enough hot water to power a hot spring, worry showing through his heartbeat when the hand he holds is still so warm.

“you’re heating up loads, baby,” geto frowns, turning his head to plant a kiss on the top of your head. he rolls his eyes when he hears it’s because you’re here. “do you want me to put cool towels on your head?”

you giggle again and cough, sniffling the mucus back up your nose, “no, it’s okay — you’d have to go to the pantry again to get water and i just want . . you here.”

suguru only hums, something akin to a melody that you don’t quite know but you’re happy to listen to his gruff voice anyway. the way he vibrates as he hums sends a calming feeling right to your body, and how he looks and feels so different from the very first time you were alone together.

he seemed so cool, passing the blunt to you and blowing his smoke into your mouth, kissing you like you’re just another girl in his roster; but right now, you were far from it.

now, not only is he still cool, but he’s also the most caring person you know and is something so far from his appearance and band: this is just one in many instances of how much he takes care of you. from the same fingers that strum upon the stainless steel, they travel miles over your body, your face like the first songs he learned on the guitar, weaving a melody and language so intricate only the two of you speak it.

silently, you feel him push you forward while he slots his legs on the other side of your body, letting you naturally rest with your back to his chest. “wanna learn?”

“i am in the most terrible state, suguru,” you whisper, reaching over to take a tissue. there, you blow your nose and clear out your nostrils until the next round, groaning softly at the grossness of the tissue.

“ohh . . but wasn’t someone saying that she isn’t dying?”

your jaw drops, “i can’t believe you would use that against me.”

the corners of your boyfriend’s lips turn up in a sly smile, “just quoting my girl. but—”

this time, he’s the one reaching over much further than you, hand clutching the neck of the guitar through the bag. gently, he settles it on both your laps, laughing when a small oof leaves your lips at just how heavy his bass was.

“i’ll do all the playing, you just mirror my movements.” with one more kiss to your temple, geto reaches around easily to play the starting notes of psycho killer. while there’s a clear layering of the lead, vocals and drums in his head, you’re just left confused by the repetitive bass.

but soon, you’re able to catch the notes that repeat over eight counts, hypnotised by the other’s longer fingers as they transition into the chorus line. it’s a little more complicated, now, descending into chords that you frankly don’t have any grasp on. one look at your face is enough to send him into soft laughter.

“okay, okay, let’s just focus on the verse.” if you weren’t feeling lightheaded from the fever before, you are now when geto curls his hands around yours, placing your finger easily on the fifth fret of the first string.

“so here . . we have the first bar of A notes, easy? then . .” he demonstrates the first four notes, plucking the strings for you before moving it down to the third fret to play the G note. a small smile spreads across his face when you slowly get the hang of it: six notes of A, two eighth notes, and then a G on the same string. geto slowly releases his left, letting you play on the melody while he helps you to pluck.

“that’s it,” still natural, it doesn’t faze geto at all to nuzzle his head into your neck from behind and to start kissing up your shoulder to your jaw, fingers still expertly plucking the string. the both of you repeat the bass line until he’s grabbing your awkward right hand and quietly, he angles your fingers so you’re following him, “you’re a fast learner.”

“i have a great teacher,” you mumble, and suguru doesn’t tell you that you just willingly kissed his jaw out of habit — because he knows you’d freak out at the possibility of getting him sick. it’s sweet, that in your delirious state you’re still acting out of admiration at the back of your mind. like the bass, loving geto feels as natural as the repetitiveness of psycho killer.

the bass notes reverberates through your bodies, just almost acting like a trance that makes your fingers falter upon the steel strings. he goes on to slowly play the chorus, stretching his fingers into weird shapes. he plays various chords, voice cracking just a bit when he tries to sing the vocals and you laugh softly.

“i just don’t have satoru’s higher register.” geto jokes, knowing you’re close to falling asleep from the way you hum and give one worded answers, so he easily takes over from you, changing it to an easy song. you let the low notes of the bass serenade you to sleep as you curl more into your boyfriend, but not before you hear a glimpse of geto’s harmonised singing to yellow.

it’s not often you hear him sing, being a bassist and all, but there is a nice edge to his voice — not quite made for vocals but you know he can do it if he tries. and even if you don’t voice it out, geto thinks the same thing. it’s similar to this stupid love thing that’s got him all tangled up and distracted, too, and he realises so many new things about himself through you.

you give love a fresh breath of life, nothing like the things suguru sings about in his unfinished demos and notebooks — multitude of things that involved you and his fucked-up perceptions and the foolishness of his parents telling him he’d find the same. you are all he thinks about when he sees the black cough syrup and he can’t stop craving the feel of your body against his.

the moment your breathing turns even and you sag against his embrace is when the strings stops and his breathing escalates. in geto suguru’s arms is the personification of something he never thought he would let into his life, yet you carry the choirs of love and acceptance so effortlessly like heath’s bass guitar solos and atsushi sakurai’s spotless vocals.

suguru’s head simply falls onto your unknowing shoulder, a small fuck that leaves his lips and a smile that he can’t contain is all he needs to know.

@mysugu @suget @slttygeto @na-t0 💟

755 notes · View notes

cynnkk · 24 days

Text

mammon. oh mammon.

since he's competing w/ all the other devils for your attention, he decided to be owned by you, not the other way around.

He opened up and admitted that he fell in love with you at first sight. if you remember, you were resting on his chest when you woke up in the hospital and he spent all that time thinking about how wonderful, breathtaking and powerful you were and what it would feel like for you to own him, for him to belong TO you.

He would be solely and exclusively devoted to you and to your well-being. Mind you, he's not a low level demon: he's the king of Tartaros, the wealthiest kingdom in Hell and everything belongs to him but, as his master, everything will belong to you as well.

The whole thing is new to the both of you but he's resolute: he likes you "just because", not because you're solomon's descendant but because you are you.

You'll come around someday and love him like he loves you. He wants you to surrender to your greed, to take everything from him and he'll accept everything you have to offer: from lovely dates along the tartaros river to long fucking sessions on his throne, he would lap it all up, like the good sub he was always meant to be.

in a world where you are seen as somebody else's stand-in, he's the one asking you to recognise him.

You're his master after all, no one can replace you.

He's yours. you just have to accept it as a fact, because he's not letting you go.

#what in hell is bad #whb #whb mammon #mammon #dom! reader #dom reader #sub character #sub! character #I WANNA OWN HIM #master kink go brrrr #he's my favourite king so far i want to eat him up grrrr hopefully leviathan will understand #the “take me” was too much for him i want him BAD (respectfully)#yandere vibes if you squint #nay writes 📝

425 notes · View notes

starry-bi-sky · 3 months

Text

(Part of this post with older brother danyal al ghul)

...Okay, look. Sam knows she's staring. She knows very well that she is staring. And that if she doesn't stop staring it's gonna draw her unwanted attention, and that will only have to make her explain why she's staring. Which she doesn't want to do.

She's trying not to stare, which she thinks she should get brownie points for. She tries to look away, to find a spot on the wall to stare lifelessly at, maybe she can burn holes into some of these annoying socialites' heads. But eventually her eyes drift, and suddenly she's back to staring again.

Can you blame her though? Damian Wayne looks like a very close mini-me of her fucking best friend. Seriously, it's like looking into a mirror to the past. If that mirror to the past had green eyes rather than blue and a distinctive lack of a facial scar.

The first time she sees him when her parents drag her over to Bruce Wayne to butter up to him she has to do a doubletake. Then a triple take. Then a quadruple take, just for good measure that she was seeing what she was actually seeing. She was sure she looked like one of those stress toys that when squeezed had their eyes pop out comically like a Saturday morning cartoon, that's what she certainly felt like anyways.

Look, Danny's come a decent way from being that scowl-y, jerkish little ten year old she first met when he arrived like the wind to Amity Park five years ago (even if he was still occasionally scowl-y and jerkish), but one thing that's stayed the same is how reserved he is about his home life prior to being taken in by the Fentons.

He doesn't talk about it much, and Sam's come to know that he's very good at changing the subject when it gets brought up. Even after being friends for nearly four years, the only thing she and Tuck know for certain is that he has a little brother that he refers to as 'starlight', whom he cares a lot about but left on really bad terms with. And that he's never met his father, but wants to and knows who he is.

He's never told her or Tucker who he was though, and glancing at Bruce Wayne, Sam is realizing why. She can begrudgingly acknowledge all the good he's done for Gotham, but... well, if Danny told her that Bruce Wayne was his dad, she wouldn't have believed him at all.

But she's starting to see the resemblance, as subtle as it is.

And she sees the resemblance to Damian Wayne, her eyes dropping back down to him as he wears a very Danny-like scowl on his face, arms crossed behind his back as his eyes swept around the ballroom. He was five years younger than Danny, and god it was so, so weird.

His eyes turned on to her, and they locked gazes for a moment.

Involuntarily, Sam makes a startled noise and looks away. Fingers tap against her purse, black and purple and unfortunately a clutch that only held her phone and her wallet in it. She would have kept a knife on her, but her parents put their foot down and there was a security detail at the door. Only in Gotham.

Silently, she was hoping that the little Danny-me didn't say anything. Or at least, he hadn't noticed her staring. Which was a tall order if she ever heard one -- and unfortunately, her silent prayers went unanswered as her mother's eyes dropped down onto her.

"Did you say something, Samantha?" She asks in a sickeningly sweet voice, a sound that makes Sam's skin crawl. Her dad and Bruce Wayne's attention also turns onto her, and she glowers at her mom from the corner of her eye.

"I didn't say anything." Sam says, barely keeping her tone polite as she turned her head away. Her mother clucks her tongue, disapproving, but from her peripherals doesn't pester her more

Bruce Wayne, the bastard, takes that time to turn to Sam and grace her with his dime-a-dozen billboard smiles. "I've been talking with your parents this whole time, Miss Manson, you must be terribly bored. How is your schooling going?"

Sam eyes him up and down. On one hand, she immediately wants to be snarky. It's none of his business what her school life is like, she doesn't care for his fucking small talk.

On the other hand, this was Danny's whole father. Someone who she knows that Danny has wanted to meet for, what she's assuming, his whole life. He's never brought it up much, but she remembers that very quiet, solemn conversation she and Tucker had with him where he admits to having never met his dad. But god does he want to.

And... wait. Sam's eyes narrow, and she meets Bruce Wayne's eyes. Does this man even know Danny exists? She drops her gaze down to Damian, who was staring at her suspiciously, and then back up to Bruce, and she alternates between them.

Why was Damian living with Bruce, but not Danny? Why hasn't Bruce done anything to reach out to him - what was going on with Danny's biological family that Danny had to be separated from them, but not Damian? Danny's always been kinda mysterious, but now things weren't adding up.

Was Danny given up? Does Bruce just not want Danny, but wanted Damian? Why the fuck does Bruce Wayne know about Damian but not her best friend -- or does he know and just not care? He's fought for custody for his adoptive kids before, does he just not want to fight for his other biological son? Does he think Danny's not worth it?

She's never cared much about the Wayne family before, other than to hear about the advancements on WE's eco-friendly tech, but Sam thinks she's gonna have to look into why Damian Wayne was living with the Waynes.

Slowly, with a protective anger beginning to burn in her gut and crawl up her throat, a scowl slowly curls at the corner of her lip as she redirects her glare from her mother onto Bruce. "It's going fine," She says curtly, jutting her chin out defiantly. "Me and my friend Danny started a petition to fix the leaky faucets in the girls and boys' bathrooms in order to conserve more water for the rest of the city."

She eyes his face, waiting to see if anything like recognition flashes through it. And- and nothing. Sam breathes in slowly through her nose, trying to quell the red that's blurring the edge of her vision -- does he just, not know where Danny is?

Her parents however, make vaguely displeased expressions. "Our Samantha is... quite passionate about her pet projects." Her dad says, laughing low and nervously, "she's very vocal about silly things like that."

"Her friend Daniel is perhaps even worse than she is sometimes." Her mother adds on, fanning her face with her perfectly manicured hands with a sigh. "I swear, he's the one that keeps dragging her into these things."

Sam's anger turns on its head, and she whirls on her heel like a fire-breathing dragon. "It's Danyal." It rolls out like instinct. Danny's told them both that he hates the Americanized pronunciation of his name, but in a rare moment of restraint, puts up with it for reasons unknown to her. "And Danny doesn't make me do anything, it was my idea."

The name, Danyal, seems to ring some kind of bell in Brucie Wayne's head, because she sees him and Damian quietly perk up like two cats pricking up their ears. Her eyes flick onto him immediately, something dangerous rearing its head. So Bruce Wayne knows about Danny. And he's not reaching out to him. Is he? She's not sure.

She does know that she's gonna rip his throat out if she finds out that he's known about Danny this entire time and has been ignoring him while favoring his little brother. She'll hunt down Aragon herself and steal his dragon-shifting amulet and wreck house on Bruce Wayne if that's the case. Batman and his league of vigilantes be damned. Her parents don't notice her slowly turning head towards Bruce.

But Bruce does, and she makes direct eye contact with him. His smile doesn't falter, he just tilts his head like a curious puppy and looks at Sam's parents. She hopes Bruce can read minds, she hopes he can hear her threatening him.

"Danyal?" He asks, and Sam doesn't know if she hates the fact that he said it correctly or not. She just continues burning holes into him and hoping he might spontaneously combust.

Her mother waves her hand dismissively, tilting her nose up poshly into the air. "Our dear Samantha's little... foster friend from school," she says, not even bothering to hide her disdain, "a creepy little boy with the most garish scar on his face. He's a rude little thing, not good for polite company."

Scratch that, Sam mentally alternates between ripping into her parents and Bruce. She whirls on them. "Do not talk about Danny that way." She all but snarls, and they all but ignore her.

(She's tearing up the upholstery when she gets home. She's going to paint over the fine china. She's going to do something to make them pay for this.)

"Oh yes, he was taken in by that freaky Fenton family a few years ago." Her dad continues in lieu of her mom, and they both shake their heads disapprovingly. "It's just what our city needs, another menace."

"Danny is not a menace." Sam continues, raising her voice while her hands shake with rage. Her parents finally look at her, but she can already tell that they're going to scold her for raising her voice. She bulldozes over them and jabs her black-painted finger at them. "He's got a bigger heart than the both of you combined."

"Samantha, please." her mom says, exasperated. They both give her disapproving looks, Sam thinks about grabbing champagne off the tray of a nearby waiter and throwing it in their faces. "You defend that boy far too much. What do you actually know about him and his family?"

Sam sets her jaw, puffing herself up like a dragon protecting its hoard. She steps into her mom's space. "I know that he loves the stars; you can ask him anything about astronomy and he could give you an entire lecture on the formation, class types, and various gasses that stars are made up of. He can tell you how the Earth was formed, he can tell you about the visible light spectrum and about light curves, and a whole ton of other stuff that I don't really understand. But Danny loves talking about it."

Her face twists and scowls, "I know he cares a ton about the environment and about fixing light pollution, and preserving the forests and natural habitats of animals." She nearly jabs her finger into her mom's chest, "I know he loves dogs, and that there's one he feeds every day on the way to school that he calls Cujo, its a St. Bernard puppy and Danny carries him around whenever he sees him after school, and is in the middle of training him."

It's not a total lie, but it's not the whole truth either. Cujo doesn't need food, but Danny gives him it anyways. "I know he likes spicy food and loves movies but specifically only sci-fi and horror, and he hates most martial arts movies. His favorite superhero is the Martian Manhunter, but Batman comes in at a close second." For reasons to her that were pretty unknown, but it didn't matter.

"I know he loves wordplay and making puns, which I would have never expected from him when we first met, but it's so unbelievably Danny-like that I can't imagine him not making puns." And she smiles a little to herself, she remembers the first time Danny intentionally made a pun once and it got startled laughs out of both her and Tucker.

Her smile suddenly falters, and she swallows. Her lips purse up, wobbling, and she very quickly glances over to Damian Wayne, of whom is watching her with a vaguely bewildered expression alongside Bruce.

She turns her eyes back onto her parents. "And I know that he worries a lot, even if he has a shit way of showing it. I know he had a little brother that he hasn't seen since he was adopted by the Fentons, and he doesn't talk about him often but when he does he he calls him 'starlight'." From the corner of her eye, she sees Damian jerk.

"So- so, so what if he's not 'good for polite company'." Sam's voice, embarrassingly, cracks down the middle. But she's so angry over Danny's behalf that she doesn't really care. "Or that he can be mean, and critical, and stubborn. He's learning, and he's becoming kinder by the day. That's more than I can say about you."

(She remembers when Danny finally admitted to her and Tucker being his 'closest friends'. It was sometime before the portal incident, and it felt like a milestone because beforehand he only really referred to them as his companions or allies.)

(At the time, he'd looked unsure of himself. Skittish like a stray in the back of an alleyway, almost shy in his own way. It had come out stilted, slow, like an infant taking its first steps, and it would have been endearing if it hadn't been heartbreaking.)

Her parents rear back like she'd struck them, and her mother holds a hand against her chest in aghast. Sam doesn't care, she blinks the sting out of her eyes. "Samantha." Her mother starts.

Sam cuts her off, "I don't care what you have to say, you-- you pricks." she snaps, around her, there are gasps. Belatedly, she realizes she's grown an audience, but again she doesn't care. "Danny might be an asshole, but he cares. And I'd rather be around someone whose mean but cares, than someone whose nice but doesn't."

With that, she whirls on her foot and turns on Bruce Wayne, who has been silent the entire time with a surprised expression on his face. He starts to shake out of it when Sam turns to him, but she doesn't give him the chance to speak. "Enjoy your party." She snarls, and then stalks away.

#dpxdc #dp x dc #dp x dc crossover #danny fenton is not the ghost king #dpxdc crossover #dpdc #danyal al ghul au #older brother danny #sam is one protective gal. this scene went differently in my head. way differently. but alas. i am not complaining.#sam: if bruce wayne abandoned my best friend i'm gonna physically transform myself into a dragon and incinerate him. how dare he.#bruce and damian got to watch in real time as a random girl who knows danny suddenly realizes he's related to them. which is comical to me #because she suddenly goes from being disinterested but weirded out by damian. to suddenly looking at bruce like she's gonna kill him #which is very funny to me bc from their pov at first its like this random girl just speedran hating bruce. and then her parents bring up he #friend danny and then she calls him danyal. and suddenly its starting to click into place like 'oh fuck wait we may just have a lead on --#-- finding danyal and his whereabouts.' especially after sam's mom mentions the scar on his face. like wow. what a crazy ten minutes.#not seen but def happened: sam gets her phone out to go text danny in the corner. she's not gonna bring up the bruce thing yet. she needs #a pick me up. related note: danny and tucker know she's gone to some gala thing with her parents but not to a wayne gala. if danny had know #he may have told her that he was related to damian wayne. just to prepare her for that. not so sure on the writing in this one folks #but i also dont wanna go through and edit anything its like half past one in the morning and i also dont wanna wait until morning to post #when i can just do it now. and get instant serotonin. i thought of this scene in various ways. like sam calling damian 'danny' out of shock #and then quickly correcting herself. and then excusing herself very quickly. or her mentioning that damian resembles her friend danny a lot #so she was just thrown off by him. because i def think that could happen if sam has no reason to think that she needs to hide danny from th #waynes. i also thought about her parents mentioning that damian resembles danny a little bit. only for one of them to go 'oh no no couldn't #- be. how insulting to damian since the daniel they know has this horrid scar on his face.' and then go from there. either way i thought #a scene like this would be fun. get to also kinda explore how danny looks like from his friends' povs. of which he is #'our lovable jerk who is an ex-cult member and whom we will maim someone over.'#not a scene that was added but i wanted to: sam mentioning in parenthesis that she and tucker think danny was part of a cult prior to the #fentons. and that sometimes danny will say something alarming and sam and tucker will stare at him until he frowns and goes #“that... isn't normal. is it?” and tucker will clap his shoulder and cheerfully go “no buddy. no it isn't” bc i think the idea is funny.#sam is so focused on the idea that bruce abandoned/ignored/was unaware of danny's existence that she momentarily forgot that bruce may have

1K notes · View notes