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#this is partly why i wanna get into buying physical media again
trioxidewastaken · 1 year
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i’m not really personally opposed to spin-offs/revivals/sequels for previously established ip, especially if the revivals sounds promising (avatar/korra and phineas & ferb). however, i can’t really get down with it if they’re done in conjunction with absolutely poorly executed works & relying entirely on name recognition (velma) and/or at the expense of cutting other critically acclaimed works short (dead end) even after being ordered for more seasons (inside job) or at worst, removing works entirely for seemingly no reason (ok ko, infinity train, westworld, etc) except for short term profit.
as a consumer that really wants to see good shows & movies succeed (particularly in animation), it really dampens my trust in services to make content and actually stick to it when it seems that they’re also too scared to stray away from their golden tiddies (stranger things & game of thrones) to try things without just blowing money on their “throw shit at the walls and wait for the consumer to pick out the corn gold” strategy that they’ve (very specifically netflix) tried for years.
at the very least, pay out the cast/crew for the rest of their contracts that they were supposed to work for similar to the before times.
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ranmanjuu · 4 years
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Can i request an ikesen hc, how would warlords react to a mc which is a physics major like sasuke and since they are both nerdy they spend a lot of time together and talk a lot about theories and all that science stuff. I think they'll get a bit jealous that mc is spending time with sasuke and confused as to ehat they're talking about lol
as stated before i have absolutely no idea of how physics is, much less of being a physics major. so like,,,,,,, all theories are ambiguous. they don’t exist other than that word. what are they talking about? the one who asked knows not more than the asker.
—shingen:
the first time of him seeing you talk with both such seriousness yet a twinkle lights in your eye, he can’t help but a chuckle let through.
“so, has sasuke finally found someone for himself?”
at first he plays up a bit of, “us mortals cannot understand what you’re speaking, my beloved deity, for you speak the language of the gods!” (”but sasuke can understand them though—”)
would absolutely, and constantly tease you for anything and everything. you could be talking about the inner workings of geophysics with sasuke and you’d hear the faint sound of wiggling eyebrows and metaphorical saxophone playing.
but of course, this won’t stop shingen from trying to win you over.
he does it his own style, the classical flirting with his sexy stature. yet, you always quip back in the jargon language he knows nothing about—and his several seconds of confoundment proves to be a good strategy as you flee the scene.
prior to you telling him that you were from the future, he did find it suspicious how you have so, so many “things that came from your hometown” that was painfully specific. and he’s shingen takeda, he’s known for being well-informed, so why hadn’t he heard of this before? some villages have their own tradition, yes, but it’s usually not enough to write at least twenty dictionaries about.
and even if he wants to find it, where would he go? the only two people who’ve learnt it are you and sasuke.
although he begins to pick up basic things whenever you talk to either him or the ninja. just small references that a high schooler can pick up.
for the sake of it, shingen’d probably try to do a physics pick-up line on you. but due to the lack of knowledge he has, it ends up with you on the floor laughing until you’re clenching your sides.
you can’t help it! it’s so wrong on so many levels it’s insanely hilarious while also painful.
after the laughter dies down, shingen takes it upon himself and pins you to the wall, his sultry eyes burning into yours, “well, it seems my goddess can do a bit of fixing on those, hm? please, my muse, do demonstrate how you do it properly.”
—kenshin:
(honorable mention hc: if you ever use terminology before the affectionate part of him comes in he’ll practically frown at you in deep confusion, “what are you talking about, you fool?”)
if his ninja had met you before he did, he probably wouldn’t have much of a problem. sasuke talks to someone, all he does is frown and just doesn’t care. but hoo boy you managed to slither into his heart without him even noticing it.
he’s just looking around the market for you, until he sees the sight of you chattering so brightly and passionately,,, with sasuke.
phase one: pouty mode. it lasts only for a few second, but his lips form a very strong scowl as it processes in his mind.
(phase one and a half: it’s where he glances at you and notice how you twinkle so brightly in his eyes—like a star beaming at him. except it isn’t at him. and so this honorary phase ends)
phase two: in a split second of his braincells barely managing together, he unsheathes his sword and begins to fish sasuke away from you. (”let’s duel, sasuke.”  /  “i’m afraid i was having a conversation with—”  /  “fight or i kill you this second.”)
phase three: usually it’s where you pull him away and lightly scold him, thus ending his bloodlust.
phase four: usually happens after the other party has left. pouty mode two: electric boogaloo; as he sulks like a child in envy and jealousy and you’re forced to cuddle with him and give him lots of kisses so he Functions properl after that.
of course, you can’t just let it repeat. you had a talk after some time, entailing that, kenshin, please stop chasing your vassals because they say one (1) word to me. with a lot of grumbling and reluctance, he agrees to it.
it won’t stop his lips forming into a scowl at the sight of it though.
he curses the oldened knowledge of the sengoku—he wanted you to talk to him about those big brained things. but alas, there wasn’t much he could do.
(”no, kenshin, you can’t go to the future just cause you wanna learn everything i learnt! the wormhole is gone and it takes at least 4 years—”)
—yukimura:
yukimura meets you the second time while talking to sasuke down in the market. and the decision to rebrand you from a wild boar to a witch casting spells were made in the flick of a second, just like that.
“hey, are you trying to hex my fried, enchantress?!”  /  “yukimura, they’re a friend from my hometown, it’s alright.”  /  “oh.”
as he says, a friend of sasuke is a friend of his! though he still doesn’t understand at all each time you make a physics reference, and still isn’t partly convinced you at least know an ancient language.
he doesn’t exactly buy into the whole ‘hometown-specific’ thing either, but hey. it’s sasuke and you, if you’re lying, he thinks, he’ll let you tell him in your own time.
but in the meantime, the fact you know terminology to references he doesn’t understand makes your daily bickering a lot funnier. what’s an atom and is his brain really smaller than that as you said? fun thing is he’ll probably never know if you and sasuke withhold such information.
if he ever sees you experimenting with something to examine the components, as long as it isn’t dangerous, he’d look at you in mild amusement and confusion, “what are you doing, silly?”
but if it dangerous (like guns, fireworks, etc.) he scolds you with a scowl, one born from pure worry.
once you two got together, you started going to dorky science puns. once again, yukimura doesn’t understand it, but the stupid grin you have on your face is just enough for him.
(he does ask sasuke about it later, resulting in a bright faced yuki, muttering a small “idiot,,” under his breath.)
—sasuke:
the moment you saw him at honno-ji, present day, you felt there was something familiar to him. like it’s a face you’ve passed through in the bustling streets. and the moment you saw his lab coat, you just assumed he somewhat came from the same college as you.
and just after he corrected you referring to him as “that college student” being an astrophysicist, your eyes brightened a thousand times, but tried to stifle it considering you were more or less being chased. 
you listened into his explanation of the wormhole closely, processing each word in fascination and curiosity. you had enough experience to know what he’s talking about—and it gave you so much euphoria from just simply listening in.
you hope to meet him again as he disappears in the shadows.
you do, to your delight. the very first day you went out to town, you encountered him at a stall. conversation immediately took off once you re-mentioned his degree, along with yours. from there, the wormhole was the center topic again, mostly talking about how he found where it would be and when it would be. you’d never heard of such a research back then.
and slowly, you grow an admiration to sasuke’s high intelligence. all the research he’s done, he’ll definitely show a fellow enthusiast, and you’re practically beaming at the chance.
so much so that you don’t notice the weirdened stares of the ones around you.
there nights when you’d sneak into his room just to ask him about something, or propose to him a theory since he’s the only person who’d get it.
and on some sleepless nights, you find yourself lying about with sasuke beneath the stars, peering into his telescope once in a while and geeking out about the small dots in the sky.
a part of you wished you met him sooner—but you feel like you couldn’t ever ask for more.
—yoshimoto:
truth be told, he didn’t care much at first.
his somewhat apathy towards people and more towards art becomes just ever so slightly apparent; as he lets you rant your heart out to sasuke while he admires some cloth in the background. you have your preferred friends, it isn’t his place to be opposed to it.
well, that’s what he thought of it—until you slowly got closer to him.
through talks of art and the different medias from your “hometown”, he learnt more and more about you. and his heart grew fonder and fonder.
until—for whatever reason—he found himself,,, feeling some kind of upset by the sight of you talking to sasuke so brightly like that? it’s like a part of him doesn’t sit well with it.
while he isn’t quite sure what he’s feeling, he’ll try to fish you away regardless. his good looks aren’t for nothing, even still having its charming effects on you.
putting up somewhat of an airheaded act, he mindlessly pulls you out of the conversation to look at some beautiful fabric, catching you off-guard for a moment. if you try to mention your talk with sasuke, it’s as if he doesn’t hear it as he whisks you off to another store. and another, another—until you’ve gotten some distance from the ninja.
even with all that effort, he doesn’t think much into the feeling inside his heart. what then felt like a storm, was now a welcoming, warm spring breeze in him.
he’ll figure it out, one day.
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murasaki-murasame · 7 years
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Thoughts on manga license announcement stuff from day one of Anime Expo under the cut
OK to get the anime stuff out the way first since there’s less I wanna say, I’m still annoyed at Funimation for not giving any details about their release of Yuri on Ice. Like seriously I just wanna know when it’s gonna come out and what bonuses it’ll have and how much it’ll cost. Ugh.
I’m happy that Orange is getting a physical release. I probably won’t buy it, but I appreciate that it exists. I really loved that anime, even if it had kinda crippling production issues, and a few elements of the ending were iffy. Oh well.
I thought Utena had already gotten a BD release, but I guess not. Definitely interested in that. It’ll probably be too expensive for me, though. But this does align well with the recent manga box-set. I’m really happy this series is getting more recognition and availability.
ANYWAY onto manga.
Looks like it was just Viz Media and Yen Press today. Seven Seas should be in a day or two. Kodansha and Vertical seem to have a joint booth going on, so I hope they can show off some licenses. I feel like it’s been ages since we’ve seen physical licenses from either of them. Kodansha’s been going all in on digital manga recently.
There’s really not much to say about Viz since they barely announced anything. Wow. I feel like it’s been MONTHS since they announced anything and now all they have is one shonen manga, one shojo manga, two kid’s books, and a novel??? Wow. Are they just saving some announcements for later? This is bizarre.
I’m very happy to see Fire Punch get licensed. I was actually about to suggest it to Seven Seas soon but I guess I don’t need to anymore. I definitely expected this to happen eventually, but it’s still a bit surprising. It makes sense, though. Since this is at least their third release from the Shonen Jump+ magazine, I really hope this is a good indicator that they might license Ao no Flag eventually. I’d LOVE to see that happen. I’m already planning to import it, and I’m going to still try and suggest it to Seven Seas, but Viz would be fine. Anyway, as for Fire Punch, I don’t actually know a lot about it but I feel contractually obligated to buy it because one of the major characters is apparently LGBT. So that’s amazing. Apparently they’re a trans man, which is even better. The only other trans male representation in manga I know of is in Shimanami Tasogare, so it’s a big deal. But the vague things I’ve heard about the story definitely intrigue me. And also I really like the design of the covers, so that helps. I’m probably going to buy this as it comes out, but I might still read it online first. Maybe.
I’m sorta let down that Shojo Beat’s new license is just Kenka Bancho Otome. Partly because it’s only two volumes long, and partly because the anime version of it isn’t super great. But I just have a personal issue with the ‘girl has to disguise herself as a boy for REASONS and oooooh romantic drama and misunderstandings ensue’ trope. Oh well. I wasn’t really expecting much from Shojo Beat anyway. I still want to buy some of their stuff, though.
I’m DEFINITELY gonna get the FMA Fullmetal Editions. That’s a pretty huge deal. Even if it’s . . . not really a NEW license, just a new edition of an existing series. I’ve never actually read or watched FMA, and part of that’s because I dislike the look of both the single editions of the manga and the omnibuses. I was gonna cave in and decide to get the omnibuses next year, but thankfully with this announcement I can just get these editions instead. Sadly this is gonna be eighteen volumes long, so it’s gonna take AGES to come out. And it’ll be expensive. Oh well.
Onto Yen Press, who definitely beat Viz in terms of sheer number of licenses, at least. Considering that a few months ago they licensed like 14+ titles, and this is another 20+, I’m starting to get genuinely concerned about them as a company. Can they keep this up? I’m just terrified of another Tokyopop situation happening. We’ll see.
I’m definitely vaguely interested in checking out Silver Spoon, but it wouldn’t be a huge priority. It’s hard to justify getting a series that relatively long if I’m not super into it, especially since it seems very . . . mellow and SoL-y. I’m happy for Arakawa fans, though. People have obviously been waiting years for this license to happen. The coincidental paired timing of this and the FMA Fullmetal Edition license is kinda amusing.
Hatsu Haru seems like it might be cute, and it’s nice to see Yen Press get more shojo titles. Not sure how interested I am in this, but I support their intent in getting it. Same with them picking up Stupid Love Comedy and Sacrificial Princess and the King of Beasts. More shojo is always nice.
I’ve been vaguely interested in checking out Thou Shalt Not Die for a while, but if it’s just a digital license I’ll wait until they potentially do it physically. Which may not happen at all. Though they’ve been fairly good at bringing over a lot of their digital titles to physical format. I’m mostly interested in this because of Yoko Taro’s involvement. It’d be great to own something by him like this. Though I’ve heard iffy things about the manga itself. But then again I also like how he writes his video games whereas a lot of people don’t, so who knows how I’d feel about it.
Oh man they licensed the goddamn vending machine isekai manga. Holy shit. I feel like we’re quickly approaching a breaking point for the isekai genre in the west and soon enough it’s just gonna really irritate people.
I at least think there’s other LNs they could bring over that’d do better. Oh well. They got HakoMari and that’s all I care about.
And finally we have one of the more genuinely shocking announcements thus far. A goddamn Pandora Hearts box-set. HOLY SHIT. And it’s going to be done in a larger trim size? With preserved colour pages? Oh man. This is so genuinely agonizing to me. I just got the entire series less than a year ago, and now they announce a fucking box-set that’s gonna cost a few hundred dollars. Argh. I’m probably not going to be able to get this even though I desperately want to, and it’d be a nice way to re-read the series like I want to. Oh well. If the box set itself looks nice, which it probably will, that’ll be even more agonizing.
If they’re gonna do an entire box set for the series, for the love of god, I need an English version of the second art-book. I own the first one already and I love it but I’ve held off on importing the second one in case it gets licensed. I’d be amazed if it doesn’t get licensed eventually. I mean, it getting a box set is a pretty good indication of it’s popularity, and they have a good track record of doing multiple art-books for stuff like Black Butler and Soul Eater. So I just need the second Pandora Hearts artbook in my life.
I’m gonna be so fucking envious of people who can get this box set. ARGH. I want it so bad but it’s gonna be so impossible to buy, let alone justify buying.
So that’s basically it for today. Now to see if Kodansha and Vertical license anything at this con. And yeah in a day or two we’ll see Seven Seas’ licenses. I don’t think we’re getting anything more from Viz for now. Maybe at Comic-Con? Who knows.
I don’t have any clear wishes for what Kodansha or Vertical could license, though I guess I could see Vertical picking up March Comes In Like A Lion, which would be great.
For Seven Seas, literally all I care about is if they license Shimanami Tasogare, that’s it. That’s all I want from them. I’m gonna keep suggesting it every single month to them until they pick it up, or someone else does. I know that they might not have access to it since it’s a Shogakukan title, but who knows. I know that Viz would be more able to pick it up, but I just . . . doubt they would. They at least didn’t announce it at their panel, obviously. Mostly I’d just have my doubts about a company as ‘mainstream’ as Viz picking up a manga all about the topic of LGBT communities/discrimination [and also housing renovation in sea-side Japan, I guess]. Seven Seas seems far more likely to get such a title since they’ve made far more overt steps into the queer manga market, especially with My Lesbian Experience With Loneliness, which was apparently a huge success for them, which is why I could see them picking up Shimanami Tasogare since it’s relatively similar in theme. But, honestly, Viz isn’t entirely out there as an option. They don’t exactly have much of a history with licensing manga with queer representation of any kind, but they’re improving. I’m quite excited for their upcoming release of Sweet Blue Flowers, in particular. I also highly appreciate that they licensed After Hours. That’s one of the main reasons why I think there’s a chance, since that’s a lesbian romance manga from the exact same magazine as Shimanami Tasogare. And they were hyping it up a fair bit on their twitter before. So it’s not too much of a stretch. I guess they also have experience with this magazine through their Dorohedoro license, as well. And this panel actually gives me slightly MORE hope than before, since Fire Punch is one of the only shonen manga running at the moment that has actual, legit queer representation in it, in a major way. I’m also SORTA sure it’s something people talk about a lot when the series comes up? So I assume Viz is aware of it on some level. So these recent steps into licensing manga with queer representation gives me hope that they might license Shimanami Tasogare. Until then, I’m gonna keep suggesting it to Seven Seas.
On a similar topic, as said above I’d love to see someone pick up Ao no Flag, and yeah I can see Viz doing that eventually. It all depends on how much of a western following it gets, though. Which it doesn’t have much of thus far. I probably wouldn’t expect any sort of a license announcement until next year at earliest. Oh well. But that’s another case of queer rep in shonen manga I want to see get licensed in English. At least, the manga definitely seems to be going in that direction. I’m fairly confident about it. I mean, it’s published in the same magazine as Fire Punch, so it’s not impossible.
Oh yeah, that reminds me that Viz also licensed Astra Lost in Space, which is also part of Shonen Jump+, and I think also has some good queer rep in it. Not sure what sort, though. But either way yeah that also adds a bit to what I’m saying about how Viz is getting better at getting manga with queer representation in them, which gives me a lot of hope in general. We’ll see.
Either way I’m gonna cross my fingers and hope for the best from Seven Seas’ upcoming panel. Even if it might not be until the day after tomorrow.
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