HIM-Salt in Our Wounds (Thulsa Doom version)
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I think I underestimated this film when I decided to watch it this time. I had thought I would find it a very dumb actionized adaptation of the Howard character with little substance. And thatâs not really what I found? There was more to this movie that I rediscovered on this watch-through.
So thatâs cool.
Conan the Barbarian is an adaptation of the Conan character (who wasnât really known exclusively as âConan the Barbarianâ in the original stories, though he is sometimes described as a barbarian) from Robert E. Howard, set in the mythical prehistoric âHyborean Ageâ, but with more Plot to make it a film. Conan is a Cimmerian child whose parents and village are slaughtered by the forces of cult leader Thulsa Doom. Heâs sold into slavery, and grows up as a champion gladiator. When he escapes slavery, he becomes a thief. When he and his friends go up against the cult of Thulsa Doom, Conan decides itâs the perfect time to take revenge. Of course, itâs not so simple as that to kill a powerful cult leader.
The original Conan stories tend to be mostly self-contained. There is not an overarching Plot to the stories. This movie, and th 2011 remake, try to make it more cinematic by having Conanâs parents be murdered, and Conan hungering for revenge on the warlord who killed them. But thatâs not in the storiesâConan isnât a tragic hero looking for vengeance. Heâs a wandering warrior trying to make a buck!Â
So the first time I saw this movie, I was a teenager, and I had started reading the Conan stories (albeit, the ones with editing by Sprague de Camp, not the original Howard stories, because thatâs what my dad had); I was frustrated that the movie turned Conanâs into a typical Hollywood fantasy revenge tale. That doesnât mean I didnât enjoy it, only that it didnât really feel like Conan to me, and I resented how it became the version of the character most people knew about.
But this is actually a pretty good movie on its own? It has some problems, of course. The female lead, Valeria, never has her name spoken in the movie (sheâs named in the credits, and in the sequel, but not int he movie), and Iâm not sure WHY sheâs so in love with Conan in the first place, other than that heâs the lead.Â
Conanâs also got a lot less agency than he should. Yes, his slave masters taught him to read for⊠Reasons (and also used him as a breeding slave what??). And heâs set free, he doesnât escape slavery, again, for Reasons. He sort of stumbles onto Thulsa Doomâs cult, though when he does, he decides to go all the way, so thatâs definitely a choice on his part.
Iâm sorry Iâm making this sound like a really stupid movie. Itâs not! This is a movie that defined fantasy filmmaking for years for a reason. There are plenty of action scenes and sword fights, which feel exciting without feeling overdone or over-choreographed. The brutal style of combat fits for a world that weâre told is before the rise of civilization as we know it. Iâm also impressed at times at how clever some of the characters are in combatâshooting enemies from a distance, setting traps. And yet those action scenes are still loads of fun.
The music is, all in all, surprisingly good? I didnât remember it being this good, which is dumb because itâs apparently famous. But it captures the idea of an exciting, swashbuckling fantasy adventure (despite not really being swashbuckling, I guess?). I could listen to this over and over for a while now.
I donât know if Iâd call this movie deep, but itâs certainly thinking about deeper themes. Conanâs god Crom never appears in the story, but his relationship with Crom is a key if understated part of his character. The Riddle of Steel clearly occupies his mind, and while itâs not as if he goes around demanding the answer, itâs one of the first things about his religion that he explains to Subotai.Â
[Also, some people seem to think weâre meant to assume that Thulsa Doomâs answer is correct by default? I donât know that it is, at least, not completely.]
And of course, Conanâs final prayer for vengeance, which he ends by saying that if Crom doesnât grant it, then âto hell with you!â Itâs certainly memorable.
Thulsa Doom is not actually a Howard Conan villain (I believe heâs a Howard Kull villain?). Heâs still terrifying. I am not generally a fan of âreligious fanaticâ characters in fiction because they tend to be shallow and written without any effort at making them make sense. But a cult leader? This is a great type of villain, when done correctly, and Thulsa is pretty good. He actually feels like a threat, because you see his hordes of fanatical followers, and how devoted they are to him.
Although I donât know how his cult makes senseâthey have a weird orgy where they serve people soup? What is your theology, guys? What does this have to do with snake worship?Â
And why does he turn into a snake? Not a deal-breaker, but itâs weird. Supposedly the novelization explains it. Either way, itâs freaky and unsettling, which is I think exactly what theyâre going for. It definitely works in the scene it takes place in.
I liked this movie more than I thought I would on the rewatch. If youâre interested in fantasy films, old school action movies, well, Conan the Barbarian should be able to satisfy that itch. Itâs fun, itâs deeper than youâd expect, and itâs certainly memorable. Itâs not flawless, and itâs certainly not close as an adaptation of the Howard stories, but that doesnât make it a bad movie. Itâs still a pretty good one.
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Norway playlist
The trolls have gathered around to see the Mother North dance at midnight in the Trollheimen fjellomrÄde as they listen to this epic NORWAY pllaylist I put together!
Takk!
Are you ready? Have you your wits? This is the it....
NORWAY PLAYLIST songs are right here to listen to:
https://www.youtube.com/playlist?list=PL-iHPcxymC1_gH0U66TKasbEjdbkPxeW7
001 Folket Bortafor Nordavinden - Ur Is Ka Ha So
002 Satyricon - Commando
003 Arcturus - Â Fall of Man
004 Dimmu Borgir The Serpentine Offering
005 Borknagar - Â The Eye Of Oden
006 NORDJEVEL - Sunset Glow
007 WArduna - Fehu
008 Z-off - Hurra For Norge Norsk punkrock
009 Shakma - Night of the coven
010 Duivelspack - Yggdrasill
011 Enslaved - Path To Vanir
012 Kalenda Maya- Villemann Magnhild
013 Mental As Anything - Beserk Warriors
014 Chontaraz - Rondamauh
015 Manes - Â Menn PĂ„ Helveg Hastar
016 Norske Gutter - Hvem Faen Tror Du Du Er
017 Iron Maiden - Invasion
018 Solefald - Oslo Melancholy
019 Immortal - Sons of Northern Darkness
020 Slegest - Blodets Varme Gjennom Meg
021 Old Man's Child - The Millenium King
022 Covenant - Bizarre cosmic industries
023 In The Woods - I Am Your Flesh
024 Satyricon - Â Ageless Northern Spirit
025 Golden Core - RĂșnir Skal RĂsta
026 Inferno - Metal Attack
027 Nordvegen - Ullensvang
028 Arcturus - Â Ad absurdum
029 Ănne MĂĄddji Heatta - Madji  at Dawn Light
030 Eldrim - Heimkomst
031 Hedvig Mollestad Trio - Approaching / On Arrival
032 Sirenia - Â The End Of It All
033 Byrdi - Solsnu (feat. Kjell Braaten)
034 Bard Spec - Fire Tongue
035 Eirik Jarl - Norse song
036 The Open Mind - Thor, The Thunder God
037 Seidrblot - Skeggöld
038 Black Moon Circle - The Machine On The Hill
039 Sigmund Eiks - Knepphallingen (Hardingfele)
040 Satyricon - Â Now, diabolical
041 Amberian Dawn - Valkyries
042 GĂ„te - Huldra
043 Enslaved - Â Waruun
044 An Danzza - RĂșnatal (CanciĂłn RĂșnica de OdĂn)
045 Burzum - Â Belus' DĂžd
046 Abbath - Harvest Pyre
047 Aura Noir - Abbadon
048 Beatles - Norwegian Wood
049 INCULTER - COMMANDER
050 KAUNAN - Halteguten
051 Mortiis - Across The World Of Wonders
052 Skuggsa - Kvervandi
053 Covenant - Planetarium
054 Kampfar - Daimon
055 Adrian von Ziegler - Vinterns Drm
056 Blind Guardian - Valkyries
057 Ulver - The Argument, Plate 2
058 BigBang - Girl In Oslo
059 Gorgoroth - Bergtrollets Hevn
060 Emperor - Curse You All Men!
061 Tom Trussel - Oslo City Blues
062 Vazelina BilopphĂžggers - Borghild
063 Dosdfall - Hemlig Vrede
064 Dimmu Borgir - Progenies of the Great Apocalypse
065 Kryst The Conqueror - Â Valhalla
066 The Dogs - Oslo
067 Enslaved - Eld
068 Solefald - Loki Trickster God
069 Dunbarrow - You Knew I Was a Snake
070 A-ha - Take On Me
071 Ulver - HĂžyfjeldsbilde
072 Mayhem - Freezing Moon
073 Skambankt - Balladen Om Deg
074 Djerv - Headstone
075 Arcturus - Â Raudt og svart
076 Ăystein Sunde - Bleieskiftarbeider
077 Wardruna - Helvegen (The Way To Hel)
078 Ihsahn - Unhealer
079 Kampfar - Dominans
080 TNT - Seven Seas
081 Â NRK Â Til Dovre faller - 1814
082 skuggsa - Rop Fra Rynda - Mlt Fra Minne
083 Iskald - InnhĂžstinga
084 Kvelertak - Â Rogaland
085 Svarttjern - Hellig Jord
086 Renaissance - Northern Lights
087 Fred Ă
kerström - Oslo
088 Concrete Steps - Big Fish
089 Trevor Morris - Â Northern Lights / Entry to Kattegat
090 KaadaPatton - L'absent
091 Adrian von Ziegler - Einherjer
092 Enthroned - Skjeldenland
093 Jokke og valentinerne - her kommer vintern
094 Styx - Man Of Miracles
095 Residents - Â Arctic Hysteria
096 Martine Kraft - Himmelfot
097 Red Harvest - Â Anatomy of the Unknown
098 Audrey Horne - Out of the City
099 Darkthrone - Â Arctic Thunder
100 Trevor Morris - If I Had A Heart
101 Immortal - The Rise of Darkness
102 Sepulcher - Corporeal
103 Mysticum - LSD (from Planet Satan)
104 Empyrium - Under Dreamskies
105 Slagmaur - Norwegian Giant
106 Aeternus - Fyrndeheimen
107 Thorns - Existence
108 Solefald - Â Crater of the Valkyries
109 Tristania - Libre
110 Trevor Morris - Â North Sea Storm
111 Arcturus - Â The Chaos Path
112 MAYHEM - A Grand Declaration Of War
113 Manegarm - Â Odin Owns Ye All
114 Kampfar - Hymn
115 Dimmu Borgir - Â Gateways
116 DĂždheimsgard - Â The Snuff Dreams Are Made Of
117 Satyricon - Â The pentagram burns
118 Enslaved - Midgards Eldar
119 Folque - No har Jonsoknatta kome
120 Nekromantheon - Rise Vulcan Spectre
121 Iron Maiden - Â Invaders
122 Tsjuder - Throne of the Goat
123 Einherjer - Naar aftensolen rinner
124 Mork - Holdere Av Fortet
125 Nidinger - Baldrs Draumar
126 Arcturus - Du Nordavind
127 Green Carnation - Into Deep
128 Darkthrone - Â Too Old Too Cold
129 Pagans Mind - Through Osiris Eyes
130 Kvelertak - BlodtĂžrst
131 Tristania - Year Of The Rat
132 Ulver - I Troldskog Faren Vild
133 Cirith Ungol - The troll
134 Eliwagar - Huldresagn
135 VĂ„rsĂžg - Fram kom ein skreddar
136 Amethystium - Solace
137 Audrey Horne - Â Bridges and Anchors
138 Gayte - Til Deg
139 Nanci Griffith - St. Olavs Gate
140 Folque - Liti Kari
141 Hin Onde - 24th of September 1155
142 Trevor Morris - Â Ragnar's Sail
143 Enslaved - Ruun
144 Purple Hill Witch - Astral Booze
145 Thulsa Doom - Machine of Oslo
146 Svarttjern - Code Human
147 Leaves' Eyes - Â Vinland Saga
148 Darvaza - A New Sun
149 LUMSK - DUNKER
150 Solefald - Tittentattenteksti
151 Raga Rockers   - Fritt liv
152 Isengard - Landet og Havet
153 In The Woods... - Pure
154 Communic - Conspiracy
155 Dimmu Borgir - Vredesbyrd
156 Arcturus - Â The Arcturian Sign
157 Gorgoroth - Carving A Giant
158 Panopticon - Â Norwegian Nights
159 Asmegin - Blodhevn
160 DumDum Boys - Lunch I Det GrĂžnne
161 Taake - Nordbundet
162 Gehennah - Deadlights
163 TrĂžnder Thunder - Tordenskjold
164 Ă
rabrot - Maldorors Love
165 Misotheist - Blood Of Rats
166 Windir - 1184
167 BLOOD RED THRONE - InStructed InSanity
168 Deathhammer - Chained to Hell
169 Satyricon - Die By My Hand
170 Myrkskog - Bleeding Wrists
171 Ring Van Mobius - End of Greatness
172 Valkyrja - Crowned Serpent
173 KjĂžtt - Hvit Hud / Svart Skinn
174 The 3rd And The Mortal - Why So Lonely
175 Voluspaa - Ferden GĂ„r Videre
176 Abyssic - Transition Consent
177 Myrkraverk - NĂŠr DĂžden
178 Romantic Noise - Sagitario
179 Shining - Â The One Inside
180 The Devil and the Almighty Blues - Distance
181 Manowar - Thor (The Powerhead)
182 Djevel - Det Svartner Paa Likbleik Hud
183 Ăresus - Angst
184 Turbonegro - City Of Satan
185 GÄte - SjÄ Attende
186 Immortal - Where Mountains Rise
187 Cor Scorpii - Fotefar
188 Cadaver - Hypertrophyan
189 HugsjĂĄ - Ni DĂžtre av Hav
190 Kalandra - Brave New World
191 Borknagar - Â Up North
192 Ved Buens Ende - You That May Wither
193 Alestorm - The Sunkn Norwegian
194 BrĂžd & Sirkus - Frykt
195 Burzum - Â Jeg Faller
196 Djevel - Et Menniskes Hele Korpus Og Legeme
197 Helheim - Ymr
198 Leaves' Eyes - Â Farewell Proud Men
199 Sylvaine - MĂžrklagt
200 Enslaved - Â Convoys To Nothingness
201 Gaahls Wyrd - Ghosts Invited
202 Hagalaz' Runedance - Â When The Trees Were Silenced
203 Dismal Euphony - Et Vintereventyr
204 In Vain - Â Image of Time
205 Khonsu - The Malady
206 Arctic Sleep - Â Pine Mountain
207 Flametal - Â I Am A Viking
208 Dimmu Borgir - The Sacrilegious Scorn
209 Trevor Morris - Vikings Attack
210 Wongraven - Tiden Er En Stenlagt Grav
211 Endstille - World Aflame
212 TYR - Eric the Red
213 Synthetic Gentlemen - Kick
214 OBLITERATION - Detestation Rite
215 Judas Priest - Halls Of Valhalla
216 Urarv - Red Circle
217 Old Man's Child - Doommaker
218 Abbath - Â Winter Bane
219 A-ha - The Sun Always Shines On TV
220 Eldrim - Attergangar
221 Nan Madol - Tidal Waves
222 Vreid - Lifehunger
223 AcĂąrash - Cadaver Dei
224 Triosphere - Â The Sentinel
225 Vargvrede - Song of Betrayal
226 Vemod - Ă
Stige Blant Stjerner
227 Emperor - Inno A Satana
228 EivĂžr - Ă Tokuni
229 Arcturus - Â For to end yet again
230 Enslaved - The River's Mouth
231 Nidinger - Ash Yggdrasil
232 Covenant - Planetary black elements
233 Khold - Â Forrykt
234 The Wretched End - Tyrant Of The Mountain
235 Voluspaa - Av Sin Klokskap
236 Solefald - Jernlov
237 Vredehammer - Viperous
238 Hellish Outcast - Partition of Lust
239 An Danzza - Rnatalins Rune Song
240 Green Carnation - The Quiet Offspring
241 1349 - Â Nathicana
242 Sirenia - Â Spor 2
243 TAAKE - Nattestid Ser Porten Vid 1
244 Virus - Black Flux
245 Blood Red Throne - Requiem Mass
246 Edvard Grieg - March of the Trolls (Orchestral Version)
247 Tidfall - Prophecy Horizon
248 Limbonic Art - A Void Of Lifeless Dreams
249 Lindy-Fay Hella - Three Standing Stones
250 Borknagar - Â Winter Thrice
251 Panopticon - HĂ„kans Song
252 ULVER - Nowhere (Sweet Sixteen)
253 Vondur - Â Panzer Legions Of Vondur
254 JORN - Traveller
255 Disiplin - Liberation
256 Beyond Dawn - When Beauty Dies
257 Ruphus - Inner Voice
258 Leaves' Eyes - Â Norwegian Lovesong
259  The 3rd  & the Mortal - Death-Hymn
260 STORM - Noregsgard
261 Satyricon - Hvite Krists DĂžd
262 R. Stevie Moore â Â Norway
263 Lucifer Was - In Anadi's Bower
264 Susane Sundfor  - White Foxes
265 Kjeld - Betsjoend
266 Kari RueslÄtten - SÞrgekÄpe
267 Green Carnation - Sentinels
268 Agenda - Suffer
269 Mortiis - Â Tribute to Euronymous Unreleased Outro
270 Sirius - Sidereal Mirror
271 Insidious Disease - Betrayer
272 Gehenna - Through The Veils Of Darkness
273 The Deviant - Atomic Revolt
274 Varde - Halvdan Svarte
275 Carpathian Forest - He's Turning Blue
276 Â Ragnarok TV show - Outro
277 SĂąver - How They Envisioned Life
278 Dold Vorde Ens Navn - Drukkenskapens Kirkegard
279 MANES - Young Skeleton
280 Nattefrost - Nekronaut
281 Cadaver Inc. - Primal
282 Ida Maria - I Eat Boys Like You For Breakfast
283 ragnarok - En Verden Av Stein
284 Mari Boine - Chasing Myself Into Reality
285 Death By Unga Bunga - Don't Go Looking For My Heart
286 Hexvessel - The Tunnel At The End Of The Light
287 Urgehal - The Iron Children
288 Darkthrone - Soulside Journey
289 Theatre of Tragedy - Der Tanz der Schatten
290 Wardruna - Â Kvitravn
291 Einherjer - Dragons of the North
292 Thale OST - Thale theme
293 Hedvig Mollestad Trio  -Bewitched, Dwarfed and Defeathered
294 Motorpsycho - Spin, Spin, Spin
295 Susperia - Vainglory
296 MYRKUR - Jeg er Guden, I er Tjenerne (Live at the Mausoleum)
297 ICS Vortex  - Odin's Tree
298 1349 - Beyond The Apocalypse
299 PRISTINE - You Are The One
300 Tristania - Beyond the Veil
333 Immortal - Where Dark And Light Don't Differ
444 Folket Bortafor Nordavinden - Odin
666 Satyricon - Â Mother NorthÂ
Songs are right here at this link:
https://www.youtube.com/playlist?list=PL-iHPcxymC1_gH0U66TKasbEjdbkPxeW7
Have I missed a song or band?
Let me know.
Takk!
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And, we don't see any anacondrai imprisoned on that island, so, I put forward... Clouses anacondrai serpent is the result of a, lets just say... modified version of that spell, instead of creating an artificial serpent whole cloth, Clouse found a way to use a person. Probably with some mind control magic in there as well, unless he convinced someone to do this willingly, which is doubtful
I mean, Iâm always ready to believe evil stuff out of Clouse, but there WERE a lot of snake cultists on that island, it might be. Plausible that one of them would volunteer.
Clouseâs snake remindâs me of Thulsa Doomâs giant snake in Conan the Barbarian actually. Up to and including feeding people to it and referring to it as a pet.
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Flight of the Dragons review
The final film in the Rankin/Bass Fantasy tetrology .....And while I feel it is better then their version of Return of the King ,it lacks the charm and great writing of both Hobbit and LAst Unicorn .Theres a good idea in this movie ,about magic and fnantasy in conflict/trying to work with/EXIST in a world of science and logic ,as well as going into a scientific way dragons work in this world.....The problem is there is too many characters,a lot of them are very basic fantasy tropes,the designs for the dragons are kind of ugly,and itâs just a bit of a mess.Hower I will say the cast is mostly pretty good,with John Ritter as the hero from the 20th century ,James Gregory in a duel role as the good old dragon and as the evil dragon ,and the stand out is James Earl Jones as the evil red wizard .In fact while he is a standard evil wizard ,Ommadon is the best part of the movie ,and itâmostly due to some moments of inspired animation and Jonesâs performance,as unlike other villains protrayed by Jones such as Darth Vader and Thulsa Doom who were restrained ,Jones deliver a hamtastic over the top performance as Ommadon that is a joy to listen too,still menacing but undniably fun .And fun is the main takeaway I get from this movie ,there are some neat ideas if not fully explored and a charm to the film .I think the film is a solid 7/10
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William Marshall
William Horace Marshall (August 19, 1924 â June 11, 2003) was an American actor, director, and opera singer. He is best known for his title role in the 1972 blaxploitation classic Blacula and its sequel Scream Blacula Scream (1973), as the "King of Cartoons" on the 1980s television show Pee-wee's Playhouse beginning with its second season, and an appearance as Dr. Richard Daystrom on the original Star Trek television series. He had a commanding height of 6 ft 5 in (1.96 m), as well as a deep bass voice.
Biography
Early life and career
Marshall was born in Gary, Indiana, the son of Thelma (née Edwards) and Vereen Marshall, who was a dentist. He attended New York University as an art student, but then trained for a theatre career at the Actors Studio, at the American Theatre Wing, and with Sanford Meisner at the Neighborhood Playhouse.
He made his Broadway debut in 1944 in Carmen Jones. Among his many other Broadway appearances, he understudied Boris Karloff as Captain Hook in Peter Pan in 1950, then played the leading role of De Lawd in the 1951 revival of The Green Pastures (a role he repeated in a BBC telecast of the play in 1958). He performed in Shakespeare plays many times on the stage in the United States and Europe, including the title role in at least six productions of Othello. His Othello (which was later captured in a video production in 1981), was called by Harold Hobson of the London Sunday Times "the best Othello of our time," continuing:
...nobler than [Godfrey] Tearle, more martial than [John] Gielgud, more poetic than [Frederick] Valk. From his first entry, slender and magnificently tall, framed in a high Byzantine arch, clad in white samite, mystic, wonderful, a figure of Arabian romance and grace, to his last plunging of the knife into his stomach, Mr Marshall rode without faltering the play's enormous rhetoric, and at the end the house rose to him.
Marshall even played Othello in a jazz musical version, Catch My Soul, with Jerry Lee Lewis as Iago, with Center Theatre Group at the Ahmanson Theatre in Los Angeles in 1968.
He also portrayed the roles of Paul Robeson and Frederick Douglass on stage . Marshall had researched Douglass' life for years and portrayed him on television in Frederick Douglass: Slave and Statesman, which he co-produced in 1983.
Film and television career
Marshall's career on screen began in the 1952 film Lydia Bailey as a Haitian leader. He followed that with a prominent role as Glycon, comrade and fellow gladiator to Victor Mature in the 1954 film Demetrius and the Gladiators. His demeanor, voice and stature gave him a wide range, though he was ill-suited for the subservient roles that many black actors of his generation were most frequently offered. He was a leader of the Mau-Mau uprising in Something of Value (1957), and Attorney General Edward Brooke in The Boston Strangler (1968). He probably received the most notice for his role in the vampire film Blacula and its sequel Scream Blacula Scream. In later years, Marshall played the King of Cartoons on Pee-wee's Playhouse, replacing actor Gilbert Lewis, during the 1980s. (The character's catchphrase "Let...the cartoooon...begin!" became immensely popular.)
In the early 1950s, Marshall starred briefly in a series about black police officers, entitled Harlem Detective. The show was canceled when Marshall was named as a communist in the anti-communist newsletter Counterattack.
Despite the blacklisting because of his supposed communist connections, Marshall managed to continue appearing in both television and films. In 1962, Marshall appeared on the British spy series Danger Man in the episode titled "Deadline" and in 1964 Marshall played the role of travelling opera singer Thomas Bowers on the Bonanza episode "Enter Thomas Bowers." Additionally in 1964, he appeared, with actor Ivan Dixon, as the leader of a newly independent African nation and as a T.H.R.U.S.H. agent in the first-season episode of The Man from U.N.C.L.E. entitled "The Vulcan Affair". In 1968 he appeared as Dr. Richard Daystrom in the Star Trek episode "The Ultimate Computer". In 1969, he had a special guest appearance as the character Amalek in an episode of The Wild Wild West entitled "The Night of the Egyptian Queen".
He also won two local Emmys for producing and performing in a PBS production, As Adam Early in the Morning, a theatre piece originally performed on stage. He also was featured in an episode of The Alfred Hitchcock Hour titled, "The Jar", with actors Pat Buttram and George Lindsey.
Later life and death
In addition to acting and producing, Marshall taught acting at various universities including the University of California, Irvine, and the Mufandi Institute, an African-American arts and music institution in the Watts section of Los Angeles. He did similar work at Chicago's ETA Creative Arts Foundation, which in 1992 named Marshall one of its Epic Men of the 20th century.
For 42 years, Marshall was the partner of Sylvia Gussin Jarrico, former wife of blacklisted screenwriter Paul Jarrico. Marshall died June 11, 2003, from complications arising from Alzheimer's disease and diabetes. He was survived by sons Tariq, Malcolm, and Claude Marshall and daughter Gina Loring. Eulogists at his funeral included Sidney Poitier, Ivan Dixon, Paul Winfield, and Marla Gibbs.
Marshall was considered by many to be a much underrated actor and one who never got his due. Some have remarked that Marshall should have had a much more successful and larger screen career, even saying that Marshall would have been a perfect choice for the role Thulsa Doom in Conan the Barbarian.
Filmography
Lydia Bailey (1952) - King Dick
Demetrius and the Gladiators (1954) - Glycon
Something of Value (1957) - Leader - Intellectual in Suit
Sabu and the Magic Ring (1957) - Ubal, the genie
La fille de feu (1958) - Stork
Piedra de toque (1963) - African Missionary (uncredited)
To Trap a Spy (1964) - Sekue Ashumen
The Hell with Heroes (1968) - Al Poland
The Boston Strangler (1968) - Atty. Gen. Edward W. Brooke
Skullduggery (1970) - Attorney General
The Mask of Sheba (1970) - Captain Condor Sekallie
Zig Zag (1970) - Morris Bronson
Honky (1971) - Dr. Craig Smith
Blacula (1972) - Blacula / Mamuwalde
Scream Blacula Scream (1973) - Blacula / Mamuwalde
Abby (1974) - Bishop Garnet Williams
Twilight's Last Gleaming (1977) - William Klinger - Attorney General
The Great Skycopter Rescue (1980) - Mr. Jason
Vasectomy: A Delicate Matter (1986) - Dr. Dean
Amazon Women on the Moon (1987) - Pirate Captain (segment "Video Pirates")
Maverick (1994) - Riverboat Poker Player
Sorceress (1995) - John Geiger
Dinosaur Valley Girls (1996) - Dr. Benjamin Michaels (final film role)
Wikipedia
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Buy popular Movie Replica Swords
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The Batman Sword measuring an overall length of about 49.5 inches is a unique and super amazing sword, featuring great batman logos with a handle that is rubberized, it is incorporated with a 32.5 inches lengthy blade that is made up of 440 polished stainless steel with a factory style edge that is non sharpen and decorative, this sword has a superb firm guard and a molded plastic polymer pommel. This Batman sword of azrael is a complete version of joy for the batman fans that comes along a wall plaque for a charming display.
The Conan Father Sword measuring an overall length of about 38 inches is a popular sword, wielded by a young boy named  Conan in Conan The Barbarian movie series that was launched in 1982, Conanâs parents were killed due to which he became a slave and his tribe was destroyed by Thulsa Doom who was a military commander. This amazing product features a 26 inches lengthy blade that is constructed with 440 stainless carbon steel of high quality. The sword incorporates a firm Elk Skull Designed handle that is beautified with runes, along with the highly detailed guard and pommel. The handle yields great metal alloy, metal mix foundry ZMAK and Leather Rope material.This amazing Conanâs Father sword comes along with a plaque for display.
The Boromir Sword was wielded by Boromir, an exceedingly valiant and steadfast warrior who was known in Gondor for his greatness and esteem of fighting men of different nations. It was featured in the great Lord of the Rings movie series. Boromir contemplated the Ring at the Misty Mountains. The popular Boromirâs Sword is a single-handed sword featuring a wide fuller running almost to the tip of the blade, with the elegantly twisted and curved crossguard that ends in beautiful brass-ringed caps, matching wide pommel of the sword. The blade has a length of about 30-3/16" along with 1/4" thickness, weighing 1.74KG. It comes along an attractive wall plaque for display.
 The Blade Sword Of The Daywalker along with the scabbard measures an overall length of about 35 inches. The daywalker double-beveled edged blade is a 26 1/8" lengthy blade constructed with 440 stainless steel. This is a popular blade series sword that overcomes the superhuman power in your hand starring Wesley Snipes wielding it, this replica comes along a hidden dagger inside the handle of the Sword. It features a zinc handle with an attractive coating of silver and black making a superb contrast. This Daywalker sword comes along a black enameled wooden Stand including a beautiful logo medallionBlade for a decorative display.
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Fantasy....food for the soul.
During the seventies and eighties, movies were GOOD on the whole. I have eclectic tastes in viewing, from horror (vintage such as Hammer, Amicus, etc to some modern) to vintage Bond (Sean Connery. The *only* Bond for me) to Sword and Sorcery and Fantasy films.
One of my favourites was Legend, with Tim Curry as the Lord of Darkness, Mia Sara as the Princess, Lilly, and Tom Cruise as the woodcutterâs son, a wildling of a boy in love with Lilly.
https://en.wikipedia.org/wiki/Legend_(1985_film)
It was also Curryâs character, Darkness, who held my fascination. I knew why....there has always been something (and of course Iâm speaking as a straight heathen/pagan woman here, sorry) about strong male figures, but more so when they sport horns and hooves. Itâs the ancient image of the Wild Forest God (although of course his character was anything but!) and of all the old Fertility Gods...
His skin was red, his eyes lizardlike and feral, his teeth fanged and sharp, he had claws and of course, the hooves...and I just thought he was fucking fantastic!
The film had the classic fairytale script...Princess, captured by Darkness, threatening to plunge the whole world into eternal winter, rescued by her true love, the woodcutterâs son.
I still have both versions..the one where Jerry Goldsmith did the score, and the one with the Tangerine Dream score. Tbh, I prefer the former.
But Ridley Scott did the tale great justice. It was so beautifully filmed, so atmospheric, so magical, it just caught and held me and Iâve loved that film for many decades still.
And there were others...Willow, The Sword and the Sorcerer, Dragonslayer and others. Amidst the copious post Apocalyptic movies, fantasy was my *thing* then. And I ate them all up. Lived, in my mind, inside a world where Fey folks walked and heroes stalked and dragons flew and of course (Conan the Barbarian, with Arnold and Sandahl and the great James Earl Jones, as Thulsa Doom... https://conan.fandom.com/wiki/Conan_the_Barbarian_(1982_movie) )
swords and edged weapons took on lives of their own and defeated âevilâ....
These films, and equally copious heroic fantasy pulp novels from the sixties and seventies, kept me going through a very rough time in my life....my first marriage to an abusive husband. When things got so bad, I could retreat into these worlds, become part of them, take inspiration from them (Valeria, from Conan, was my personal heroine and girl crush) and well, the fact I still keep these films (albeit no longer on video, but hard drive) probably tells how much they helped me. I had no friends at the time, I was alone and suffering so I did what many folks do...retreated into fantasy, escapism.
Thing is, I always had an inner belief that this, the worlds in these films or books, was how life was really meant to be. Sometimes, I still do....
We create the world around us. All of us contribute to what the world is like, now.
I wish more folks would work on the fantasy part of life. Why weâve created countries where the majority let elite few regimes rule them, almost always with cruelty, austerity and utter lack of concern, has always confused me.
I believe time has shown in many nations, democracy doesnât exist, voting doesnât work, and governments dictate our every day down to what we eat, watch, read, work at and do.
No, I donât have the answers. Wish I did. But Iâve no shame for my attraction, still, after all these decades, to fantasy, sword and sorcery, heroic tales and legends, and better worlds.
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HIM-Salt in Our wounds(Thulsa Doom version)
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HIM-Salt in Our wounds(Thulsa Doom version)
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Stolen ideas, #2/???
Mentioned a while ago that in the book(s) Iâve been working very slowly on for a while now, I had to change a few characters names because Iâd somehow managed to name three of the five major characters after famous fantasy characters I hadnât read yet (Thulsa Doom and Valeria from the âConanâ series and Mouse/the Grey Mouser). Well it ainât over yet:
* I somehow managed to borrow âthe Hawkins family trying to sell a shitty farm in rural Tennesseeâ from Mark Twainâs âthe Gilded Ageâ
â Also I think âStranger Thingsâ might have co-opted the name âHawkinsâ for a few years
* Using the name âTerminusâ for Atlanta in âWalking Deadâ
* I had this strange little spinoff short planned combining âMoby Dickâ, âthe Old Man and the Seaâ, âJawsâ, and âthe Amityville Horrorâ, and it appears SyFy has beaten me to it with âGhost Sharkâ
* This is a little different, but I'm including that conspiracy theory about junk food having secret ingredients that mess with peopleâs minds, and with that in mind a fictionalized version of the early Coca Cola company will be involved, and I had been using the name âSnowflake Potationâ but I think the internet might have ruined the word âsnowflakeâ for the next while
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