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iavenjqasdf · 1 year

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#terk irl #personal #t4t #trans meme #dolls

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moveslikeanape · 4 months

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hey! it's been a few days again, since i still had a lot going on irl, but i'm the 🌟 anon--i thought i might as well come off anon since we've already been talking quite a bit through asks (which i didn't expect when i sent my first message haha, not that i'm complaining though). i hope you're doing well.

i agree heavily with what you said in your second paragraph. i don't know if you heard about this, but mark henn retired from disney last month, and he said on a podcast that he would've liked to stay until his 45th or 50th anniversary but ultimately his work just didn't feel meaningful anymore. and even though as i mentioned, i did enjoy encanto, i'm not really surprised. i think it says a lot about the quality of things lately that someone who worked for WDAS since 1980 and did so much important work for them would feel this way.

as for wish's songs, and specifically "at all costs", i read an interview with the songwriter the other day where she stated that she wanted that song to sound like a love song that could be played at a wedding, or a lullaby you could sing to your kids, so that when you see the movie and learn the actual context you're surprised by it. i suppose i can't say she didn't achieve her goal, but that's so far away from the purpose that songs in disney movies are supposed to serve! it just tells me that unlike phil collins or elton john, who wanted to write disney music, julia michaels just wanted to do her own thing and throw it into a disney movie whether it really worked or not.

some of the "art of" books are pretty detailed and have what i feel is a decent balance between production info and art, but others not so much... i've mostly enjoyed reading the ones i own for specifically disney movies, but the pixar art books i own tend to be very heavy on art and light on any other information. the hercules one is strange, though, because the author doesn't put much of his own writing into it, instead presenting the majority of the information by directly quoting the filmmakers, which makes it an awkward read. there are also comedic asides from the characters presented alongside lineart of them--for example, one page shows a reproduction of notes taken by one of the filmmakers, and below that is art of phil looking annoyed with text beside him that says "phil: yeesh, it's all greek to me! how am i supposed to read this chicken scratch?!". i've never seen anything like that in these kinds of books before. i did finish the art of animation book, though, and it was great! around 60 or so pages of it were dedicated entirely to the making of hercules and there were a lot of things in it that i didn't know.

to keep things on topic for your blog, i'd love to know your thoughts on the tarzan broadway show if you have any you'd like to share! i've always been a fan of broadway musicals but i don't know much about the tarzan one, other than that i remember hearing that terk was changed into a male character. which is interesting, because she was originally supposed to be a boy in the movie, wasn't she? also not the first time that's happened in a disney broadway musical, with the lion king again being an example here because of rafiki.

Hey, nice to meet you! I hope you don't mind that I followed you from my personal blog. And no worries, I completely understand life being busy… there never seems to be enough hours in the day. I'm doing well, thank you. Hope you are too!

I'd heard Mark Henn had retired, but I never heard what he said on the podcast! That's such a shame. It's hard enough watching this happen as a fan, I can't imagine being in his position.

Wow, that's completely insane about "at all costs". I'd probably be more confused than surprised, and even if I were surprised it wouldn't be a good one. And on top of that and the fact they're supposed to be written for the movie, they shouldn't be written with the intention that people would hear them before they see the movie… to me that seems like they truly did want them played on the radio, and have people want to see the movie to see what they songs about. I agree with you it seems like she just wanted to do her own thing, and also that she wants to deceive and trick her audience.

That's such a shame the Pixar books are like that. It definitely is nicer to have more info on the making of the movies. The Atlantis one is technically an "illustrated script", with a few notes here and there. Lots of great artwork, but I wish it went more in depth, especially about the Atlantean culture and language. I didn't know they did those comedic asides in the Hercules book! I've had it for years, but never actually gotten around to reading through it (really need to find some time to read through these books!) I'm glad you enjoyed the art of animation book though, and that you got to learn some new things about it!

As to the Tarzan Broadway show… I've been kicking myself for almost 20 years that I never saw it! I was in Albany on a trip during the Broadway run, but didn't have the time to make a quick side trip to see it, and been regretting it ever since. I also missed out on the production in Tuacahn, Utah last year (Josh Strickland reprised his role as Tarzan!) because I'd made a very big purchase around the time it was announced, and sadly couldn't afford to go. I did see a bootleg recording of it once, but it was so long ago I don't really remember it. Will have to rewatch it someday.

I know there were somethings that needed tweaking, but I'm not sure what could have saved it in North America. I know it's very popular in Germany (it's actually currently playing in Hamburg). Most of my experience with it is the album. I do love the new songs, especially Kerchak's "No Other Way" and Jane's "Waiting For This Moment". But my favourite has to be "Everything That I Am", when Tarzan learns about his human parents. If you only listen to one song from the broadway, I highly recommend it. The OCR has the one in the broadway sung by Josh Strickland, plus another version at the end of the album sung by Phil Collins.

One thing that's always bothered me is the song "For The First Time", a duet between Tarzan and Jane. It's basically Jane and Tarzan working through what they feel about each other and if it's reciprocated. There's nothing wrong with the song itself, I actually do love the song, it's just the subject and it's place in the musical. It comes after Strangers Like Me. In addition to the lyrics "Every gesture, every move that she makes…" etc from Tarzan, there's a new section in the song sung by Jane:

"I can't explain the way I feel Everything I wanted’s here And my heart is beating faster Every moment I’m with him I feel so complete I cannot deny what I’m feeling"

Which is sung to the same tune as "For The First Time". To me, that makes FTFT feel like going around in circles, it's basically an entire song to say what's just been said. I've always thought it would have been better to have a song where they both torn about what to do, a should I stay or should I go? song.

As for Terk, I've never read anything on why they decided to change her back into a guy. I remember thinking about Rafiki back when I first found out about Terk, they just can't keep their monkeys (apes) straight! I'll have to see if I can find out anything about that.

#strangers like me

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posts-op-was-proud-of · 2 years

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Y'all wish your phone cases were as #girl as mine

#terk irl #personal #my photos

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iavenjqasdf · 1 year

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Friendly reminder to all my girl followers that I'm very easy to lure into dangerous situations

#terk irl #personal #t4t #girl

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iavenjqasdf · 1 year

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There's this one Tumblr user who says if things are Yuri but idr their url can someone please tell me and/or forward this to them. Are my pansies Yuri.

#terk irl #personal #my photos #oc #yuri

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iavenjqasdf · 1 year

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buncha worn out tgirls in a car on the beach, call that Burnout Paradise

#terk irl #personal #iftttweet #ifttt

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iavenjqasdf · 1 year

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hey, so... I'm really sorry but your boyfriend stood next to some letters, and a giant lamp came by and- yeah, totally flat... Yep, just like the Pixar logo, I knowwww I'm so sorry

#terk irl #personal #iftttweet #ifttt #story by credit goes to suu #greatest hits

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iavenjqasdf · 1 year

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I'm no expert but even I can tell this is Yuri.