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samarecharm · 1 year

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Ryuji learns immediately that Akira is a little food goblin and in the worst way possible 😭 He eats literally anything, he doesnt attempt to ‘chef up’ anything he cooks. He draws the line at expired food but the food he makes for himself looks so fucking sad (ryujis words) that it might as well be garbage. And its not that Akira Wont cook or is averse to Learning how to cook, hes just. Busy. And he really doesnt balk at what most would consider bad tasting food. But ryuji does!!! He DOES balk!!!! He balks alot in fact! So while he knows he himself is not the Best cook in the world, he IS someone raised by his momma, and he will use everything she taught him to make food that Akira will ACTUALLY like and not just tolerate.

So he takes Akira food shopping in the market, picks out vegetables and spices and meats that Akira admits (embarrassed) he has never touched in his life. He tells Akira what to look for in markets, whats normally in season, what the appropriate prices are, what different cuts of meat are meant for, and Akira follows him like a toddler following their mother, looking at the displays listening intently. Hes a smart kid. Scary smart. And he picks and chooses whats worth investing into, whether Ryuji realizes it or not. So Akira listens and absorbs whatever Ryuji is telling him, bc Ryuji matters to him.

Ryuji has him on prep work duty. He shows Akira the easy way to chop and cube vegetables. Remembers halfway through that Akira is actually wicked scary with a blade; shows him a video of a professional cutting celery at lightning speed and is SO excited to see Akira replicate it near perfectly. Hes like a machine; chopping with such laser precision and Akira cannot help but feel a little bit warm when Ryuji openly compliments him

Ryuji is so loud and brash everywhere but the kitchen. Hes focused in a way Akira has never seen him be; listing off instructions and tips, carefully adding ingredients and measuring things by eye. While making the stew, he blanks on the amount of seasoning he should be adding, and before Akira can try to help him rubberduck, Ryuji video calls his mom. And Akira almost panics bc what if she was asleep? Or what if shes working??? But she picks up after two rings, wearing a nightgown and smiling huge and wide into the camera. Ryuji waves at her, and then moves the phone a bit to get Akira into frame. He does a very chill, not at all panicked and anxious wave and she smiles at him too.

Ryuji shows her the pot stewing and she comments on the coloring and texture of it. She pokes fun at him (‘oo did you go to a fancy market? Those beef cuts looks very nice’) to which ryuji waves her off, used to her teasing.

‘Have that young man try to season it; this is a team effort!’ And so Ryuji props the phone up so that she can see him and Akira by the stove top as she guides them. A sprinkle of this seasoning from top to bottom, yes perfect, and a pinch of that seasoning- ehh a little more than that- okay perfect, and add a ton of that seasoning in front of you- more. More. Ryuji I said a Ton, tell him i said a Ton- oh right he can hear me I SAID ADD A TON- okay thats it i think, if it comes out too salty, scoop some out and replace it with more stock or some water.

And from then on Ryuji just chats with his mom while Akira watches from his side of the counter; Ryuji mentions the nice lake that he wants to try fishing at, and some nice natural paths to run on in the mornings, and she tells him about her shift and the movie she saw the other day with some friends. Its very nice. It comes so easy to them; Akira cant remember the last time he got to hear his mom just chat about her life with him. Kinda hurts, but not really. Not when hes got Sojiro calling him, telling him about his day while Akira tinkers about at his desk. Its basically the same thing; even better when Akira thinks about it.

And then he thinks some more. And into the realization that Ryuji is here with him in his house cooking and relaxing and chatting with his mom. The tv is on in the livingroom buzzing at a volume thats barely audible. The setting sun is peaking through the curtains. His mom makes a snide comment about her coworker that makes Ryuji laugh a bit under his breath, and Akira is like. Painfully aware of how nice this feels. Warm and easy. It feels a bit silly to even say it but it feels domestic; it feels like home. And hes always been here, always lived here, but it didnt feel like Home as much as it did in this moment, with Ryuji idly chatting with his mom as he tended to the pot on the stove. He wants to capture this moment and keep it tucked away somewhere. And later on, when hes staring at the ceiling, head swimming as he tries to fall asleep, he’ll think ‘no. I dont want to just have this moment. I want more moments like this. I want to live in these moments again and again and again.’ Hes greedy like that, he thinks. He wants and wants and wants; wants so bad it makes his chest ache.

The stew comes out good. A bit salty, which Ryuji remedies by adding a bit more stock to the pot after theyve had their servings. Akiras face is a mix of childlike delight and contentment, eyes bright in that sweet and adorable way that has Ryujis face turning pink, suddenly a bit shy. Being complimented about his cooking is a different kind of nice hes not used to. Akira does a little happy bop with his head, the same bop he’ll do when he eats sweets with Ann.

“This is Really good-‘

“Oi! Please chew everything first before talking.”

Akira thinks its an act of love. In the same way art from Yusuke is an act of love, and the way Hangout Nights with Ann is an act of love; this is Ryujis. I want you to eat well. I want you to be well. Because I care about you. Ryuji cares so much. To come and stay with him. To cook with him, to live with him, even if for a moment. ‘My place…is right at your side.’ ‘Whaddya mean? Youre there.’ Like it keeps Akira up at night sometimes thinking of how much hes loved. It feels so foreign to him, yet natural all at once. Waking up to the rest of the breakfast Ryuji left for him after cooking. Ryuji listening to him ramble about some tech shit Akira knows only he truly cares about (Ryuji pays attention and tries to follow which is more than Akira can ask for). Like its a bit overwhelming but its nice. Its warm and loving and its nice.

Ryuji finds himself napping against Akiras taller frame on the couch, the movie they picked out failing to keep him entertained enough, and Akira thinks Ryuji feels the same way; its warm and loving and nice.

#pegoryu #akiryu #also #ryuji #akira #ALSO this is palace au #but theres literally nothing u need to know aside from the fact that this is in akiras house after he gets sent home #if u ARE interested; it is post palace #like directly afterwards #so akiras feeling a bit. raw. emotionally #love love love! so much love hes drowning in it!#everything ryuji does makes his heart swell and he doesnt know what to do about it except make it happen again!#more love!!!#meanwhile ryuji is on the cusp of a heart attack everytime akira looks so pleased w him #like he cant stop himself even if he tried #ann laughs at him. hes like a dog that figured out the Thing that makes their human happy and excited #he just keeps pushing the same buttons now to get reactions out of akira and each time akira is like #SO clearly enamored w him. its too much to take in sometimes but its just so nice.

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ye-xiu · 16 days

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will i ever feel genuine joy about life again more often than once every six months or is this just it. like is this just going to be that for now.

#and i get the ‘it’s about small joy’ i live by that too but sometimes you just want to feel good about your life in general u know #sincerely feel like i fucked up one thing and now it’s just. ramifications of that forever and ever. well we will see i guess #one of the things is that what happened made it really really hard for me to talk to people and be a good friend again #and like wanting to talk about myself bc well the last time i did that it came down so horrendously i don’t know how to work through it rn #i am working through it but i feel like it will take months and years longer to come back to a state of myself where i feel genuinely good #i will unpack 2022 / 23 for years to come anyway just had to put this somewhere #gonna delete it later peace and love on planet earth #al.txt #tbd.

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hum--hallelujah · 8 months

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don't want to kill time like it doesn't matter - 3.5k words, (platonic) funkobra hurt/comfort

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Ghoul is actually younger than Kobra. They always forget it though.

At least, they usually do.

Kobra's stopped shooting upright and reaching for his blaster whenever someone wakes him up at night. Stopped two years ago, honestly, when him and Ghoul started sharing a room. That was a collective decision that is very much not discussed. It left the old office as a perfect room for the Girl, in the end. Between Ghoulie and Girlie, the former of whom has wild, sleepless tendencies and the latter liking to scramble her way into bed with somebody else every other night of the week, Kobra's knee-jerk reaction has become more of a lack of reaction.

"Yo," hisses a pitchy voice. It's dead daylight, the heat of the day. This is the time of the year when you sleep while the sun's up, wait until the darkness falls to do anything or else it's too miserable or too dangerous. "Kobes."

Kobra utters a verbose "Hrrmngg?" and rolls over. He cracks an eye open to see Ghoul standing at the end of his bed. If it hadn't been light out, he'd be doing a good job of living up to his name. His hands are shaking, but when aren't they?

"You good, man?" Kobra asks groggily. He's half awake, half asleep, drifting in between the two states of being. Ghoul is shifting his weight back and forth on his feet. It makes the floor creak. It makes him look even smaller than he is. "Ghoulie?" He mumbles again when he gets no reply.

Ghoul makes a noncommittal half-whispered sound. "Wanna go for a joyride?" He asks instead of an answer.

Kobra blinks himself more fully awake and pushes up on one elbow. "Mirage or the 'Am?"

Ghoulie shrugs. Won't meet his eyes. Oh shit, that's not good. Something's got him worked up. It's too late for this. This is why they share a room now. They didn't used to, but Kobra refuses to let him sleep alone anymore. Kobra knows how he got that wicked scar that runs from the corner of his mouth nearly to his eye.

"Either," Ghoul says. "Doesn't matter much to me."

"Mirage," Kobra decides. He'll never say no to a late-night joyride. Not this kind. Party'll have his neck for sneaking out on the bike without letting anyone know, but the 'Am is too conspicuous when strange crews are out and from the look of him, riding double on the motorcycle will be good for Ghoul.

It's still too hot to be out. But going for a spin won't take too much exertion, getting to someplace with shade, so long as it's away from here, won't take too long. Ghoul's gonna get sunscorched. Maybe that's the point. While Kobra covers up with his jacket, Ghoul is still in the loose, half-covering clothes he sleeps in.

The sun glints painfully off the sand when they climb quietly out the window. No reason trying to get past Party when they've got an exit right here. Ghoul clambers out first with a probably accidental but surprisingly graceful roll and then flinches, violently, when Kobra jacket catches on what's left of the glass in the window and he tumbles haphazardly to the ground. They both hold still for a long dozen seconds, Kobra staring at the diner wall and straining to tell if anyone heard them, and Ghoul staring at Kobra and shaking.

When Party doesn't come along, eyes glinting with annoyed amusement, and yell at them for sneaking out, Kobra sits up and checks the hem of his jacket where it caught on the sharp edge. "Great," he mutters when he sees the tear in the lining. He'll have to sew that back together later. "Ghoul, you good?"

Ghoul shrugs and stands up. "Aren't I always?"

"No."

They stare at each other for a few seconds while Kobra rubs his palms together to clear the sand off them and reaches into his pocket for his gloves. "You're wearing a helmet," he says flatly.

Ghoul rolls his eyes and sneers. It crinkles the scar running up his face. "No way."

"Fine." Kobra doesn't push. Half the time he doesn't even wear his helmet. He's the driver. He'll keep them safe. It was worth a try, though. "Come on."

The heavy bay door of the garage makes too much noise to open without being caught. They slip in the side door and Kobra brings Mirage carefully back through it. He wears a helmet this time. Ghoul stands and waits, bouncing impatiently on the balls of his feet, while Kobra starts the bike and, out of habit, does a couple checks.

"You ready?" Kobra says, with the visor of his helmet flipped up.

Ghoul grins, but it's lacking in heart. So often, Kobra thinks he's not all there. So often, Kobra thinks this is his best friend. "Born that way," he replies.

"Come on then," Kobra says and nods for Ghoul to get on the bike with him. "Hey, hey. Hey, Ghoulie-" he says, when Ghoul is standing right at his shoulder, about to throw a leg over Mirage and climb on. "You okay?" He asks again, because he needs to know how safe any of this is.

Ghoul doesn't respond. Just settles himself behind Kobra and wraps his arms, tight, around Kobra's middle. Kobra stays there a second, until he's sure Ghoul's grip is solid, so that he can feel Ghoul breathing against his back, before he kicks off. He doesn't care if Party and Jet wake up now, they won't catch them. The bike's tires kick up a fountain of sand as he spins a loop, leaning into the turn until Mirage tilts close enough to the ground that Kobra could touch the sand if he reached out. Ghoul asked for a joyride. This is that.

"What the hell, man?!" Ghoul yells over Kobra's shoulder, muffled by the engine noise and his helmet. Kobra feels Ghoul's hands grab at the fabric of his shirt as he pulls around the first turn, bringing them around the back of a sand dune at full speed.

"Trust me?" Kobra shouts back. He's getting into it now, relaxing into each wide, showy swerve and fishtail. He slows down just a bit when he can feel Ghoul's fingernails start to bite into his skin. It makes him edgy when Ghoul is like this.

Ghoul sniffs sharply. "Well, yeah, but I've seen you crash out enough times at the track-"

"Aw, shut up," Kobra snaps back, without venom. Ghoul's his mechanic. He's seen his best wins and worst losses. "Where you wanna go?" He asks, after a few random turns, just drifting around in the sand. Ghoul is quiet. Kobra reaches back with one hand and smacks him on the leg after awhile. "Ghoulie, where we goin'?"

"I'm thinki-" Ghoul cuts himself off and when he speaks again his voice is flat and so quiet Kobra has to strain to hear him. "Turn right up here."

There's the remains of a road cutting across their path and Kobra hops Mirage up onto it, swings right and follows the pavement. Ghoul's grip around his chest has loosened, but Kobra can feel the fast, shallow rhythm of his breathing and the shaking of his hands even still. The road goes on for ages, long enough that it starts to feel infinite. This must have been a highway, back before the wars and BL/ind. At some point, Ghoul leans forward and puts his forehead against the back of Kobra's neck. Kobra can feel him pressed just below where his helmet sits.

"Get off at this turn," Ghoul mumbles suddenly, but not soon enough because Kobra completely overshoots the exit. He flips around the empty lanes of the highway, admittedly showing off mostly just to make himself feel better.

The group of buildings along the former highway off-ramp isn't really a ghost town. It's a cluster of old stores and restaurants, like the diner but mass produced, and down at the end is an ancient truck stop and gas station. Kobra slows the bike to a crawl as they drive down the street, struck with an eerie sense of deja vu. He's been here before. They both have.

He pulls over and stops in the middle of the road, beside what used to be a coffee store. Coffee is usually made in the form of compressed, dried out shots now, called Motor Juice in the Zones when rehydrated. They don't have coffeeshops in the City. They have prescriptions.

Ghoul is off the bike and Kobra's back suddenly cold even under the heat of the sun before Mirage even comes to a full stop. "Ghoul-" Kobra snaps, angry for reasons he can't even say and unsettled in ways he doesn't want to. This is a ghost town. Just not in the normal way. "Ghoul. What are you-"

But Ghoul is walking away, his back to Kobra and the bike as he moves toward the gas station as if it's a magnet and he's the blade of a knife, trembling so hard with the pull that it might break. Kobra hesitates, then swings his leg over Mirage and bumps out the kickstand. Ghoul is standing stock still, or as still as he can, on the faded pavement of the gas station parking lot. Kobra's glad it's faded. He doesn't want to see the bloodstains.

Ghoul looks small as he approaches, absolutely miniscule. He's got his arms wrapped tight around himself and Kobra can hear the harshness of his breathing even from several strides away. He doesn't want to get too close too fast. Ghoul's enough like a wild animal that it could turn out badly, and Kobra for once really doesn't want to fight him today. Not out here, at least.

They're within two years of each other, Kobra and Ghoul. They usually forget they're not the same age. But right now Ghoul looks so small and so, so young and Kobra doesn't know what to do.

"Gh- Ghoul. Ghoulie." Kobra calls carefully, stumbling over his tongue. He clamps his teeth together, takes a deep breath. "Ghoul."

Ghoul doesn't turn, doesn't look away from the door into the gas station he'd been found in, back when Kobra and Poison and Jet were a crew of three and Ghoul'd been even more feral than he is now. The gas station where Ghoul watched his entire family die and he was helpless to do anything about it. He still thinks he hadn't done enough. Kobra knows that. Ghoul always thinks he didn't do enough. That one kid with a blaster and wild eyes could take down a full squad of Dracs and two Crows.

Kobra doesn't know how to tell him that if he'd tried, he would be dead too. Kobra doesn't know how to tell him he's glad he didn't. When it comes down to it most, Kobra finds he can't speak.

"Ghoulie," he says again. "Hey. Hey." He moves closer, pulls off the helmet he'd almost forgotten he still has on. "Ghoul," he tries, one more time, as gently as he knows how even though it's not that gentle. He's never been good at this. Some of the scars scattered across Ghoul's body are from him. But Kobra had stitched up Ghoul's face and he's not going to give up now.

Ghoul finally turns and Kobra breathes a sigh of relief. Just a response. Proof of life even though he's still standing. And then Ghoul steps toward him and suddenly he's right there, shaking but otherwise just as eerily still as this entire place, like he's trapped in frozen time just like the rest of it, and he collides with Kobra's chest in a way that's both surprising and yet entirely expected.

"Oh." Kobra drops his helmet, dangling from one hand, and his arms hover uncertainly in the air for a moment before he carefully closes them around Ghoul. "Oh. Okay. Okay." He says quietly, startled, but not really. He'd felt the way Ghoul was holding onto him as they rode Mirage all the way out here.

Ghoul unfolds his arms from around himself and grabs onto the unzipped sides of Kobra's jacket. He doesn't cry, not out loud at least. He's just shaking, so much, and so, so small. Kobra's not good with words. He's even worse with them under pressure. Anything Jet or Party could say to make it better, that kind of stuff gets stuck on his tongue when Kobra tries to say it. So he doesn't. He just holds on.

"You plan on coming here?" Kobra asks eventually, even though he has a feeling the answer is no. Unless it's an engine or a bomb, Ghoul never really plans on much. Ghoul shakes his head, hair scrubbing against Kobra's shoulder and neck where his head's pressed. "You wanna... y'wanna go inside?" He asks then, against his better judgment. But then again, he's never been known for that, has he.

Ghoul tenses, but it momentarily stops the shaking. "Can we?"

Kobra huffs. "Nobody stoppin' us, and even if there were, we'd do it anyway, wouldn't we?"

Ghoul pries his fingers from their hold on Kobra's jacket and turns back toward the station. "Should we?"

"Dunno." Part of him thinks it might help. Part of him remembers exactly what happened the last time they were here. It's the Killjoy way to call death ghosting. It means some part of you lives on even when you're gone. There's a lot of ghosts in this pavement. "It's your-"

He can't think of what word goes there. Choice. Past. Grief. Place. So he stops talking. He shrugs, bends to pick up his helmet. "I can." He sucks a breath through his teeth. He's going to say it again. "I can... I can go with you. If you," he shrugs one shoulder again. "If you, uh, want to. I'm not- I'm not trying to force you," he adds, like it needs to be said. "It's your... yours."

Because that's all that really can be said. This place, the place that made Fun Ghoul what he is. The journey, however brief, that brought them here. Even, kinda, Kobra himself. It's all for Ghoul, here and now. Kobra drove, but he's just along for the ride. Weird how that happens.

Ghoul steps toward the station. Magnetism, again. And Kobra follows, because how could he not. He feels sick at the though of letting his friend go in that place alone.

The doors are gone. Shot out years ago. It looks to Kobra exactly as it did back then, but Ghoul probably remembers better. There are shelves toppled and glass and plastic broken all over the floor. Whatever hasn't been scavenged is broken and shattered. Ghoul walks toward the back of the store, the corner that's not so much a mess. Kobra stays back a bit, trying to give his friend space.

It's where they found Ghoul. Or, where Pois had found him. Ghoul was half in shock, terrified and scarred and fighting, and Party was the first one of their then three-strong group to notice the dark shape watching them hopelessly trawl the carnage for any survivors. It took Pois physically restraining the much smaller kid to keep Ghoul from going for all of their throats.

Kobra has a lot of bad memories of Ghoul. None are as bad as remembering the way he'd screamed when they first met.

"Y'okay?" Kobra asks after a while.

Ghoul has his moments. They all do. Sometimes, you wake up bad in the night and it's hard to pick yourself up. Sometimes you just gotta hit the bottom before you even can. But Ghoul's a fighter. "Yeah," he says, walking back and forth between fallen shelves once stocked with food and stupid trinkets. He crouches to pick up the shattered remnants of something once made of colorful glass and when he looks back over his shoulder at Kobra, he doesn't seem quite as small.

"'M sorry," Kobra mumbles, not knowing what to say now. Somehow, the shaking and the touch are so much easier than having to talk about it. He's never been the talker. That's Party. And he knows his brother regrets not getting there — here — sooner that day, but there's a sick, selfish part of Kobra that's too glad to have Ghoul to want anything different. But really, it's all he can say. If there's remnants of bones that haven't been carried away by carrion-eaters, he doesn't want to see it.

Ghoul slowly stands up from his spot on the floor, staring intently at the broken knick-knack in his palm. It might have been a glass teddy bear, once, something a parent might grab up for a child waiting at home. It's partially shattered, though. Half of its cartoonish smiling face is gone. The heart shape it once held in its paws is cracked down the middle. Kobra isn't great with metaphors, but this is pretty fucking obvious.

"I didn't save them," Ghoul says quietly, his voice grating through the charged, silent air. "I didn't save her."

Something clicks into place. They all know that the crew he lost was Ghoul's real actual biological family. He's a sandpup. He was born and raised in the Zones. He doesn't talk about it much. Kobra's shocked he even came back here, let alone with anyone else. Ghoul doesn't talk about his family, but they've all figured for a while that he had a sibling. You can see it in how he treats the Girl.

"Your sister," Kobra says. It doesn't sound like so much of a question when he says it out loud, but he knows Ghoul will understand it as one.

Ghoul nods. "Yeah." He steps over some toppled displays, sun-bleached ads that used to be bright colored, and slips the shiny piece of broken glass into one of Kobra's pockets since he doesn't have any of his own. Kobra can already see the sunburn forming on his friend's shoulders and the tops of his knees. "She was like, eight."

That's all the more he says about it, but Kobra slips his hand into the pocket and runs his fingers over the broken glass toy still warm from Ghoul's hands, and hears the years of grief and bitterness in the few words. Ghoul's more talky than he is, but he's cagey, too. Kobra can hear him, though. He gets it. Doesn't mean he knows what to say, though.

"Shit," he spits. He wants to say I'm sorry again, but that feels fuckin cheap. He wants to say stop beating yourself up about it, but that sounds even stupider. "Fuck." Sometimes that's all he can say.

"Yeah," Ghoul replies. "Fuckin shit."

"Exactly," Kobra agrees, fiercely relieved that Ghoul gets all the shit he's trying to say. "Hey, uh. Y'know I'm-" He stumbles over the words, cringes at himself for the inability to get past a stupid two-letter word. "I'm glad I know you." He manages, as selfish as it sounds standing here in the ghosted wreckage where Ghoul's family was killed. But if that hadn't happened, they wouldn't be here now. They wouldn't be friends. And Kobra needs Ghoul to know he's glad that any suicide run to save his family failed. The pain sucks, but he's grateful for the outcome. He hopes Ghoul can understand that.

Ghoul doesn't reply. His acid green eyes bore straight into Kobra's for a few seconds while Kobra's heart hammers in his chest. Then he kicks at some dust and looks at the floor and shrugs. "Let's go, man. I don't wanna stay here."

"M'kay."

Kobra's almost tempted to reach out as they walk back out into the glaring sun, grab onto Ghoul like he's a ghost, too, and the light might evaporate him. But he doesn't. He can't.

He thinks the feeling of Ghoul hanging onto him as he steers Mirage away, back up the ramp to the road they came down in the first place, will make him feel better. It doesn't. Ghoul holds on much looser than he had on the way here, and it makes Kobra nervous. He wonders if he should have made him wear a helmet, and steers more carefully around the turns.

And then Ghoul adjusts his seat and throws one arm up over Kobra's shoulder, loosely hooking around his neck. He leans up forward and shouts, "C'mon, Kobes, let's play with it!" Like he's itching for the risk that a couple hours ago had had him holding on for dear life. Kobra's used to thinking his best friend isn't all there. But he's also familiar with the times he is. Sometimes, he forgets they're not the same age because Ghoul is so larger than life.

He tips his head to the side in acknowledgement, and punches the throttle. He even pulls a couple of tight, quick loops. He can't slide on the pavement the way he would on sand, but he can catch a little air when there's a thermal bump in the highway. Ghoul clutches onto him, but it's not scared. Something's cleared up in the gas station. Maybe it was closure. Hell if Kobra knows.

When they pull Mirage off the highway and the diner finally comes back into view, just a small glint of signage, Kobra slows his pace and can feel Ghoul sigh more than he can hear it. His friend's arms stay firmly around him. "Hey, Kobes?" Ghoul says, just barely loud enough to be heard over the engine.

"Yeah?" Kobra says, a bit louder to be heard past his helmet.

Ghoul hesitates, then says in a rush, "I'm glad I know you too. Like, really glad." And then he squeezes Kobra a little tighter for just a second and Kobra can't even say anything in reply. It's been a long night at the wrong time of day. And they're almost home.

#yes I know kobra is doing that annoying ''r u ok'' thing very repetitively he's like me he repeats himself A LOT it's ok. we still love him #I cannot express this enough. kobra has a stutter. literally sometimes the only word that will come out is just. F bomb.#the others have gotten very good at translating him skskskddkfj #btw wrt kobra's speech patterns just know I'm cutting WAY back on the amount of repeating I do irl #like I'm giving him my (mild) stutter but cutting down the repetitions by a lot bc it looks weird on paper #so whenever he's repeating himself and stammering? yeah it's a lot more like a scratched CD than how I typed it out #in my head it's like SUPER noticeable. like everyone knows this happens and that sometimes he has to stop and be quiet #and take a minute before he can get on with what he's saying. it's just a thing #ok now that I'm done rambling about kobra kid having a stutter- :)#btw they're like 16 and 17 here. they are children trying to navigate these very big emotions and I love them so so dearly #next time I need to emotionally or physically hurt kobra skfjfnskdn I keep going after poor ghoul #ok I think that's all I have to say for now #she speaks!#she writes!#danger days #the true lives of the fabulous killjoys #danger days: the true lives of the fabulous killjoys #ttlotfk #kobra kid #fun ghoul #this isn't really funkobra just bc I don't actually ship ANYONE here skskfjdghkdjgfkd #I'm much more compelled by platonic relationships that are kinda the Secret Third Thing than I am by romance. so. yeah

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elftwink · 1 day

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been learning to play ironsworn (gritty fantasy ttrpg which you can play with a gm but is mostly suited for solo or small group co-op gmless play) after having the rulebook pdf for several years (stars finally aligned to remove invisible thing blocking me from reading it idk) because i'm on another solo ttrpg kick & i don't know what took me so long to get around to this game because it genuinely is exactly what i was looking for. years ago when i was playing through solo 5e modules i should have just been playing ironsworn (believe it or not, 5e isn't very suited to solo play and is extremely clunky when you try lol).

also though i have dabbled in some other solo ttrpgs, a considerable amount of them are journaling games which is fun but imo considerably more work (usually by the time i'm a quarter of the way through the journal entry, i know how to entire scene played out and i want to move on to the next gameplay thing, so i get frustrated and bored quickly. it feels like when you solve a level in a video game but don't have the coordination to pull off the necessary move so you have to spend 20 extra minutes doing something you already figured out), so i really appreciate like not needing to write something for the game to progress (ive been taking notes for my own record since im playing solo and thus am not really out loud roleplaying the way you do in a group, but i definitely could do that instead and not take notes and the game would still function perfectly)

& ive been playing by myself but also in the past ive played a lot of ttrpgs in very small groups which has been other games but is mostly dnd and like. we also should have been playing ironsworn so that having a gm was not necessary. have definitely played games where we had to adapt the rules soooo much to do something that is just base game included in ironsworn. plus it's rules-light enough to do pretty complex moves that pose difficulties in bulkier games (ever introduced someone to dnd and they tell you they want to do a sick backflip and catch something and then attack and you have to tell them that will require several different consecutive rolls and some creative liberties with how the rules are 'supposed' to let you move? you can just Do That in ironsworn. use the strike move and describe it. done!)

the one thing is that although it's rules-light enough to theoretically play any setting or genre (some with more difficulty than others), ive found so far that like... the grittiness and sense of threat is very built into the mechanics so that would be sort of difficult to work around or change (but i think it's great from a game design perspective). what i mean is like, okay: you start with 5 max hp. there isn't really a way to raise this max hp, you just slowly gain abilities (assets) that make you less likely to have to lose the hp in the first place, or that make it easier to recover. when you encounter foes, you rank them on a scale of 1 -5, and enemies on the lowest side of this scale do one harm to you, while enemies on the highest side do five harm to you. so even though encountering an epic enemy won't always be deadly due to the assets you have, they are ALWAYS capable of taking you down to 0 hp with one good hit. so the feeling of threat is much more present compared to games where your character starts to be able to just tank and push through a failure or huge threat.

admittedly also i'm playing solo, im still learning how to balance combat, and also i built a character who has NO combat talents and iron (the close quarters fighting stat) is one of my lowest stats so i personally am under much more threat than if you built a character who knew how to fight or who could do deadly harm. but also the other thing about combat is it's extremely difficult to maintain control of the fight; you have to score a strong hit to do it on basically all moves, and there's a really limited pool of moves available when you don't have the initiative, and obviously none of them really favour you. i don't know that this makes combat genuinely more difficult, but it does make you feel like the fight is always about to spiral out of your control. every second you let it drag without decisive action feels like it brings you closer to dying. like i said, this is a feature of the game design and not a problem in any way. just thinking about it because when i was initially learning i was going to try to supplant it into a homebrew fantasy world of my own but the tone just wouldn't be right. and that it is somewhat difficult to replicate the kind of worlds that i typically play or run for dnd, which tend to lean somewhat sillier and definitely much higher fantasy

but i like to try new things and tbh especially in dnd i find that i very rarely feel that sense of threat and when i do feel it, it has nothing at all to do with the actual mechanics and reality of the combat and everything to do with how well the dm sells it to me and makes it sound and feel scary and dangerous. which is a testament to what a good gm can do for you but i do appreciate the threat feeling more built-in and also being actually real.

#good idea generator #kas plays ironsworn #am giving it a tag because i will continue to talk about this. its my blog #idk i just find in dnd like. players often FEEL threatened WAY before they actually are threatened #which makes it really hard to balance combat because players treat evenly matched fights like hopeless death traps #so instead they do underleveled combat that feels boring for some hard to pin down reason #but like. the reason is even though you're nervous about the dm's description and the things the monsters can do #there is no real threat. especially in bigger parties where the players DOMINATE action economy. they are always in control #so of course it gets boring. it drags out so everyone can take their turn but it never forces you to make difficult choices #or to totally exhaust all your abilities. after awhile the combats start to feel same-y #because even if the monster is different. you never have to do anything different to defeat it #ofc this is a subjective assessment and also if youre reading this and we play dnd together this is not a gripe abt our table i love u #i think it's really easy to get trapped doing this esp in tables which like rp more than combat #because its also like. once you're used to a certain balance of combat if your dm suddenly threw you a big one #you assume that this is a uniquely large threat in the narrative as well (rather than a rebalancing attempt)#and treat it accordingly. which is to say with way too much caution because it isnt actually that big of a threat #so then as a dm when you have to maintain the feeling of threat and the mechanical threat #(especially when sometimes the mechanical line between 'cakewalk' and 'tpk' is razor thin #and is more about the initiative order and luck than anything else)#you start to prioritize the feeling of threat. which is imo the right call always #but its just after awhile when you feel the threat but nothing ever happens to anybody. the dissonance starts to affect the table #also balancing dnd combat as a dm is really hard and often requires a LOT of on the fly adaptation #because sometimes the CR is useless and you don't know how it's gonna do until the dice are on the table already #anyway. my point is that im enjoying how ironsworn handles this problem

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