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#though i should add i don't tend to ship any characters in anything i watch or otherwise consume
paper--machete · 2 years
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Who do you ship in south park
i don't ship anyone because unlike 90% of the people who actually watch sp on the site im normal about it. tell me who you ship in the simpsons
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caranfindel · 3 years
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Fic: You don’t know how it feels (to be me)
gen, s6 | about 3600 words | pg for language | characters: soulless sam winchester, dean winchester
synopsis: Soulless Sam tries to deal with his brother's feelings about, well, everything. Including his hair. Set in season 6, before "You Can't Handle the Truth."
An idea I had a long time ago, resuscitated by Jared's Walker haircut. The title is from "You Don't Know How It Feels" by Tom Petty and the Heartbreakers.
. . . . . .
It's a stupid case.
The manager of the county fairgrounds is a stooped, gnarled old man wearing one of those ball caps veterans wear sometimes. Gold embroidery on the dark blue hat proudly displays the name of his ship or submarine or whatever. Sam doesn't care about his ship or submarine or whatever. He doesn't care about this guy's service at all. Most days, old Blue Hat here got three meals a day and a warm, dry place to sleep in exchange for whatever he gave up. He got a pension when he was done fighting. Sam gets to scrounge for cheap food and sleep in crappy hotels when he's lucky enough to actually land someplace other than the back seat of the Impala. Sam's service to his country earned him a trip to Hell. Sam will get to stop fighting when he's dead. His only pension will be a pyre.
Sam doesn't even get to sleep any more.
(This should bother him. But the truth is, it doesn't.)
Blue Hat frowns at Sam's ID and snorts derisively. "You don't look like a Fed. You look like a goddamn hippie."
He rolls his eyes at the old man, even though he knows Dean hates it when he does that. It's something he didn't do Before, no matter how annoying or insipid the witness. Sam doesn't give a good goddamn what this guy thinks about his hair, but apparently his brother does. "He's been doing some undercover work," Dean says. "Sometimes you've got to look like a goddamn hippie to blend in."
Blue Hat sniffs his disapproval and ignores Sam for the rest of the interview, directing all of his answers to Dean. Which is fine. The old guy doesn't seem to have anything useful to add anyway. Sam leaves his brother to the pointless interview about the stupid case and wanders around the building, taking pictures of the unexplained runes that brought them here. He's bored. The sudden appearance of mysterious runes on the bland metal exterior of a county fairgrounds building feels witchy, and Sam really doesn't care about witches. Two measly deaths, quite possibly from natural causes, and now he's out here standing in cow shit. Or goat shit or pig shit. This entire day has been shit, literally and figuratively.
Dean joins him after a couple of minutes, apparently done with Blue Hat. "What do you think?" he asks.
Sam shrugs. "Too early to tell. If these runes are what Bobby thinks they are, they'll change under moonlight, but moonrise isn't until 9:05 pm."
“Jesus," Dean moans. "I can't stay awake that long. I've already gone almost two days. Let's go back to the motel and crash, and we'll hit this place again tonight."
Or not, Sam wants to say. I think you jumped on this paper-thin excuse for a job just because the alternative was sitting in a motel room with me waiting for an actual case to come up, Sam wants to say. But neither of these are things he would have said Before, and Dean is so goddamn twitchy about Sam being different than Before.
As they turn back to the Impala, Dean glances at Sam with a slight smile. "Dude's not wrong, you know."
“What?"
“You do look like a goddamn hippie." Dean's hand twitches toward Sam, like he's going to smack him on the back of the head or ruffle his hair, but he pulls back without touching him. Because they don't do that now. Casual, good-natured, brotherly contact isn't a thing now. Dean doesn't touch him unless there are injuries involved.
(This is another thing that should bother Sam. It would have, Before.)
. . .
Dean hangs his suit in the closet, sets an alarm, and collapses on top of the covers. Sam stares at his own bed. The threat of spending hours pretending to be asleep makes his skin crawl. If Dean falls asleep quickly enough, he can skip the whole charade.
“Hey, I think I'm gonna shower first," he says.
Dean doesn't open his eyes. "Just don't wake me up when you get out."
In the bathroom, Sam turns on the water but doesn't get undressed. He stands at the mirror, staring at his too-long hair. Why has he bothered to hold onto it? He remembers caring about his hair. He remembers it being a small fuck you to John, the one area in his life where he was able to cling to some autonomy. It's not that he's forgotten about that; he just doesn't give a shit any more.
And like Dean said, Blue Hat wasn't wrong. He does look like a hippie. The hair is a hazard, and it does clash with any kind of law enforcement disguise. Maybe it's time to do something about it. He has time to kill anyway, while Dean sleeps.
(Sam should care that he doesn't need to sleep any more. Dean would definitely care, if he found out. Dean cares so much about any aspect of Sam that is less normal than he thinks it ought to be. Even if it's something that makes him a better hunter. Dean didn't appreciate it when Sam could exorcise demons without killing the host, and Dean wouldn't appreciate that Sam can get so much done when he's not sleeping. He could never understand why this version of Sam is so much better than the way he was Before. It's a shame Dean hasn't discovered the option of Not Caring.)
(Sometimes Sam wonders if getting back with Dean is worth the trouble.)
(And that should bother him too.)
Sam shuts off the shower and pulls out his phone. He needs to find a barber shop in walking distance. Dean will get all pissy if he wakes up and the car is gone; less so if only Sam is missing. Luckily, there's a shop that might still be open. It's one of those ridiculous sports-themed places that presumes men are fussy toddlers who need to be distracted from the ignominy of a hair cut. At least they tend to be staffed by women, and those women tend to be prettier than average. With any luck, he can kill two birds with one stone.
When he opens the bathroom door, Dean is either asleep, or pretending to be. Sam scrawls couldn't sleep, back soon on the motel notepad and closes the door behind him as silently as possible.
(He misses his car. He didn't have an emotional attachment to it, like Dean and the Impala, but it was convenient and it suited him.)
(He doesn't actually have an emotional attachment to anything. That should bother him.)
. . .
Two stylists, both predictably prettier than average, look up when he walks in. The redhead says "sorry, sir, we're just about to close up," and continues sweeping up hair trimmings. But the brunette looks him up and down and smiles. And Sam's partial to brunettes anyway.
He gives her a once-over in return and smiles back. "Do you have time for just a quick cut? I'd be eternally grateful."
She stares at him for a minute, appraising. "Well, how could I turn down an offer of eternal gratefulness?" she says with a wink. She turns to the redhead. "Why don't you go on home. I've got this."
The redhead dumps her clippings into a trash can. "You sure?"
"I'm sure. You mind locking the door behind you? I don't want any more last-minute customers walking in."
The redhead raises her eyebrows, but gathers her purse and jacket and makes her escape as Sam settles into the brunette's chair.
“I'm Marianne," she says, as she starts to drape a cape over his shoulders.
“I'm Sam. But listen. I get too hot under those capes. Would it be okay if we skip it? And I just take my shirt off so I don't get hair all over it?"
Marianne smiles like the cat who caught the canary. "Not a problem, sweetheart."
Sam slips out of his dress shirt and drapes it over the empty chair next to him. Marianne watches him the whole time, eyes roving over the muscles exposed by his snug white undershirt. It's like shooting fish in a barrel.
He sits back in the chair and Marianne stands behind him. Her chest brushes against his shoulders. "So," she asks, "what are we doing today?"
“Shorter. Off my collar, above my ears."
She slips her fingers through his hair, measuring its length. "You sure? This length looks pretty good on you. Just needs to be cleaned up a bit."
“It's for a job. The long hair doesn't fly any more."
“Aw, that's a shame." Marianne's still running her fingers through his hair. "If you've got a lady in your life, I bet she'll miss it. A girl likes something to hold onto."
Well. The best lies are based on a kernel of truth. Sam looks into his lap and lets his smile go sad and soft. "That's kind of why I'm here. My girlfriend died and I thought I'd try to start over. New place, new job, new life. But yeah, that's always been one of my favorite things. A girl grabbing my hair in the heat of the moment. I should have tried to find someone to do that one more time before I had to cut it off."
Marianne leans forward, pressing her breasts harder against him. When he looks up, she meets his eyes in the mirror, then flicks a glance toward a door marked Employees Only. “You know," she says, "that could probably be arranged."
Seriously. Fish in a goddamn barrel.
. . .
Dean's awake when Sam gets back to the motel room, but he doesn't look up from the laptop. "Couldn't sleep?"
“I guess I napped a little in the car on the way down here," Sam lies. "And then, you know, a lot of caffeine this morning."
“Whatever. I'm not the sleep police. I hope you brought food, cause I could —" Dean looks at Sam and stops mid-sentence, mouth still open. "You cut your hair?"
“Yeah."
“Why?"
“What do you mean, why? Like old what's-his-face said, I looked like a hippie, not an FBI agent. And you've been telling me to cut it for years."
“Yeah, I have. I've been saying that for years and you've been ignoring me for years. Now some random witness calls you a hippie and you go running to Supercuts?"
Sam sighs. Dean may not be the sleep police, but he's awfully eager to step in as the hair police, enforcing his own set of laws about Sam's hair. "Why does it matter? You wanted me to cut it. Everyone wanted me to cut it. And I cut it. Can we move on now?"
It's a statement almost guaranteed to make Dean bow up in anger, but instead, he deflates. "It's just… nothing. Fine. Moving on." He closes the laptop and pulls his keys out of his coat pocket. "We've still got an hour or so before moonrise. I'm gonna go run through McDonald's. You want a chicken sandwich, or is that something else you're not interested in any more?"
Jesus Christ. This is what passes for moving on. But Sam needs that shower now, and none of this is worth arguing about.
(Few things are any more. That seems like it should matter.)
“Yeah, that sounds great, thanks."
By the time Dean gets back, the sandwich is cold and the ice in Sam's drink is mostly melted. He pretends to enjoy it anyway.
. . .
Their drive back to the fairgrounds is quiet. Dean occasionally steals an unhappy glance at Sam's hair, but doesn't say anything. Sam ignores it.
They pull into the parking lot in front of the marked building. Without even getting out of the car, they can see that the runes have changed. The broad strokes are softly luminescent, glowing a pale blue in the moonlight.
“Okay, so that answers that question," Sam says. Thank God. Now they can leave without wandering around the grounds, soaking up the barnyard smell again. Wrap this up and start working on something more important. But Dean gets out of the car and looks at Sam expectantly. Well, crap. Sam dutifully follows him closer to the building and tries to think of how he would have felt about this development Before.
“Cool," he says. Dean narrows his eyes at him. "I mean, cool that our theory was right. Not, you know, cool that someone is using this kind of spellwork to make sure their pig wins a blue ribbon at the fair. That part's… pretty awful." But Dean's still looking at him funny, so he probably overcorrected on that one. It's just hard, any more.
Dean rubs the back of his neck as he examines the glowing runes. "If that's all they're doing, more power to them. I couldn't care less. But we need to make sure that's all they're doing. I mean, people died, Sam. We need to figure out if this is why." He pulls out his phone. "Gonna take some pictures to send Bobby." There's no reason to remind him they already have pictures. If Dean thinks additional pictures are more effective and efficient than "just like this, but glowing blue," that's up to him. Sam will most likely solve the damn case later tonight anyway, while Dean sleeps.
And he almost does. Dean knocks back a couple of glasses of whiskey when they get back to the motel, and falls asleep pretty soon after that. Sam doesn't bother to feign sleep — Dean doesn't seem to care, right now, whether his brother gets any sleep or not. But when Sam realizes his own photos missed a crucial corner of the building, he opens his brother's phone and finds his last text to Bobby. There's only one picture, and it's not glowing runes. It's him. Just a dark, slightly blurry picture of Sam, obviously taken earlier that night at the fairgrounds. And a text conversation.
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See, I told you, it's short. I don't know what's going on. I swear he's just different.
Yeah, I get it. It's different. He's different. But what'd you expect? Of course he's not the same as he was. Hell changed him.
It didn't change me this much.
His Hell wasn't the same as yours. I know it didn't last very long, but remember, he was in the cage with the devil. We don't know what happened to him in there. Give him some time.
Well. Fuck. Dean's talking about him behind his back. Dean doesn't trust him. Dean thinks, once again, that something is wrong with him.
(That would have hurt, Before. Now it's just an annoyance. A distraction. Something to be dealt with.)
Yes, Hell changed him. Hell burned away all the crap, all the useless feelings, the guilt and shame and fear of failure. Hell purified him. Hell carved out the weakness and left nothing but pure, strong hunter. Dean, of all people, should appreciate the result. But Dean does not, and now Sam has to cater to his tiresome attachment to everything Sam was Before.
Fine. He can make that work.
Sam quietly puts Dean's phone back on the nightstand. He strips down to boxers and his t-shirt, sets an alarm, and crawls into bed. Pretending to sleep is tedious, but a couple of hours of boredom right now might spare him weeks of Dean's moodiness about him being different.
(As if Hell could leave you untouched. As if anyone in their right mind would expect that. As if Dean himself didn't know this first hand, for fuck's sake.)
. . .
Sam spends the next day focusing on acting the way he did Before. When his alarm goes off he stretches, yawns, and pretends he had a good night's sleep. He goes for a run, brings back coffee, showers quickly, and rolls his eyes when Dean makes a crack about him being able to spend less time in the shower now. At breakfast, he smiles at the (cute, definitely worth a bang) waitress, but doesn't flirt or even check her out as she walks away. He's figured out that Dean wants Sam to want to get laid (but not too much; he's definitely not supposed to want it as much as Dean wants it) but for some reason doesn't want him to actually get lucky. And he definitely would have gotten lucky. He spends the day looking empathetic, acting like this whole thing hasn't been a colossal waste of time. Like he cares about everything. About anything.
(God, it's exhausting.)
It turns out the deaths probably don't have anything to do with the witch at all. They return to the fairgrounds one last time, where Sam plants hex bags and paints runes on the corners of the building that will block the witch's simple spells - not that he cares whether the witch achieves anything or not, just on principle. His own runes are small and subtle enough that this novice witch (they must be a novice; no one with any experience would be naive enough to make their work so noticeable) won't even know they're in place. And if the witch escalates, well, that's not exactly Sam's problem.
When he's finished, he wipes his hands on his jeans and says "We should get Chinese for dinner. When's the last time you ate a vegetable?" Because monitoring everyone's vegetable intake is something he did Before.
They're finishing Chinese takeout in their motel room (beef with broccoli for Dean, eggplant in garlic sauce for Sam, because occasional bouts of vegetarianism were also a thing he did Before) when he catches Dean looking at his hair, very clearly wanting to say something.
So. It's go time.
Sam tries to make his eyes big and sad. The puppy dog look, Dean always called it. It was never intentional Before, but now he has to work at it. "Listen," he says. "I owe you an apology. I haven't been telling you the whole truth."
“No shit," Dean says. He's trying to sound nonchalant, but his body language screams that he's bracing for something. "So, spill it. What's your big confession?"
(That I don't care about any of this. This piddly little case. My hair. You. Nothing. And you can't imagine, Dean, you cannot even begin to imagine the incredible freedom of not caring. I wish you could, but you just can't.)
No, he can't say any of that. But the best lies are built on a kernel of truth.
Sam takes a deep, anxious breath and looks at Dean. No, wait. Look away. "You know, I told you I don't remember Hell. And I really don't. Not consciously, anyway. But when we were fighting those demons a couple of weeks ago, one of them grabbed me by the hair, and I felt something… it was a sense memory, I guess. It felt like Hell, for some reason. Like it was something that happened to me in Hell, someone grabbing my hair and pulling my head back and getting ready to cut my throat or… whatever."
He doesn't have to elaborate on whatever. Dean knows the whatevers of Hell better than anyone. He's probably dealing with a little sense memory of his own right now, of clutching someone's hair and pulling their head back in preparation for whatever. And now Sam does look at his brother, who is staring at him with wide, horrified eyes.
“Ever since then," Sam continues, "I just feel like I've been on the verge of remembering something. Something I don't want to remember. And I'm tired of worrying that I'm gonna have a Hell flashback every time I wash my hair."
Dean looks like he's going to vomit. Perfect.
“I'm sorry," Sam says. "It threw me, and I just didn't want to talk about it. But I shouldn't have kept it from you."
For a second, he's sure he has gone too far. Dean is going to say what's this bullshit, Sam, you would never apologize for something like that, so tell me what's really going on. But he doesn't. He stares at Sam for a minute, then looks away and wipes a hand down his face.
“Yeah, okay. Okay. You, ah. You good now? Is it working?"
Sam shrugs. "Hard to say. It hasn't been very long. But yeah, I feel a little more… stable, I guess."
And then it’s time to go for the kill.
Sam gives him the sad smile. (He never used to think of it as a sad smile; never used to think of it as anything at all. It was just what his face did. Every expression requires so much thought now.) "Listen. I know things are weird. I know I'm weird. Different. I know it's hard for you. If this is all more than you want to deal with right now, I understand."
Dean frowns. "What are you saying?"
“Just, I can go back with Samuel and his crew if you don't want to do this any more. You and me, I mean. No hard feelings, I promise."
Dean's face crumples. "What? No, fuck, no, Sam. I don't. You and me, we're good. I'm just getting used to things. That's all."
“Okay." Sam gives his best approximation of a grateful smile.
“So. Uh." Dean looks around the room nervously, like he's waiting for the other shoe to fall, then stands. "I think I'm gonna go get a drink. You wanna come with, or…"
Even if Sam believed Dean really wanted him to come along — and he doesn't; this is obviously Dean's way of retreating from a situation he doesn't want to think about — pretending to sleep when Dean's gone is one of the easier ways of making it look like he actually does sleep sometimes. "No. I'm beat," he says. "I think I'll just go to bed."
“Okay. Yeah. That sounds like a good idea." Dean takes his keys out of his pocket and anxiously tosses them in his hand. When he finally does turn to Sam, he looks at his hair, not his eyes. "Hey, you know, it does. It does look good on you."
Sam ducks his head shyly, like someone who's not used to praise. Who doesn't think he deserves it. "Thanks." When he looks up, Dean is already halfway out the door, putting as much space between himself and his little brother's hellscape as possible.
(Seriously. Fish in a fucking barrel.)
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lordelmelloi2 · 3 years
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Gray for the character meme. Never got into case files but im fond of the quail association
Everybody should get into Case Files right now right now right now now now now now now now You want quail You want to see quail
Sexuality Headcanon: She's bi or lesbian or maybe even aroace or something I'm in the ballpark of "You can be anything you want honey ^__^"
Gender Headcanon: Oh god. She has a complex relationship to gender because of the whole "Becoming King Arthur" thing so I tend to think of her as transfem or intersex & her relationship to gender is insane ... she's ... Copy pasting my sister's thoughts about Gray's gender because it's the same
The only thing I might add or change is like… I think Gray’s struggle with being like Human specifically, like I think she has trouble seeing herself as her own person and a PERSON altogether, I always think of the cage she carries around for add… a bird cage. And like * inaudible ^ She’s always watered down in her mannerisms always so polite so kind but she has soooo much under the surface it’s just trapped there most of the time Everything about her and her gender seems Concealed and trapped to some degree, like just Far away… but at the same time she is very desperately trying to establish herself despite this confinement and protect other people. Her relationship with add I think also really helps illustrate her gender like he’s an essential part of it, he’s masculine and outgoing and juxtaposed with him gray seems a lot more idfk…. Quiet. Agreeable and feminine. But SHE has him in the cage, it sort of represents her bottled up emotions and Anger and her butchisms And when she protects other people she uses him !!!!!! She expresses herself she takes him out of there she * plane crashes Gray utena character
A ship I have with said character: UMMMM idk. I haven't really thought about her having relationships with anybody for a while I think she can do whatever she wants ^_^ date whoever you want honey just be safe and let us know if you have any problems
A BROTP I have with said character: Reines & Gray goes here because I read that Reines thinks of Gray as sort of like a little sister (even though Gray is the older one I'm pretty sure?) but basically I'm putting their friendship here because if they choose to define their relationship as familial and not romantic then it changes everything. I ALSO REALLY REALLY REALLY WANT MORE FLAT AND GRAY STUFF I JUST THINK THEY REALLY RELATE TO EACH OTHER ABOUT NOT FEELING HUMAN AT ALL LIKE THEY HAVE THAT KIND OF THINGS W/EACH OTHER IDK ITS IMPORTANT
A NOTP I have with said character: Asides from obvious stuff I don't really have any NOTPs with her because I think mostly everything has merit or potential in it
A random headcanon: Headcanon for Gray is that she takes up art to express herself ... But also I have a very strong association with her and the concept of knighthood... I think her and Reines should watch Utena together I wanna know how she thinks of it. Also my personal selfish little headcanon is even after she is cured of saberface she keeps her little quail plume
General Opinion over said character: I love Gray she's my daughter I really really really care about her and want to see her grow and become more confident in herself and learn more about who she is and and and *sobbing* I have so many things I wish I could tell her ugghhh.... she's quail
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kastle09 · 4 years
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Why don't we love esport orgs?
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I am a huge football fan (that's soccer football, not any other kind of football) and just recently I saw my childhood team, LiverpoolFC, win the Premier league title, our first division title in 30 years and first since the Premier leagues inception.
Like all the other fans, I felt the same mixture of emotions: relief, tears of joy, uncontained excitement, and great love and admiration for the players, the manager, and the club.
Thinking on it since, I've began to wonder why I don't feel that same love for esports organisations. I in no way feel the same kind of romanticism surrounding them. Why is that?
Players being bigger then the Team
While there are definitively Star players, important players that are match winners that have lead to Liverpool's success this season, no player no matter how good they are are bigger then the club. Stars will walk in and out of your doors and you will love them while they are here, and either you will cuss them when they jump ship or clap them off when they retire.
For another example think about when Lebron James made the move to Miami Heat. For Cleveland fans they were absolutely distraught at the time. But that doesn't mean you stop supporting your team. It just means you hold bitterness and resentment to the people that leave. The team always comes first.
In contrast to esports though, people tend to jump around teams on a constant basis, there isn't really the same semblance of loyalty, and it doesn't really seem fans care all too much either. As a fan of fighting games and Starcraft, both 1v1 competitive games, its almost expected that your hero is the player that plays your character/race and you are going to follow them regardless of where they go.
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But even in team esports, it still hasn't held up. As an Australian watching the core line up of AZR, jks, jkaem, Gratisfaction and Liazz move from Renegades to 100 Thieves, I didn't really give a second thought about ignoring RNG and being a 100T fan. I just wanted to watch my team, and my team was the roster it wasn't the organisation.
So is that the key? Do teams need to form a bond by representing a region and that's how they can keep fans.
International fans and Club Identity
If you look at the past ventures in esports when we began doing long seasonal competitions from the ground up, Not only did they choose to go the franchise model, they also tried to tie it back to a City. The Championship Gaming Series in 06-08 took this approach as well as the Australian Gfinity (both now defunct I might add).
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For a  recent example take Blizzards attempt at forming a privatised league with the OWL with again having teams be City based: Seoul Dynasty, London Spitfire, Houston Outlaws.
Now this is actually a proven model for success if you look all over in real sports from Major League Soccer and A-League for soccer, Indian Premier League and Big Bash League for cricket etc. So it makes a lot of sense to try and copy.
One benefit is if you have less interest or investment,as a first time viewer when you tune in you automatically have a team you can identify with and to cheer for purely because you live in that part of the country.
The problem is esports is quite an international reach, A city itself, isn't really enough to sustain a team, it has to be representative something larger. Its probably why what more often happens is we are attracted to a philosophy and a style, and that's what makes us fall in love. Because of a particular way this team plays and more importantly what it represents to us.
I am obviously on the other side of the world to Liverpool, and if I think about my relationship with Liverpool. I haven't yet visited the city or to Anfield (Its on my bucket list to watch a game from the Kop end) but I identify with that club more then any other because of what they represent to me. Liverpool was a working class region of England during the industrial boom and its reflected in scousers as people.
I was growing up in the early 2000s among Man Utd fans and being ridiculed and jealous of how easy success seem to come to them, and how hard we had to work. But with that also came the beautiful moments of triumph, like Istanbul. There are picture perfect moments that represent what it is to be a fan of that club, there are Players that embody everything about what that badge on the front represents.
I think esports can deliver that feeling but I think there is a big reason why they are currently failing at it.
Neglecting history
Even though I didnt grow up in the years when Liverpool were dominant and successful, the club does its part to make sure for any new fans, you will learn and be proud of that history.
Club Icons like Ian Rush, Kenny Dalglish and Steven Gerrard are still attached to the club often in ambassadorial roles. Having the past generation let you know what the values of the club are, what's expected of you and reminding the current players exactly what being a part of the club represents.
But we don't do that in esports.
This is actually something Duncan “Thorin” Shields has talked about in a video before and I'll echo some of the same sentiments here. But esport teams, even the longest running and financially successful ones seem to never acknowledge the past very often.
A League of Legends example I think about is Hai Du Lam. I don't follow Lol very closely but I know Hai and I know Cloud9. Hai is what would be considered a Cloud9 Legend but because of the nature of it, Cloud9 seem disinterested in doing anything to celebrate something like that and especially with Hai forming his own team it doesn't feel like that relationship would be allowed to happen.
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Keeping on Cloud9 for another moment because their CSGO team seem to illustrate this lack of understanding. The Cloud9 I remember, the one I feared was the NA Galáctico squads.
A team of absolute star players, a team that would constantly bash heads with Team Liquid and would stand head and shoulders above the rest of the continent.
This is the only North American team that has won a CSGO major. That team of Skadoodle, Stewie2k, autimatic, RUSH and tarik. Cloud9 have set a precedent with everything we have been talking about.
As of the writing of this blog, Cloud9s current squad (JT, motm, oSee, floppy and Sonic) is a poor reflection of that history. This is nothing against these players they are all capable players but if this team was named anything else, they would not even be giveing a second look at them. Would those fans who bought jerseys two years ago be proud to stand behind that team? No not a chance.
When you play for Cloud9 the expectation is be “Best in America” and at the moment they are 3-4 placings at best, behind where they should be.
Is it even a problem?
For a lot of people that are into esports there is always a temptation to compare ourselves to the established mainstream sports that exists.
Sometimes we have waved that flag in their face to go “pfft, who cares what you think, we do it better then you” while at the same time behind close doors try to emulate them more and more.
Maybe the real motivation behind this whole post was just an excuse to talk about how much I love Liverpool and how much I want to rub it in every Mancs face (especially you Tyson!) but I do wonder at the day where I would feel the same amount of emotion I did last Thursday when I woke up and actually cried because something amazing had happen. Will I ever be that invested about an esports team? I'm not sure yet.
- Krisna “kastle09″ Siv
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