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#thomas gomez
citizenscreen · 10 months
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Thomas Gomez, Ella Raines, and Franchot Tone in Robert Siodmak’s PHANTOM LADY (1944)
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mariocki · 10 months
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Dead Man's Eyes (1944)
"I wouldn't be surprised if this man were insane. He wouldn't be the first one who'd gone mad studying the processes of the mind."
"Precisely, Captain. I compliment you on your sagacity."
"You know, it's people like you that have caused me to steer clear of all this book psychology."
#inner sanctum mysteries#dead man's eyes#eye trauma#eye horror#1944#reginald le borg#dwight v. babcock#lon chaney jr.#jean parker#acquanetta#paul kelly#thomas gomez#jonathan hale#edward fielding#george meeker#pierre watkin#eddie dunn#david hoffman#paul sawtell#another fun trip to the inner sanctum! Universal's saddest lump of clay Lon Chaney‚ back doing what he does best (having a dreadful time)#he starts off in high spirits here; he's got it all‚ a career as an up and coming artist‚ a devoted model‚ a loving fiancee and her#moneybags patron father‚ and best of all he has a little shelf on which he keeps his big bottle of eyewash next to his identical big bottle#of acid. truly what more could a man ask for. but what's that... no Lon! surely not! whoever could have foreseen such a tragic incident..#so yeah Lon loses his eyes‚ then gets new eyes but may have murdered to get them. cue classic did he didn't he shenanigans and the usual#absurdly dickish cop poking in his nose and basically bullying everyone. high melodrama nonsense but for the first time this film shows#some cracks around the edges; the cast are more variable than in the previous films‚ with Acquanetta stilted and monotone while Ed Fielding#goes too far the other way as a constantly shouting and gesticulating father figure. outside of Lon‚ Gomez is probably the best value#and seems to be having genuine fun as the asshole investigating the case. not quite as good as sanctums 1 and 2 and with a touch more#chauvinism to it (particularly in the way Acquanetta is consistently described as moody or difficult‚ or how all the male characters#discuss Parker's romantic future without her even being present let alone asked) but it still has fun nonsense to be found
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swordofmoonl1ght · 7 months
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"Cadwallader's my name. At least it's the name I'm using this month. It has a nice feeling on the tongue."
Thomas Gomez as Cadwallader in The Twilight Zone S01E06 "Escape Clause"
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eternal--returned · 13 days
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Rod Serling ֍ David Wayne & Thomas Gomez in The Twilight Zone Season 1 Episode 6: Escape Clause (1959)
You're about to meet a hypochondriac. Witness, Mr. Walter Bedeker, age forty-four, afraid of the following: death, disease, other people, germs, draft, and everything else. He has one interest in life, and that's Walter Bedeker. One preoccupation: the life and well-being of Walter Bedeker. One abiding concern about society: that if Walter Bedeker should die, how will it survive without him?
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letterboxd-loggd · 2 years
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Phantom Lady (1944) Robert Siodmak
August 29th 2022
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gatutor · 2 years
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Thomas Gomez-Ella Raines-Franchot Tone "La dama desconocida" (Phantom lady) 1944, de Robert Siodmak.
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cladriteradio · 2 years
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Here are 10 things you should know about Thomas Gomez, born 117 years ago today. The talented character actor enjoyed success on the stage, in pictures and on television.
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The Furies
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If all Westerns looked like John Ford’s or Anthony Mann’s, I think I’d be a much bigger fan of the genre. Of course, it’s almost unfair to call Mann’s THE FURIES (1950, Criterion Channel, YouTube) a Western. It’s more of an anti-Western. It features the same conflict as in most of the genre — the frontier vs. civilization — but in this case civilization is represented not by home, family and the feminine but rather by business interests, particularly banks. And as shot by Victor Milner, the wide-open spaces are more oppressive than liberating. These characters don’t need railroads and cities and farms to fence them in. They’re already confined by their own twisted passions. Walter Huston is the tyrannical, mercurial owner of a ranch called The Furies. He’s Lear on horseback. He plans to leave everything to his tough, adoring daughter (Barbara Stanwyck) as long as he can control her life, including whomever she might marry. Then he comes home from a business trip with a wealthy widow (Judith Anderson) out to take Stanwyck’s place, and the fur and the scissors fly. Charles Schnee adapted the script from a Niven Busch novel, and at the start it has the meandering quality of a lot of fiction. You can’t quite tell where the story’s going, but the characters and atmosphere are so rich it doesn’t matter. And when you get to see Huston (in his last film) and Stanwyck interact, who needs a plot. There’s a terrific score by Franz Waxman and wonderful supporting work from Anderson, Gilbert Roland, Thomas Gomez, Blanche Yurka and Beulah Bondi, who’s barely on screen five minutes yet manages to capture her character simply in the way she transfers her fan from one hand to the other. Censorship imposed a certain racism on the film. Where Stanwyck and Roland had an affair in the novel and even married, that was turned into a friendship and Roland’s unrequited love, because his character, a Mexican, couldn’t be intimate with a white woman. And then there’s Wendell Corey. He’s better than in a lot of his leading roles, but he hardly seems magnetic enough to capture Stanwyck’s passions. And the character, as written for the screen, doesn’t make a lot of sense. He uses Stanwyck at first and then suddenly falls in love with her. Nor does it help that he has a misguidedly chauvinistic proposal scene: “And don’t ask me to be your husband. If we marry, remember one thing. You’ll be my wife. Whenever you’re wrong, I’ll tell you so. If I’m ever wrong, you just keep your little mouth shut.” Would anybody ever believe he could exercise that kind of control over a Barbara Stanwyck? Or a Barbara Hale? Or even a Barbara Pepper?
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geekvibesnation · 8 months
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spryfilm · 10 months
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Blu-ray review: “Arabian Nights” (1942)
Adventure  Running Time: 87 minutes Written by: Michael Hogan Directed by: John Rawlins Featuring: Jon Hall, Maria Montez, Sabu, Leif Erikson, Billy Gilbert, Edgar Barrier, Shemp Howard, Thomas Gomez, Turhan Bey, Elyse Knox, Acquanetta and Carmen D’Antonio Scheherazade: “I would swear I have seen this man before. But where?” Ali Ben Ali: “Maybe in your dreams.” Critical…
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vidioten · 1 year
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Summer and Smoke (1961), Peter Glenville.
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citizenscreen · 2 months
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Vladimir Sokoloff and Thomas Gomez in “Dust,” 1961 episode of “The Twilight Zone”
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mariocki · 3 months
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The Climax (1944)
"I don't hate you. I only hate the thing that's come between us: your voice."
"Yes, I know. You were out front tonight. I felt your eyes on me. Like you're looking at me now. Go away. Get out of here! I'm afraid of you."
"You needn't be. I love you, my darling, you know that. I'd give my life for you. This thing that shuts me out, I won't let it, I tell you I won't let it. It's here... now, between my fingers. I've only to close them to silence it forever."
#the climax#american cinema#1944#george waggner#curt siodmak#edward locke#lynn starling#boris karloff#susanna foster#turhan bey#gale sondergaard#thomas gomez#june vincent#george dolenz#jane farrar#ludwig stössel#lotte stein#ernö verebes#scotty beckett#william edmunds#this rocked up on one of the universal horror sets Eureka have been putting out‚ but it's an odd fit and seems to have drawn the ire of#more than one reviewer. i sort of get it: it's hardly a horror film at all‚ much more a romantic melodrama with musical numbers and just a#slight swirl of psychological intrigue to get the plot moving. originally conceived as a direct sequel to the previous year's Phantom of#the Opera (mainly to try and get some more use out of the lavish theatre sets built for that film)‚ at some point in production this was#retooled as a loose adaptation of Locke's play. the result may disappoint horror hounds but i was actually very charmed by this#it's undeniably self indulgent‚ frequently tacky‚ and full of the strangest opera stagings that clearly don't belong to the period in which#the film is set‚ but it's just so damn sincere‚ so irresistibly campy and romantic. Karloff is criminally underused as the Phantom insert#obsessed with a dead love (that he deaded) but the supporting cast make up for his absences. lovely Turhan Bey is a lovesick composer so#moved by his fiancée's first public performance that he eats his theatre programme. i mean if that doesn't sell it what will? also a stand#out is the perennially dependable Gomez as the brash theatre manager with a twinkle in his eye and a soft heart. a lot of fun this (ymmv)
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Noah Beery r and Thomas Gomez in an original lobby card for Corvette K225 (1943), the first of two Howard Hawks films he produced but did not direct.
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raynbowclown · 2 years
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Beneath the Planet of the Apes
Beneath the Planet of the Apes
Beneath the Planet of the Apes (1970) starring James Franciscus, Kim Hunter Beneath the Planet of the Apes is a rescue mission. Astronauts are sent from Earth to search for the missing Taylor and his crew from Planet of the Apes. They go through the same issues, only to fall into a final war between the apes and the mutant humans. (more…)
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letterboxd-loggd · 11 months
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Corvette K-225 (The Nelson Touch) 1943 Richard Rosson
June 15th 2023
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