Linktober (Shadow) Day 10
(Puppet) Zelda
Summer Stop Showcasing Your Love for Twilight Princess and Sleep Deprivedly Writing when Exam Season is Right Around the Corner Challenge (Impossible) /j
Look, we don't talk enough about the Zelda's (or as I affectionately call them, Valkyries) and certainly not about Dusk, whom I am still so bitter that they gave her such a good design but never did anything with it, hence this is my attempt to fix that by giving her the spotlight and some love and give homage to the original Puppet Zelda, Dusk walked so Flora could run it (or well, TP Ganon did so TOTK Ganon could), hence I smashed these two prompts together lol, might make it a two parter after the others are done, but for now as always it's left to interpretation.
As always anything can be read as romantic or platonic or in and out of an LU concept, though the names are used for convenience and to give a rough idea of which kind of scenario we're working with here. Though it's less one of the boys and reader and more one of the ladies and reader this time, if that's not your cup of tea then kindly scroll by, again, this is just something very self indulgent before I pass out and work on the rest lol.
Anyway, good reading!
You slowly but surely came to adore festivals in Hyrule.
No matter the era, it filled you with so much joy whenever your group would come to a new Hyrule during the Hylian holidays, from the Picori Festival in Four's Era, to the Harvest Festival in Legend's, the Pioneering Celebration's in Wind's or the Spring and Summer Equinoxes in Time's and Warrior's, it usually meant your heroes would get the chance to unwind and relax, to eat good food with little worry for a portal (as they strangely didn't appear directly during festival days), you could see the Chain's family and friend's and have such a good time eating or dancing or learning the tradition's from your boy's. Such a stroke of luck came the next time you landed on Twilight's Era, as well as an invitation letter from Dusk to come to Castle Town and celebrate.
(Also translated as 'The nobles are probably hounding her about having 'The One Who Purged the Twilight' make at least one appearance in the castle and she couldn't stall them anymore' by Twilight, with tone tinged by exasperation and aggravation both, albeit much less than the poison of the sharp bitterness of Legend towards the nobility, Wild's tense silence that could mean a memory, or even Warrior's passive aggressiviness when it came to formal events.)
It would be the first time you'd truly meet a Zelda since joining the Chain, and Dusk was likely the most curious case, being crowned queen soon after the Twilight invasion was over and done with and only show during times of war and the only one to have an almost fully cordial relationship with Twilight until the coronation (even Time was closer with Lullaby according to Malon, likely due to knowing her future self). Neither you nor Twilight could say you knew much about her compared to the other's and their respective princesses (or queen's in Warrior's case), so it was a surprise to be invited at all though none of you could say you minded, the plaza of Castle Town was brilliantly decorated in the late autumn sun, with the decorations glowing orange, yellow and blue witth lanterns and banners all around Castle Town, with decorated shops many stalls rented out for food, games and people, from young children laughing as they played to couples stealing kisses to family and friend's reuniting, it was no surprise you and your boys also got lost in the excitment after having set off from Ordon's own festival, decked out in fall colors and the green many of them favored and paint made to mimic Ordona's markings , you and Twilight getting swept away in the dance at the center with one of the many traveling troupes of musicians, you couldn't help your bright grin to match his as you occasionaly had to dodge running children in between the spinning dancers, clapping along to the song, just a few dances before you had to head on to the castle and finally meet Zelda wouldn't hurt, right?
"Pardon me," Came the soft, musical tone of your new partner, spiriting you away from Twilight with a small smile as he excused himself to find WIld and hopefully some refreshments.
At least that was what you thought, before almost having your heart jump out of your throat by Queen Zelda Vespera Hyrule herself entering the ring of dancers, taking you as a partner.
"Your-"
She spun you around with a hum, you almost struggled to keep up in your shock thought thankfully she held you steady, dark, ash inked hair held steady in a braided crown, looseing around her shoulders and eyes vibrant with vaguely masked cerulean amusement as she shook her head, the lanterns casting burning gold upon her irises, "No need for that. I'd rather my presence not be announced. I thought I'd meet you and Link halfway, away from the court." Another twirl, and she sighs, understandingly, as regal as ever, her gloved palm upon yours warm as you are sure your face is, "He's expressed dislike for the castle in the past and I cannot blame him for such, it's only fair I find him first then, after all he's done for us."
You are briefly separated, as you digest the information and reeling from the surprise, it makes sense. None of the Link's were overly fond of Hyrule Castle and Twilight was no exception, with the nobles who minimally contributed to anything yet demanded reward or for their schemes to be enabled and the complacent knights, easily swayed by the honeyed words of vipers and who were useless in the face of true danger even during the invasion, none of your boys - even Warriors who learned how to swim or drown in that mess - felt comfortable there. You can't imagine it wasn't similar for Dusk, even growing up among them.
... She did seem very lonely, even back then.
You dance back into her arms, nodding easily as you take her in, with her hair braided in white ribbons and cream, ruffled poet's shirt and lightly heeled riding boots, she really did look just like any other young woman out for a night of festival fun, albeit breathtakingly beautiful just the same, "Alright then, would Zelda be fine then?"
Her smile was radiant, as bright as the lanterns in the plaza in contrast to her shaded lips, voice soft like the whisper of a breeze through autumn leaves, "It's perfect, I'm so glad to finally be able to meet you personally." She twirls you, and you laugh as it transitions into an unexpected dip, the disguised queen giggling in turn and it's soft and fluttering, "Link's letters don't do you full justice, the flesh is much more captivating than the imagination."
"Says the Queen of Hyrule," You snipe back, hoping to all being's holy in this land and the realms beyond that you are not flushing crimson enough to outshine the lanterns, you briefly catch a glimpse of Twilight, standing somewhere just beyond the dancers and sipping on an apple cider, you lock eyes and you briefly tilt your chin to Zelda, 'So. This is the Queen of Hyrule. HELP?!'
He briefly looks you over, seemingly studying the situation, then gives you a wolfish smirk at whatever he saw, 'Have fun.' He mouths, taking a long swig.
'Traitor.' You hiss in your thoughts because turns out you are NOT well equipped to handle Hylian Royalty suddenly sweeping you off your feet (literally) without ample preparation and your only hope of composing yourself clearly wasn't going to help, so you smile and continue on, "I'm hardly that much, but thank you, y- Zelda."
"Nonsense," She primly answers, before you switch partners once more, to the left, then back to Dusk, and back again, she tilts her head, humming contemplatively, "Would you mind showing me around the festival? I'm sure Link won't mind if I steal you for a couple moments."
You chuckle, "I hardly know Castle Town all that well myself, I doubt I'd be a good guide." And that's true, you've only seen it distantly, during Twilight's adventure, it could hardly compare to the real thing.
She smiles, somethibg soft and beautiful and sharp with amusement, eyes glinting like clouded aquamarine, rhodedendron eargerness and hydrangea beautiful, "Then I suppose we'll just explore it together then, shall we go?"
"We shall." You answer back, after all, it's not everyday you can say you went to a festival with a Zelda.
She links her arm with yours, grip tight and warm.
(Later, although not much later, Twilight will meet Dusk at Telma's.
She had not even seen you on the way, though she had been looking forward to your meeting.)
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Something I keep seeing when I speak to others about MTMTE Megatron is basically the idea that he's going on a personal journey to become a better person, that the point isn't for him to be "redeemed" but for him to get a chance to do good and die as a person he can live with again. That MTMTE presents a unique take on this because being away from Cybertron gives Megatron a chance to be a person rather than a political figure and this is how it gives him more depth as a character. Or just generally pointing out in a narrative sense that Megatron being in MTMTE limits his story options so of course his story is going to be more focused on a personal journey than on politics of him dealing with the Decepticons/Earth/etc and that just because JRO made a choice to take that path with Megatron doesn't mean that it's inherently bad.
And I'm just, mmm like I understand all of those points and acknowledge that they all contributed to the MTMTE Megatron we got. I even think that without JRO writing Megatron we wouldn't have had his lore be as fleshed out and 3D as it ended up becoming.
(Post starts out as a sort of meta analysis or at least me giving a reasoned explanation for my interpretation of the story, ends up being petty bitching in the last 1-2 paragraphs)
I just..... I just personally don't agree with the "he's becoming a better person by getting a chance to relax and experience happiness and trust after a life of trauma" as being the best choice for his character? Because the problem is that maybe if he were a random Decepticon foot soldier that would be appropriate, but he was literally the leader of the Decepticons that made them Like That and has political/cultural/societal responsibility for why things are the way they are? To be completely frank, I don't care about him going on a personal journey for self-peace, I think that he should become a better person by helping to un-fuck all the things he actually screwed up???
Like idc about the debate of whether he can be "redeemed" or if he should've been killed/imprisoned/etc at the ending. It just comes down to the fact that for me personally, I feel that since Megatron's wrongdoings were at a social level, him "being a better person" would've been better shown by him engaging with those people who he wronged instead of just going on a frigging personal journey for his legacy and self-peace???
Especially since in other series (exRID, possibly Windblade) we literally got plots like "the neutrals hate Autobots but they hate Decepticons even more" and "the Decepticons have been taken over by Galvatron and are now invading earth 2 electric boogaloo" and "yeah the Decepticons are literally living in slums because people hate them so much and won't give them any work." It just leaves me wondering why in the hell people are like, "oh Megatron got to be happy and have a chance to be a normal person." I don't want him to be normal! I want him to repay his debts to the people he actually wronged! Like if you want to cast Megatron as a hero of the people so badly (which so many of his stans do as if he actually cared about the Cons) then how do you reconcile the fact that Megatron just fucked off and left the Decepticons to suffer on Cybertron? Including some of them attacking during his trial and getting killed and Megatron is basically like "sorry, I'm not coming with you and this isn't going to work." And then Megatron complains about "toxic Decepticon loyalty" as if he didn't literally make them that way? Like I get that MTMTE Megatron is still an asshole but if you've read something besides MTMTE and know what the Decepticons are going through, it just ends up being really grating.
I just don't see Megatron as being a particularly good hero or having a particularly fulfilling story if he's completely isolated from all the bad things he did on Cybertron/the way the Decepticons are suffering until LL#25 where it's like "ah damn I'm going to trial now, well this is what I deserve so it's fine." Why could we not have seen something like Megatron trying to deradicalize the Decepticons or change their public image so they could integrate into normal Cybertron again? They were living in SLUMS and getting gunned down by Starscream's badgeless enforcers!
The best we got was the Functionist Universe but like.... I'm sorry, but JRO inventing a whole alternate universe for Megatron to save doesn't do jack shit to save or fix the people he left behind in this one. It was especially grating to read because JRO literally wrote in someone saying "you saved billions of lives from the Functionists" as if he was trying really hard to show how good Megatron is because he saved people (and also if not for Megatron existing Cybertron would be even worse and half of your faves would be enslaved or dead, also the Functionist Council was going to genocide organics too so technically they're WORSE than Megatron since they hate organics AND want to enslave their own race).
I read Barber's, JRO's, and MScott's series concurrently using the omnibus + a release order list for phase 3, and after all that I'm kind of puzzled why the fandom seems to ardently love MTMTE Megatron and think he's so well written but then also shit on Optimus for things that he did during the same points in the story? Because, and I know this is a blazing hot take, I honestly think that Optimus makes a better hero of his story than Megatron does for his, and Optimus' personal journey combines his personal and political identities into a narrative that's a lot more gruelling and questioning of his goodness than we got for Megatron in MTMTE. Which is fucking saying something considering Megatron committed crimes against sapient species and Optimus is the guy who tried to stop him from doing that and has always been pro-equal rights for all beings. But people pretty much just cherrypick things like Optimus annexing Earth or beating up Prowl and go "he's bad" and I'm like no??? IDW OP isn't a bad person or a bad character??? It's just that unlike MTMTE Megatron he's placed in a narrative that actually suits the nature of his actions and has themes that match. To the point that IMO sometimes Barber's narrative shits on Optimus excessively or paints him mainly in the most unflattering ways.
But like. It's just funny to me because Optimus spent his entire part of the story doing things like trying to stop Earth from being invaded/colonized yet again. Grappling with his identity as Prime and dealing with the fact that people literally worship him vs. the fact that his upbringing made him see the Primacy as nothing more than a facade of authority/leadership. Having people get mad at him for prioritizing politics over friendship/relationships with other people. Even getting shit on for being a cop a decent amount so people can STFU about IDW OP being "copaganda" or "not held responsible for his actions". The problems that Optimus dealt with were personal because they had to do with his self-doubt, culpability for the war as a leader of one of the armies, distance from his soldiers, etc. But all of these are also POLITICAL struggles. Because Optimus gave up on the chance to just be a normal person having personal struggles when he chose to become a LEADER, which also means that he's held to extremely high standards that he regularly fails at in the eyes of others.
That's why, to me, MTMTE Megatron falls flat in comparison and really as a "hero" or heel-face character in general? Because he also made a decision to be a leader, and IMO once you do things like become the commander of an army and start your own galactic empire, you lose the right to prioritize your personal problems and instead are obligated by the power you've chosen to wield to focus on your POLITICAL problems. If Megatron's power, influence, and crimes are of a social-political nature, then his heel-face turn arc and ways of showing that he's a better person/helping to heal what little damage he possibly can should have been shown with actions that help on a social-political LEVEL. That's why I'm not particularly impressed with his character arc and feel as if it was overhyped by other people in this fandom: sure, the extra character depth and emotion is nice, but I'm not really going to see him as extraordinary or even particularly good when the extent of him "becoming a better person" happens entirely on a random road trip to fuck-off nowhere. Especially not when the ending of LL tried to sell me a "they lived happily ever after" ending while basically leaving the freaking MUTINY as just Rodimus going "oh it's okay you're forgiven, we're all together again" and I guess everyone was fine with Megatron and wanted to spend an eternity on a ship with him just because Getaway died.
This is why I like (the concept/themes of) exRID/OP and the way Optimus' character arc was handled a lot more. Because for Optimus, the personal and the political were as one. He was held accountable for his actions towards others and the disruptive effects they had on a social level, sometimes to a ridiculous extent (the fucking "oh Megatron is an Autobot so now that makes the Autobots colonizers" plot and that stupid colonist screaming about how Optimus is "literally fascist" my beloathed). Even his very personal issues like his relationship with Zeta were still cast in a wider lens of, yeah this is a personal struggle that Orion faced, but he was still part of a Society TM and his actions were sometimes ill-informed or harmful to others. Even if I had a lot of problems with the way Optimus' story was written by Barber (plot holes, little meaningful character interaction, forced conflicts), at least the BASELINE of it was way better than Megatron's in MTMTE. Especially since Optimus' struggle was explictly about things like struggling with responsibility and how he feels he HAS to intervene in political affairs because has to save people/make up for his past mistakes. That's something that a good leader/good person actually does, so I found Optimus to be a better hero (even if his actions weren't all "good") because he was trying to be a good person by actually getting involved with Cybertron/Earth and subjecting himself to something he hates (leadership, war) and dealing with a shitload of criticism instead of just going on a fuckin "personal journey" lksdlkfsd.
Which just makes me extra salty that people hold up MTMTE Megatron as the pinnacle of Megatrons and literally the best Transformers writing evar! while turning up their nose and ignoring or outright despising IDW Optimus. Like okay. I guess since Megatron got handled with silk gloves on while Optimus got put through the wringer of being shit on by every other person in the story, it's easier for you to pretend that Megatron is a poor uwu boy who just needs friendship and love while Optimus is literally the worst bastard to ever exist. Or maybe it's just that since Optimus' story involves him sometimes fucking up, being criticized, or making things worse, that makes him morally bad. As opposed to Megatron who disrupted a lot of other characters' stories in MTMTE, had to have an entire alternate universe invented so that he could "save lives," and got to sail off on a quantum Lost Light happily ever after, so since he's happy and the story says he saved people that means he's a good hero.
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