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#to be perfectly honest i think netflix will just adapt tltwatw because that’s the most famous one
idkaguyorsomething · 5 months
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Why Greta Gerwig should adapt The Magician’s Nephew instead of The Lion, the Witch, and the Wardrobe
I had some thoughts. They are below the cut in list form
Something we Haven’t Been Shown Before- to put it bluntly, we already have a perfectly good adaptation of TLTWATW, and it’s probably as good and accurate an adaptation as you could ask for. There are a few minor details that got cut and added, but honestly, as far as book-to-movie adaptations go, it’s extremely faithful to the plot, themes, characters, the whole shebang of the original book. Even if you don’t count the live action movie, there’s still the animated movie, the BBC production, and several play adaptations out there. It’s had its time to shine and by adapting The Magician’s Nephew, we’d be getting something fresh from the franchise.
Equally Accessible Starting Point- while TLTWATW was the first Narnia book to be written and published, chronologically The Magician’s Nephew takes place before it, serving as both a prequel and standalone story so that newcomers to Narnia could get into the series with either book. C S Lewis himself said that it didn’t matter which one people chose to start with, so it would serve as a great entry point for anyone looking to get into the Chronicles of Narnia as well as provide an interesting prequel for people familiar with the movies that already came out, leading me to my next point:
Worldbuilding- this book has so much cool stuff you guys. The pool world, Charn, the apple grove, the rings, Frank. ¡Actual literal worldbuilding! Also Sherlock Holmes and Atlantis for some reason. There’s just a lot of really interesting concepts and locations in this story that have the potential to be a true spectacle while also serving as a rewarding expansion of the universe that Narnia fans know that newcomers will still be able to appreciate.
Our Heroes- Digory and Polly are incredibly adorable and likable protagonists. They feel a good deal more fleshed out and realistic than the Pevensie kids in the books, and even though the movies went out of their way to give them some more depths, our dynamic duo from The Magician’s Nephew still feel quite distinctive in their own right. Their interpersonal conflict never grows as deep as something like, say, Edmund’s betrayal, but they both have different perspectives and things they bring to the table as individuals while also having a very fun, genuine friendship. Bonus points for being a rare boy/girl relationship that is never so much as hinted to be anything beyond platonic.
The Villains- The Magician’s Nephew has a pretty perfect combination of antagonists who manage to be memorable and legitimately menacing as well as pathetic little meow meows. This book gives us Jadis’ backstory as well as her getting to wreak unhinged havoc in downtown 18XX London as well as Uncle Andrew, a conspiracy theorist incel Redditor before Reddit was ever a thing. They’re delightfully entertaining in completely different ways, and seeing them onscreen would be an absolute treat.
Thematic Resonance- lots of things that happen in this book carry a lot of similar motifs to other films that Greta Gerwig has worked on, and since she hasn’t really created any epic fantasy style films yet, they could provide a strong emotional core to center any experimentation she tries out in the genre. You’ve got Digory’s loving but complicated relationship with his mother due to her illness displacing them from home, the coming-of-age aspects as the children encounter various adult figures they feel powerless to oppose, and learning the consequences of one’s actions. It’s even mentioned in the book that Polly is working on a little writing project that she’s sensitive about, like Jo March. A lot of people have complained that they feel Greta Gerwig will neuter the story by toning down the religious elements (which there is A LOT to dissect about concerning how C S Lewis’ beliefs led to things like the Problem of Susan, but there just isn’t enough information about the actual movie out yet to draw any actual conclusions) yet I’d argue that these emotional arcs, which play into Gerwig’s strengths as a director, could easily hold up a movie on their own if handled well. Combine that with the potential for unique visuals, the book’s surprisingly good sense of humor, and the many concepts that could be brought onscreen in a truly unique way, and you’ve practically got a recipe for a great addition to the Chronicles of Narnia unlike anything the movie fans have gotten before.
Feel free to disagree about any of that, though. Hearing where other people think the netflix movies should pick up would be really interesting, so leave any thoughts on the subject in the notes if you want. I just wanna see Fledge the pony accidentally get yanked into another dimension.
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