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rebamacncheese · 3 years

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THSR Designer’s Notes: The Suit

This is the fourth in a series of posts where I break down the design choices I made for my illustrated Frozen 3 fan-script, True Hans Soul Rebel. Link here if you haven’t read it: https://archiveofourown.org/works/27113293/chapters/66207733

Without further ado, Marie’s suit.

This suit is next level. Big brain. Peak Marie, as a character. This is when she decides to live bravely - face what she actually wants for the first time in her life, and experiment with self-expression beyond conformity.

Now, before I go much further on this vein, I should acknowledge that everyone’s gender journey is different. While I like to think Marie’s story has some universal appeal, she’s not meant to, and could never, represent everyone’s experience. Many MTF people glow up from a masculine presentation to a high femme one, and that’s how they live their truth.

But for this story, and this character, I couldn’t see her going from one box of binary expectations to another and finding much happiness that way. With the suit, she reclaims masculinity - and begins the end of an arc about reclaiming her past actions, her life and all its contradictions.

Lets break it down.

The concept of the suit was one of the earliest visual ideas I had for THSR. Here’s a draft, which predates me figuring out what to do with Marie’s sideburns, and most of the plot:

And here’s a slightly later, post-burns draft, which also predates Elsa’s ruffle dress:

Minor color changes and shaping aside, the outline is basically there. All the same things about the fairy tale prince wardrobe that made Hans the most conventional thing in a room make Marie the least. The masculine wear is offset by feminine adjustments to the silhouette - the hair bun, the cinched waist, and the heels. On shaping, Marie’s asymmetrical lapels are a whole choice as well, adapting the boxiness of Hans’ suit jacket for something fragmented, angular, and flattering to Marie’s chest. Gnc af, no attempt at all to appear straight, or even really cis.

A major inspiration was, of course, Revolutionary Girl Utena. Especially in the waist shaping, themes of defiance, and the palette (we’ll get to colors in a bit)

The whole ball scene, really, is just Beauty and the Beast by way of Utena. Watch out for falling petals, folks!

I ended up changing the skirt-like flared coat tails in the final to a cut that drew more attention to fact that Marie is wearing pants. The pants are going to be a plot point, how Marie’s accidentally clocked by the trolls, so it’s important that they’re uncompromised.

You have Captain Amelia, fellow sideburns queen, to thank for the new cut:

You also have her to blame for the heels, likely. The heels are impractical, a stretch for the soft butch look, and are really there because I thought they looked foxy. There is some gender-significance to them, if you’ll bear with me. At ~5′10″ (my estimate), Hans was a respectable height for man, while Marie is uncommonly tall for a woman and it’s a source of insecurity for her. Wearing four inch heels anyway, which elevates her a little taller than Kristoff, is a bold flex in that context. And in Marie’s defense, she didn’t expect to be in action scene that evening. Come the third act, I’m sure she’s grateful that she gets to spend most of the final battle with her feet off the ground.

The hair bun was, like the best decisions, so simple and something I just did because it felt right, intuitively. But it really makes the look, the capstone if you will, and so I want to talk about how that happened. First, I was watching a lot of Gentleman Jack at the time, and though the bun is just the period, this was in my mind as Victorian Butch Lesbian chic:

Second, the high bun makes Marie’s profile very reminiscent of the first Disney makeover:

The effect with the suit ends up being a mashup of Prince Charming and Cinderella, effectively Disney canon’s Adam and Eve.

A note on hair, this is the line I had to walk. I wanted the length to be long on a man, but short for a woman - while still long enough to be bun-able. In other words, Mulan length:

What are buns? How does gender? Is hair a society?

Moving on. Color!

From the beginning, I wanted the dominant color of the suit to be black, or something very dark. This is in line with what makes Marie romantic to Elsa - she’s brooding, mysterious, anti-heroic. The specific shade I landed on, with midnight blue highlights, matches Elsa’s ruffle dress and ends up matching the black ice of THSR’s title cards. And it pops nicely in the green spring palace.

The final dark-on-light scheme is an inversion of Hans’ main ensemble in Frozen 1:

And takes the red and gold accents from Hans’ off-white ball ensemble:

This shot is like, the rosetta stone for Marie’s characterization and ancient hansoglyphics btw.

I see all of the Hans references in the suit design as character-driven on Marie’s end. A part of her walking right up to the line of what she can get away with. She’s almost daring Elsa and Anna to recognize her.

Earlier versions of the suit played with warm colors more to break up the blocks of black, finding a way to rework the feminine magenta maybe. But, simpler is often better for something memorable, and the suit also has to look good with fiery wings later.

The suit will be destroyed in the end, as it must. 3/3 outfits burned in three days - perfect score, Marie. I do think that after the dust settles, this soft butch style is what she sticks with day-to-day going forward.

Here’s a version for a christmas special I may or may not get around to:

THSR is a fantasy - on many fronts, including a queer power fantasy. A fairy tale - where my heroine is pressured into a classic feminine makeover, says “fuck it” and shows up to prom in tux. And then the fairest woman at the ball, a goddess in a gown like a waterfall, looks her and thinks “She’s so beautiful, I don’t know how to speak to her”. That’s what the suit is all about, to me, in the end.

But, y’know, with all the gay, sexy, morally compromised fun we’re having, it seems somebody has gone overlooked, overshadowed. Neglected. What about Frozen’s first heroine? What about Marie’s antagonist?

Next time on the THSR Designer’s Notes, Anna gets off the bench. Watch this space :)

#frozen #frozen III #frozen fanfiction #frozen fanart #frozen hans #femme hans #true hans soul rebel #thsr #illustration #character design #frozen character design #revolutionary girl utena #transbian

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