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hamliet · 3 years

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RWBY and Alchemy: The Birds

So remember when I wrote about the seven metals of alchemy? Well... there are also five birds, and like with the metals, RWBY seems to be associating a specific character with a specific bird.

Birds are important in alchemy because they were viewed as symbols of the spirit, as “mediat[ors] between the earthly realm and heaven world.” Adam MacLean states:

The alchemist in observing the flight of birds, recognised in them a picture of the human soul undergoing spiritual development. The soul, aspiring upwards, flying free of the restraints of the earth bound body seeking the heavenly light, only to have to return to the earthly consciousness again.

Black Stage: Raven/Crow (Raven and Qrow Branwen)

The raven/crow/jackdaw is a symbol of nigredo, the blackening. This stage corresponds to earth elementally and symbolize decay and death (obviously).

It’s no coincidence that Qrow and Raven are focused on in the first part of the story, and while they still are under their own arcs, Qrow has been largely separated from his nieces and others during the past few volumes. His nieces and the rest need to grow up rather than depend on Qrow. See Splendor Solis 20:

The children are portrayed as playing with a crow/raven among them, symbolizing their immaturity. However, the adults in the back of the image are in red, showing that they have grown up.

The theme of growing up and maturation is very present in Raven’s arc: namely, she never did. She fled from her adult responsibilities in abandoning her own daughter and ran back to her childhood home, her childhood promise. She also undergoes a putrefaction, a purification by fire in a sense, through her daughter. When Yang confronts her in the vault of the Spring Maiden, she shreds every excuse Raven has, pointing out that Raven is selfish, cowardly, and childish, happy to sacrifice others but never herself. The daughter, here, is the mature one, and thus Yang wins the lamp of knowledge: Yang gave Raven a dose of self-knowledge in the vault, and we see Raven making a small step afterwards via going to see Tai.

Qrow is better off than Raven in that he doesn’t entirely run from his responsibilities... except he does, just in a different way. He drinks to dull the pain, and as a result, Ruby ends up taking care of him on their journey instead of the other way around. Qrow himself acknowledges that he has childish beliefs; his semblance is a self-fulfilling prophecy rather than an actual power.

For the first time in a while I thought, maybe, maybe I could be around somebody -anybody- without my Semblance making it… complicated. And now, it just feels like a childish dream. Gone... like everybody else.

Just like his twin sister, he’s afraid of truly getting close to people, which RWBY seems to hold up as the pillar of maturity and development. I’m not saying Qrow is as negative a character as Raven (he isn’t at all), but he is still struggling to grow up aside his nieces and their companions. In fact, this will be A Thing for all the characters who relate to birds.

The crow is often depicted as dying inside a flask:

Which could be seen as alluded to by Qrow’s alcoholism. Through not facing the darker parts of himself and not growing up, Qrow is killing himself. Fortunately, he’s been making some steps in the right direction.

Rainbow Stage: Peacock (Cinder Fall)

Look the girl has feathers on her outfit that are very reminiscent of peacocks feathers... without the eyes. We’ll get there. The feathers are described by CRWBY as “iridescent” which is a term alchemists employed historically to refer to the rainbow stage.

Post-Blackening, the products of the great work are scattered in a variety of colors, colors that are all at war with each other. To quote Carl Jung,

It is commonly said of the peacock that it has an angel‘s feathers, a devil’s voice, and a thief’s walk.

NB: arrows are often used as symbols in part of this stage, and bows and arrows are weapons Cinder is, er, known for using too.

Jung also comments this, which fits with Cinder being both a Maiden, associated with the seasons, and with her being an agent for change in the story as a whole:

Just as the Queen Mother or the mother of the gods grants renewal, so the peacock annually renews his plumage, and therefore has a relation to all the changes in nature.

The peacock is actually a flightless bird: post death in the Blackening, it cannot fly, but in order to proceed through the rest of the stages, it has to gather the disparate colors (ie parts of itself) in order to renew itself (yes, they’re linked to renewal and rebirth).

However, Cinder is not doing this. She received many call-outs, and has severed every bridge people have attempted to build with her. If anything, post volume 8, she seems more lost than ever. So what could be an impetus for her to do this? Well...

Why are her peacock-esque feathers missing their eyes?

The ancient Greek legend of Argus (which is a place in RWBY’s world; the place where Ruby hears Maria’s story of her silver eyes and asks Maria to train her in using her silver eyes) is that there is an immortal monstrous woman with snakes for legs named Echidna who they keep hidden in a cave, but she keeps finding ways to kill humans, until Argus finally kills her. After this, Hera has Argus guard a goddess with his hundred eyes, but then Mercury/Hermes/Thoth kills Argus, and Hera casts his eyes into peacocks’ tails to remember him. I wouldn’t read toooo much into this, but I do think it would be very, very fitting for Cinder to receive a call-out from her “kids”: Emerald and Mercury, the latter of whom is an allusion to Hermes/Mercury and the former of whom might be an allusion to Thoth. Until Cinder has been confronted by Mercury and Emerald, she won’t truly be able to see.

I have said before that I think Ruby will use her silver eyes to save Cinder from being consumed by the worst parts of herself (as literally symbolized in the Grimm taking her over). The decay of the Blackening is washed away to reveal the color of the peacock’s iridescent tail, and so both a confrontation to get Cinder to face the worst of herself, and then pity shown to her by someone who has no reason to be kind to purify her (look, it’s a term in alchemy, and Ruby has been described as “the embodiment of purity”) of the Grimm will probably be the impetus for Cinder to change.

White Stage: Swan/Dove (Robyn Hill, maybe Winter Schnee?)

Robyn’s emblem is a white bird.

The swan symbolises the dissolving of impurity into ash. In Volume 8, when Robyn and Qrow are freed from prison, ash falls everywhere.

Like the peacock, a swan is a bird that does not fly. Robyn is grounded in Mantle, rather than Atlas. After the gathering of opposites in the Peacock’s Tail, the dove/swan “reconciles and unites opposite substances,” according to Lyndy Abraham. Swans swim along the surface of water, while the true colors are concealed beneath; swans dunk their heads underwater, which symbolizes a person diving deep into dissolution and purification. Robyn’s Semblance is also about this: it allows Robyn to sense their true colors and intentions, rather than what they attempt to protect at the surface.

I am also wondering if Winter is somehow connected to this as well, because of the appearance of white birds in her semblance.

The focus on transformation that is part of the life cycle of a swan (ugly ducking to beautiful bird) is also perhaps symbolic of Winter’s internal development; this volume, she learned to fly on her own, growing up and shedding the need for father figures completely. She’s now able to fly (literally) freely and to save her people. But we will see; the connection is less strong here.

Yellow Stage: Pelican (Hazel Rainart)

Due to the previous three all having links to a maiden, I wonder if the summer maiden will somehow be connected to pelican imagery, but for now, my inclination is to say that Hazel displays traits of the pelican as well, though there may be another person associated at some point.

The pelican’s notable accomplishment is to stab its own breast and nourish its young with its own blood. It is a symbol of sacrifice. Hazel sacrifices himself to save the children: Emerald, Oscar, Jaune, Yang, and Ren. He does so by stabbing himself in the chest with numerous dust types, combining all sorts of elements (key to alchemy).

Red Stage: Phoenix (?)

This one remains to be determined. It could well could be Cinder (I mean, look at her name), plus the bird characters have thus far been adults like she is and possibly have a maiden association.

But it could also be Mercury, because of his association with fire and specifically with burning his “nest” as the phoenix does. When Cinder and Emerald find him, he’s burned his home.

Plus, I think it’s pretty obvious Mercury will either get his semblance back or develop a new one, and it’s most likely going to be related to flying given his emblem and allusion. It would also fit with his having prosthetic legs: he doesn’t need them fixed, and his losses don’t make him any less human. It’s always been within his soul to fly.

Ooooor the phoenix could be connected to Oscar, because of its association with the sun. It’s really too soon to say. ¯\_(ツ)_/¯

#rwby alchemy #rwby meta #rwby speculation #cinder fall #mercury black #oscar pine #qrow branwen #raven branwen #robyn hill #winter schnee #alchemy #hazel rainart #rwby theory #this meta is not perfect #but i was tired of wrestling with the birds

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