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poordeadsejanus · 5 months

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from baby to brutal: coriolanus snow's hair transformation throughout the ballad of songbirds and snakes

something that i find so interesting as a physical marker of coriolanus' change into snow is his hair.

the progression we see him go through, from those nice soft curls, to the buzzcut, to the platinum bleach and tone really remind me -- and walk with me here -- of when babies/little kids get their first haircut and how the new growth changes their hair.

for instance, when a family member of mine was really young, they had super soft, thin, and curly hair; we were all convinced they would just have curly hair forever. but them, they got their first hair cut (cut down really short), and from that moment on, the hair grew in much thicker and noticeably straight. baby hair is always so soft and fine, and it's when they start to grow up that it begins to change, especially when the first cut snips all of the baby hair away. it's a marker of change, of growing up (and, i suppose to be a bit cynical, losing the innocence of youth).

okay so, back to coryo. we first see him with the golden, loose curls.

this is when he's more naive to the realities of the world, when he still has not become the hardened man we know later on. still innocent i suppose you could say -- well, as relatively innocent as coriolanus snow can be. [more below the cut]

even when he's a child, the hair is loose and similar to the way he wears it when he's older. almost as if it's showing us that he's sort of stuck in this perpetual state of paranoia, fear, and the single-minded sort of thinking common in children, but exacerbated a million times in adult coryo.

next we get the buzzcut. and there is much to be said about this.

so, first of all, we're seeing a cutting off of the baby hair, representing him letting go of his old life, his childhood, that last bit of good he had going for him. he takes a turn for the worst. this is when he starts to experience life outside the capitol and everything goes awry.

the idea of a haircut in general is supposed to be a renewal, a starting over, an embrace of change. but obviously that's not really what this is for him because he does not choose to cut his hair. a forced haircut -- and it is; there's a scene in the movie where he's getting sheared and he has this sort of glassy look in his eyes that just screams 'i do not want this so maybe if i tune it out it'll stop happening' -- is essentially the exact opposite of all the things a haircut is supposed to be. it's taking choice entirely out of the hands of the person. no more is it about a new beginning and a change made by the self, it is a forced change inflicted on someone: effectively a 'this is how it is now, deal with it'. really having something as personal and vital to your autonomy as hair being forcefully changed (or removed) is a completely violation of the self, both outer and inner.

plus, in this specific context, it's a military cut. it's meant to symbolize conformity and the putting aside of your own self to become part of something bigger than the individual. (and really, i don't think i need to explain why that is something coryo is not happy about). for someone so set on his great exceptions and bright future as an individual with power and status ("coriolanus snow, future president of panem" tbosas, 11), becoming a faceless grunt doing menial labour is not fulfilling the expectations both he and others have for him. this haircut is about conformity, making coriolanus into someone completely anonymous and without power.

the power loss is both literal, but also more metaphorical in it's ties to the hair loss, because crassus had that same white hair as him, so cutting it off, down to the bare bones of it, takes away that connection and identification that he had with his father and the larger snow reputation in general.

okay, last thing about this buzzcut. obviously, when sejanus shows up on the train -- or in the barracks like in the book -- he too has his hair buzzed, so you could assume that he's experiencing the same sort of identity crisis and helplessness as coriolanus, but i'd actually argue otherwise. of course, we can't actually know because coryo's narration is heavily biased so we couldn't ever hope to actually know sej's true thoughts, but i think for sejanus it actually might function as a sense of freedom. he's joined the peacekeepers, he's out of the capitol, he can make a difference. it's about his freedom to become someone anonymous (not tied to the plinth name), whereas coryo's is the exact opposite; a loss of freedom and the snow name. it's a punishment for coryo to become no one, but a relief for sejanus. and while the haircut is required regardless of personal feelings on peacekeeping, sejanus' haircut would've been much less of a violation because he signed up for it. it's not something he's being held in place and forced to do. he can shear his hair and shed the capitol life, and embracing anonymity, becoming a piece in something bigger than himself, whereas for coryo, this isn't something he chooses. a choice for sejanus and a punishment for coriolanus.

[and isn't that sort of the piece of their contrasting characters? one desperately seeking to distance himself from the capitol and his family name, and one clawing and fighting and killing to get back to that very same thing...]

now, finally on to coryo's final evolution in the movie: salon-fresh bleached and toned haircut.

to get back to the baby hair metaphor: the baby hair has been shorn, and the adult hair has grown back differently (or it is styles purposefully differently). this symbolizes a loss of that innocence and childhood that he was clinging to, represented by the curls. but we are also past the violation of the buzzcut, where he was deeply uncertain and off kilter -- an identity crisis. now, his hair has grown back, and this is pretty much the style we see in all the way up to thg trilogy and donald sutherland's snow.

it is pushed away from the face (very unlike the baby curls we see, which constantly are in/over his face), showing us that he is not clouded by those same childish things that he was before. it is more structures and carefully styled, displaying discipline and order.

i'd be curious to know if he straightens it in these early years post-lucy gray as a staunch refusal to even slightly be similar to how he was before. because president snow as we see him has some of that wave back. this is a super "plate of corn" moment, of course, but it is something i was thinking about.

also, this new hair is obviously meant to be a nod to crassus' hairstyle: emulating the man he wants to be. the hair is more straight, pushed back away from the face, very structured, for both crasus and snow.

the change is very clearly marked and meant to be very obvious, showing us coriolanus' transformation and his descent into villainy. it's done so masterfully, both obvious and subtle at the same time. the movie did such a spectacular job giving us insight into coriolanus' transformation in so many ways, particularly with the costume choices / colours, etc. and obviously none of this would mean anything without suzanne collins' phenomenal writing in the first place.

subtle visual representations of character transformations you are so special to me <3

#so much rambling but much to be said #this could've be even longer #i just like to talk i think #coriolanus snow #coryo snow #crassus snow #tbosas #the ballad of songbirds and snakes #suzanne collins #tbosas meta #coriolanus snow meta #president snow #snow lands on top #tbosas costuming #the ballad of sonbirds and snakes meta #mine

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