#this story doesn't have a point aside from like

[ambrosiagourmet]

Hey, Kabru and Mithrun spend some interesting time together, don't they?

With Mithrun having just officially premiered in the anime, and a lot of discussions swirling around about him, I've been thinking a lot about that section of the story quite a bit. These chapters - Roasted Walking Mushroom and 6 Days - are some of my favorites. For a lot of reasons, really. Not only are they are a huge turning point for the story as a whole, but they have some excellent character work, and represent an important shift in Kabru and Mithrun's individual arcs and relationship to each other.

The chapters are also kind of a fully contained story arc just on their own, which is an impressive bit of writing, and makes them super fun to analyze. So that's exactly what I'm going to do!

This will be structured as a close reading of chapters 61 & 62, with some asides for additional important context. I'm going to talk a little bit about a reading that I disagree with, but for the most part I just want to focus on how Kabru and Mithrun's relationship progresses during these two chapters. In particular, the ways they both grow from the time they spend together.

Also I just want to quickly note that this isn't written as Ship Content. It's meant to be an analysis of their relationship as presented in the text - layer whatever additional meanings and filters on top of that as you'd like, but please respect that my intent is not to talk about or champion a ship, or frame any of this content as romantic.

So, with that all being said:

How do Kabru and Mithrun help each other?

First of all, I think there are two important pieces of context that inform the Kabru & Mithrun Dungeon Adventure chapters. Both are related to Kabru's state of mind, and both are set up before or during the chapters in question.

The first is the context of what happened just before Kabru and Mithrun fell into the dungeon. Specifically, the events that led Kabru to make them fall.

Kabru, essentially, gives up his life at the end of chapter 55. When he stops Mithrun, and when they both plummet with the collapse of the first floor, he is okay with dying. Mithrun warns him that they will both die if Kabru doesn't let him go, and Kabru accepts this as a worthwhile exchange.

Why?

Well, because he doesn't want the elves to take over the dungeon. Throughout the last 3 chapters, the Canaries have been effective, but they have also been cruel in their efficiency, and they have made it clear that they don't care about collateral damage. They lured people into the dungeon specifically to provoke a violent reaction from it, without regard for who might get hurt by the violence.

What's more, they are keeping important information from Kabru, and he knows it.

He's not just looking for a solution, he's looking for the truth - a truth that he believes that he will only find through conquering the dungeon. With good reason, to be fair! The elves make it very clear that they aren't there to treat the other races on the Island as equals.

So Kabru uses the only tool he has available to him - his own life. It won't get him the truth, but it at least gives a chance for another person from a short-life species (namely, Laios) to earn it in his place.

This dovetails nicely with the more thematic context that's introduced in at the start of chapter 61: the room where he could eat all the cake he wanted.

This place, a place that Kabru never wants to go back to, is a place where he is safe, and a place where he is ignorant. A place where he is sheltered from danger, but also from the truth. The same place the Island would become, if the Canaries had their way. He doesn't just want to be safe, and he doesn't even just want the world to be safe, though he does want to be able to protect people from what happened in Utaya.

But he doesn't just want to entrust that safety to the paternalism of the elves (especially since he is all too aware of the ways they can fail, or the people they are willing to sacrifice in the name of that "safety"). He wants to be given the agency to seek safety and peace for himself.

He wants to understand. And he wants the chance to act.

This is the context we have, going into the arc of 61 & 62. But before I talk about how the chapters build on this context, I want to take a step back and look at what else the chapters establish early on, before delving into their exploration of Kabru's agency.

First of all, I kind of want to challenge the framing of Kabru and Mithrun's relationship as solely that of a caretaker and his charge.

Obviously, Kabru is forced into a caretaker position - at the threat of his friend's safety, no less. (Okay, it's actually Toshiro and Namari that are being held, but still. There are hostages involved in this) But I do think it's important that Mithrun isn't the one who puts Kabru in this position - Cithis is.

Before this conversation, Kabru and Mithrun are already exploring the dungeon together. Mithrun doesn't threaten Kabru, or force his hand. He kind of just assumes that Kabru will join him. It's rude, and not particularly respectful, but given the dangers of navigating a dungeon alone, I don't think that's really an unreasonable assumption. And it certainly isn't the same as Cithis' approach.

If they were left alone with no intervention, they probably would have ended up in a similar position to the one that Cithis leveraged them into. Kabru is smart, and he could have figured out the things that Mithrun needed help with. And, to be clear, those are things that Mithrun needs help with not because he is selfish or thinks they are owed to him, but because he is disabled. It's not unreasonable for him to need that help, and it's not unreasonable for Kabru to provide it, under the circumstances.

Besides, they both need each other down there. Kabru wouldn't have survived without Mithrun - he doesn't know enough about monsters, and isn't familiar with the deeper dungeon's layout. And Mithrun wouldn't survive without Kabru - he isn't able to notice his basic needs and would burn himself out without food or rest, making him an easy target for the monsters he could otherwise take care of on his own.

Aside from both needing each other, another interesting layer to their relationship, which is established right away, is that Kabru doesn't have to - and literally cannot - put on a mask of social niceties around Mithrun. He can't suck up. It doesn't work.

So Kabru, who spends so much of his time concerned with how others perceive him, and who compromises his own comfort in order to become the most appealing version of himself at any given time, has that tool taken away. He has to help Mithrun, but notably, he can only help Mithrun to a certain point. He cannot compromise his open and honest feelings to help maintain someone else's view of the world - or at very least, it doesn't benefit him at all to do so.

Instead, they sit together, in the same position, share the same shitty mushroom dinner, because they both have to:

And that's notable, too. They both have to. Cithis' demand is most specific about the need to eat. Three meals a day! But this is something they both need, not just Mithrun.

Still, their relationship at this point still isn't exactly supportive, or even respectful. Kabru may have realized that he didn't need to keep up an act around Mithrun, but ya know, he still turns around an immediately try to, with that shitty mushroom dinner.

(The 'badly drawn shapeshift Kabru' gag here isn't just funny, imo, it's also a reminder of the thing he JUST LEARNED. Mithrun is immune to the Kabru smile anime sparkles filter.)

Mithrun also doesn't tell Kabru any helpful information at this point, and doesn't really put much effort into helping him at all. He slaps him awake out of a Nightmare, and treats him with the same disregard he did at the start of the chapter, focused entirely on moving ahead.

But then Mithrun collapses, and the current structure of their relationship collapses with him.

I think it's interesting here that the shift in their dynamic also includes Mithrun explicitly noticing Kabru's desires. Obviously it's not actually like some kind of I truly see you and recognize your humanity moment shared between them, but I do still like the way that it pulls Kabru's internal wants to the surface. Kabru not voicing his desires doesn't mean they don't exist, and Mithrun recognizes that the same way the dungeon does.

And then Mithrun does, in fact, grant one of Kabru's deepest desires. He tells Kabru the truth.

Just like how they are working together in the first place, this truth is as much a necessary concession to survival as anything. But that doesn't mean it's not impactful for Kabru. This is the thing that every other elf in his life has kept from him. A secret foundational to his core belief that long-life and short-life species can never come to mutual understanding.

And Mithrun isn't just giving him the bare minimum information here. What he shares isn't just a truth, it's his truth. It's a level of complete and total vulnerability that few people share with each other. And again - some of this may just be coincidence and necessity. I imagine Mithrun is so open, at least in part, because he doesn't have the same barriers that other people do when it comes to sharing these things.

But, then again... we see Mithrun at his most vulnerable and empathetic when he is talking to dungeon lords & potential dungeon lords, and trying to convey to them the truth of the trap they are walking into.

This face:

Is very similar to this face:

These are some of the few instances that we see Mithrun emote in this way, and his story does come just after he notices the dungeon responding to Kabru's desires.

But, no matter if Mithrun's openness is in response to Kabru being tangled in the dungeon's hunger, or just part of his nature (or, maybe, a little of both), his story changes things for Kabru. It gives him the chance to make actual choices, now that he understands the truth. It gives him a chance at agency in the story.

And he immediately turns around and uses some of that agency in an interesting way:

When asked about why he can't sleep, Mithrun says he needs to be magically compelled. Being magicked to sleep is simple, and it is efficient, but he doesn't even just say it's the best option. He seems to believe it is the only option.

So much in Mithrun's recovery has been framed through how it will let him fight the demon. Recover so that you can return to the dungeon. Sleep so that you can return to the dungeon. Eat so that you can return to the dungeon.

But rest, much like eating, isn't just about achieving the bare minimum required for efficiency. And as Senshi would probably say, the easiest path isn't always the best.

I don't think that the Canaries are intentionally running Mithrun ragged or anything, but as I mentioned earlier, they are very focused on efficiency, with little thought spared to what is lost or hurt in the process.

And there is something different about Mithrun's time with Kabru in the dungeon. Lycion even notes it, when they finally connect back up.

I don't think it's a huge leap to say that how Mithrun falls asleep here is emblematic of that difference. When Kabru helps Mithrun to sleep by massaging his feet, rather then using magic, he is explicitly taking a step beyond the minimum. He is providing comfort to a body that has been given only necessities for a long, long time.

These two events - Mithrun sharing the truth of the dungeon with Kabru, and Kabru choosing to help Mithrun to sleep through a foot massage - shift their relationship. There's a clear difference in how we see them treat each other, and especially in how Mithrun treats Kabru.

Before, Kabru provides food that he has gathered himself (okay, it was a mushroom he put his foot through on floor one, but the point still stands that Mithrun offered no help at all with getting food).

Afterwards, they gather food together.

Before, Mithrun teleports Kabru towards a monster, using him as a weapon when he can't find anything else.

Afterwards, he helps Kabru escape monsters, and fights them directly.

Before, he slaps Kabru awake after 5 hours of uncomfortable, Nightmare-filled sleep. A rest which, notably, Kabru didn't even intend to take for himself.

Afterwards, we see Mithrun keeping watch while Kabru sleeps in a bedroll.

I don't necessarily think that all of these things are choices that Mithrun consciously makes. Like, after 6 days, Kabru would have to get some actual sleep eventually, and Mithrun would pretty obviously have to keep watching during that time.

Nonetheless, there's still a difference in how these scenes are framed, and the fact that it is these things that are used to portray their journey together. Kabru is not the sole person providing food and sleep and safety - they provide these things for each other. Kabru eats alongside Mithrun, hunts alongside Mithrun, and he sleeps in the same way we see Mithrun sleep, laying down and resting deeply enough to be groggy when woken up.

What's more, during their time together, there are even a couple of instances of Kabru being more willing to care for himself and accept care. The sleeping is one example - note how he is surprised at having slept "that long" when told he was asleep for less than even the minimum recommended amount of nightly sleep - but I think the pattern of his eating is even clearer. In making sure that Mithrun eats regularly, he is forced to eat regularly too.

And I especially like the progression with the Barometz meal. After Mithrun has fallen asleep, Kabru thinks about wanting to "give [Mithrun] something nice to eat," but also notes that Mithrun's lack of desire "means there isn't even anything he wants to eat." So what does Kabru do?

He makes Mithrun something that he wants to eat.

I've already talked a bit about the ways that Dungeon Meshi depicts people finding support through "borrowing" the desires of the people who care for them, and I think this scene is a great example of that idea. Especially in the way that it pulls an expression of desire from Kabru, who is so prone to ignore his own hunger and needs. The meal may not end up anywhere close to the flavor intended, but it's still a far cry from the roasted walking mushroom.

All of these pieces come together at the end of chapter 62, resulting in a pivotal choice that could only happen because of the ways Kabru and Mithrun have, at least a little bit, grown closer to each other.

As they are preparing to leave, Kabru hears a bell ringing in the dungeon, just as he hears Toshiro's matching bell on the other side of the portal. Realizing Laios is nearby, Kabru hesitates. He knows the truth about the demon, and how he has a chance to act on it.

Cithis, the person who extorted Kabru into taking care of Mithrun in the first place, pushes for Mithrun to follow along with the plan.

(okay a quick aside here I just want to say I do love Cithis and I'm not trying to bash on her here. I just think it's interesting that she is the one to establish the terms of Mithrun & Kabru's cooperation, as well as the one who tells Mithrun to leave the dungeon at the end of the chapter)

But Mithrun doesn't go along with her command. Instead, he does something unexpected:

He asks what Kabru wants to do.

In contrast to Milsiril's smothering comfort,

and in contrast to his Mithrun's own assumption that Kabru will follow him, when they first wake up in the dungeon,

Mithrun follows Kabru's lead.

This, right here, is the change between them. Not only that, but it's a shift in the entire balance of agency in the dungeon. For what might be the first time in a very long time, Kabru - a tall-man - knows the truth, and is acting on it. He makes a huge decision purely on his own judgement. He is not trying to appease or coerce anyone, and he doesn't win Mithrun over by hiding his true intentions.

Rather, it's the honesty between them that builds to this moment. Mithrun's honesty earns Kabru's trust, and Kabru's honesty earns Mithrun's respect. They bond not because they are forced to spend time together, but because they choose to spend that time giving each other more than the bare minimum - even when they are both people used to accepting the bare minimum.

It echoes Laios' argument with Toshiro, in a way. They eat three square meals a day (Cithis mandated admittedly), they get plenty of sleep, and in doing these things, they take each other seriously. They treat each other as more than just a means to an end.

I don't necessarily think it's a flawless, unbreakable bond that's built during this time - hell, they both kind of revert back to their old behavior, once reunited with the rest of the Canaries. People don't completely change their habits overnight, after all.

But it is a shift. It's a shift that gives Kabru the chance to steer the story towards the ending he has fought for all his life, and it's a shift that helps Mithrun find a way to move forward after he loses his own reason for living. They reach their goals, and then they step past them - facing life beyond the moments they thought defined their reasons for living. Facing life beyond the bare minimum.

And that is how they help each other.

#dungeon meshi #delicious in dungeon #kabru of utaya #mithrun of the house of kerensil #dungeon meshi spoilers #dunmeshi analysis

[stillness-in-green]

Not-Really Chapter Thoughts BNHA 424

You know, I really think there should be a point at which Deku rushing in with no plan and doing whatever he thinks feels right should become Heroic Malpractice.

Just me?

Because, like, Shouto had a plan. He spent the time between the two war arcs specifically developing a brand-new combat technique that he planned to use to shut down Dabi's combat advantage without killing him. He convinced his dad not to change the plan like Endeavor was hesitantly sounding him out about[1]; he went out and talked and asked questions, and even if they weren't the right words every single time, he did his best and he did it with intention. If Dabi proves to be dead, it won't be because of anything Shouto did to him; it'll be because Dabi himself chose to stand back up, take a warp gate across the country, pick a fight with the guy who doesn't have the power set to shut him down without unduly hurting him, and try to replicate an Ultimate Move specifically tailored for someone with a balanced power set Dabi doesn't have.[2]

And if Dabi lives, it's still going to be because Shouto booked it across the country and used that same technique to stop him again.

1: Dabi surely would have preferred to fight Endeavor from the start, and it probably would have been the more "just" choice if it had to be one or the other, but Shouto is the nominal focal character between the three of them, so, critiques of the broader Hero-side decisions aside, Shouto's arc has to come first. This is one of those places where you can clearly see how much the decision to let Endeavor survive where Horikoshi originally planned for him to die hurts the shape of the later story.

2: Obviously ultimately if Dabi dies, it's going to be because his family and Team Hero made repeated choices to ignore and neglect him, culminating in the entire family swearing to deal with Touya together only to passively accept a battle plan that involved splitting them all and letting the kid who knows Touya the least be the one to fight him. But like, in the context of that fight, Shouto isn't the reason Dabi takes all that hurt.

Uraraka may or may not have had much of a plan, but at least the words she said to Toga reflected that she had been seriously thinking about Toga in the here and now, what Toga's told her, what Toga needs. If Toga dies, it will be because Toga chose to give Uraraka an unsupervised blood transfusion with no intention of stopping it. (With the same general caveats as in Footnote 2.)

But Deku? From the very beginning, Deku has been valorized by the manga for how much he doesn't plan. All Might tells him specifically that it's a sign of greatness shown by future "top Heroes" that, in some crisis situation, their bodies moved before they could think. Bakugou's Rising chapter is defined by him reaching that same state.

Deku claimed he wanted to save Shigaraki; he's sad in the latest chapter that he couldn't save Tenko's[3] life. But did he ever have a real plan to do that? With all the quirks he had at his disposal - both his own and those who would be in the flying coffin with him, or classmates whose presence he could specifically request - did he think hard and come up with a technique that would let him stop Shigaraki without harming him? Did he try to connect with the Shigaraki right in front of him by citing to the future?

3: And I have nothing but scorn for Deku's insistence on that name when "Tenko" goes out very pointedly calling himself Shigaraki Tomura.

Well, no. Deku obstinately yelled at the phantasms in Shigaraki's mindscape that he had no plan whatsoever. The only plans we saw him carry out were ones handed to him by the OFA collective that involved "breaking" Shigaraki's psyche; the only plans he came up with himself involved more efficiently breaking Shigaraki's body.

Way back in Chapter 130, Nighteye harshly scolded Deku by saying that his way of thinking was arrogant. He said, "Go after him haphazardly and he'll slip through our fingers. You're not so special as to be able to save who you want, when you want. (...) This world is not so accommodating that you can act the Hero because you feel like it."

It felt like something that Deku should have taken to heart, a lesson to be learned and applied later, but I never much got the feeling that he did. Nothing he did in that moment, in that arc, or anywhere else in the series afterward indicates that he thought Nighteye was right. He just chose not to talk back, and the arc ended with Nighteye dead and no longer around to pose objections to Deku's mode of heroism.

But Nighteye was right. Three hundred chapters later, Shigaraki is dead because Deku could not be arsed to plan for how he could stop Shigaraki without killing him. Because he let Gran Fucking Torino give him the intellectual out that killing someone could be a means of saving them. Because he followed his gut instincts of prioritizing the phantom Crying Child that he always saw as more valid and real than the human being standing in front of him.

Because he haphazardly acted the Hero and let his body move without thinking.

And he wants to act sad about it now? I hope Nighteye materializes in his bedroom to sneer at him every night for the rest of his life.

--

Incidentally, fuck All Might, seriously. "Wow, Deku and Bakugou, you two are the greatest Heroes ever. Fuck me and everyone else who fought tooth and nail, arm and leg, eye and earjack, life and death, to contribute to the pile of damage that was necessary to kill and/or save Shigaraki and All For One. You two got the last blows in, so you're the only ones who get the credit for it in my eyes. Hero Society is definitely going to be different and better with you two around."

#bnha #bnha critical #bnha spoilers #bnha 424 #stillness has salt #class talk #no. 2 green #this just in: #class 1-a will no longer ALL be the greatest heroes ever #they thought too much about how to deal with the challenges facing them #and encouraged that thought in others #which is obviously the opposite of their bodies moving without thinking #and since moving without thinking is what signifies top heroes they are OBVIOUSLY not top hero material #christ almighty i hate this endgame

[stromuprisahat]

For me, it would have been very easy to achieve a Darklina endgame, even after season 1.

Malina fans argue that since their relationship has been introduced and established throughout the season, and the Darkling betrayed Alina, they are the logical way to go. The obvious endgame.

To this I answer:

No.

Throughout the season, it is shown that Alina being with Mal restrained her in her abilities and who she really was. After episode 4, she had agreed to detach herself from him, erasing the scar she had made to pit the test, and thus bury who she really was for Mal. While he, on the contrary, kept this scar he had made by defending her (also) without his knowledge, in addition to claiming that Alina was his true north. Something Alina also did BUT in the episode before, while there, now, well she let Mal go after finally figuring out that her relationship with him had basically gotten in the way of who she really was and could potentially hold her back. . So there, basically, Malina was no longer on the same page. Then Episode 5 reinforces that fact, in addition to finally making it clear that Malina has in fact never been on the same page at all, with Alina saying that Mal wants a farm, but Alina doesn't like firm and would instead like to travel. Basically, we are shown during the first 5 episodes that despite their love, well they are very different. Mal didn't allow Alina to move on, and she doesn't even want the same things he does in life in general. Worse, he's mortal, and she's immortal, as Aleks points out in Episode 7. It's basically a relationship, realistically doomed.

Without forgetting that this conversation of the Darkling and Mal takes place just before that of Darklina. Mal having told the Darkling that Alina chose him over him. Then, we hear Alina say later that she and Aleks could have had it all together if he had told her the truth. Without forgetting that when he leaves the tent, Alina hesitates to call him back to her. So the dialogue, as well as this whole situation basically proves that no, Alina didn't choose Evil in there, he's wrong. On the contrary, it becomes the default choice. The second choice. Simply because the future she imagined as clearly as possible… It was with Aleks. In fact, when Alina ran away from Aleks, she wasn't even thinking about Mal. I recall that she had essentially put it aside. So when Alina ran away from Aleks, it wasn't for Mal, it was for herself. Finding Mal was essentially a coincidence, not something she sought to cause. And when Alina spoke of the future by involving Mal in the series, it was to say that she wanted to travel, and he, to have a firm idea that she never liked. (Even one of my friends who doesn't like Darklina at all, recognizes this aspect of the story where Mal appears as a second choice when she wanted to build a future with the Darkling. She also likes the relationship and the Malina link, but finds her straining in romantic terms)

Then, next to Mal as a character, we have Aleks, the other most powerful grisha in existence apart from Alina, literally her natural complement, the darkness of her light. The one who encourages her to be who she really is. I'll add that since he's immortal, he must have traveled well elsewhere and could basically show the world to Alina.

People think the necklace case is irretrievable. It's bullshit. The Darkling had specific reasons for doing what he did and for an essentially noble and righteous purpose. Without forgetting that Alina very quickly regained control of her powers.

Let's also not forget the fact that she didn't know about Zlatan, about Marie, or even the whole truth about the creation of the Fold. Sorry, but Bagrah barely told him the tip of the iceberg.

If Alina learned all these things, it is impossible for her to remain in her black and white vision to consider the Darkling purely as an enemy.

A clever story would have Alina learn all of these things to make her reconsider the situation and potentially forgive Aleks later. It's fucking completely doable!

Hell, I literally read a trilogy (The Kinder of Poison) where Kasta (main male protagonist, coded as symbolically having darkness within him) stabbed Zahru (the heroine of the story, coded as a symbolic source of light), choosing the magic he would reap from this sacrifice, even as she begged him to choose her and they grew closer during the book, developing feelings for each other . And yet, he chose to stab her in the heart! The only reason Zahru survived is because Kasta's brother's companions rescued him inextremist! And yet in the last volume, Zahru forgives her, and they get married, ending up more in love than ever! If forgiveness is possible there, why wouldn't it be for Darklina with this fucking necklace story?!

Beyond that, we are still talking about an antagonist who has been fighting for a minority who has been orpified for centuries against a monarchy corrupt to the bone and trying to maintain a country that is fucking on the way to extinction. Aleks is not and never was the real bad guy in this mess. A cleverly written story would have unquestionably brought Darklina together against Ravka's true enemies, and Mal would have become a love of the past, no more and no less. We would reinforce their differences and incompatibility. Damn that scar should have come out! How could Mal not ask about this in season 2?! Also, although I hate those ridiculous meadow scenes, since we were given one at the end of the last episode of season 1, it would be good to put some back on but much less idealize than those we saw in season 1, to make the bridge with the deterioration of their relationship and that everything remains fluid and connected. And we could very well have kept this good energy and special bond that they had from season 1, by making it / making it more fraternal, knowing that it is already the feelings that they send back to most spectators, and even generally in the story. Malina is family. Darklina is the lovers. (even Jessie Mei Li said it) To say, Malina after season 1 had ended up in the top of the most forced couples…

Sorry to say, but this is all the natural path for the story to follow from the end of season 1. (And even the end of volume 1, I feel like saying. Anything was still possible after this first volume. Alina could have had a meteoric evolution, just like the story. But we know that's not what we got…)

Yet Alina will never learn the truth about the Fold. She will never learn of Marie's death a little caused by Kaz all the same huh, but not considering that it is necessary to show that Alina and Inej get along for the fan service… She will not learn either the plans of Zlatan which consisted in having everyone on board the skiff killed once it arrived, as well as his plan to kill her which led to the death of Marie. Whether it's by herself or through Zoya, for example, Alina will never know.

And of course, all this is very practical and allows Alina to remain ignorant and not evolve. Except that it creates a huge dissonance between the spectators and the characters. The viewer is not supposed to be the only one to know such important and crucial information. At least not indefinitely. The logical way is that the heroine also learns them at some point.

Except that if she learned them, the logical path would be for her to go to the Darkling, except since this is a path that the writers refuse to take, they prevent the logical progression of their story and their heroine.

There's also been no conversation where Mal basically tells Alina that she's immortal, or even Alina shown to actually think about it in a deep way on her own. It's always the Darkling talking about it, while she avoids the subject. (at least until episode 5 of season 2) Like… a child who refuses to face the truth in fact, and it is frustrating.

.

#reply #Shadow and Bone #Alina Starkov #The Darkling #General Kirigan #Darklina #Malyen Oretsev #anti S&B writers #anti Malina #There's nothing to add #really.

[bisexualgorgeous]

sometimes i think abt how at my rep shows i was so excited to see tumblr people and didn't rly get to meet any of my mutuals at the shows but i saw someone with their tumblr url on a poster and wanted to go up to them and say hi but i got kinda shy and then posted about it and looked at their blog and i could tell they were the kinda swifties only on tumblr to meet taylor but i thought still it would be nice to say hell so i finally did and like spoke to them for a few minutes and then they basically ignored me as soon as i followed them and i ended up going back to my seat without even saying goodbye and i'm p sure i unfollowed them like a few weeks later bc i just didn't feel good about the interaction

#this story doesn't have a point aside from like #it was such a trying and failing to make friends on the playground moment #it makes me a bit sad #and idk if i'll do bracelets for my eras shows like for the reason that i don't think i'll be any good interacting with people #but i was so excited for rep bc it was the first time i'd ever had like a following on any social media #and i met like two mutuals and that was it i think #i'm over it now ofc but i think it's just that thing where i'll always feel a bit distant from communities even when i love them #bc i struggle w/ interacting with people

[fromtheseventhhell]

Renly had seemed anxious to know if the girl reminded him of anyone, and when Ned had no answer but a shrug, he had seemed disappointed. The maid was Loras Tyrell's sister Margaery, he'd confessed, but there were those who said she looked like Lyanna. "No," Ned had told him, bemused. (Eddard VI, AGOT)

This is literally people in fandom trying to make shallow connections between Lyanna and [X character] and presenting them as equally important as parallels drawn directly in the text. In fact, this coming after Ned tells Arya she reminds him of Lyanna (in looks and behavior) feels like George cementing the importance of their likeness. Other characters might have passing similarities to Lyanna, but Arya's parallels are much more meaningful than that and are being highlighted for a reason.

#arya stark #lyanna stark #asoiaf #a song of ice and fire #George foresaw people ignoring their parallels and put this in just to emphasize them lol #sorry but I'm not going to pretend that Lyanna has equally important or relevant parallels to other characters cause she just doesn't #George doesn't /hide/ parallels like that if he intends two characters to be related to each other then he clearly states it #He does so with Arya/Lyanna and Dany/Rhaegar #it works both ways...it's a way for us to gain insight on them by having them related to the behavior of POV characters #trying to split that between two characters who are written to be FOILS is so ridiculous #you could parallel damn near any two characters in the story but that doesn't mean that George is emphasizing them for a reason #tired of people acting like Arya stans are crazy for pointing out what's directly written in the books #this shouldn't even be an issue but people hate acknowledging anything of importance in Arya's arc #aside from Arya and Jon the parallels to Lyanna are just not that deep sorry

[dormont]

okay i'm going to be nicer to totk for real now *deletes most of my drafts*

#bwark #god i'm fucking trying to have some kind of epiphany here where i can have it all click and be like ''even if i have my problems i can still #get enjoyment out of it'' but this game makes it so damn difficult #''i can discuss the story'' wait nope can't. story sucks ass and butt #''what about the exploration? that was the best part of botw'' uh no can't do that when the surface is practically the same and there's no #substance to the sky or the depths #''gameplay?'' i don't like ultrahand. which sucks when that's 90% of the gameplay #i respect the work that must've gone into it and the creativity it's drawn from fans but making one gameplay aspect literally ALL YOU DO #runs the risk of alienating people who can't get behind #and sure other zelda games have their gimmicks but it's different #like take tp for example. i get that the wolf mechanic isn't for everyone. but aside from the early game twilight sections and a few sparse #puzzles in the later game you're never really forced to play as wolf so it doesn't overstay its welcome #god i just remembered that totk turned wolf link into meat chunks. another thing they took from us 😔 #actually on that genuinely why couldn't they just bring him back? #like you're reusing a ton of shit from botw anyway?? #which brings me back to my main point is that anything that isn't new is just. botw again #shrines are back but they're uglier. dungeons are the divine beasts but in a new coat of paint #why did they add more shrines to the game anyway? like you'd think they'd at least lower the number because fans didn't want them to return #the SINGULAR leg up i can think of id the bosses. yeah i love botw and i'll hold my hands up and say that a lot of the common complaints for #it don't bother me personally but yeah the blights absolutely sucked #divebombing colgera with the dragon roost theme playing was the closest thing that this game came to giving me an experience #okay i'll shut up now I'M GOING TO BE NICE EVEN IF IT KILLS ME

[earlgreybocchan]

It's not even a joke anymore I need to see Mey Rin.

#and my finny and bard i wonder how they're going to look in this new animation style #i don't usually care about animation styles per se like it's not something i bitch about but i don't love the animation this season per se:( #sometimes it's really really pretty but also sometimes i am like that's not how ciel and especially sebastian look :( #sebastian looks really pretty but sometimes he doesn't feel like sebastian? i like when sebastian was all pointy #i think sebastian should look like this is junjou romantica. #but aside from that i think the tone is a smidgen off from the manga? like the way certain things are animated are not as goofy as the manga #when usually i don't feel a weird imbalance there sometimes it lands now and sometimes it doesn't #oh back to the original point i wish we had done an obligatory house episode ik the arc is just like this in the manga but uh so was circus #we're in the same situation where it's been so many years since the anime has been on air AND we are in a situation where we got 11 eps... #...out of this arc i think it would have made perfect sense to have a house episode with everyone #bc at its heart black butler is about the house ciel has made and the bit they all have going there #everything bad happens now bc he goes out of the house!! the house is the safe space control group type of environment #that's part of why the murder arc is so fun bc everyone there is in complete control of it and ciel's a stay at home not talk guy #everything outside of the house is fake! that's why it's the bit that they're pretending to be fake inside! #that's necessary to orient you to this story and ciel but whatever anyway 😔 #small gripes that pick at me occasionally i just haven't had the time or mental space to voice them here #kuroshitsuji #my kuro posts

[ialwaysknewyouwerepunk]

.

#finished the ballad of songbirds and snakes last night and im still kinda forming an opinion on it #really interesting to be in the brain of someone who is such a bad person #who barely knows what remorse feels like #someone who forms their emotions and behavior based on what he thinks the other expects #someone who doesn't see depth in people or situations #and all of that was shown really well by how we barely get to know lucy gray #but now i'm like........ SO WHAT ABOUT LUCY GRAY #her and sejanus's stories are so fascinating and i want to know more so bad #and this story was just.............. like #most of it was empty blabber about snow and his incredibly stupid life and empty thoughts #oh right aside from all the crimes and killing and fascism #i have determined that that's the point #but that doesn't mean i'm satisfied lmao #it was eerie tho to be in snow's head especially in these times #where people in the settler colony of israel are completely behind their genocidal regime #// the capitol and its citizens and how they see the people in the districts #gonna watch the movie now to see....... if it suddenly shows me something completely different bc #i don't know how you can transfer the vibe of a book like that into a movie #since it's so in snow's head? and his inner monologue is the most important aspect of how the book's angle is built? #so... we'll see #books

[heniareth]

It's interesting to note how the Tabris Origin, which involves a wedding, kidnapping and attempted sexual harassment, and fighting your way through an estate full of guards, is the Origin where gender plays a huge role in what story you experience. M!Tabris will always storm the castle coming to the rescue of his cousin and his betrothed, while F!Tabris will always have to fight her way out because the men in her life can't fully protect her (Nelaros dies, Soris literally hands her the sword, Cyrion is powerless to stop the abduction. Okay, this may be a little unfair to Soris who does fight side by side with Tabris and counsels caution the same way regardless of Tabris's gender). I'd go so far as to say that Tabris is the only Origin where the gender of your PC has a definite impact on the story.

TLDR to the rant in the tags: Tabris is constrained on all sides by being an elf, by their gender, in part by their family, and by society at large (both the Alienage and the wider city).

#bumble our guys are occupying my mind again. the origin defines their roles and experiences so #a lot has been said about the superficial equality of men and women in dragon age: they are equal from a legal point of view #both can become soldiers inherit or assume a position of political and social authority #but that's pretty much it #that experiment aside i think for the tabris story it's interesting. tabris is so contrained #don't go out of the alienage at night. don't anger the shem #don't carry weapons. don't insult them. live in squalor & misery with no hopes of social mobility. get married to a person you don't know #this happens to you because you are an elf. and this happens to you because you are playing as a man or a woman #the other origin where gendered violence might crop up is brosca and idk to what extent bc i haven't had much contact with f!brosca's story #but it would be just like beraht to make weird comments. aeducan gets a weird comment by trian too but that's it #but the alienage is a pressure cooker and the violence dealt unto its inhabitants has a perverse amount of nuance #unlike the circle which is another pressure cooker but a different one the alienage has a better life and more opportunities paraded in #*front of its inhabitants at every waking hour. the mages don't have that jarring contrast (they are reminded of how bad they have it in #*other ways but violence is much easier to normalize in closed communities. there is a reason uldred was able to stoke a rebellion after #*having been at ostagar. one taste of fresh air and that stuffy tower must've been hell awaiting. even wynne takes ger first chance to gtfo #the alienage however knows with striking clarity what it doesn't have. and that hurts. that stings. this ramble went way off track #but my main point is that tabris is constrained on all sides while at the same time having a better life dangled in front of their nose #*every single waking hour. no wonder their origin ends in massacre at their hands #the dam has broken loose. the water is finally cooking over and the pressure cooker explodes #tabris has a body count comparable to that of a seasoned criminal (brosca) and of a knight defending their invaded home (cousland) #which is freaking impressive if you ask me #dragon age #dao #dragon age origins #tabris #warden tabris #f!tabris #m!tabris #astala tabris

[paradife-loft]

....I don't know why I looked in the notes of that poll, it's just people having appallingly dismissive attitudes toward short pieces of writing all the way way down.

#(I mean aside from all the people just repeating the Correct answer but that's not novel either) #idk man. I've just been digging around back in ye olde 2010s Silm fic the past couple days and #there was a real art to short pieces in that particular era #gut-punchy as fuck. generally in the 1-2k range #if not less #and also mmm.... re: what a ''story'' is. there doesn't need to be a dramatic plot event to have a narrative #sometimes the character mood; the sense of place; etc Is what shifts or comes together like drawing the strings together on a bag #idk if you don't see the point of a craft exercise like trying to fit a piece in specific small wordcount...... I dunno what to tell you #content is for other people

[astrxealis]

once again i love ffxiv and think it's so funny that you have magic so much magic but you have Guns. too.

#⋯ ꒰ა starry thoughts ໒꒱ *·˚ #and one very very very powerful mage hses a gun at some point in the story to just. shot down someone (who doesn't die yet thankfully yeah) #IT'S AMAZING ... anyway that aside i love the lore of ffxiv so much #and how they incorporate things from other final fantasies into xiv and the world is just so huge and amazing oh god i love it so much #gunbreakers! gunblades! where they came from and what the word came from too it's amazing #and then you have yk. the source the first the void the 14th ..... all so very interesting places #it seems like each world is sort of inspired especially by a certain ff game too. 3? i think for the 1st (not sure abt this) and 4 for 14th #and some bits in the game also . yeah. like you have kain references ... 8's squi/noa ..... 9 stuff in enw msq... anima............ #yeah! yeah #and each place has their own little lore. like ishgard! crystarium! ala mhigo' #you have the twelve and you have the tribes and the primals. you have the moon you have the dragons #you have robots you have fantasy rabbits on the MOON you have just. so many stuff #and i love ffxiv sooo much for that ..... there's high fantasy there's sci-fi there's etc and it's amazing #you have ivalice too! oh man. loved that #so yeah. rambles over for now fusvdjsbdjbdja

[kerra-and-company]

"Nothing particularly interesting, I suppose." Vezz taps his claws together, furrowing his brow as he peers up at Kerra. "Nothing much to ask. But I've been through all this myself, and I feel the question begs asking: how are you holding up?"

@ratasum (from dad mode Vezz fjkelfds)

(Dad mode Vezz hours <3)

Kerra blinks, then lets out a sigh as she pulls out a nearby chair and sits down. She offers Vezz a tired smile. "I've been worse, somehow--which I'm aware isn't the best descriptor, but you of all people might have some idea what I mean. I'd be doing much better if the world-ending events could stop for longer than a year. Give me time with my partners that I don't have to fight for. Stop targeting my children."

She puts her face in her hand for a moment, then runs that hand through her leaves. "Aurene can take care of herself. And Rhi can certainly hold their own in combat, I just...I don't know how much you know about the situation in Gyala Delve, but Rhi was involved before I was. They shouldn't have to be there, they don't have to be there, but...like parent, like child. It's a threat to people they care about. They won't walk away.

"There are limits on what I can do to keep them safe--to keep them both safe. I've never been okay with that. I never will be."

#gw2 #kerralind #vezz #other ocs #kerra so DESPERATELY wanted to protect both rhi and aurene from feeling shoved into everything too early #like kerra herself was #and she only managed it half as well as she would have liked at best for them both #and rhi was the one involved in a *lot* of the story bits in 'what lies beneath' #'it's fine if i help out with this and don't tell my parents i'm doing something incredibly dangerous. right. that's cool right.' #to be fair they are mentally an adult at this point; but a young one (like maybe equivalent of 18-19 yrs old) #and their parents have historically been involved in So Many Things that really they should have been called for that reason alone #but. anyways. kerra hasn't fully had to deal with hallucinations stuff yet. that's probably going to show up in the Next chapter released #also she could and would talk a lot with vezz about the trauma they share if he'd be willing to listen #kerra has never really had a parental figure aside from (kinda) the pale tree #and she doesn't expect that specific flavor of support #but she'd take it from him if he offered #that got so LONG but anyways as;lkdjf #thanks a bunch for the ask! :D

[ambrosiagourmet]

I want to talk about why I think this is the one of the most important Falin panels:

So, Falin is really nice, right? It's one of the first things we really learn about her. She's kind even to the monsters of the dungeon - choosing to ward the party rather than fight spirits and cause them needless harm.

In the above early flashback in chapter 11, we see Marcille fawning over Falin's kindness, calling her an angel. Namari calls her soft-hearted. We see Falin choose not to fight even when a zombie attacks - instead she resolves the confrontation with a hug. After the flashback, the first thing Senshi says is that Falin "sounds like quite the person," which Marcille strongly affirms.

At this point in the story, all we have seen of Falin are these impressions; she is a healer, an angel, a caretaker with an infinite well of kindness towards everyone she meets - both friend and foe.

And honestly, that remains most of what we have to go by to understand her. The only times we get to see Falin on the page, alive and just herself, are in the opening and closing pages of the story and in the brief period of time after she is resurrected.

Nonetheless, we do have some more details to work with. For one, there is the scene that The Panel is from - a short memory in chapter 75, when Marcille flashes back to while she's dying. In that scene, Falin prepares to teleport them all out, and says that she's sorry "if there is a person at [their] destination." And that's when we get The Panel.

If you teleport someone or something into another person, the person teleported into is likely to be, at minimum, severely injured. They could die.

We can see a lovely little horrifying example of exactly why in one of the Daydream Hour doodles:

So, hmm. That's not... that's not SUPER nice. Certainly not displaying the same "kindness to all, friend and foe included" we saw represented earlier. On a basic level, this adds some nuance to Falin's kindness. We see it break a little, when pushed to the limit. We see her chose to protect the people she loves above all else.

Which makes sense! As Laios says when the Winged Lion accuses him of similarly being motivated more by his friends' safety than everyone else in the dungeon, "...most people, aside from virtuous do-gooders, would feel the same way."

So, we can take The Panel as simply showing a moment of weakness for Falin. A time when she was pushed to her limits, and that "most people" selfish side of her shone through.

However... I think there's a little more going on with Falin than just her being an angel 99% of the time, except just that once. I love The Panel because I think it helps us understand that Falin isn't just motivated by kindness - she also has a desire to avoid seeing people in pain.

Isn't that the same thing?

No, no it very much is not.

Let's look at a short comic from the Falin section of the Adventurer's Bible, because I think it illustrates this point perfectly. The group is complaining about how much Marcille's healing hurts, and comparing it to Falin's, which "doesn't hurt a bit." Marcille retorts with the following:

Now, the punchline of this comic is that, despite Marcille's sentimental assertion that she's "thinking of [them]" by letting her healing magic hurt, they all still prefer to be healed by Falin.

But hey, this wouldn't be the first time that Dungeon Meshi hides a very real character beat or insight in a gag, so let's think about this somewhat seriously.

If Marcille is right (and she knows a fair bit about magic, so we can assume that she has at least somewhat of a point), then what Falin is doing isn't kind. I suppose if someone specifically requested to not feel the pain, it could be kind, but that's not really what happened here. She is the one who felt badly about the others being in pain, and she is the one who decided, without telling them or giving them a choice in the matter, to take away that pain.

Both Marcille and Falin are healing the party, but Marcille is doing it in a way that accomplishes the task in the most straight forward way, without any additional interference. Falin is going out of her way to perform the healing in a way she is more comfortable with. A way that avoids pain.

Going back the The Panel, I don't think its a coincidence that the only time we see Falin (well, non-chimera Falin) willing to do something that could hurt someone is when any potential pain will be far away from her. If she got someone hurt or killed by teleporting the party to the surface? Not only would it be far out of her sight, but she'd be dead before she had to deal with any consequences of that action.

Falin is not a confrontational person. She doesn't push when Marcille won't tell her the truth about the resurrection, and she comforts Laios about her own death - both of those things happening in the only full chapter she is alive and conscious in the whole story.

We also know that she considered accepting Shuro's proposal, despite not having any special feelings towards him, and that Falin never explained to Marcille that she wanted them to share a meal together. When she brought Marcille various foods at the academy, she just accepted Marcille's confused rejection and gave up.

And lastly, we know that she is still in contact with her parents, despite the neglect and abuse she suffered at their hands. Although the way someone chooses to handle contact with abusive or bad family is a complicated topic, which I don't want to overly simplify, I do I think this fact gets at the heart of how she handles conflict.

So many people that Falin loves have hurt her. There are understandable hurts, like Laios leaving the village, or Marcille not understanding the food. And there are bigger, far less justifiable hurts - like her parents neglecting her throughout her childhood, and sending her away to be alone at the magic academy.

It doesn't seem like Falin has ever confronted any of it directly.

And the unhealthy aspects of this kind of avoidance of pain and confrontation is one of the things that the story of Dungeon Meshi is all about. We see Laios grapple with it before he goes to kill Falin, and we see Marcille acknowledge it at the end of the story, when she tells Laios that she has come to terms with Falin's death:

Eating is a part of life. Consuming other living things is a part of life. It isn't really possible to avoid that pain - you can only hide from the truth of it. You have to be selfish everyday. You have to eat - to choose to live. To choose to take up space.

And this is something Falin embraces, too. She comes back to life, after all.

We see her choose to come back to life.

And how does she make that choice? She eats. She consumes, and then she is asked a question by the manifestation of hunger itself:

Do you want to eat more?

There is a double meaning in the Winged Lion's final words on the next page.

When I first read this, I took it as him saying: life is cruel. You will suffer. You will feel more pain.

But perhaps, especially for Falin, this also means: you are choosing a path where you must cause pain. Where you must consume. Where you must take, and must be selfish. Because eating is the special privilege of the living, and it is their burden, too. In order to stay alive, she will need to keep eating.

And she chooses that. Chooses to be selfish. It's why her resurrection scene is so important, and it's why The Panel is so important. Because Falin coming back isn't the ultimate reward for all of the party's hard work.

It's her choice. Just like it was her choice that started everything in the first place. But this time, she doesn't choose to accept causing pain for the sake of Marcille and Laios. She does it for her own sake.

#dungeon meshi #delicious in dungeon #falin touden #dunmeshi analysis #I love it when dungeon meshi says. the trauma was real and it changed you #and the way you are because of it isn’t anything to be ashamed of #but you have to keep living. you have to chose to keep living. #and you can #dungeon meshi spoilers

[tofixtheshadows]

Sorry but Kabru is so fascinating to me as a character, in a pure mechanical sense, because of what Ryoko Kui does with him. Everything about him is a red herring. He's deliberately introduced as some kind of rival for Laios, a party leader who is hopeless against monsters but absolutely brilliant with people both in and out of combat, and who has good reason to oppose him.

By the end of chapter 31, you might even think Kabru's going to end up as some sort of anti-villain, an antagonist with the best of intentions who nevertheless tries to foil our hero's plans. He wants to defeat the Mad Mage himself, he suspects Laios of being too irresponsible to be trusted with control of the dungeon, and his crew even thinks that Laios's party stole from them (and they're kind of right!). All signs point towards an inevitable showdown.

And then ... none of that happens.

Confrontation over the stolen treasure? Kabru is literally too smart to fall for the classic miscommunication trope and correctly decides it's not worth making a big deal of.

Kabru's deadly PVP skills? Aside from trying to take down Falin, he never fights another human again.

Wanting to be the one who defeats the dungeon? Turns out he was only doing that because he didn't think any other adventurer would have people's best interests at heart, and he's more than willing to play a support role in the whole affair.

Thinking Laios is up to no good? He really did just want to get to know the guy more. He has his misgivings, but ultimately ends up trusting Laios with his life.

Is Kabru going to get some sort of comeuppance for hating monsters and not appreciating their ecosystem? Well no, he has good reasons for hating monsters. He ends up wanting to learn about them through Laios's eyes, but he's never forced into any "Wow, guess I was wrong about them!" revelation.

Hell, even his implied ladykiller ways, which might lead you to think he'll end up being the stock "chivalrous lech" type of character, don't really manifest. He has a lot of opportunities to act flirtatiously around women, but doesn't. He's just a guy whose natural charisma makes him into human catnip.

And that's all hysterical to me, to pull it off. It's a fascinating way to tell a story. To introduce a character explicitly as a rival, potentially even a villain, and instead make them a deuteragonist. It's like a magician making a coin disappear, then slowing down their trick to show you the misdirection. "Did you see what I did there?" they ask with a wink. "The coin was in my other hand the entire time."

#Dungeon Meshi #Kabru #Dungeon Meshi spoilers #I will say that for the people who come out of the manga still thinking that Kabru hates Laios or that he's a bad guy in any way: #you were so busy staring at the hand where the coin disappeared that you ignored the magician explaining the trick #and yes I do think that Kabru and Marcille are the deuteragonists to Laios's protagonist #we see more of Kabru's interiority than anyone else. if you don't think he's a main character? idk. see me after class. #musings with Dea

[gothicprep]

i've been meaning to write something for a while now about how misinformation is not a partisan issue, it's just an issue in general. i was mulling over writing something about how infowars waterboards statistics into saying whatever alex jones wants – i'll still probably do that in the future – but it's not something that exactly supports my thesis here.

but, lucky me, i had a perfect example fall into my lap this week.

so, was andrew tate taken into custody over twitter beef with greta thunberg? the short answer is "no" but i'll elaborate.

here's the primary romanian news report about the cops taking the tate brothers into custody. the way that this has been reported in US news media has basically been that a pizza box in andrew tate's video response to thunberg helped romanian authorities confirm his location. here's a daily beast article that insinuates this:

In a video rant he uploaded to Twitter, in which he smoked a cigar and tried to brush off the online spat, he unwittingly displayed a pizza box from a local pizza chain—alerting authorities looking for him to his presence in the country.

here's the problem with that, though – none of the romanian journalists who reported on this story said anything about the pizza box thing. there's also a huge problem with these stories just... citing each other.

if you dig through the citation loop long enough, you end on this daily star article that cites tweets (jurnelism!) from, of course, alejandra caraballo

According to Alejandra Caraballo, a writer and clinical instructor posting on Twitter: “Romanian authorities needed proof that Andrew Tate was in the country so they reportedly used his social media posts.

(as an aside, if you follow her on twt, i'd heavily recommend against doing that. she spews bullshit like her life depends on it and i think this is inexcusable.)

these are caraballo's tweets in question:

the source for this is the romanian article i linked to earlier in this post. it doesn't say any of this. at least, the english translated version of it doesn't. for what it's worth, i'm not a romanian speaker, and i don't have any benchmark for judging if google's translation service is missing linguistic nuances. here's what it actually says:

Sources close to the investigation stated, for Gândul , that shortly after the completion of the computer expertise, the authorities waited for the right moment to catch the Tate brothers, who were always out of the country.

After seeing, including on social networks, that they were together in Romania, the DIICOT prosecutors mobilized the special troops of the Gendarmerie and descended, by force, on their villa in Pipera, but also on other addresses.

it's also probably worth pointing out that tate's villa was previously searched in april. while the article does say that social media was used to help confirm their location, it doesn't say anything about pizza boxes. and, like, given that tate is a prolific social media poster and was tweeting out videos of romania on sunday, i think it's safe to assume they had a wealth of other information to go off.

and if you don't want to take my word for it, nyt and wapo both reported that the spokesperson for the romanian prosecutor presiding over the case denied the pizza box thing:

Speculation online centered on whether a distinctive pizza box featured in one of Mr. Tate’s tweets to Ms. Thunberg had helped lead the authorities to him, but Ramona Bolla, a spokeswoman for the Directorate for the Investigation of Organized Crime and Terrorism, told The New York Times on Friday that that was not the case.

anyway, ain't it funny how caraballo's made the fuck up pizza tweet got 76 million views, 97k retweets, and 525k likes, while her appended correction got 78k views, 100 retweets, and 820 likes. her initial "source: my mind" tweet is still up. ain't. it. funny.

#tim heidecker rules for 2023 – NO MORE BULLSHIT!

[saerotonins]

actor!toji headcanons

ft. fushiguro toji x reader

content warnings: fluff, parent!reader, megumi is yalls son, just overall cuteness

wc: 918

note: this is my apology for that nanami angst i posted days ago heh

jjk actor au masterlist

as an actor:

very intimidating man, from his aura to his build, oh boy, who wouldn't be scared

but to everyone's surprise, he's actually just a really goofy and adorable man with a really good resting bitch face lmfao

is actually a household name in the acting industry! definitely those types of actors that once casted into a show, it's guaranteed to get hella VIEWS AND RATINGS

has been in the acting industry for YEARS and has a ton of experience but is still very humble

is actually very shy when his co stars tease him whenever his fans thirst for him whenever he's on screen and he's just a blushing mess LOL

i mean he's a literal dilf so 

believe it or not, this man has been in more romance shows and movies than action, especially as a VILLAIN

his fans couldn't believe it either

so when he was first casted in jjk as a villain who kills CHILDREN they were so ecstatic!

and boy were they so happy when toji SURPASSED their expectations because he was so good!

also so happy that he was casted together with his son, megumi, in the same show!

they usually go to the shoot together and even when he doesn't have a scene to shoot and only megumi does, he drives him off to the shooting site whenever his time permits

it's actually so adorable 

in contrast to jjk!toji, he's really a hands on father to him and is actually very supportive of megumi going to the same career path as him

megumi is also the definition of nepo babies who deserved what they got but that's another discussion 

at first though, he is kind of hesitant especially knowing how toxic can it get with the industry but when he saw his son's determination, he eventually gave him a green light and supported him along the way

this man is so fucking strong OML the producers are so grateful the most of the time he helps cleaning up with the equipment once filming is done

literally lifts them up like it's nothing BYE

listen, this old man is RIPPED and really likes to work out 

he's like pedro pascal who is like really chill but really cheeky when it comes to fanservice LOL he is so adorable 

megumi is kinda cringing though 😭 it's understandable though because that's literally your father trying to act cute and he's a teenager so i don't really blame him

also a big gentleman, again, contrary to his role, he is actually very good with the ladies and often checks with his co stars especially when a fight scene is being filmed

profusely apologized to satoru when their fight was filmed because he literally has to do the stunts himself and make everything believable as much as possible 

has ig and twitter but barely posts unless it's a promotion or a thank you post for the team

he's very active in stories though 😭

and i mean VERY VERY active

you know that point where a person posts too much stories and the lines above almost look like dots??? 

yeah that's him 😭

mostly posts the behind the scenes and his family there!

has a pet chicken that he posts there too

no he's not vegan... he just doesn't eat chicken 😭

as a husband:

oh yeah another married man on set sorry ladies he’s off the market

a very romantic and private lover

especially when you're the only one in the family who is not involved in show business

looks forward to coming home to you all the time

the type of husband who says, "i miss my spouse," on set out of nowhere and his co stars just sigh in faux annoyance 

this man is WHIPPED 

his lines is always and SHOULD always be practiced with you, because aside from his fans (not really though since he's already an established actor), the only approval he looks for is from his lover

is really happy and giddy (almost like a teenage boy like SIR you guys are already married for YEARS) when you praise him and has this really boyish smile which happens very often btw

he's such a fucking sap please

as mentioned, he is kinda shy about the thirst but is not uncomfortable and actually goes along with it

you on the other hand GO HAM with it LOL

you're one of the fans lmfaoooo

a very BIG ONE

unlike him who is not active on twitter, you actually reply to fans and agree what they were saying and fangirl/boy with them which is actually so adorable LOL

his fandom is having a field day of you gushing about your husband like you're not married to him and have a literal CHILD with him bye

both megumi and toji, especially toji, are very protective of you so any slanderous rumors from the tabloids and any defamation will immediately face a lawsuit 

and fans love it when y'all fight back!!

if they stan either toji or megumi, it's immediately a given that they also stan you LOL

your boys both find it cute that even you have a very supportive fanbase like theirs

#toji fluff #jjk actor au #toji fushiguro x reader #toji x reader #toji fushiguro fluff #toji fushiguro x you #toji fushiguro x yn #toji fushiguro #jujutsu kaisen #jujutsu kaisen fluff #jujutsu kaisen x reader #jujutsu kaisen x you #jjk fluff #jjk x reader