Demolition of #B&W machine motor #Strandgade #christianskirken 1989 from the book Reverse Collection by #peterlind Burmeister & Wein.
https://www.peterlind.org/#Reverse_Collection_Peter_Lind
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Hammershøi was painting at a time when interiors were a hugely popular motif. The home was seen as refuge from increasing industrialisation and artists enthusiastically portrayed the concept of hygge in paintings which suggested comfort and warmth. “But you cannot feel that in front of Hammershøi,” says Champion. “It’s absolutely the contrary, it’s very disturbing.” An initial sense of calm often gives way to something more unsettling. They are pictures which certainly call for quiet contemplation even if an initial sense of calm often gives way to something more unsettling. In the sublimely beautiful Sunshine in the Drawing Room III (1903) the delicately observed play of light has an almost meditative quality to it; however its evocation of silence gradually brings on a creeping sense of existential isolation.
Cath Pound
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Vilhelm Hammershøi (1864-1916, Danish) ~ Interior Strandgade 30, 1901
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Interior from Strandgade 30, Vilhelm Hammershøi, 1900
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Vilhelm Hammershøi - Moonlight, Strandgade 30 (1900-06)
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Vilhelm Hammershoi, “Moonlight, Strandgade 30” (1900-1906), oil on canvas.
Credit...The Metropolitan Museum of Art
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Vilhelm Hammershoi, “Interior: The Music Room, Strandgade 30”, 1907
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Hammershøi made a room
a ship on its own
with panes overlapping all over the floor
the windows are drawn,
the windows come in the windows come running
and the open door is falling
into room after room with the silence
of sun. He said open
and everything he painted then opened
a woman sewing
enters in infinite gradations, the white
that never gets there
remains
who, alone in a house with light,
built his house entirely of doors.
Cole Swensen, The Glass Age (Alice James Books, 2007)
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Vilhelm Hammershøi: Interior from Strandgade with Sunlight on the Floor (1901) • Interior with a lady (1901) • Interior. Strandgade 30 (1901) • Bedroom, Strandgade 30 (1906)
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Interior, Strandgade 30, by Vilhelm Hammershøi. 1901.
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Interior, Strandgade 30, 1901, Vilhelm Hammershøi / Phantom Thread (2017)
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Vilhelm Hammershøi, Interior with a table, bookcase and Windsor Chair, 25 Strandgade, 1913, oil on canvas
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Smilla's Sense of Snow
Bille August. 1997
Apartment
Strandgade 55, 1401 København, Denmark
See in map
See in imdb
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Woman before a mirror, Strandgade 30 by Vilhelm Hammershøi, 1906.
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