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#this is hilarious. the way they made a brand out of gemma too
persephoneflouwers · 10 months
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paperclipninja · 5 years
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Younger post-ep ramble 6x03
This week’s episode of Younger, ‘The Unusual Suspect’, was a big one. No scenes felt wasted, each one moving the story along and it all felt very purposeful. Despite some capital H hotness and really light and funny moments being scattered throughout, mostly thanks to fave (and only) NYC agent Redmond and the resurrection of some truly classic Diana Trout, there was definitely the sense of tension on the rise. It’s been simmering since the end of this season’s first episode and I feel like this week we have hit an apex.
We open with brunch at Maggie’s and what one can only assume is a time jump (either that or Clare has recovered remarkably well from birthing a baby the size of a four month old) and right away an overarching theme for this episode is established, as Lauren enters raving about the latest hit podcast, Exonerated. I’m gonna come straight out and say that I am so into this premise. The excitement around the table sounded like the break room in my office most days, they definitely nailed the trend of true crime fixation. It immediately allowed for Maggie’s quip about white women loving murder, a delightful array of OTT facial expressions from Liza and Kelsey dropping in that Millennial will be meeting with Audrey Colbert, subject of the podcast, to nab her book before anyone else does. Of course the other big news is that Josh and Clare appear to be happily family-ing it up (though mommy wipes, daddy dipes = vom in my mouth a little bit) and Maggie is dealing with unresolved BoUBT (Back of Uber Birth Trauma). Lauren’s vow to help get Maggie back on the ‘h for hunt’ once again epitomises why I love her character so and I want to record her sympathetic ‘oh Divaaa’ as my ringtone. I just love that Maggie, of all characters, is the one who seems like she should be the most pragmatic when it comes to something like birth yet her coping level is zero here.
You know who else wasn’t coping? Me and my Liza and Charles loving heart as Liza suddenly up and left the brunch because she ‘was late for a thing’, cue the scene that was released as a sneak peek last week that I have definitely only watched a normal number of times *cough*. The set up for The Rubin Museum from the opening conversation was fab and the fact that Charles and Liza are using the podcast to frame up a role play situation is just too much. Obviously I had seen the scene prior to the ep and while it is certainly *insert flames here*, I can’t help but wonder what it would’ve been like not to have expected it (actual combustion probable). I mean regardless, I will never think about a trip to the museum in the same way again. The voice-over narrating what we were seeing was such a great device that is really different to anything the show has done before, it built the anticipation of what was playing out and it felt like a scene from a movie. The moment when Charles turned and came face to face with Liza was a great reminder of how electric the chemistry between these two can be (actual lightening bolts were sighted) and quite frankly, seeing these characters being adventurous and lustful in their relationship is a yes on all fronts. I think the fact it all took place in a place of intellect and culture was extra fitting, it somehow kept the whole thing true to the characters and I am here for the #nerdlove. 
The office drama was amped this whole ep and that of course was largely due to the ever growing reign of our season 6 villain, Quinn. With the time jump since last episode confirmed by the fact that Quinn’s book is both published and sitting on the best seller list, Kelsey and Diana’s first encounter with Quinn as she uses the WiFi for a conference call included a) Diana saying goodbye in Mandarin, which was yet another lovely tidbit to add to this character while also setting up the classic Diana we got throughout this ep and; b) some of the best fashion and hairstyles all in one scene (and episode as a whole) ever. I mean the fashion on this show is always next level but this episode in particular took it up a notch: Diana’s high-neck printed electric blue top and Kelsey’s hair/makeup/outfit in the conference room were so stunning I was actually distracted by them. 
Kelsey’s office refurb was also noted, loved Liza’s ‘set it (Claw) on fire’ comment and of course, Diana telling Kelsey that now she is publisher, maybe she should stop speaking like a trucker was D. Trout golden line no.1 for this episode. Even better was seeing Kelsey, Diana and Liza settling into this new way of working. I adore the dynamic between these three and the way we’re seeing Diana adjust to her former assistant now being a peer without a fuss is why this show is so wonderful. It would have been easy to have Diana trying to assert herself and maintain some sort of authority, but to see her just want to get on with the work and do the best job she can gives a great credibility to the notion that this character is the best in the industry. I could pretty much write out every Diana Trout line from ‘The Unusual Suspect’ and leave this entire ramble at that (’why is everybody in this country obsessed with true crime? Actual people have died and they’re selling branded beanies on Etsy’ LOLLLLL) but I would then need to do that for Redmond because the fave one and only agent in NYC was back this week and as always, he was in fine form. 
The pitch of Audrey Colbert’s book is up there with the funniest scenes of this series, from the creepy af Audrey (A+ casting of Willa Fitzgerald) to Liza and Kelsey trying to play it cool while being hella freaked out to Redmond’s attempt to present a compelling pitch being railroaded by Audrey’s ‘crippling lack of media training’, it was Younger writing and delivery at its finest from start to finish. Seeing Redmond so unnerved by Audrey was unnerving in itself and really, I am so happy with the amount of Michael Urie in this episode. Our next encounter was of course when Kelsey and Liza interrupt his infrared sauna treatment (again, so many hilarious lines, I really feel that a transcript of the entire episode is about the only way to do it justice but may be problematic to pass off as a recap/review…or would it?) and discover that Audrey’s book is being shopped around thanks to the dagger next to Claw on the bestseller list, which = bulk sales = dodgy business = Chinese bots tweeting = Quinn is the worst (math doesn’t lie) = Audrey doesn’t want to be associated with anything suspicious on account of the fact she’s been accused of murdering two ppl (fair). I do want to back this truck up a little though to the way Kelsey and Liza discovered their next big hit was being pitched to half the major publishing houses around town.
Diana Trout hobbling into the office on crutches before dropping the bomb that her injury was the result of being so frazzled upon hearing the news re: Audrey going elsewhere, that she got caught up in her reformer (just go and re-watch this scene, you will not be sorry) is everything I never knew I wanted to see. The reference to Jackie Dunn, who you may remember has been a longstanding nemesis of sorts of Diana’s, was such an utter delight as a long time fan and once again, seeing Kelsey, Liza and Diana all equally vexed by the news was so great and continued to solidify them as a team. I promise no more direct quotes* (*this is a very loose promise), but ‘postpone the power-trip Kelsey, I am handicapped’ in response to Kelsey’s stunned expression upon Diana’s request for espresso, is so outrageously funny and makes this whole scene an absolute stand out on account of its hilarity. 
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I missed Lauren and Diana interacting this week, however I appreciated seeing Lauren be the wonderful friend she is to Maggie and Josh. Taking Maggie to the support group obviously allowed us to meet Beth, who Maggie engaged for some one on one tutoring (looking forward to seeing where that goes this season) after returning to the store to apologise for running out during the group session. While Maggie was lining up her ongoing therapy, Lauren and Josh shared a sweet and heartfelt moment that highlights why their friendship is such a lovely one on this show. Obviously Josh had told Lauren that he and Clare had a moment that made him think, ‘maybe we should make this relationship work’ and Lauren is following up to see where his head and heart are at. 
I absolutely loved said scene between Clare and Josh, when he had finally settled the baby, asks Clare if she wants to go to her bed and then joins her on the floor when she says she sleeps where she can now. There was such a sense of unity and care and it made my heart swell. So in his discussion with Lauren we also find out the baby is named Gemma (last name TBC, for both father and daughter) and when pressed about what he actually wants, Josh reveals that he doesn’t think he and Clare are right for each other. I have said it before, but for all the wacky that Lauren can be, she is the most incredible friend who only wants the best for those around her in such a relentless and genuine way and this scene really highlighted that once again (the line about her dad having such a little bottom though brought us straight back to Lauren light in the best possible way).
The divorce proposal was such a great scene and while I was hoping that perhaps Clare and Josh could work things out, I am thrilled to see that the writers put both these characters on the same page right from the get go. I love that this show constantly bucks stereotypes and expectations of how certain characters and relationships will play out, so to see two adults who have an agreed desire to put their child first but know they need to do so outside a romantic relationship is something really unique on television. I have always enjoyed Josh and Clare’s dynamic and I hope we get to see a real, loving co-parenting arrangement play out.
Kelsey’s interaction with Zane when she is buying a bottle of Dom Perignon to celebrate scoring Audrey’s book (eek!) is my favourite interaction of theirs this season. Their banter was really effortless, Zane’s, ‘you’re not listening’, as he pulled out the cash to pay for the one remaining bottle smooth and a little bit over confident, but really played up that he has something in the works that is legit. I especially love that we later discover both are buying champagne to celebrate the same win. I feel like we also need to stop and appreciate that they were about to drop $400 between them on two bottles of bubbles like it was no big deal. What is this life? How do I get it?
Though admittedly Kelsey deserves a nice glass of something this ep considering all that she is dealing with. I have made no secret that I have struggled with Kelsey’s character these past couple of seasons and no one is more surprised than me at how much I am getting on board with her this season. Kelsey calling out Quinn point blank that she faked her best seller was so good to watch and seeing Liza backing her up and standing her own ground made this extra satisfying. Gah, I just LOVE how Laura Benanti plays Quinn and her stating that ‘the money is real, what else do you need?’ is so cold and matter-of-fact. What I love most about this whole confrontation is that it immediately made me think back to the first time we met Quinn - her whole presentation was about the fact that no one wants your success more than you do and that women helping women is actually holding women back. That right there should’ve been the red flag that her “helping” Liza and Kelsey was not legit. 
And so her true motivation for investing in Empirical becomes evident. It had nothing to do with saving an ailing publishing house, it was to ensure her book would be published, she could have some control over how big it would become and be seen to have the support of a reputable publishing house, all in order to gain name recognition so she could successfully run for Senate. In her mind, Kelsey and Liza benefit from the whole thing financially so it’s a win win but she also holds the power so feels like she has the upper hand. Which is why the scene at The Cut (which is so fab, the looks Quinn shoots Kelsey are searing), when audience members question the dagger next to her book, is so damn satisfying. Kelsey’s move to announce Quinn’s run for Senate is so bold, I am very on board and boy oh boy Kels, I think you’ve got yourself quite the adversary. I was very much Liza watching this all unfold, shocked, impressed and a little bit scared for and of Kelsey and what this all means.
Now Liza was late to the event because she was living out the next chapter of the podcast at the Brownstone which we need to discuss, however I first owe some of you an apology. At the end of last week’s ramble I suggested you may need a fire blanket at the ready after seeing the museum scene sneak peek to you know, contain the flames. I fear some of you may have deployed it prematurely (this is not a euphemism though I am very aware it sounds like one) in response to how damn hot that scene was, but I was not to know that we were going to get this later scene, in which Liza just wanders into the townhouse BECAUSE SHE HAS A FREAKING KEY (suspected ep 2, confirmed ep 3, appreciated always) and decides to have a good old snoop at her bf’s mail. Similar to the museum scene, this set up felt more like a movie than a typical Younger episode. There was an ominous weight to it; the music, the lighting, the Charles padding silently up behind her (barefoot again?) and the tension was palpable. 
Liza asks Charles about what’s going on, he provides a vague answer about moving some things around before asking her if she’s listened to chapter 7 of Exonerated, which conveniently mirrors almost exactly what just occurred, with Audrey’s ex finding her going through his things. Ok, so this is where it gets tricky for me. This entire exchange, from the way these two fall into that speaking in third person and wrapping a narrative around themselves, the way Charles wraps his arms around her, the way they look at each other, I mean, this whole thing makes my heart spontaneously combust because it is sexy and flirty, dripping with desire and just really really hot *reaches for backup fire blanket*. But then Liza is clearly distracted by that letter and Charles’ deflection and part of me is wondering why on Earth she isn’t pressing him harder for an answer or following up, I mean, we saw how open they were with one another last season, but then the other part of me looks at Liza and thinks, you are a person who has eyes and that whole situation is right there in front of you so I get it, go with it and worry about it later.
I am aware of how long this ramble already is, but I am going to do something a little different here and digress slightly away from the episode itself and put out some conjecture on my part. It could well be completely over-analysing (lol, I’m neck deep into a freaking novella about a 25 min episode of TV, I think that’s a given) but I know that there is concern about Charles behaving secretively and I have seen some people expressing disappointment in this season so far. 
For what it’s worth, my take on it is that it might seem as though some of the characters are behaving a little out of character but I feel that actually, the characters are behaving in ways we haven’t seen before because they’re in situations we haven’t seen them in before. As invested viewers we feel like we know these characters as whole people in every aspect of their lives when in fact, we’ve not seen Liza at the top of her game in her career or Josh as a parent or Charles in a romantic relationship or away from the office. So while the way they behave might not be the way we imagined it, to me it isn’t so much out of character as seeing a new dimension of the character. Also, the addition of flaws does not necessarily equate to destroying a character, it builds them out and makes them more real, if anything. 
In relation to Charles and Liza’s relationship and the ‘Charles is being shady’ concern, IMO the key purpose of that is to create tension and you can FEEL it building. As crazy as it may sound, I think the Liza/Charles dynamic thrives in the build and resolution of tension and that’s why their moments in this episode felt so electric and hot, it’s like those unspoken, unresolved tension points charge their chemistry. As much as I think I would love to have Charles and Liza sitting around blissfully happy (I mean, I would obvs), the reality is, it’s not that fun to watch. I believe the tension is building towards a resolution of sorts that will actually put them in a better place and move the relationship forward. (*Full disclosure: since writing this I listened to the podcast from ATX fest and Joe Murphy, one of the writers for Younger, said very similar things so if you listened to that podcast I promise I have not just taken what Joe said and pretended they’re my thoughts, I legit had this written and then heard (ngl, I may be feeling a little smug as a result). I’m putting it down to us both being Australian because clearly that is a thing that makes sense).
I also think there is an unsettled feeling this season because the entire premise of this show, the roles these characters played, the interactions we have grown accustomed to week after week, has been completely flipped upside down. As viewers we garner comfort from the routine of watching a show but also from knowing where the players are positioned, how they will behave and what it looks and feels like. I think the writers know exactly what they’re doing and are achieving exactly what they would’ve hoped (apologies writers if this is wildly inaccurate and I’m just assuming things incorrectly left, right and centre) - everyone is sitting in discomfort and it’s largely due to the unfamiliarity of it all. The set up, the way we’re seeing characters etc, it reflects what the characters themselves are experiencing on our screens, which is all kinds of meta and actually pretty cool. But the further you push that discomfort and make viewers sit in it, the greater the impact and more satisfying the resolution. It’s like waiting for a beat to drop in a song, the build up can become almost unbearable but damn it’s good when it lands. That’s how I feel this is all going to go. 
That is what I meant by this episode feeling like an apex, it feels as though there’s a limit to how far an audience can be taken in a state of flux without some resolve somewhere. And the writers know this, it’s what they do, it’s WHY we tune in. I’m not suggesting that everything is going to go back to the way it was, the evolution of a show like Younger is exciting and part of the fun is seeing where it goes, but we are three episodes in to a twelve episode season and while we consume it week to week, it ultimately has to make narrative sense across the whole season. It’s as though we’re at the end of an ‘establishing’ phase right now. So I am reserving any judgement until I see how it all comes together, but have no doubt there will be many resolutions and many new points of tension throughout.
Right now, I am thoroughly enjoying all that we’re getting and I think the writing this season has been excellent so far, with moments like the final scene of ‘The Unusual Suspect’ providing us with the first true cliffhanger of the season. Our last bit of Redmond for the ep was peak Redmond (I love that he dashed off to a better table uptown), and of course the big Mercury reveal, YESSS. That moment of realisation washing over Liza’s face, props to Sutton Foster, and I cannot WAIT to see how this all goes down. The prospect of inter-generational team ups of Kelsey/Liza vs. Zane/Charles while members of each team are in relationships with one another is the kind of set up I live for in a TV show. Is it July 10th yet?
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The Island Of Misfit Toys Playlist
YouTube Playlist
Part One: Songs Featured In The Text
Part Two: Songs That Remind Me Of The Text* 
(*If a song matches a certain part in the text, it will be indicated, if not, it’s a general inspiration)
Ace Of Hearts - Zella Day
All Die Young - Smith Westerns
All The Stars - The Wailin’ Jennys
All The Way - Carolyne Neuman
All Through The Night - Sleeping At Last
Anchor - Mindy Gledhill
A Place You Like - Island
Arms - Christina Perri
Ashes Made Of Spades - The Rocket Summer
Away Frm U - Oberhofer
Barbies - P!nk
Beating Heart - Ellie Goulding
Believe In Dreams - Flyleaf
Be Still - The Fray
Blood And Bones - Kodaline
Brand New - Emilie Mover
Breathe - Rhodes
Breathless - Better Than Ezra
Bring Us The Sun - Ben Cocks
But Breathing - Defeater
Cancer - My Chemical Romance
Cast No Shadow - Oasis
Chain Breaker - Zach Williams
Come Out Of The Shade - The Perishers
Crash Into Me - Former Vandal
Daring To Be Different - Everlife
Diamond - Bandit Heart
Disaster Hearts - I Fight Dragons
Do Not Hang Your Head - Elizabeth & The Catapult
Don’t Go My Darlin’ - The National Parks
Dumb Stuff - Lany
Each Shallow Breath - Chase Coy
Everyone Falls - Beth Thornley
Fair Weather Friends - Johnny Cash
Fall For You - Leela James
Fallin’ For You - Colbie Caillat
Falling - Secrets In Stereo
Fall Into Me - Hey Monday
Fifteen - Foy Vance
Fingerprints - Eric Saade
Five - Sleeping At Last
Flying High - Jem
Forever - Matt Hires
Free Like You Make Me - Cary Brothers
Going To Be Wonderful - Tom Rosenthal
Good To Be Alive (Hallelujah) - Andy Grammer
Hallelujah - Gin Wigmore
Heart - The Pretty Reckless
Hear Your Heart - James Bay
Here I Am - Dolly Parton ft. Sia
He’s My Son - Mark Schultz
Hide Away - Hilary Duff
House Of Love - Catherine MacLellan
Hugging You - Tom Rosenthal
I Dare You - The XX
I Do Adore - Mindy Gledhill
I’ll Never Go Away - Erin McCarley ft. Gabe Dixon
I Still Breathe - Apollo Drive
It Keeps You Runnin’ - The Doobie Brothers
Jeanette - Chase Coy
Join The Club - Bring Me The Horizon
Keeping Me Alive - The Afters
Kind - Eisley
Lay It On Me - Vance Joy
Leaving Song - Mary Chapin Carpenter
Left To Dry - Shaimus
Let It Out - Tom Rosenthal
Let’s Run Away - Haley Reinhart
Light Me Up - Ingrid Michaelson
Live Forever - Drew Holcomb & The Neighbors
Long Time Coming - Oliver James
Look After You - Aron Wright
Look Through My Eyes - Everlife
Love Alone - Thriving Ivory
Love Is Stronger Than Death - The The
Love Won’t Sleep - Lostboycrow
Lucky - Kat Edmonson
Meant - Zach Winters
Medicine - The 1975
Million Dollar Secret - Lucius
My Aim Is You - Nikola Sarcevic
My Best Friend - Tim McGraw
My Heart - The Perishers
Never Let This Go - Paramore
Night Go Slow - Catey Shaw
Nobody Knows - Lostboycrow
No One’s Aware - Jack Savoretti
No Such Thing As Time - Elenowen
Only One - Smith Westerns
Our First Kiss - Billy Gilman
Out Of The Blue - Vertical Horizon
Parallel Lines - Future Reference ft. Aron Wright
Pluto - Sleeping At Last
Promise Keeper - Breaking Point
Raindrops - Maggie Eckford
Raining - Of Verona
Rare - Ruth B
Salt Skin - Ellie Goulding
Saved My Life - Fee Waybill
Save You - Simple Plan
Say Something - A Great Big World ft. Christina Aguilera
Send Me All Your Angels - Kris Allen
Side By Side - Sleeping At Last
Six - Sleeping At Last
Sleeping World - Vancouver Sleep Clinic
Soda - Nothing But Thieves
Some Kind Of Home  - Thriving Ivory
Someone  To Stay - Vancouver Sleep Clinic
Soon Goodbye, Now Love - Tom Rosenthal
Sorrowing Man - City & Colour
St. Jude - Florence + The Machine
Stone Of Suffering - Get Set Go
Summer - Benjamin Francis Leftwich
Surrender - Former Vandal ft. Tabi
Take These Things To Heart - Kyler England
Take Your Guess - Tom Rosenthal
Take Your Time - Cary Brothers
Teenage Sonata - Sam Cooke
Temptation - Moby
The One You Love - Passenger ft. Kate Miller-Heidke
The Projectionist - Sleeping At Last
There Is A Dark Place - Tom Rosenthal
The Stars Shine In The Sky Tonight - Eels
Thief - Our Lady Peace
Timebomb - Delta Spirit
Too Young To Feel This Old - You Me At Six
To The Grave - Bea Miller
Traveler - Lostboycrow
Twenty Twelve - Matt Maeson
Two - Sleeping At Last
Wait For You - James Lindsay
We Could Happen - AJ Rafael
We Found Each Other In The Dark - City & Colour
We Gotta Get Out Of This Place - Denmark + Winter
What I Needed - Erin McCarley
Whenever You Need - Jamestown Story
When I Go - Over The Rhine
Where I Can’t Follow - Amy Kuney
Wicked Game - Gemma Hayes
Wild Ones - You Me At Six
Wild Place - Glass Pear
Wish That You Were Here - Florence + The Machine
Without A Fight - Jame Floyd
Without You - AJ Rafael
Wonder - Lauren Aquilina
Won’t Stop Running - A Great Big World
You Ain’t Alone - Alabama Shakes
You And Me - Rosie Thomas
You And Your Heart - We The Lion
You Only Need You - Tom Rosenthal
You’re The One For Me - Delta Rae
You Will Find Me - Andrew Ripp
Part Three: Reader Recommendations
Agape - Bear’s Den
Castor And Pollux - Kathryn Calder
Diamonds - Ben Howard
Eastside - Benny Blanco ft. Halsey/Khalid
I’m Waiting Here - David Lynch ft. Lykke Li
Is There Somewhere - Halsey
Joyful - X Ambassadors
My Boy - Car Seat Headrest
Perfect - Ed Sheeran
The Funeral - Band Of Horses
Tokyo Narita - Halsey ft. Lido
With You - Tyler Shaw
You Are My Sister - Antony And The Johnsons
You Might Be The One - Greyson Chance
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popculturereport · 6 years
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Let’s Rank the Samurai Rangers!
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Power Rangers Samurai gets a bad rap among fans, probably deservedly so. I don’t watch Super Sentai, but people who do tell me that Samurai is basically a very lazy direct translation of Shinkenger. That may be true, but I actually kind of enjoyed it. Don’t get me wrong, it’s no RPM or Dino Thunder, but it’s also nowhere near as bad as Megaforce. Regardless of where you stand on the show, one of the most consistently-cited issues that people tend to have with the show is the characters (and, depending on who you talk to, maybe the cast too). Again, I tend to hedge on this, because I think most of the actors are fairly capable and do a fine job with what they’re given. That said, I will concede that some of the rangers just...suck. So let’s get to the rankings! From best to worst, here they are (oh, and I’m skipping Lauren):
1. Mike (the Green Ranger)
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Mike (Hector David Jr.) is the best, and this is should be so self-evident that I shouldn’t even have to make a case for him. So I’ll limit my argument to this: in “Christmas Together, Friends Forever,” Mike, who loves Christmas more than anything else which automatically makes him the best, gives his only present--a brand new dirtbike--to Bulk and Spike on Christmas, because they have nothing.
2. Mia (the Pink Ranger)
I hesitated whether to place Mia in this spot or the next, but ultimately she gets the nod at second, because I am only a man.
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Yes, I may be 31 years old, am happily married, will soon be a father, own my own business, and have a mortgage, but every time Mia (Erika Fong) steps onscreen, I swoon like a 13-year-old girl (I may or may not have even said, “You’re so pretty” out loud). 
Like everything else about this show, her gimmick of loving to cook despite being godawful at it is polarizing, but I think it’s kind of cute, and it also adds a nice touch of brevity in contrast with Jayden and Kevin’s seriousness. She does need further development, but that goes for every else in this series, and like I already said, she’s really pretty.
3. Emily (the Yellow Ranger)
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I’m glad that when Saban bought back the rights to Power Rangers from Disney that they decided to carry on the Disney tradition of casting super-cute, perky blondes (Tori, Kira, Syd, Claire, Ronnie, Lily, Summer)...usually as the Yellow Ranger.*
Emily has the potential to be even better, but what we did get is pretty good. She’s fun, kind of clumsy, and occasionally she and Mike make eyes at each other. Yes, they should have done something more with her being chosen to be a Ranger instead of her sister, and her and Mike’s romance could have been developed more (basically they go from sort of flirting to being a couple in the final episode with no in between). That said, when Emily finally gets a chance to go nuts in “Strange Case of the Munchies,” actress Brittany Anne Pirtle grabs onto every scene and takes it for all its worth.
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In my own head-canon, I also like to imagine that this episode partly inspired “Dark Betty” in Riverdale.
4. Jayden (the Red Ranger)
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Placing Jayden in any place other than last might be controversial for many fans, since he often bears the brunt of their wraith, but I tend to disagree. 
Yes, his brooding lone wolf character probably worked better for his Super Sentai counterpart, given the abundance of these types of characters in Japanese culture (I get Squall from Final Fantasy VIII vibes from him). That said, he does get a lot of backstory that helps establish why he is the way he is, and when you consider that he’s been burdened with the task of destroying Master Xandred since he was a child, you can see why he see’s a bit messed up. It’s not perfect and the execution is sometimes lacking, but there are good ideas there.
Additionally, Alex Heartman actually does have charisma and, on the occasions when he’s given good material, he does a good job with it. Plus, even at his worst, there are two rangers that are much worse than him.
5. Antonio (the Gold Ranger)
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There’s things about Antonio that work really well: the fact that he’s a self-trained Samurai Ranger who isn’t descended from a long line of Samurais’, which gives him both a different perspective and approach towards being a ranger, his relationship (bromance? romance? whatever floats your boat) and history with Jayden, and his general light-hearted attitude. The problem is that as good as all those things are, it’s hard to overlook just how grating his character can be.
I don’t mind goofy characters; Ivan and Koda are two of my favorite Power Rangers ever, and I’ve also loved Bridge, Gem and Gemma, Dustin, and Ziggy, among many others. I’ve never understood why some fans get up in arms about these types of characters. Like, you do realize that you’re watching a show made for 5-8 year olds? However, when we’re presented with characters like Antonio (and, even worse, Dax from Operation Overdrive), I can start to sympathize with this mentality.
The problem with Antonio is that actor Steven Skylar spends far too much time mugging to the camera. Everything about the performance is way too over-the-top, including the random Spanish interjections. I suspect that since Skylar is actually of Thai descent, the producers felt the need to have him beat the audience over the head with “Fantastico!” I generally try not to blame actors, especially because it’s entirely possible that they were directed to act in a specific way, but I also can’t help but wonder if I wouldn’t have liked Antonio more if he had been played by another actor.
Still, he’s not the worst. There is someone much more deserving of that:
6. Kevin (the Blue Ranger)
God, Kevin, you suck so much. No, seriously, Kevin, you’re the worst.
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(This GIF is priceless, but I also kind of wish that Mike just wrapped his arm around Kevin and strangled him right then and there)
Okay, so if you’ve watched more than one season of Power Rangers, you’re probably seen similar characters. Given that the creators essentially have to come up with a brand-new cast every year for 25 years, it makes sense that they would rely on archetypes. Kevin follows of the mold of the stick-up-their-ass, by-the-books second-in-command much like Kai, Jen, and Sky before him. 
There are a few problems from the beginning; for one, those three were all partnered with more laid-back Red Rangers (Leo, Wes, and Jack), and so they served as nice foils, constantly second-guessing the leader. Over time, these characters would gradually see that, although the Red Rangers didn’t following standard operating procedure, they were effective leaders in their own way, and they would come to respect them. It’s a good dynamic, and you can understand why they’ve returned to that well multiple times.
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(That “What the fuck”-look that Mia gives Kevin is exactly how we all feel)
With Kevin, they tried something different (which is good, I guess) and had a serious second-in-command who idolizes his equally intense leader. So instead of forcing them to see (and come to respect) a different point of view, this dynamic just reinforces their own stupid biases. Worse yet, unlike, say Erin Cahill (Jen) or Chris Violette (Sky) who were still likable characters even when their heads were up their asses, Najee De-Tiege has no charisma or charm, and it’s impossible to like Kevin.
If you want a quick introduction to why Kevin is the worst, look no further than “The Blue and the Gold.” So two episodes after joining the team, Kevin still hasn’t accepted that Antonio is part of the team. Antonio tells that he made a new Zord, and Kevin’s like, “You made it from Electronic Symbol Power? I don’t accept that!”
Hey, asshole, how many fucking Zords have you made?
“.....”
None? That’s what I thought. So shut the fuck up!
The other rangers tell Antonio that Kevin won’t accept him unless he can adapt to his training habits. So Antonio follows him around observing his daily routine (i.e. non-stop training) and tries to copy him the next day. Kevin catches him and says, “Despite the fact that you’re gone through all this effort to try to copy me, I don’t think you’re taking this seriously so fuck off!” Before Antonio can tell him to take his head out of his ass, they’re attacked and can’t communicate with the other rangers. It’s not a problem though, because they’ll know something is wrong when Kevin is late. This is when we find out that Kevin has a daily routine that goes down to the minute. As much as I despise Kevin, this is so hilariously awful that I can’t help but love it.
Later they’re attacked again, and Antonio hurts his arm, but he sticks around and defeats the bad guys anyway, and Kevin goes, “Wow! You really are dedicated. I finally respect you,” despite the fact that Antonio has been doing this for the past two episodes. Kevin must be one of those people who says, “Yes, the Golden State Warriors have made three straight NBA Finals appearances, won the championship twice, have multiple All-Stars, and a two-time MVP, but I just don’t think they’re very good.” Then if Golden State wins this year, he’s finally like, “Oh, I get why people think they’re good.”
Welcome to the fucking party, dipshit!
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*-After this, they’d do it again with Gia (Ciara Hanna) in Megaforce.
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smokeybrand · 3 years
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Smokey brand Movie Reviews: Bring the Heat
Finally had the opportunity to sit down and check out Raya and the Last Dragon. Disney Animation is kind of hit and miss when it comes to their new flicks and this incredibly transparent push for diversity profits has had mixed results for me. I enjoyed Tangled and Soul for what they were, and Zootopia was an excellent look at prejudice, but Moana was basically just Pacific Islander Pocahontas and the less said about the Frozen franchise, the better. I know all of this focus on diversity coming out of the Mouse House is strictly performative but it’s still dope seeing other cultures represented by the biggest studio in the land, even if that doesn’t translate so well to live action leading roles. Raya is the newest attempt by Disney to cash out by presenting or, as my more cynical self would say, pandering, to the Southeast Asian markets. Let’s see how well they pulled this sh*t off
The Good
This movie is gorgeous. Raya is easily the most beautiful film out of the Mouse House in a while. It definitely gives Soul a run for that tile and kind of sh*ts all over Frozen. That stands to reason considering it’s been a few years since the last Elsa outing, even though Sisu is just Dragon Elsa. Disney got that anime sameface problem.
Kind of an addendum to the previous note, Raya is beautifully animated. The facial movements, that audio sync, the f*cking hair, those action scenes; All of it is exquisite! I'm not going to say it can give Pixar a run for their money when they are a the top of their game, no CG animation company can, but Raya is definitely a contender.
The world of Kumandra is an interesting one with a truly unique feel, even if it’s kind of a homogeneous, Asian, conglomerate. I would have liked to see more of a focus on a specific Asian culture that doesn’t necessarily get the spotlight as often as China or Japan. Something like Thai, Hmong, Filipino, or Vietnamese would have been dope but i guess Kumandra had to hit all the bases to make all of the money. I dunno, it’s fine that there is Asian representation but creating a fictitious catch-all instead of actually building on something comes across as real tone deaf and a little disingenuous.
I like that there’s no singing in this thing. I’m not a fan of musicals so when the rare Disney animation comes through and it's not one, i tend to pay closer attention. That's probably why i love Atlantis so much. Also Maleficent but that's more because I just genuinely love the character of  Maleficent. All that said...
What little music we did get in this thing, was lovely. Like, it felt distinctly ethnic and fit the narrative perfectly. It went a long way to lend a bit of authenticity to a movie that is basically a soulless cash grab
These fight scenes are dope. Wonderfully telegraphed and visibly punishing, they’re great examples of choreography, especially considering how a lot of this is mocap. It’s a fine line between a fight and a dance but Raya traverses that gap with real aplomb.
Solid performances abound. I genuinely enjoy the vast majority of this cast and it's super-dope that it's almost all Asian actors in these parts. Sandra Oh, Izaac Wang, Daniel Dae Kim, Benedict Wong, Lucille Soong: This flicked is stacked with that Eastern excellence. It's a shame this thing didn't get a theatrical release. I'd be curious to see how a mass audience would have received this film if it was properly released into theaters, especially after witnessing how films like Paradise, Crazy Rich Asians, and The Farewell were so well received.
Sisu is adorable. I kind of love this little dragon scamp. She might be one of my favorite Disney characters in their library. Nora Lum does a great job giving Sisu life with her performance. The more I see, and hear, of this chick, the more I love her as an actor. Also, getting Awkwafina to voice the Water Dragon is not lost on me. I See you, Disney.
I really like Namaari, too. Gemma Chan does an exceptional job making her compelling. I don't really agree with her motivations but I understand them. Some of that has to be credited to the writing but Chan's performance goes a long way to making her believable. Seriously, I thought  Namaari was a much better protagonist than Raya and that has everything to do with Chan
The Meh
Kelly Marie Tran was a little dry for me as Raya. Like, she was good, don't misunderstand, but the character of Raya, as written, was kind of an idiot? Tran is excellent in the role as a performer, but Raya, herself, is real hard to identify with. She was scripted as the low energy straight man to Awkwafina's uber-kinetic Sisu, and to that end, Tran captures the character perfectly, she just comes across as kind of a dumbass. Her chemistry with Awkwafina, though, goes a long way to making Raya tolerable.
The Bad
It's kind of ridiculous to me that this entire film can be solved with honest communication. The fact that Sisu blatantly points that out means this movie is aware of it. Sh*t's kind of absurd but that might be the point. This thing is made for kids so I understand it can't be super nuanced with it's themes but I can kind of see this being a sticking point for other people.
The pacing is a little wonky. It feels really start-and-stop. Like, it took me this long to finish this flick because it was so slow in the beginning and then stalls kind of partway through, and then again toward the end. It's definitely a contradictory thing to say because this movie really moves overall. Like, it's totally a brisk watch but, at times, stalls to a near stop.
Now, I found Sisu adorable but I'm a fan of Spider-Man. He's super quippy, just like her, so that was right in my wheelhouse. However, I can totally see people frustrated with her character. She has the potential to be incredibly annoying to some.
Could have done without the extra supporting characters. In a lot of ways, this movie felt like a video game where you traverse several levels, acquiring mcguffins, picking up party members, all for the ultimate goal of defeating a powerful enemy force. And, just like video games, some supporting characters are better than others. I liked Boun, though. He was kind of hilarious.
The Verdict
Finishing Raya and the Last Dragon after, like, six false-starts, felt like an accomplishment. Turns out, it's a pretty good movie. Raya does start a little slower than i would like, and can definitely stumble in pacing at times, but it's still pretty fun to watch. The performances re strong, the characters are endearing, an the world is rich with intrigue. Awkwafina and Gemma Chan turn in some excellent performances and even Kelly Marie Tran does her best with what she was given, which wasn't much. Not going to sit here and claim it to be one of my favorites but it's better than i initially gave it credit for. Raya and the last Dragon has a ton of potential but I think Disney played it too safe and missed out on something great. Still, it's a fun watch that I think kids will enjoy. I mean, don't pay any extra loot for it but, if it's on Disney+ or if you wanna fly that Jolly Roger, it might be worth.
All that said, this sh*t feels a lot like the plot to Breath of the Wild, complete with kind of a Calamity Ganon as the principal conflict. I'm curious if anyone else got that same vibe.
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paperclipninja · 5 years
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Younger post-ep ramble 6x03
This week’s episode of Younger, ‘The Unusual Suspect’, was a big one. No scenes felt wasted, each one moving the story along and it all felt very purposeful. Despite some capital H hotness and really light and funny moments being scattered throughout, mostly thanks to fave (and only) NYC agent Redmond and the resurrection of some truly classic Diana Trout, there was definitely the sense of tension on the rise. It’s been simmering since the end of this season’s first episode and I feel like this week we have hit an apex.
We open with brunch at Maggie’s and what one can only assume is a time jump (either that or Clare has recovered remarkably well from birthing a baby the size of a four month old) and right away an overarching theme for this episode is established, as Lauren enters raving about the latest hit podcast, Exonerated. I’m gonna come straight out and say that I am so into this premise. The excitement around the table sounded like the break room in my office most days, they definitely nailed the trend of true crime fixation. It immediately allowed for Maggie’s quip about white women loving murder, a delightful array of OTT facial expressions from Liza and Kelsey dropping in that Millennial will be meeting with Audrey Colbert, subject of the podcast, to nab her book before anyone else does. Of course the other big news is that Josh and Clare appear to be happily family-ing it up (though mommy wipes, daddy dipes = vom in my mouth a little bit) and Maggie is dealing with unresolved BoUBT (Back of Uber Birth Trauma). Lauren’s vow to help get Maggie back on the ‘h for hunt’ once again epitomises why I love her character so and I want to record her sympathetic ‘oh Divaaa’ as my ringtone. I just love that Maggie, of all characters, is the one who seems like she should be the most pragmatic when it comes to something like birth yet her coping level is zero here.
You know who else wasn’t coping? Me and my Liza and Charles loving heart as Liza suddenly up and left the brunch because she ‘was late for a thing’, cue the scene that was released as a sneak peek last week that I have definitely only watched a normal number of times *cough*. The set up for The Rubin Museum from the opening conversation was fab and the fact that Charles and Liza are using the podcast to frame up a role play situation is just too much. Obviously I had seen the scene prior to the ep and while it is certainly *insert flames here*, I can’t help but wonder what it would’ve been like not to have expected it (actual combustion probable). I mean regardless, I will never think about a trip to the museum in the same way again. The voice-over narrating what we were seeing was such a great device that is really different to anything the show has done before, it built the anticipation of what was playing out and it felt like a scene from a movie. The moment when Charles turned and came face to face with Liza was a great reminder of how electric the chemistry between these two can be (actual lightening bolts were sighted) and quite frankly, seeing these characters being adventurous and lustful in their relationship is a yes on all fronts. I think the fact it all took place in a place of intellect and culture was extra fitting, it somehow kept the whole thing true to the characters and I am here for the #nerdlove.
The office drama was amped this whole ep and that of course was largely due to the ever growing reign of our season 6 villain, Quinn. With the time jump since last episode confirmed by the fact that Quinn’s book is both published and sitting on the best seller list, Kelsey and Diana’s first encounter with Quinn as she uses the WiFi for a conference call included a) Diana saying goodbye in Mandarin, which was yet another lovely tidbit to add to this character while also setting up the classic Diana we got throughout this ep and; b) some of the best fashion and hairstyles all in one scene (and episode as a whole) ever. I mean the fashion on this show is always next level but this episode in particular took it up a notch: Diana’s high-neck printed electric blue top and Kelsey’s hair/makeup/outfit in the conference room were so stunning I was actually distracted by them.
Kelsey’s office refurb was also noted, loved Liza’s ‘set it (Claw) on fire’ comment and of course, Diana telling Kelsey that now she is publisher, maybe she should stop speaking like a trucker was D. Trout golden line no.1 for this episode. Even better was seeing Kelsey, Diana and Liza settling into this new way of working. I adore the dynamic between these three and the way we’re seeing Diana adjust to her former assistant now being a peer without a fuss is why this show is so wonderful. It would have been easy to have Diana trying to assert herself and maintain some sort of authority, but to see her just want to get on with the work and do the best job she can gives a great credibility to the notion that this character is the best in the industry. I could pretty much write out every Diana Trout line from ‘The Unusual Suspect’ and leave this entire ramble at that (’why is everybody in this country obsessed with true crime? Actual people have died and they’re selling branded beanies on Etsy’ LOLLLLL) but I would then need to do that for Redmond because the fave one and only agent in NYC was back this week and as always, he was in fine form.
The pitch of Audrey Colbert’s book is up there with the funniest scenes of this series, from the creepy af Audrey (A+ casting of Willa Fitzgerald) to Liza and Kelsey trying to play it cool while being hella freaked out to Redmond’s attempt to present a compelling pitch being railroaded by Audrey’s ‘crippling lack of media training’, it was Younger writing and delivery at its finest from start to finish. Seeing Redmond so unnerved by Audrey was unnerving in itself and really, I am so happy with the amount of Michael Urie in this episode. Our next encounter was of course when Kelsey and Liza interrupt his infrared sauna treatment (again, so many hilarious lines, I really feel that a transcript of the entire episode is about the only way to do it justice but may be problematic to pass off as a recap/review…or would it?) and discover that Audrey’s book is being shopped around thanks to the dagger next to Claw on the bestseller list, which = bulk sales = dodgy business = Chinese bots tweeting = Quinn is the worst (math doesn’t lie) = Audrey doesn’t want to be associated with anything suspicious on account of the fact she’s been accused of murdering two ppl (fair). I do want to back this truck up a little though to the way Kelsey and Liza discovered their next big hit was being pitched to half the major publishing houses around town.
Diana Trout hobbling into the office on crutches before dropping the bomb that her injury was the result of being so frazzled upon hearing the news re: Audrey going elsewhere, that she got caught up in her reformer (just go and re-watch this scene, you will not be sorry) is everything I never knew I wanted to see. The reference to Jackie Dunn, who you may remember has been a longstanding nemesis of sorts of Diana’s, was such an utter delight as a long time fan and once again, seeing Kelsey, Liza and Diana all equally vexed by the news was so great and continued to solidify them as a team. I promise no more direct quotes* (*this is a very loose promise), but ‘postpone the power-trip Kelsey, I am handicapped’ in response to Kelsey’s stunned expression upon Diana’s request for espresso, is so outrageously funny and makes this whole scene an absolute stand out on account of its hilarity.
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I missed Lauren and Diana interacting this week, however I appreciated seeing Lauren be the wonderful friend she is to Maggie and Josh. Taking Maggie to the support group obviously allowed us to meet Beth, who Maggie engaged for some one on one tutoring (looking forward to seeing where that goes this season) after returning to the store to apologise for running out during the group session. While Maggie was lining up her ongoing therapy, Lauren and Josh shared a sweet and heartfelt moment that highlights why their friendship is such a lovely one on this show. Obviously Josh had told Lauren that he and Clare had a moment that made him think, ‘maybe we should make this relationship work’ and Lauren is following up to see where his head and heart are at.
I absolutely loved said scene between Clare and Josh, when he had finally settled the baby, asks Clare if she wants to go to her bed and then joins her on the floor when she says she sleeps where she can now. There was such a sense of unity and care and it made my heart swell. So in his discussion with Lauren we also find out the baby is named Gemma (last name TBC, for both father and daughter) and when pressed about what he actually wants, Josh reveals that he doesn’t think he and Clare are right for each other. I have said it before, but for all the wacky that Lauren can be, she is the most incredible friend who only wants the best for those around her in such a relentless and genuine way and this scene really highlighted that once again (the line about her dad having such a little bottom though brought us straight back to Lauren light in the best possible way).
The divorce proposal was such a great scene and while I was hoping that perhaps Clare and Josh could work things out, I am thrilled to see that the writers put both these characters on the same page right from the get go. I love that this show constantly bucks stereotypes and expectations of how certain characters and relationships will play out, so to see two adults who have an agreed desire to put their child first but know they need to do so outside a romantic relationship is something really unique on television. I have always enjoyed Josh and Clare’s dynamic and I hope we get to see a real, loving co-parenting arrangement play out.
Kelsey’s interaction with Zane when she was buying a bottle of Dom Perignon to celebrate scoring Audrey’s book (eek!) is my favourite interaction of theirs this season. Their banter was really effortless, Zane’s, ‘you’re not listening’, as he pulled out the cash to pay for the one remaining bottle smooth and a little bit over confident, but really played up that he has something in the works that is legit. I especially love that we later discover both are buying champagne to celebrate the same win. I feel like we also need to stop and appreciate that they were about to drop $400 between them on two bottles of bubbles like it was no big deal. What is this life? How do I get it?
Though admittedly Kelsey deserves a nice glass of something this ep considering all that she is dealing with. I have made no secret that I have struggled with Kelsey’s character these past couple of seasons and no one is more surprised than me at how much I am getting on board with her this season. Kelsey calling out Quinn point blank that she faked her best seller was so good to watch and seeing Liza backing her up and standing her own ground made this extra satisfying. Gah, I just LOVE how Laura Benanti plays Quinn and her stating that ‘the money is real, what else do you need?’ is so cold and matter-of-fact. What I love most about this whole confrontation is that it immediately made me think back to the first time we met Quinn - her whole presentation was about the fact that no one wants your success more than you do and that women helping women is actually holding women back. That right there should’ve been the red flag that her “helping” Liza and Kelsey was not legit.
And so her true motivation for investing in Empirical becomes evident. It had nothing to do with saving an ailing publishing house, it was to ensure her book would be published, she could have some control over how big it would become and be seen to have the support of a reputable publishing house, all in order to gain name recognition so she could successfully run for Senate. In her mind, Kelsey and Liza benefit from the whole thing financially so it’s a win win but she also holds the power so feels like she has the upper hand. Which is why the scene at The Cut (which is so fab, the looks Quinn shoots Kelsey are searing), when audience members question the dagger next to her book, is so damn satisfying. Kelsey’s move to announce Quinn’s run for Senate is so bold, I am very on board and boy oh boy Kels, I think you’ve got yourself quite the adversary. I was very much Liza watching this all unfold, shocked, impressed and a little bit scared for and of Kelsey and what this all means.
Now Liza was late to the event because she was living out the next chapter of the podcast at the Brownstone which we need to discuss, however I first owe some of you an apology. At the end of last week’s ramble I suggested you may need a fire blanket at the ready after seeing the museum scene sneak peek to you know, contain the flames. I fear some of you may have deployed it prematurely (this is not a euphemism though I am very aware it sounds like one) in response to how damn hot that scene was, but I was not to know that we were going to get this later scene, in which Liza just wanders into the townhouse BECAUSE SHE HAS A FREAKING KEY (suspected ep 2, confirmed ep 3, appreciated always) and decides to have a good old snoop at her bf’s mail. Similar to the museum scene, this set up felt more like a movie than a typical Younger episode. There was an ominous weight to it; the music, the lighting, the Charles padding silently up behind her (barefoot again?) and the tension was palpable.
Liza asks Charles about what’s going on, he provides a vague answer about moving some things around before asking her if she’s listened to chapter 7 of Exonerated, which conveniently mirrors almost exactly what just occurred, with Audrey’s ex finding her going through his things. Ok, so this is where it gets tricky for me. This entire exchange, from the way these two fall into that speaking in third person and wrapping a narrative around themselves, the way Charles wraps his arms around her, the way they look at each other, I mean, this whole thing makes my heart spontaneously combust because it is sexy and flirty, dripping with desire and just really really hot *reaches for backup fire blanket*. But then Liza is clearly distracted by that letter and Charles’ deflection and part of me is wondering why on Earth she isn’t pressing him harder for an answer or following up, I mean, we saw how open they were with one another last season, but then the other part of me looks at Liza and thinks, you are a person who has eyes and that whole situation is right there in front of you so I get it, go with it and worry about it later.
I am aware of how long this ramble already is, but I am going to do something a little different here and digress slightly from the episode itself and put out some conjecture on my part. It could well be completely over-analysing (lol, I’m neck deep into a freaking novella about a 25 min episode of TV, I think that’s a given) but I know that there is concern about Charles behaving secretively and I have seen some people expressing disappointment in this season so far.
For what it’s worth, my take on it is that it might seem as though some of the characters are behaving a little out of character but I feel that actually, the characters are behaving in ways we haven’t seen before because they’re in situations we haven’t seen them in before. As invested viewers we feel like we know these characters as whole people in every aspect of their lives when in fact, we’ve not seen Liza at the top of her game in her career or Josh as a parent or Charles in a romantic relationship or away from the office. So while the way they behave might not be the way we imagined it, to me it isn’t so much out of character as seeing a new dimension of the character. Also, the addition of flaws does not necessarily equate to destroying a character, it builds them out and makes them more real, if anything.
In relation to Charles and Liza’s relationship and the ‘Charles is being shady’ concern, IMO the key purpose of that is to create tension and you can FEEL it building. As crazy as it may sound, I think the Liza/Charles dynamic thrives in the build and resolution of tension and that’s why their moments in this episode felt so electric and hot, it’s like those unspoken, unresolved tension points charge their chemistry. As much as I think I would love to have Charles and Liza sitting around blissfully happy (I mean, I would obvs), the reality is, it’s not that fun to watch. I believe the tension is building towards a resolution of sorts that will actually put them in a better place and move the relationship forward. (*Full disclosure: since writing this I listened to the podcast from ATX fest and Joe Murphy, one of the writers for Younger, said very similar things so if you listened to that podcast I promise I have not just taken what Joe said and pretended they’re my thoughts, I legit had this written and then heard (ngl, I may be feeling a little smug as a result). I’m putting it down to us both being Australian because clearly that is a thing that makes sense).
I also think there is an unsettled feeling this season because the entire premise of this show, the roles these characters played, the interactions we have grown accustomed to week after week, has been completely flipped upside down. As viewers we garner comfort from the routine of watching a show but also from knowing where the players are positioned, how they will behave and what it looks and feels like. I think the writers know exactly what they’re doing and are achieving exactly what they would’ve hoped (apologies writers if this is wildly inaccurate and I’m just assuming things incorrectly left, right and centre) - everyone is sitting in discomfort and it’s largely due to the unfamiliarity of it all. The set up, the way we’re seeing characters etc, it reflects what the characters themselves are experiencing on our screens, which is all kinds of meta and actually pretty cool. But the further you push that discomfort and make viewers sit in it, the greater the impact and more satisfying the resolution. It’s like waiting for a beat to drop in a song, the build up can become almost unbearable but damn it’s good when it lands. That’s how I feel this is all going to go.
That is what I meant by this episode feeling like an apex, it feels as though there’s a limit to how far an audience can be taken in a state of flux without some resolve somewhere. And the writers know this, it’s what they do, it’s WHY we tune in. I’m not suggesting that everything is going to go back to the way it was, the evolution of a show like Younger is exciting and part of the fun is seeing where it goes, but we are three episodes in to a twelve episode season and while we consume it week to week, it ultimately has to make narrative sense across the whole season. It’s as though we’re at the end of an ‘establishing’ phase right now. So I am reserving any judgement until I see how it all comes together, but have no doubt there will be many resolutions and many new points of tension throughout.
Right now, I am thoroughly enjoying all that we’re getting and I think the writing this season has been excellent so far, with moments like the final scene of ‘The Unusual Suspect’ providing us with the first true cliffhanger of the season. Our last bit of Redmond for the ep was peak Redmond (I love that he dashed off to a better table uptown), and of course the big Mercury reveal, YESSS. That moment of realisation washing over Liza’s face, props to Sutton Foster, and I cannot WAIT to see how this all goes down. The prospect of inter-generational team ups of Kelsey/Liza vs. Zane/Charles while members of each team are in relationships with one another is the kind of set up I live for in a TV show. Is it July 10th yet?
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