Every time I come home, I got fifty messages;
I only call back the girls with big big breastesses.
Ooh, I got bitties, in all the major cities;
The safest way to have sex is right between her (titties).
21 & Over is the debut album by West Coast hip hop group, Tha Alkaholiks. It is highly praised, and has been described as "the quintessential West Coast party album." It has ten tracks, timed at only about 35 minutes, but it contains three singles, "Make Room," "Likwit" and "Mary Jane." The only single that contains vocals from anybody other than Tash and J-Ro is "Likwit," which features King Tee. King Tee is responsible for founding Tha Alkaholiks, and the track's title is a reference to the Likwit Crew that he created. Lootpack and Threat are the only other guest vocalists on this album, but production is provided by Tha Alkaholiks, King Tee, Lootpack and Derick "D. Pimp" Williams. Nu-Metal versions of 2 of their songs are on Loud Rocks, one with Crazy Town covered "Only When I'm Drunk" also on Crazy Town's 1999 album The Gift of Game, and "Make Room" featuring Sugar Ray.
I was tagged by @starsinhereyesworld (thanks!) to shuffle my favorite playlist and post the first five songs that come up, then tag others to do the same. 5 never seems like enough, so i'll do 10 instead.
Kooley High & Tuamie - The Syndicate
John Maus - No Title (Molly)
Wailin' Storms - Irene Garza
BADBADNOTGOOD & Charlotte Day Wilson - Sleeper
Outkast - Claimin' True
Tha Alkaholiks - All The Way Live
Mejiwahn - Sesebo w/ Daniel Bitrán
Telemakus - Moondrive
Kraus - For Now
Boris - Heavy Friends
i'll tag @thebonesofhoudini @m-00kieshouse @makingeyes @heathkrycek @pissw1zard @newkindofcozy @hotsauceaficionado @maldoror-est-mort @mingusdewofficial @veteran-of-a-coldwar @exploresavegive @rhymewithme @foreverfindflight @missalmond @deepspacelove @forevermatic @atomsmegablast @lostintheunicornland @farewell-persephone @vanishingmoments @komplikacije @mcrubs @helloweese @kosmik-signals @chan-knee @vastcooler
pretty much the same people i've been tagging, but if we're mutuals and you'd be interested in doing these in the future just let me know. hope all of you are doing well and having a great night.
As a member of seminal group The Pharcyde, Fatlip helped expand the boundaries of the 1990s L.A. rap scene, releasing classic albums steeped in eccentric creative excursions. Following in those footsteps, acclaimed emcee Blu has been at the forefront of the independent hip-hop landscape since the late 2000s, narrating the full range of experience in the City of Angels with impressive lyrical ingenuity. These two artists recently linked up for the joint album Live From The End Of The World, a dazzling rhyme whirlwind boasting an overwhelming collection of West Coast talent, including Del The Funky Homosapien, Gift Of Gab, MC Eiht, and Ras Kass, along with members of Jurassic 5, Tha Alkaholiks, Souls Of Mischief, Freestyle Fellowship, and Digital Underground. Featuring production by Madlib, Nottz, Sa-Ra, Knxwledge, and Exile, the album is now available on vinyl for the first time ever. This deluxe physical release includes two previously unreleased bonus tracks featuring Slimkid3 (of The Pharcyde) and Pigeon John.
It goes one for the chronic, two for the amnesia -
It's the pimp-slap niggy with drinks in the freezer.
Bust the one out, two out, (flips!) type of rapper,
That'd get you our your seat quicker than a carjacker.
Fred Wesley & The J.B.'s: “Blow Your Head” (1974, 1989)
Taken from his second album Damn Right I Am Somebody (1974), “Blow Your Head” was made as its own single 15 years after the fact. It was funky enough that it was sampled for many golden-era artists and hits such as Schoolly D's "Gangster Boogie" ('89), Digable Planet's "Rebirth Of Slick (Cool like Dat)" ('92), Tha Alkaholiks "Make Room" ('93), Almighty RSO's "Revenge Of Da Badd Boyz" ('94), and more. Many fans will want to hear that brass and lots of hot-steppin’, but what I felt stole the show was that sick stomach-turning squelch from point A to point B. There’s no way you could miss it.