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behindavelvetcurtain · 7 months
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HIM-Salt in Our Wounds (Thulsa Doom version)
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moviemunchies · 7 months
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I think I underestimated this film when I decided to watch it this time. I had thought I would find it a very dumb actionized adaptation of the Howard character with little substance. And that’s not really what I found? There was more to this movie that I rediscovered on this watch-through.
So that’s cool.
Conan the Barbarian is an adaptation of the Conan character (who wasn’t really known exclusively as “Conan the Barbarian” in the original stories, though he is sometimes described as a barbarian) from Robert E. Howard, set in the mythical prehistoric ‘Hyborean Age’, but with more Plot to make it a film. Conan is a Cimmerian child whose parents and village are slaughtered by the forces of cult leader Thulsa Doom. He’s sold into slavery, and grows up as a champion gladiator. When he escapes slavery, he becomes a thief. When he and his friends go up against the cult of Thulsa Doom, Conan decides it’s the perfect time to take revenge. Of course, it’s not so simple as that to kill a powerful cult leader.
The original Conan stories tend to be mostly self-contained. There is not an overarching Plot to the stories. This movie, and th 2011 remake, try to make it more cinematic by having Conan’s parents be murdered, and Conan hungering for revenge on the warlord who killed them. But that’s not in the stories–Conan isn’t a tragic hero looking for vengeance. He’s a wandering warrior trying to make a buck! 
So the first time I saw this movie, I was a teenager, and I had started reading the Conan stories (albeit, the ones with editing by Sprague de Camp, not the original Howard stories, because that’s what my dad had); I was frustrated that the movie turned Conan’s into a typical Hollywood fantasy revenge tale. That doesn’t mean I didn’t enjoy it, only that it didn’t really feel like Conan to me, and I resented how it became the version of the character most people knew about.
But this is actually a pretty good movie on its own? It has some problems, of course. The female lead, Valeria, never has her name spoken in the movie (she’s named in the credits, and in the sequel, but not int he movie), and I’m not sure WHY she’s so in love with Conan in the first place, other than that he’s the lead. 
Conan’s also got a lot less agency than he should. Yes, his slave masters taught him to read for
 Reasons (and also used him as a breeding slave what??). And he’s set free, he doesn’t escape slavery, again, for Reasons. He sort of stumbles onto Thulsa Doom’s cult, though when he does, he decides to go all the way, so that’s definitely a choice on his part.
I’m sorry I’m making this sound like a really stupid movie. It’s not! This is a movie that defined fantasy filmmaking for years for a reason. There are plenty of action scenes and sword fights, which feel exciting without feeling overdone or over-choreographed. The brutal style of combat fits for a world that we’re told is before the rise of civilization as we know it. I’m also impressed at times at how clever some of the characters are in combat–shooting enemies from a distance, setting traps. And yet those action scenes are still loads of fun.
The music is, all in all, surprisingly good? I didn’t remember it being this good, which is dumb because it’s apparently famous. But it captures the idea of an exciting, swashbuckling fantasy adventure (despite not really being swashbuckling, I guess?). I could listen to this over and over for a while now.
I don’t know if I’d call this movie deep, but it’s certainly thinking about deeper themes. Conan’s god Crom never appears in the story, but his relationship with Crom is a key if understated part of his character. The Riddle of Steel clearly occupies his mind, and while it’s not as if he goes around demanding the answer, it’s one of the first things about his religion that he explains to Subotai. 
[Also, some people seem to think we’re meant to assume that Thulsa Doom’s answer is correct by default? I don’t know that it is, at least, not completely.]
And of course, Conan’s final prayer for vengeance, which he ends by saying that if Crom doesn’t grant it, then “to hell with you!” It’s certainly memorable.
Thulsa Doom is not actually a Howard Conan villain (I believe he’s a Howard Kull villain?). He’s still terrifying. I am not generally a fan of ‘religious fanatic’ characters in fiction because they tend to be shallow and written without any effort at making them make sense. But a cult leader? This is a great type of villain, when done correctly, and Thulsa is pretty good. He actually feels like a threat, because you see his hordes of fanatical followers, and how devoted they are to him.
Although I don’t know how his cult makes sense–they have a weird orgy where they serve people soup? What is your theology, guys? What does this have to do with snake worship? 
And why does he turn into a snake? Not a deal-breaker, but it’s weird. Supposedly the novelization explains it. Either way, it’s freaky and unsettling, which is I think exactly what they’re going for. It definitely works in the scene it takes place in.
I liked this movie more than I thought I would on the rewatch. If you’re interested in fantasy films, old school action movies, well, Conan the Barbarian should be able to satisfy that itch. It’s fun, it’s deeper than you’d expect, and it’s certainly memorable. It’s not flawless, and it’s certainly not close as an adaptation of the Howard stories, but that doesn’t make it a bad movie. It’s still a pretty good one.
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cardest · 3 years
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Norway playlist
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The trolls have gathered around to see the Mother North dance at midnight in the Trollheimen fjellomrÄde as they listen to this epic NORWAY pllaylist I put together! Takk!
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Are you ready? Have you your wits? This is the it.... NORWAY PLAYLIST songs are right here to listen to: https://www.youtube.com/playlist?list=PL-iHPcxymC1_gH0U66TKasbEjdbkPxeW7 001 Folket Bortafor Nordavinden - Ur Is Ka Ha So 002 Satyricon - Commando 003 Arcturus -  Fall of Man 004 Dimmu Borgir The Serpentine Offering 005 Borknagar -  The Eye Of Oden 006 NORDJEVEL - Sunset Glow 007 WArduna - Fehu 008 Z-off - Hurra For Norge Norsk punkrock 009 Shakma - Night of the coven 010 Duivelspack - Yggdrasill 011 Enslaved - Path To Vanir 012 Kalenda Maya- Villemann Magnhild 013 Mental As Anything - Beserk Warriors 014 Chontaraz - Rondamauh 015 Manes -  Menn PĂ„ Helveg Hastar 016 Norske Gutter - Hvem Faen Tror Du Du Er 017 Iron Maiden - Invasion 018 Solefald - Oslo Melancholy 019 Immortal - Sons of Northern Darkness 020 Slegest - Blodets Varme Gjennom Meg 021 Old Man's Child - The Millenium King 022 Covenant - Bizarre cosmic industries 023 In The Woods - I Am Your Flesh 024 Satyricon -  Ageless Northern Spirit 025 Golden Core - RĂșnir Skal RĂ­sta 026 Inferno - Metal Attack 027 Nordvegen - Ullensvang 028 Arcturus -  Ad absurdum 029 Ánne MĂĄddji Heatta - Madji  at Dawn Light 030 Eldrim - Heimkomst 031 Hedvig Mollestad Trio - Approaching / On Arrival 032 Sirenia -  The End Of It All 033 Byrdi - Solsnu (feat. Kjell Braaten) 034 Bard Spec - Fire Tongue 035 Eirik Jarl - Norse song 036 The Open Mind - Thor, The Thunder God 037 Seidrblot - Skeggöld 038 Black Moon Circle - The Machine On The Hill 039 Sigmund Eiks - Knepphallingen (Hardingfele) 040 Satyricon -  Now, diabolical 041 Amberian Dawn - Valkyries 042 GĂ„te - Huldra 043 Enslaved -  Waruun 044 An Danzza - RĂșnatal (CanciĂłn RĂșnica de OdĂ­n) 045 Burzum -  Belus' DĂžd 046 Abbath - Harvest Pyre 047 Aura Noir - Abbadon 048 Beatles - Norwegian Wood 049 INCULTER - COMMANDER 050 KAUNAN - Halteguten 051 Mortiis - Across The World Of Wonders 052 Skuggsa - Kvervandi 053 Covenant - Planetarium 054 Kampfar - Daimon 055 Adrian von Ziegler - Vinterns Drm 056 Blind Guardian - Valkyries 057 Ulver - The Argument, Plate 2 058 BigBang - Girl In Oslo 059 Gorgoroth - Bergtrollets Hevn 060 Emperor - Curse You All Men! 061 Tom Trussel - Oslo City Blues 062 Vazelina BilopphĂžggers - Borghild 063 Dosdfall - Hemlig Vrede 064 Dimmu Borgir - Progenies of the Great Apocalypse 065 Kryst The Conqueror -  Valhalla 066 The Dogs - Oslo 067 Enslaved - Eld 068 Solefald - Loki Trickster God 069 Dunbarrow - You Knew I Was a Snake 070 A-ha - Take On Me 071 Ulver - HĂžyfjeldsbilde 072 Mayhem - Freezing Moon 073 Skambankt - Balladen Om Deg 074 Djerv - Headstone 075 Arcturus -  Raudt og svart 076 Øystein Sunde - Bleieskiftarbeider 077 Wardruna - Helvegen (The Way To Hel) 078 Ihsahn - Unhealer 079 Kampfar - Dominans 080 TNT - Seven Seas 081  NRK  Til Dovre faller - 1814 082 skuggsa - Rop Fra Rynda - Mlt Fra Minne 083 Iskald - InnhĂžstinga 084 Kvelertak -  Rogaland 085 Svarttjern - Hellig Jord 086 Renaissance - Northern Lights 087 Fred Åkerström - Oslo 088 Concrete Steps - Big Fish 089 Trevor Morris -  Northern Lights / Entry to Kattegat 090 KaadaPatton - L'absent 091 Adrian von Ziegler - Einherjer 092 Enthroned - Skjeldenland 093 Jokke og valentinerne - her kommer vintern 094 Styx - Man Of Miracles 095 Residents -  Arctic Hysteria 096 Martine Kraft - Himmelfot 097 Red Harvest -  Anatomy of the Unknown 098 Audrey Horne - Out of the City 099 Darkthrone -  Arctic Thunder 100 Trevor Morris - If I Had A Heart 101 Immortal - The Rise of Darkness 102 Sepulcher - Corporeal 103 Mysticum - LSD (from Planet Satan) 104 Empyrium - Under Dreamskies 105 Slagmaur - Norwegian Giant 106 Aeternus - Fyrndeheimen 107 Thorns - Existence 108 Solefald -  Crater of the Valkyries 109 Tristania - Libre 110 Trevor Morris -  North Sea Storm 111 Arcturus -  The Chaos Path 112 MAYHEM - A Grand Declaration Of War 113 Manegarm -  Odin Owns Ye All 114 Kampfar - Hymn 115 Dimmu Borgir -  Gateways 116 DĂždheimsgard -  The Snuff Dreams Are Made Of 117 Satyricon -  The pentagram burns 118 Enslaved - Midgards Eldar 119 Folque - No har Jonsoknatta kome 120 Nekromantheon - Rise Vulcan Spectre 121 Iron Maiden -  Invaders 122 Tsjuder - Throne of the Goat 123 Einherjer - Naar aftensolen rinner 124 Mork - Holdere Av Fortet 125 Nidinger - Baldrs Draumar 126 Arcturus - Du Nordavind 127 Green Carnation - Into Deep 128 Darkthrone -  Too Old Too Cold 129 Pagans Mind - Through Osiris Eyes 130 Kvelertak - BlodtĂžrst 131 Tristania - Year Of The Rat 132 Ulver - I Troldskog Faren Vild 133 Cirith Ungol - The troll 134 Eliwagar - Huldresagn 135 VĂ„rsĂžg - Fram kom ein skreddar 136 Amethystium - Solace 137 Audrey Horne -  Bridges and Anchors 138 Gayte - Til Deg 139 Nanci Griffith - St. Olavs Gate 140 Folque - Liti Kari 141 Hin Onde - 24th of September 1155 142 Trevor Morris -  Ragnar's Sail 143 Enslaved - Ruun 144 Purple Hill Witch - Astral Booze 145 Thulsa Doom - Machine of Oslo 146 Svarttjern - Code Human 147 Leaves' Eyes -  Vinland Saga 148 Darvaza - A New Sun 149 LUMSK - DUNKER 150 Solefald - Tittentattenteksti 151 Raga Rockers    - Fritt liv 152 Isengard - Landet og Havet 153 In The Woods... - Pure 154 Communic - Conspiracy 155 Dimmu Borgir - Vredesbyrd 156 Arcturus -  The Arcturian Sign 157 Gorgoroth - Carving A Giant 158 Panopticon -  Norwegian Nights 159 Asmegin - Blodhevn 160 DumDum Boys - Lunch I Det GrĂžnne 161 Taake - Nordbundet 162 Gehennah - Deadlights 163 TrĂžnder Thunder - Tordenskjold 164 Årabrot - Maldorors Love 165 Misotheist - Blood Of Rats 166 Windir - 1184 167 BLOOD RED THRONE - InStructed InSanity 168 Deathhammer - Chained to Hell 169 Satyricon - Die By My Hand 170 Myrkskog - Bleeding Wrists 171 Ring Van Mobius - End of Greatness 172 Valkyrja - Crowned Serpent 173 KjĂžtt - Hvit Hud / Svart Skinn 174 The 3rd And The Mortal - Why So Lonely 175 Voluspaa - Ferden GĂ„r Videre 176 Abyssic - Transition Consent 177 Myrkraverk - NĂŠr DĂžden 178 Romantic Noise - Sagitario 179 Shining -  The One Inside 180 The Devil and the Almighty Blues - Distance 181 Manowar - Thor (The Powerhead) 182 Djevel - Det Svartner Paa Likbleik Hud 183 Øresus - Angst 184 Turbonegro - City Of Satan 185 GĂ„te - SjĂ„ Attende 186 Immortal - Where Mountains Rise 187 Cor Scorpii - Fotefar 188 Cadaver - Hypertrophyan 189 HugsjĂĄ - Ni DĂžtre av Hav 190 Kalandra - Brave New World 191 Borknagar -  Up North 192 Ved Buens Ende - You That May Wither 193 Alestorm - The Sunkn Norwegian 194 BrĂžd & Sirkus - Frykt 195 Burzum -  Jeg Faller 196 Djevel - Et Menniskes Hele Korpus Og Legeme 197 Helheim - Ymr 198 Leaves' Eyes -  Farewell Proud Men 199 Sylvaine - MĂžrklagt 200 Enslaved -  Convoys To Nothingness 201 Gaahls Wyrd - Ghosts Invited 202 Hagalaz' Runedance -  When The Trees Were Silenced 203 Dismal Euphony - Et Vintereventyr 204 In Vain -  Image of Time 205 Khonsu - The Malady 206 Arctic Sleep -  Pine Mountain 207 Flametal -  I Am A Viking 208 Dimmu Borgir - The Sacrilegious Scorn 209 Trevor Morris - Vikings Attack 210 Wongraven - Tiden Er En Stenlagt Grav 211 Endstille - World Aflame 212 TYR - Eric the Red 213 Synthetic Gentlemen - Kick 214 OBLITERATION - Detestation Rite 215 Judas Priest - Halls Of Valhalla 216 Urarv - Red Circle 217 Old Man's Child - Doommaker 218 Abbath -  Winter Bane 219 A-ha - The Sun Always Shines On TV 220 Eldrim - Attergangar 221 Nan Madol - Tidal Waves 222 Vreid - Lifehunger 223 AcĂąrash - Cadaver Dei 224 Triosphere -  The Sentinel 225 Vargvrede - Song of Betrayal 226 Vemod - Å Stige Blant Stjerner 227 Emperor - Inno A Satana 228 EivĂžr - Í Tokuni 229 Arcturus -  For to end yet again 230 Enslaved - The River's Mouth 231 Nidinger - Ash Yggdrasil 232 Covenant - Planetary black elements 233 Khold -  Forrykt 234 The Wretched End - Tyrant Of The Mountain 235 Voluspaa - Av Sin Klokskap 236 Solefald - Jernlov 237 Vredehammer - Viperous 238 Hellish Outcast - Partition of Lust 239 An Danzza - Rnatalins Rune Song 240 Green Carnation - The Quiet Offspring 241 1349 -  Nathicana 242 Sirenia -  Spor 2 243 TAAKE - Nattestid Ser Porten Vid 1 244 Virus - Black Flux 245 Blood Red Throne - Requiem Mass 246 Edvard Grieg - March of the Trolls (Orchestral Version) 247 Tidfall - Prophecy Horizon 248 Limbonic Art - A Void Of Lifeless Dreams 249 Lindy-Fay Hella - Three Standing Stones 250 Borknagar -  Winter Thrice 251 Panopticon - HĂ„kans Song 252 ULVER - Nowhere (Sweet Sixteen) 253 Vondur -  Panzer Legions Of Vondur 254 JORN - Traveller 255 Disiplin - Liberation 256 Beyond Dawn - When Beauty Dies 257 Ruphus - Inner Voice 258 Leaves' Eyes -  Norwegian Lovesong 259  The 3rd  & the Mortal - Death-Hymn 260 STORM - Noregsgard 261 Satyricon - Hvite Krists DĂžd 262 R. Stevie Moore –  Norway 263 Lucifer Was - In Anadi's Bower 264 Susane Sundfor  - White Foxes 265 Kjeld - Betsjoend 266 Kari RueslĂ„tten - SĂžrgekĂ„pe 267 Green Carnation - Sentinels 268 Agenda - Suffer 269 Mortiis -  Tribute to Euronymous Unreleased Outro 270 Sirius - Sidereal Mirror 271 Insidious Disease - Betrayer 272 Gehenna - Through The Veils Of Darkness 273 The Deviant - Atomic Revolt 274 Varde - Halvdan Svarte 275 Carpathian Forest - He's Turning Blue 276  Ragnarok TV show - Outro 277 SĂąver - How They Envisioned Life 278 Dold Vorde Ens Navn - Drukkenskapens Kirkegard 279 MANES - Young Skeleton 280 Nattefrost - Nekronaut 281 Cadaver Inc. - Primal 282 Ida Maria - I Eat Boys Like You For Breakfast 283 ragnarok - En Verden Av Stein 284 Mari Boine - Chasing Myself Into Reality 285 Death By Unga Bunga - Don't Go Looking For My Heart 286 Hexvessel - The Tunnel At The End Of The Light 287 Urgehal - The Iron Children 288 Darkthrone - Soulside Journey 289 Theatre of Tragedy - Der Tanz der Schatten 290 Wardruna -  Kvitravn 291 Einherjer - Dragons of the North 292 Thale OST - Thale theme 293 Hedvig Mollestad Trio  -Bewitched, Dwarfed and Defeathered 294 Motorpsycho - Spin, Spin, Spin 295 Susperia - Vainglory 296 MYRKUR - Jeg er Guden, I er Tjenerne (Live at the Mausoleum) 297 ICS Vortex  - Odin's Tree 298 1349 - Beyond The Apocalypse 299 PRISTINE - You Are The One 300 Tristania - Beyond the Veil 333 Immortal - Where Dark And Light Don't Differ 444 Folket Bortafor Nordavinden - Odin 666 Satyricon -  Mother North  Songs are right here at this link: https://www.youtube.com/playlist?list=PL-iHPcxymC1_gH0U66TKasbEjdbkPxeW7 Have I missed a song or band? Let me know. Takk!
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inchling-prince · 3 years
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And, we don't see any anacondrai imprisoned on that island, so, I put forward... Clouses anacondrai serpent is the result of a, lets just say... modified version of that spell, instead of creating an artificial serpent whole cloth, Clouse found a way to use a person. Probably with some mind control magic in there as well, unless he convinced someone to do this willingly, which is doubtful
I mean, I’m always ready to believe evil stuff out of Clouse, but there WERE a lot of snake cultists on that island, it might be. Plausible that one of them would volunteer.
Clouse’s snake remind’s me of Thulsa Doom’s giant snake in Conan the Barbarian actually. Up to and including feeding people to it and referring to it as a pet.
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thealmightyemprex · 4 years
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Flight of the Dragons review
The final film in the Rankin/Bass  Fantasy tetrology .....And while I feel it is better then their version of Return of the King ,it lacks the charm and great writing of both Hobbit and LAst Unicorn .Theres a good idea in this movie ,about magic and fnantasy in conflict/trying to work with/EXIST in a world of science and logic ,as well as going into a scientific way dragons work in this world.....The problem is there is too many characters,a lot of them are very basic fantasy tropes,the designs for the dragons are kind of ugly,and it’s just a bit of a mess.Hower I will say the cast is mostly pretty good,with John Ritter as the hero from the 20th century ,James Gregory in a duel role as the good old dragon and as the evil dragon ,and the stand out is James Earl Jones as the evil red wizard .In fact while he is a standard evil wizard ,Ommadon is the best part of the movie ,and it’mostly due to some moments of inspired animation and Jones’s performance,as unlike other villains protrayed by Jones such as Darth Vader  and Thulsa Doom  who were restrained ,Jones deliver a hamtastic over the top performance as Ommadon that is a joy to listen too,still menacing but undniably  fun .And fun is the main  takeaway I get from this movie ,there are some neat ideas if not fully explored and a charm  to the film .I think the film is a solid 7/10
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blackkudos · 6 years
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William Marshall
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William Horace Marshall (August 19, 1924 – June 11, 2003) was an American actor, director, and opera singer. He is best known for his title role in the 1972 blaxploitation classic Blacula and its sequel Scream Blacula Scream (1973), as the "King of Cartoons" on the 1980s television show Pee-wee's Playhouse beginning with its second season, and an appearance as Dr. Richard Daystrom on the original Star Trek television series. He had a commanding height of 6 ft 5 in (1.96 m), as well as a deep bass voice.
Biography
Early life and career
Marshall was born in Gary, Indiana, the son of Thelma (née Edwards) and Vereen Marshall, who was a dentist. He attended New York University as an art student, but then trained for a theatre career at the Actors Studio, at the American Theatre Wing, and with Sanford Meisner at the Neighborhood Playhouse.
He made his Broadway debut in 1944 in Carmen Jones. Among his many other Broadway appearances, he understudied Boris Karloff as Captain Hook in Peter Pan in 1950, then played the leading role of De Lawd in the 1951 revival of The Green Pastures (a role he repeated in a BBC telecast of the play in 1958). He performed in Shakespeare plays many times on the stage in the United States and Europe, including the title role in at least six productions of Othello. His Othello (which was later captured in a video production in 1981), was called by Harold Hobson of the London Sunday Times "the best Othello of our time," continuing:
...nobler than [Godfrey] Tearle, more martial than [John] Gielgud, more poetic than [Frederick] Valk. From his first entry, slender and magnificently tall, framed in a high Byzantine arch, clad in white samite, mystic, wonderful, a figure of Arabian romance and grace, to his last plunging of the knife into his stomach, Mr Marshall rode without faltering the play's enormous rhetoric, and at the end the house rose to him.
Marshall even played Othello in a jazz musical version, Catch My Soul, with Jerry Lee Lewis as Iago, with Center Theatre Group at the Ahmanson Theatre in Los Angeles in 1968.
He also portrayed the roles of Paul Robeson and Frederick Douglass on stage . Marshall had researched Douglass' life for years and portrayed him on television in Frederick Douglass: Slave and Statesman, which he co-produced in 1983.
Film and television career
Marshall's career on screen began in the 1952 film Lydia Bailey as a Haitian leader. He followed that with a prominent role as Glycon, comrade and fellow gladiator to Victor Mature in the 1954 film Demetrius and the Gladiators. His demeanor, voice and stature gave him a wide range, though he was ill-suited for the subservient roles that many black actors of his generation were most frequently offered. He was a leader of the Mau-Mau uprising in Something of Value (1957), and Attorney General Edward Brooke in The Boston Strangler (1968). He probably received the most notice for his role in the vampire film Blacula and its sequel Scream Blacula Scream. In later years, Marshall played the King of Cartoons on Pee-wee's Playhouse, replacing actor Gilbert Lewis, during the 1980s. (The character's catchphrase "Let...the cartoooon...begin!" became immensely popular.)
In the early 1950s, Marshall starred briefly in a series about black police officers, entitled Harlem Detective. The show was canceled when Marshall was named as a communist in the anti-communist newsletter Counterattack.
Despite the blacklisting because of his supposed communist connections, Marshall managed to continue appearing in both television and films. In 1962, Marshall appeared on the British spy series Danger Man in the episode titled "Deadline" and in 1964 Marshall played the role of travelling opera singer Thomas Bowers on the Bonanza episode "Enter Thomas Bowers." Additionally in 1964, he appeared, with actor Ivan Dixon, as the leader of a newly independent African nation and as a T.H.R.U.S.H. agent in the first-season episode of The Man from U.N.C.L.E. entitled "The Vulcan Affair". In 1968 he appeared as Dr. Richard Daystrom in the Star Trek episode "The Ultimate Computer". In 1969, he had a special guest appearance as the character Amalek in an episode of The Wild Wild West entitled "The Night of the Egyptian Queen".
He also won two local Emmys for producing and performing in a PBS production, As Adam Early in the Morning, a theatre piece originally performed on stage. He also was featured in an episode of The Alfred Hitchcock Hour titled, "The Jar", with actors Pat Buttram and George Lindsey.
Later life and death
In addition to acting and producing, Marshall taught acting at various universities including the University of California, Irvine, and the Mufandi Institute, an African-American arts and music institution in the Watts section of Los Angeles. He did similar work at Chicago's ETA Creative Arts Foundation, which in 1992 named Marshall one of its Epic Men of the 20th century.
For 42 years, Marshall was the partner of Sylvia Gussin Jarrico, former wife of blacklisted screenwriter Paul Jarrico. Marshall died June 11, 2003, from complications arising from Alzheimer's disease and diabetes. He was survived by sons Tariq, Malcolm, and Claude Marshall and daughter Gina Loring. Eulogists at his funeral included Sidney Poitier, Ivan Dixon, Paul Winfield, and Marla Gibbs.
Marshall was considered by many to be a much underrated actor and one who never got his due. Some have remarked that Marshall should have had a much more successful and larger screen career, even saying that Marshall would have been a perfect choice for the role Thulsa Doom in Conan the Barbarian.
Filmography
Lydia Bailey (1952) - King Dick
Demetrius and the Gladiators (1954) - Glycon
Something of Value (1957) - Leader - Intellectual in Suit
Sabu and the Magic Ring (1957) - Ubal, the genie
La fille de feu (1958) - Stork
Piedra de toque (1963) - African Missionary (uncredited)
To Trap a Spy (1964) - Sekue Ashumen
The Hell with Heroes (1968) - Al Poland
The Boston Strangler (1968) - Atty. Gen. Edward W. Brooke
Skullduggery (1970) - Attorney General
The Mask of Sheba (1970) - Captain Condor Sekallie
Zig Zag (1970) - Morris Bronson
Honky (1971) - Dr. Craig Smith
Blacula (1972) - Blacula / Mamuwalde
Scream Blacula Scream (1973) - Blacula / Mamuwalde
Abby (1974) - Bishop Garnet Williams
Twilight's Last Gleaming (1977) - William Klinger - Attorney General
The Great Skycopter Rescue (1980) - Mr. Jason
Vasectomy: A Delicate Matter (1986) - Dr. Dean
Amazon Women on the Moon (1987) - Pirate Captain (segment "Video Pirates")
Maverick (1994) - Riverboat Poker Player
Sorceress (1995) - John Geiger
Dinosaur Valley Girls (1996) - Dr. Benjamin Michaels (final film role)
Wikipedia
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scotiaeire · 4 years
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Fantasy....food for the soul.
During the seventies and eighties, movies were GOOD on the whole. I have eclectic tastes in viewing, from horror (vintage such as Hammer, Amicus, etc to some modern) to vintage Bond (Sean Connery. The *only* Bond for me) to Sword and Sorcery and Fantasy films.
One of my favourites was Legend, with Tim Curry as the Lord of Darkness, Mia Sara as the Princess, Lilly, and Tom Cruise as the woodcutter’s son, a wildling of a boy in love with Lilly.
https://en.wikipedia.org/wiki/Legend_(1985_film)
It was also Curry’s character, Darkness, who held my fascination. I knew why....there has always been something (and of course I’m speaking as a straight heathen/pagan woman here, sorry) about strong male figures, but more so when they sport horns and hooves. It’s the ancient image of the Wild Forest God (although of course his character was anything but!) and of all the old Fertility Gods...
His skin was red, his eyes lizardlike and feral, his teeth fanged and sharp, he had claws and of course, the hooves...and I just thought he was fucking fantastic!
The film had the classic fairytale script...Princess, captured by Darkness, threatening to plunge the whole world into eternal winter, rescued by her true love, the woodcutter’s son.
I still have both versions..the one where Jerry Goldsmith did the score, and the one with the Tangerine Dream score. Tbh, I prefer the former.
But Ridley Scott did the tale great justice. It was so beautifully filmed, so atmospheric, so magical, it just caught and held me and I’ve loved that film for many decades still.
And there were others...Willow, The Sword and the Sorcerer, Dragonslayer and others. Amidst the copious post Apocalyptic movies, fantasy was my *thing* then. And I ate them all up. Lived, in my mind, inside a world where Fey folks walked and heroes stalked and dragons flew and of course (Conan the Barbarian, with Arnold and Sandahl and the great James Earl Jones, as Thulsa Doom... https://conan.fandom.com/wiki/Conan_the_Barbarian_(1982_movie) )
swords and edged weapons took on lives of their own and defeated “evil”....
These films, and equally copious heroic fantasy pulp novels from the sixties and seventies, kept me going through a very rough time in my life....my first marriage to an abusive husband. When things got so bad, I could retreat into these worlds, become part of them, take inspiration from them (Valeria, from Conan, was my personal heroine and girl crush) and well, the fact I still keep these films (albeit no longer on video, but hard drive) probably tells how much they helped me. I had no friends at the time, I was alone and suffering so I did what many folks do...retreated into fantasy, escapism.
Thing is, I always had an inner belief that this, the worlds in these films or books, was how life was really meant to be. Sometimes, I still do....
We create the world around us. All of us contribute to what the world is like, now.
I wish more folks would work on the fantasy part of life. Why we’ve created countries where the majority let elite few regimes rule them, almost always with cruelty, austerity and utter lack of concern, has always confused me.
I believe time has shown in many nations, democracy doesn’t exist, voting doesn’t work, and governments dictate our every day down to what we eat, watch, read, work at and do.
No, I don’t have the answers. Wish I did. But I’ve no shame for my attraction, still, after all these decades, to fantasy, sword and sorcery, heroic tales and legends, and better worlds.
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sweetcheetah86 · 5 years
Video
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HIM-Salt in Our wounds(Thulsa Doom version)
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Video
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HIM-Salt in Our wounds(Thulsa Doom version)
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thedurvin · 7 years
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Stolen ideas, #2/???
Mentioned a while ago that in the book(s) I’ve been working very slowly on for a while now, I had to change a few characters names because I’d somehow managed to name three of the five major characters after famous fantasy characters I hadn’t read yet (Thulsa Doom and Valeria from the “Conan” series and Mouse/the Grey Mouser). Well it ain’t over yet:
* I somehow managed to borrow “the Hawkins family trying to sell a shitty farm in rural Tennessee” from Mark Twain’s “the Gilded Age”
“ Also I think “Stranger Things” might have co-opted the name “Hawkins” for a few years
* Using the name “Terminus” for Atlanta in “Walking Dead”
* I had this strange little spinoff short planned combining “Moby Dick”, “the Old Man and the Sea”, “Jaws”, and “the Amityville Horror”, and it appears SyFy has beaten me to it with “Ghost Shark”
* This is a little different, but I'm including that conspiracy theory about junk food having secret ingredients that mess with people’s minds, and with that in mind a fictionalized version of the early Coca Cola company will be involved, and I had been using the name “Snowflake Potation” but I think the internet might have ruined the word “snowflake” for the next while
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