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#that's not aimed at anyone or anything current btw it is just a vibe i am feeling right this minute lol
helennorvilles · 1 year
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hehe i made myself a helen icon even tho i said i wouldn't bc i only just changed my url
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(Disclaimer, all critiques thrown at Tumblr user alteredsilicone, otherwise known as Artie, are made with comedic intent and are exaggerated for the sake of comedy. Me and her are, at least from my POV, great friends and I only intend to entertain with my sarcastic quips aimed at her)
Welcome once again, fellow Tenno, to an oc showcase!
This time we have a perfect example of @alteredsilicone 's "parenting skills" (aka Child Neglect), Camelia Meister (as pictured above by her mother back when she gave a damn about Camelia)
In case it wasn't obvious, this oc is hers, but given that Artie so callously abbandoned Camelia, I'll be the father that stepped up and take her in as my very own void kid.
So some information (will change eventually, this is just the current vibe) :
Camelia is a bubbly, electric-themed Main Character Tenno (in other words she's currently the protagonist Tenno, the one who tames Umbra, completes all of the quests, etc. Combining that with her allgnment being eclipse, we can see that currently, shes a bit of a (excuse my French) 'slice of white bread'.
Her current (pun not intended) Warframes are Volt Prime (from before the Awakening), Nova Prime (After Awakening) and Gyre (post AOTZ), with her drifter also having a few favorites who for the sake of being concise, shall be ommitted. I plan to keep this entarauge going forward, however I will give Gyre to Drifter Camelia, as not only does it set up a good Drifter Operator contrast, but it also makes sense considering drifter's ties the Zariman.
Speaking of her drifter, I am dissappoined to say that, as of right now, her very vigilant mother (obvious sarcasm is obvious) decided not to give drifter Camelia any backstory to speak of, thus it shall fall to me to give her one once the time is right. Also worth noting is how operator Camelia is not alligned with any of the 6 syndicates, instead focusing her goodie-two-shoes nature on helping the Ostron and Solaris people (btw, did anyone else hear a ragged whisper calling Artie a "coward who couldn't commit her darling daughter to a single interesting idea due to her being the mc"? No, just me?)
Some early explorations on how I intend to season her character (aka make her into anything other than a cardboard cutout with pink electricity symbols scribbled on it with crayons) include:
-Making her follow New Loka and Perrin (the former because feel like shed be genuinely that kindhearted not to realize theyre luteral eco-fascists, and the latter definitely not because I want to terrorize Artie's new golden child, Viri, with the sins of her maker's past)
- New War induced Trauma
- Making her drifter a nuisance (as I often do) , and potentially give her some ties to Sythel and Mathila (cause peppy and electricity, plus theres some cool themeing you could draw from those two emotions)
- Maker her an exciteable little rapscallion who ends up electrifying hordes due to the sheer power of enjoying life
-Have her interact with The Chronicler (cool parallel, and nice dynamic given their contrasting traits
So yea, thats about it, feel free to leave any opinions you may have in the notes, and I wish you all a good day!
And also, Artie, if youre reading this which I assume you are, you owe me child support in the form of giving me a piece of drifter Camelia art for future reference .
🔫 This is a threat (polite request for a doodle you need not adhere to)
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garyfuckingking · 6 years
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My 10 pages long essay and Powerpoint on The World’s End and Gary King
(aka why The World’s End and Gary King are two of the most precious things that exist, aka why I love The World’s End and Gary King)
(Based on my own original idea and written after I read this post - @ineverhadadoubt thanks again for sending it to me-
Also please check out this amazing post about the pubs in the movie.)
(I thought I’d tag some people that seemed to agree with my original post and might be interested in reading this. It’s fine if you don’t btw: @smashing-anarchist-poet @jessefandomunited @shakespeareanmemes @jesusinanalcove @aknownlegend @snovyda @smuggsy @immortal-gamora @doodlerdoodle @zane-garrett @lady-dragonfruit @nogoatshere  @hum4n3rror @theforceawakcns @duskteeth - wasn’t gonna tag everyone, some I couldn’t even tag so that’ll do-)
Before I begin, I’d like for you to be aware of a few things. 
First off, this is gonna be a very very veeeeeery long post so bare with me if you can. I’m probably gonna keep apologizing for the lenght of it in between two things I’m talking about but I’m passionate, sorry.
It’s also a very big post because there’s pictures and a lot of gifs tbh. 
Like... i think like, don’t even try to read this on your phone? Idk what it will do to it. tumblr mobile ain’t that strong i think
There’s so much to be said about this movie.
TW: There’s going to be mentions of suicide, depression, addiction, ...
Also, I’m probably going to forget a lot of the points I’d like to illustrate and talk about, that’s one of the downsides of running on a three hours of sleep schedule. 
You can check the tags for some trivia on this whole post.
So if anyone wants to add something, feel free. I’d love for people to give me their opinion on the movie, etc. 
I’m also probably not gonna mention the direction of the movie too much. I love Edgar Wright with all my stone-cold heart but if I have to talk about how much of a fucking genius he is when it comes to comedy and his movies, we’re literally gonna be there all week, plus I’m not actually planning on writing a 10 pages long essay -or am I?-.
If you haven’t seen the movie, SPOILER ALERT. Seriously though. There’s some stuff in the movie you probably don’t want to know by reading this if you’re planning on watching it and I’m going to talk about everything so.
Finally, I’m going to talk about why I think the movie is not as popular as Shaun of the Dead and Hot Fuzz, and the rest will mostly be about Gary King and why he’s a great character but also why he’s an important one.
Well. Let’s go. This is gonna be a wild ride.
In this essay, I will...
Ok, in all seriousness.
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So I guess there’s supposed to be an introduction here. This is very unprofessionnal, and I’ve learned how to write essays so shame on me. Oh, well. We’re here to talk about Gary Fucking King. It’s ok if it’s a mess, the guy’s a living mess on his own. So, when Simon Pegg comes to mind, the Cornetto Trilogy usually does as well. At least, the first movie that you probably think of is Shaun of the Dead. And often, Hot Fuzz is mentionned as well. But I never ever hear anything about the World’s End. God, even Stephen Colbert got the name wrong while talking to Simon, calling it “The End of the World”. Granted the movie wasn’t the subject, but... Why did it happen? Why is The World’s End seen as “the weakest one”, as “not as good as the first two”, is the one people don’t remember, and is assimilited to other weird claims of the sort? 
I personally feel like it’s because it’s more layered than the other two movies, actually, it’s a bit more complicated. I’m not saying here “if you didn’t get it you’re dumb” or “only smart people will get the message”. Not at all. I had to watch it a couple of times before I started to get a lot of things about Gary and the movie in general, and even today, when I watch it, I notice new things and tiny details that I never realized were there before. That happens with the whole trilogy because the three movies are amazingly well done, but I feel like it’s harder to grasp with The World’s End. But why? 
I think it’s because we directly know what Shaun of the Dead and Hot Fuzz are about. The three movies are about more than an apocalyptic scenario or living surrounded by a cult made of murderers. There’s always a message behind the main themes. 
With Shaun of the Dead, it’s kind of a given, really. The little introduction of the environment shows you that it looks like the town is filled with z****es before they even actually arrive and just with that, the scene is set, we know what -behind the parody and other elements of the film- Simon and Edgar decided to criticize about society (it becomes deeper with Shaun’s character but I’ll get to that later, same with Angel).
In Hot Fuzz, the critic of society is a bit more subtle, but still there for people to see. That’s the point right? Send a message without making you feel like you’re “being thaught a lesson”, or something like that, and these movies do it brilliantly. Because that’s the thing. People watching the Cornetto Trilogy sit down in front of their screen to have a good time, have a laugh and go one with their day. But The World’s End is different. It’s still extremely funny, but it doesn’t give off the same vibe as SotD and HF. You feel like there’s something more, you feel that it’s actually a tragic movie. 
Yes, it still has the same kind of message, here with how much of a fuck up a human being can be, how humans are stubborn even if they make mistakes, but that it’s part of life and a word with “perfect beings” wouldn’t necessarily be better. It’s about growing up and accepting that you have to leave your childhood or teenage years at some point, and all that stuff surrounding these themes. You think it was the better part of your life, but often... it isn’t (again, I’ll come back to this later). It’s just harder to grasp because of the tone and maybe because people don’t like to hear this kind of things.
So the problem is, people often miss (or dismiss) the point. 
I don’t think you know about this but there’s this French website called Betaseries. 
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On it, you can have an account and have a list with the tv shows you’re currently watching or the films you’ve watched or want to watch.
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You can download subtitles for the new episodes you wanna watch if you need them, you can rate movies, comment to give your opinion, you can tick which episodes you’ve seen so that you can keep track of what you’re watching and not forget where you’re at, etc. Pretty useful website, I’m always on it.
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So, I obviously went to see what people thought of The World’s End. It’s got a good enough rating, really, 3.62 out of 5 stars. It’s not a four or a five but only because of two users who didn’t like it all that much. So I read their reviews. One was a 2/5 and one was a 3/5: 
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“To summarize the movie: the world is invaded by a pacifist extra-terrestrial entity that kills human to exchange them with clones but that accept to leave the planet if you ask (with insults, please!) ???
To use one of the movie’s favorite expression: WTF?????!!!!!
I liked the story of “Shaun of the Dead” better ^^”
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“Having liked "Shaun of the Dead” and “Hot Fuzz”, I was impatient to see Edgar Wright and Simon Pegg’s new movie, unfortunately, it isn’t as “good” as the last two. Technically perfect, the story drags on and the mid-life crisis Simon Pegg’s character goes through becomes tedious after some time… but not everything’s good for the trash! The English humor is really present, the play-on-words, the references… you don’t mind watching it. I feel like you need to watch it a second time to appreciate its real worth.
Naturally, watching it in VO is absolutely necessary.”
The other people that commented had all 4 or 5 stars and were only saying that the movie was very funny, therefore enjoyable and good.
I think that’s the thing. When you think “Cornetto Trilogy”, you think “having a good time”. You watch it, you can see that there’s a message behind it, but you don’t spend your time focusing on it or looking for it, because it’s usually pretty simple to get. You pay more attention to the comedy, the references, etc.  
And that is where The World’s End becomes different. It’s not focused on the comedy or the references (well, yes it is and it’s still incredibly funny, it was meant to be), but you have to focus on what is actually going on with Gary King to get it all. That’s why the big meanie leaves “just because they asked”. Remember what it says before leaving (and destroying the world btw)?
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That’s something that’s been said to Gary a few times throughout the movie, but here, it’s clearly aimed at the three of them, hence at the humans, because they’re speaking for their entire race. That’s why it leaves. Because the message is “it’s pointless arguing with humans, they’re going to do whatever they want anyway, you can’t change their mind, etc., they have to learn thanks to their own mistakes so you have to let them make them, not force them to be perfect.” This kind of things. 
But when you read the reviews above... These are the only two reviews where you can see that they really tried to get what was going on, but maybe missed it, and because of that, they didn’t like the movie all that much and rated it badly. Gary King isn’t just going through “a mid-life crisis”. He really isn’t. There is so much more to him that it drives me actually crazy that this movie isn’t as praised as the rest of the trilogy. Literally nuts.
With that being said, I think it’s time to really get into who Gary King is, why he is such an amazing character and why there’s more to him than a “mid-life crisis”. So I’m going to talk about him (obviously), about his effect on others, about his relationship with his friends, his addiction, etc., and why it just makes the plot so much better. I hope you’re still with me. And that it’s been understandable up to this point because I really can’t express my ideas the way I want to easily, sorry about that.
The Cornetto trilogy doesn’t just have these hidden messages, morals, … A common thing between these movies is that the characters played by Simon Pegg are all flawed. They’re just flawed human beings. And these characters have to work on themselves to become better. The plot is usually what makes them realize things and help them grow to become their best self.
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In Shaun of the Dead, Shaun is going nowhere with his life, he’s stuck in a routine with a dead-end job and a relationship he’s screwing up because Liz is the only one working on it. It’s not that he hates his life, but he doesn’t do anything to make it better either, he doesn’t really see the point. . He’s just there so he does what he’s got to do, but he doesn’t get out of his way to do more. And like Pete says, Shaun needs to sort his life out and do something. Here, killing z****e is apparently the way to a healthy and more positive life. (and no, I will not say the z-word and you shouldn’t either)
In Hot Fuzz, Nicholas Angel puts his work before anything else. That’s why his very serious relationship ended, it even caused him to be disliked by his colleagues and superiors. Like Janine says, he won’t ever be able to turn off if he doesn’t find someone he cares about more than his job. And throughout the movie, you see how Nicholas becomes, but also how other characters become thanks to him. I could talk about this masterpiece, about the foreshadowing in it and especially about Danny Butterman for hours on end but I’m not here for that today.
Also, Shaun had Pete to tell him what was wrong with him. Nicholas had Janine to tell him what was wrong with him. Who does that for Gary King? Because again, Gary is a very flawed character who needs to change as well. But first, we have to ask ourselves one question:
Who is Gary King?
Let’s get some answers.
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Well, I’d give you a lot of answers if I had them but… we don’t really know much about Gary King, do we? Well, what we know about his past is what he told the people in the rehabilitation session. That he was The King. But it’s only later on in the movie that we’re able to get new details about him that help us get a clearer idea of who he is. 
The King, the leader of their little group, the popular kid, is also selfish and self-centered. He’s injured his friends with his reckless behavior, he injured himself, he was already a heavy drinker and was using drugs. We don’t know much about his real past, about his family, or else. We know he hasn’t spoken to his mother in eight months when the movie takes place. He arrived in a psychiatric hospital after a suicide attempt but hasn’t told anyone, clearly. His mother doesn’t even know. He doesn’t like the way the hospital was “helping” him and after a quick decision, he got out of it to regroup his old friends and make an attempt at the Golden Mile again. 
We know he isn’t happy. He’s bitter and sad, clinging onto a past he thinks better than anything else he could ever have. Addicted for most of his life and depressed to the point where he tried to kill himself. In the movie, he clearly just tries to reassure himself about his life, always lying to himself and to others.
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Whenever reality catches up to him, he shies away from it, he’s not even able to look at Andy anymore. And the problem is, his friends are the reality and he’s the lie. He’s convinced himself of things so much that he believes in them and he can’t hear another version of the events that have happened, he needs to keep his embellished memories intact because he’d rather believe in a lie than in what he is.
He desperately needs the attention, because he’s so alone. He needs to live in his lie, to relive that great night, that moment when he could seduce Oliver’s sister, when his friends would have followed him to the end of the world, to finally prove himself right. And like Andy says, he’s never wrong, is he? He’d rather lie about his mother dying than face rejection and where he’s at. He’d rather have people stay with him because they pity him than because they want to be with him.
He lies about it as a last attempt to convince Andy to come along to Newton Haven, after also giving him money he had been owning him. (I’ll talk about the rest of this scene later on, it’s a very important thing to mention.)
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And then, when reality is thrown at his face by Andy again, he miserably tries to get his sympathy once more, despite Andy not having it:
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Just after that scene and right before they find out the truth about his mother, Peter says “I can’t help but feel sorry for him”, what Gary intended to do. He manipulates and is upset that things don’t go his way, no matter for what reason he is actually manipulating them. He wouldn’t admit it’s because he’s lonely and unhappy and that because he needs them to feel better, he’s fine with hurting their feelings again.
When he leaves the table to go to the restroom, he looks at himself and finally lets some real emotion out, only to realize what he’s doing.
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He’s not proud of it. His friends have changed, yes, but he hasn’t. He’s still the same impulsive and selfish young man he used to be, but now he realizes that’s not how life works. Life doesn’t just go his way like it used to, or like he thought it used to. Life happens to you, you're not in control, and he probably realized that months ago, as he tried to end it.
Still, when the teenager arrives in the restroom, he puts his walls back up again directly, tries to show off and to befriend the young man by impressing him. He sees himself in him, a young and free man who just enjoys his time with his friends. 
That’s why he was looking at them this way earlier in the pub:
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Or when both groups crossed path outside in the afternoon. Yet, when the boy doesn’t respond and ignores him, he gets upset again and is ready to provoke a teenage boy for not paying attention to a drunk guy inviting him to drink with him and his friends. 
Yes, the alcohol and the built-up frustration of the evening made him provoke that boy, but it doesn’t mean he’s not aware of the gravity of his actions every time he does something. He’s clearly aware that he manipulates his friends, that he only thinks about himself. It’s always in very short moments that you see him look away or having a hard time processing everything, because he knows the way he acts and as much as he hates himself for it, he can’t help it. To the point where he uses the terrible situation of Newton Haven, no matter if they might die, to finish the pub crawl. Why? He doesn’t care if he dies. At all. It’d probably be easier for him. 
He can’t stand himself, but he can’t be someone else. He got upset at the boy’s silence, taking it as an insult, a way of being disrespectful towards him and in his head, no one should disrespect Gary King. There was a time when he loved being himself but like Sam rightfully says:
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So with that in mind, what is Gary King? 
That, I believe, is one of the most exciting part of the character. He’s as much the villain as he is the hero of the movie. 
He’s a villain in his behavior, always has been. He liked being a “bad boy”, but he really did hurt his own friends and has been selfish for a long time. A lot of things that he did and still does make him a villain in this story. Yet, he doesn’t flinch in front of danger, he throws himself in battles the way he used to when Peter would get bullied. He fights for his life and stands his ground in front of the “big boss”, speaking on behalf of the entire human race so that the enemy would leave them be. He’s obnoxious, but he’s also very lovable. Again, like Sam said:
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He wouldn’t be able to make someone else happy, or maybe for a while, but he probably wouldn’t be able to resist getting back to his old antics. He’s not meant to live a quiet life with a family, he needs his freedom, as he calls it, but deep down, he’s never actually been a Bad Person™ . He does care about his friends, in his own fucked up way, but he’s too damaged to do any good around him, it doesn’t matter if he’d like to or not.
That’s why he leaves again in the end. He can’t stay there and face everything that has happened. He saw his chance to start all over again and let his remaining friends be happy together, without getting in the way. He did the right thing by getting sober, but he regained his freedom, is still a rebel by staying with a bunch of blanks and not humans, and he’s with the version of his friends he’s always wanted to be with again. Maybe it’s a bit unhealthy for him to stay with these specific blanks, but it’s a better coping mechanism than alcohol and drugs. He’s his true self, but he’s sober and definitely feels better, like he belongs there.
Now, the time has come. Let’s really introduce his friends, talk about his relationship with them before talking about how he takes responsibility for his actions and how he deals with change. (yes I’m sorry this is endless)
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All his friends have little stories to tell about his behavior during the movie. He injured all of them as well as he injured himself, and even if Oliver is the only one who didn’t receive a scar, he got his own birthmark removed because of the nickname they would always use. Gary was the only one using it still during the movie, despite being told off.
I’ll introduce them using Gary’s words in the beginning of the movie. It allows us to see the way he perceives them. Keep in mind that it’s the only way he could ever see them at that point, as he doesn’t know what they became and who they really are at that point in their lives. What we, as viewers, know, is that they seem to have all become pretty successful when it comes to their careers, and they just seem to have a good life in general, compared to Gary who is in that hospital and dealing with his addictions.
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So, we’ve got Oliver Chamberlain. Gary introduces him by saying: “Ollie was funny, he fancied himself as a bit of a player, but really, he was all mouth. We called him O-man because he had a birthmark on his forehead that looked like a six. He loved it.”
He certainly did not love it. Like I said, he got the birthmark removed because it annoyed him so much to be called O-man. We don’t know much about Oliver, really. He manages a boutique estate agency in North London, he’s doing good, he’s always working. His sister is Sam Chamberlain, Steve has had a crush on her since high school and Gary had sex with her in the disabled. He’s in a sort of competition with Steve to win her over. We know Oliver was already acting like a business man in school. During their first attempt at the Golden Mile, he was out of commission after the 6th pub.
He’s also often mentioning Gary’s drug abuse throughout the movie. 
He was clearly uninterested in going back to Newton Haven, he was very reluctant at the idea, but Gary succeeded in tricking him to go back. During the movie, Gary says a couple of times that Oliver is doing really good, as he didn’t go that far in the crawl the first time. He obviously doesn’t know he has been replaced by a blank in the middle of the crawl but he does say that he likes the new Oliver, the one that seems to be fine with following him around, who is able to go on with the crawl and encourages the others to join the party.
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Now, Peter Page. Gary says: “Pete was the baby of the group. He wasn’t the kind of kid we’d usually hang out with, but he was good for a laugh. And he was absolutely minted.”
The cool guy hanging out with the most bullied kid in school? He indicates there that his wealth was one of the reasons he was friend with Peter, despite saying that “he was good for a laugh.” You can see that they get along pretty well during the movie, once Peter is relaxed with the alcohol. They joke around and laugh together quite easily. During the first attempt at the Golden Mile, after smoking marijuana in The Smokehouse, he was left on a park bench while Gary, Steve and Andy kept on going. He still works with his father and became his business partner. He’s the one who sold The Beast to Gary back in the day.
The scar Gary gave him was when Peter let him drive his 50cc Suzuki. Gary rolled over his leg.
He clearly was looking up to Gary at the time, probably because he was defending him whenever he’d get bullied.
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There are a few moments where you can also see how submissive Peter still is, traumatized by the extreme bullying he went through in high school. He hates confrontation. He hides behind his newspaper when his kids are “fighting” at the table. It’s impossible for him to say anything when he meets his bully in one of the pubs and whenever a fight explodes, he’s the first one to try and hide, not fight.
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He was killed and replaced after finally standing up against the blank that replaced his bully.
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Steven Prince. Gary doesn’t have much to say about him: “Steve was a pretty cool guy. We jammed together, chased the girls. I think he saw us as rivals. Sweet, really.”
Like Oliver, we don’t have many information about his life. He had his own construction company, and he was bought out in ’05. At the beginning of the movie, he’s going out with a 26-year-old fitness instructor but the person he truly loves is Oliver’s sister, Sam. Gary and Steve got along just fine, but with what Gary says, you can see he thought he was better than Steve in different ways (shocking, I know). Gary and he used to play music together but stopped when Gary sold Steve’s bass to buy drugs.
In 1987, so when they were around fourteen, while they were playing cricket, Gary accidentally pushed Steven onto a broken bottle and Steve was left with a scar… well, on his ass. Now, we don’t know the origin of the bottle, but you certainly don’t need it to play cricket, from what I know? We also don’t know what they were drinking, so maybe I’m reaching by saying it could have already been Gary’s if he was already drinking alcohol, but we wouldn’t know so again, I might just be reaching! not confirming anything. Still, Gary injured him as well.
He wasn’t really happy when he saw Gary again for the first time, but still ends up going back. During the first Golden Mile, Steve was still there at the end. Even if they didn’t finish it, he was with Andy and Gary on the hills at sunset. 
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Now, Andy is the most important one, obviously. It wasn’t a surprise. Simon and Nick always play the two main characters and they always have a very strong bond. And Gary’s relationship with Andy is quite fascinating to say the least. For someone with as much pride as Gary King, talking about the way he feels is not all that easy. At least not without disguising it a little. Before we get into that part, here’s Andy’s introduction. This time, I’ll just explain who he is, and then show Gary’s words because I’ll talk about them more.  
So, from what we know, Andy used to play rugby when he was younger. When the film takes place, he’s a corporate lawyer, he’s married and has kids. He seems to be doing quite well, even though we learn he and his wife are separated at the moment and that he's trying to get her back.
During the first pub crawl, he made it to the end of the night with Gary and Steve, ending up on the hills at sunset and failing the Golden Mile. Back in ’86, Gary injured him as well when they reenacted the knife game from Alien. Gary accidentally stabbed him in the middle finger.
We know that he remained friends with Gary until December 1997. Gary overdosed and Andy, while being extremely drunk, attempted to drive him to the hospital. He crashed his car and he had to go through a life-saving surgery that lasted for 12 hours before getting arrested. At that point, Gary who had made a “miraculous fucking recovery”, as Andy puts it, had abandoned him on the scene of the crash. After these events, Andy stopped talking to Gary and also stopped drinking.
It seems that “the accident”, as it’s referred as in the movie, drove them amm apart. We at least know they were still talking to each other in ’92, two years after they left school, because that’s when they decided to stop calling him “Fearless Leader”.
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So they probably kept hanging out until the accident. Gary was certainly the glue sticking the group together but finally took it too far.
Now, when talking about Andy, Gary says this: 
“And Andy. Andy was my wingman. The one guy I could rely on to back me up. He loved me, and I’m not being funny, but I loved him.”
Why would he be funny by saying that? Because admitting he loves his friend makes him less of a badass? No, he really liked his friends. But he loved Andy so much.
And I’m not talking as a shipper or anything. I’m really not. Actually, I’ve never shipped Gary with anyone if I have to be honest. Like Sam says, he’s not boyfriend material. I’m talking about platonic friendship. A very strong friendship that still existed despite “the accident”. That’s why Andrew keeps following Gary until they arrived at The World’s End, because he still cares, and he can’t watch him destroying himself like that. That’s why they all went back. Because in a way, they cared. They kept complaining but seeing everyone wasn’t that bad. They did laugh together, even with Gary, despite being pissed at him. They also weren’t expecting much of him, they know him:
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But Gary’s relationship with Andy is special.
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Andy is kind of the one who made everyone come back. They clearly didn’t go back for Gary. They went because of Gary, but each of them has asked if Andy would be there first. Probably because Andy’s presence would mean that if he could get past Gary’s mistakes, then maybe they could and should give it a try. And Andy went back with the hope that maybe Gary has changed, even just a little bit. When they are sitting outside while Gary’s playing Need for Speed (for someone who hasn’t seen it, this might sound like a weird as fuck movie), he says this:
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Well, of course, he then learned he got money from the other three and gets mad, but you know. He did hope for a split second that he wasn’t exactly the same and that maybe, it was really because of what he told him in his office that Gary wanted to do that again. That’s also why he cuts him some slack at the beginning)
Speaking of the dialogue in his office! Remember I said I would come back to that scene at some point? Well, here we are. Yes, you might have forgotten because this post is very long and I ramble but if you’re still with me, well… it’s not almost the end but we’re getting there.  Anyway! So, Gary lies about his mom dying and that’s the following conversation:
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Again, maybe I’m reaching, but he seems so honest that I wouldn’t be surprised if he was actually using his mom’s death as a metaphor for his own suicide attempt. It got him thinking about the old days. He never really stopped thinking about them. He still has The Beast, he still has the tape Steve made him and that he was still always listening to, but these last months were probably extremely rough for him and got him really thinking about all of this in a more depressing way than he ever did. His life had been going downhill since he got out of school, but he finally hit rock bottom really hard.
He says his mother has always really liked Andy, but he might as well be speaking about his own feelings. He even says that he likes the guys, but that Andy was the best friend he’s ever had (and probably the only one he ever felt this way for.)
He has a weird behavior around Andy. He’s always acting so confident, but throughout the movie, he keeps seeking some kind of reassurance from Andy. Either because he wants his approval but also because he wants to prove himself right, or because he wants to believe everything is fine between them.
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He has a really hard time expressing his true feelings, probably because he’s used to hiding them all the time. Every time he does express them, we can see how miserable he is and why Simon calls him “a walking tragedy”.
This leads me to the three most powerful dialogues in this movie, I think. I mean, in my opinion, they are the most telling about Gary’s truth, even though the movie is sprinkled with hints on what’s going on, like with this very obvious line:
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We clearly know that it was something that was told directly to him, we know where, despite him acting like it’s just some trivia.
So the first dialogue I have in mind is the one with Sam. Sorry, loads of gifs are coming your way:
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I feel like for the first time in the movie, he’s kinf of done with his own behavior and he’s ready to have a serious talk and admit some important things. Like when he says Steve is better than him, because he knows he’s a fuck up but now he’s ready to admit it. And in a few lines, you see something else. No, it’s not all about that night, it never was. Life doesn’t have purpose for only one night in your life. Yes, maybe it was the happiest night that there ever was, if it even was, but it doesn’t mean shit, really. But Gary holds on to it like his life was depending on it. Well, in this scenario, it kind of is. Sam tells him that it doesn’t have to be all about that night, kind of letting him know he has the choice to leave it behind and finally move on. And she can see that he gets it. But then, if Gary can’t hold onto that night, he at least wants to keep some things from it, hence his questions about the disableds. Sam agrees, giving him at least that because either way, he’s losing against his own life. If at least he’s trying, she can let him hold onto that memory.
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It makes me think of the moment Gary tells Andy that the Golden Mile is all he’s got. There could be so much more, but Gary feels like he’s got nothing else, unlike his friends who have “everything”, like he says. That’s wy he fights for it, because it’s what’s important to him, like Andy is fighting for his marriage.
The second dialogue would be this one: 
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No, it wasn’t his fault that Andy crashed the car. He didn’t overdose on purpose, and Andy chose to drive him to the hospital while drunk and driving four times over the limit. But he did choose to flee the scene and leave Andy to die. And Andy wouldn’t be so angry and resentful if it hadn’t hurt him so much. It hurt him because he loved Gary. 
Remember, when introducing Andy, Gary himself says that Andy was the one guy he could rely on. You’d think it would be the same for Andy, but Gary betrayed him.
Before the third dialogue, I want to elaborate on this, on Gary taking responsibility, kind of? He doesn’t talk about his mistakes.
Every time someone points out one of his past mistake or how his behavior is inappropriate, he changes the subject or tries to get his way.
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He doesn’t want to face the things he’s done because he knows he can only blame himself for these situations and he already hates himself enough, he doesn’t need to be reminded of these things again and again.
And it’s also because he wouldn’t like to see his friends discover the way he really feels. Whenever his suicide attempt could get discovered or whenever he thinks about it, he quickly tries to hide the truth.
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At first, I’m pretty sure he thought that Andy knew about his attempt, because he’s so surprised when he asks to see his arm. Then, when Andy tells him what injury he wants to see, he’s in full defensive mode and changes the subject again, trying to prove he’s him thanks to his memory, and not a scar.
Andy was ready to bash his head right in if for one second he believed he was a blank, but even then, Gary won’t show his arm, because he can’t let them know he hit rock bottom.
It’s the same with Sam:
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The same old gary. Gary doesn’t like change. He hates it. He hates to see that his friends have changed and he knows that in a way, he changed as well, no matter how hard he tries to remain the same old Gary, the one that was happy.
When he learns that there are robots and that it’s not them that have changed but the town, he’s ecstatic.
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And finally, the third dialogue I was talking about:
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Getting help put Gary in emotional pain, even worse than what he already had before, because of the way he was treated. He hated it, he felt so miserable. Feeling like he’s living a lie, like nothing is what it’s supposed to be, feeling like he has absolutely no control. He doesn’t, not on life, but he could decide to do better. He just doesn’t have the courage.
Andy was already caring, way before that. And he’s always known Gary needed help. At that moment:
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Andy wants to finally put the limit. It’s true, it’s the last one. Then, Gary will have completed the Golden Mile. Then, what? That’s not the point but what would Gary have done after that? He would have no purpose and like he says, the Golden Mile is all he’s got. Still, Andy doesn’t let him have one more drink.
Back in the tenth pub, he seemed to happy that Gary was accepting to let it go, to have one last drink and put an end to the crawl. He was still hoping for change.
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I feel like this scene just shows how hard it is to overcome addictions just by yourself. He tried, when he got in the hospital, and he ended up leaving. He was really drinking his last beer, at that moment, but he couldn’t resist, once again, and had to have the other two. He really wanted to try, but the temptation was so strong.
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Andy follows him because like his marriage, Gary is important, and he fights for what’s important to him.
Maybe Andy was able to make it on his own after the accident, but Gary isn’t Andy. He knows that Gary can’t make it on his own. He was never able to. It doesn’t mean he isn’t strong. Andy knows how strong Gary is, living through his addictions for so long, seeing that he tried to kill himself. He knows he’s strong, but it doesn’t mean he can’t have some help from people who really care about him. Now, he knows that can’t happen unless you force him to. So if he has to actually physically fight Gary to stop him, he will, because he knows his friend wouldn’t be able to stop unless being actually knocked the fuck out. He could let him have the last pint of the Golden Mile, but it would mean he allows him to do what he wants one more time. He puts a stop to it because the Golden Mile doesn’t matter, Gary matters. If he has to shatter his last chance of completing the crawl, even if he’s so close he can almost feel the beer on his tongue, he will if that’s what it takes to make him come to his senses.
Besides, he knows that Gary regrets what he’s done, both in the past and that day. He doesn’t constantly mean to hurt his friends. He does it because he can’t help it, but like Sam says, he’s not a bad person.
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By the way, I often wonder what would have happened if they had forced him to show his arm when checking everyone’s scars. If Andy, Peter and Steve had discovered about his suicide attempt at that point.
Would they have understood that Gary was on a suicide mission, at that moment?
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And that it was only making it all the more exciting for him?
This is Gary King, everyone. 
Also, funnily and terribly enough, he relieved the night the same way he first lived it back in 1990. Some gifs and images as evidence:
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Which begs the question; was the first night even that great to begin with?
I think I covered everything I had in mind (not bloody quite but well). I don’t even know. It wasn’t supposed to turn out like this but I’m glad it did, I got to ramble about my favorite trilogy for hours on end so. And also... I’m pretty sure I was trying to prove something with all this but my point is: I’m in love with Simon Pegg. 
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No, ok. Again. Seriously. 
The World’s End is such an underrated movie. And Gary King is such an important character. The movie depicts human nature in the realest way, with all its flaws. And Gary King is depicting mental illness, was written by someone who went through this kind of things. The movie is very personal for both Simon and Edgar, actually. I don’t know much about Edgar, to be perfectly honest. I love his movies, he’s an genius, but I don’t know much about his personal life. I just do know this movie is important for him too. I do know that Simon has dealt with alcoholism, if I’m not mistaken he’s been sober since 2010, he knows what it’s like to battle addiction and depression.
The movie doesn’t romanticize these problems one bit. It shows how bad it can be, and how it can be perceived as by people not knowing much about these things. Remember that comment talking about the fact that the “mid-life crisis” Gary’s going through gets annoying after a while? Welp.
Could you imagine actually living in Gary King’s head for more than an hour. Unbearable. Especially since he’s aware of some of the fucked up things he’s doing and must hate himself for it. 
Yes, there’s the humor and the crazy robot stuff going on on the side, but that was my point at the beginning. That’s why the big weird entity that invaded earth isn’t the big villain of the movie.
I always say the same thing about villains. Take Thanos in the MCU for example. He’s the fucking worst and yet, his actions are justified. Careful. Not excusable, justifiable. You understand that there’s a point for him, that he firmly believes in what he’s doing, that he’s sure his actions are what’s supposed to be done to make Earth a better world, that what he does is right. Yet, because we’re rational and fucking decent, we know that’s not the way you solve problems. Here, the enemy believes it needs to replace humanity with perfect beings, to… make Earth perfect, or something. You know that it’s pointless, because like they show, only three humans in Newton Haven were spared. Earth is filled with flawed humans, you’d have to replace everyone to make it better. And yet, these actions are “justified” by a thought process. Doesn’t mean turning humans into compost is excusable. That creature’s definitely a villain, but not the main one in the movie.
The end of the world ain’t even a bad thing in the movie. On the contrary. A lot of people survived and Andy himself says things are simpler. They’re kind of back to the Dark Age and they realized that all their problems seemed very small in comparison to such events, and they’re happier.
Here, Gary is his friends’ enemy, he’s the blank leader’s enemy, and he is his own worst enemy. He hurts absolutely everyone, himself included. Because of his own addictions and depression. That’s what can really happen in real life and that’s something I really like about the movie.
And he ends up alone. He took the decision to leave but you don’t have a dumb female love interest that falls for the bad boy and make the worst decision she could by getting with him at the end so that we’d have a happy end and so would Gary. Sam’s very honest with him, she tells him how things are until he finally understands and agrees with her. He makes the right choice (“for once,” like he says) and makes her save herself and is fine with her ending up with Steve.
He’s always known the truth, but he had to accept it and he does. It’s difficult, but he does.
I don’t think Gary’s end’s a happy one. I have mixed feelings about Gary’s end because I don’t think he’s going to be satisfied on the long term and he does deserve some happiness at that point in his life. He excluded himself from everyone and is still stuck in that circle of not growing up. He’s definitely happier and he’s sober. But what is going to happen? He’s going to grow old and the blanks won’t change and then what? How is he going to feel about that? 
It’s a real ending, not a cheesy one. But at least he always has that option of coming back at some point. He did once. And he would be more welcomed, and he’d act the right way.
Like he told his teacher back in high school, all he ever wanted was to have a good time. With the four blanks, he’s traveling and having his own fun, he does what he wants, he has the freedom he always wanted to have, he kind of found his path. That’s all he ever wanted, he just found a new way to do so. At least, he’s got that, and he knows his friends have what they want as well. Earth is destroyed but Steven is with the love of his life, and Andy got back together with his wife and lives happily. 
Well. I think that’s about all I wanted to say. I hope. That was long enough. I just hope you guys are still reading, and that you “enjoyed” this thing that took me forever to write. I’d love your opinion. I’d love it if it made other people watch the movie or enjoy it more than they did at first. I just love this movie so much. And I just love Gary King so much. 
I rest my case. Lets’ Boo-Boo.
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