#stories that are going to be etched into my psyche forever i fear | Explore Tumblr Posts and Blogs

sonickedtrowel · 3 years

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1, 2, 4, 10, 20!!

Tell us about your current project(s) – what’s it about, how’s progress, what do you love most about it?

Oh boy so I’m sure I must have mentioned it at some point but I won’t turn down a chance to ramble about it again: me and @regalpotato are working on a Day of the Doctor rewrite and I’m pretty psyched about it! Basically, Eight is there rather than War (although War does make an appearance!) and also River is there, because Duh, and there are other Things going on that are different from the episode/novel, but that’s spoilers and also still partially cooking in my brain, lol. It’s at 11k-ish right now but still pretty early in the story, too early to probably say what I will love most. But I’m having a ton of fun with it, especially the dialogue, and currently torturing Ten in every way I can think of. You know, lovingly torturing. For the most part.

That is the really big thing I’m excited about, but I do still have two prompts left from a couple weeks back (I didn’t forget you, anons!) and those are milling around in my head too waiting for inspiration to strike. 2. Tell us about what you’re most looking forward to writing – in your current project, or a future project

No secret that I love writing multi-Doctor / River stories, and in fact having somewhat recently finished an 8 and 11 / River fic I will have to be on my toes to not repeat myself too much haha. But I just love getting everyone together and letting them yell at each other for a while - the best honestly - and then later we get Revealing Conversations about Feelings, as well as POV changing chapters. Not to overhype it but! I think it’s gonna be fun! Putting the rest under a cut because I am long-winded lol.

4. Share a sentence or paragraph from your writing that you’re really proud of (explain why, if you like)

Hmmm I’ll pick something I like from the WIP that’s all my writing - this is from Night of the Doctor with Eight and Ohila, but it’s diverged from the original script here and iirc pretty much all new dialogue for Eight. I don’t normally write this sort of Doctor speech because I’m usually doing romance, but I can hear Paul McGann righteously shouting/soliloquizing in my head so I’m pretty happy with it: *** “What would you have me do?” the Doctor hissed. “What does your broken prophecy foretell? That I become one more loyal soldier in Gallifrey’s glorious army? I can join this fight and take a thousand lives, die a thousand deaths, and this war will still go on. The universe doesn’t need another soldier!” “Not a soldier,” said the Sister, “a warrior, with the power you’ve refused to wield. You could have destroyed the Daleks before they were even created.” “Yes, I could have done. And I didn’t, because I have no right! Whatever it is you think you can turn me into, Sister, you’ll continue to be disappointed. Because there’s one person who is always needed in a war: a good doctor, willing to help whomever they can. No matter if they’re despised, or called traitor— no matter who they lose or how many times they fail! There will always be more lives to save, and I’ll be there, helping, wherever I can. I only hope I’m strong enough to carry on doing it half as well as another doctor I knew.” ***

(Yes of course we have Liv Chenka references!) 10. How would you describe your writing process? It takes me forever to get ideas, but once I have a sort of general amorphous direction for the story and an emotional starting point for the characters, I just jump in. And then I keep getting shower thoughts about more and more stuff happening and what was supposed to just be some fun fluff starts growing a plot and getting wildly out of hand and this is just my life. I am very much not in control. 20. Tell us the meta about your writing that you really want to ramble to people about (symbolism you’ve included, character or relationship development that you love, hidden references, callbacks or clues for future scenes?) Ohhhh this is such a good question! Definitely going with There is a love I reminisce because there’s a lot going on under the surface in that fic and not all of it stated super explicitly. So um, huge spoilers below if you haven’t read it!

Manhattan and Trenzalore (both times) are essentially retconned, through a combination of River’s innate abilities and Eleven going around the timeline trying to do better after being confronted with his shortcomings in TNOTD. How the Doctor survived Utah is explained and it’s not because he was in a stupid robot. It spawns an implied post-Library reunion with River, Eleven and the Doctor’s oft-referenced and never quantified or named children from Gallifrey. It implies a different resolution to the Hybrid thing and an alternate series 10. And of course it uses BF’s far-superior Ravenous 4 plot twist to preemptively annihilate the timeless children crap, and a combination of Ravenous 4 and Doom Coalition 4 to make River basically a time goddess. But maybe my favorite thing was giving life to this headcanon of mine. IT CANNOT BE REFUTED! They’ve never said ANYTHING specific about his family so it’s free real estate baby!

*** “Yes, sorry to harp on about this, honey, but I think we can discuss the regeneration semantics later,” River cut in. “You’re saying I came back from your future to your distant past and just… stayed?”

“Well… yes, I think so. There were certain things we couldn’t discuss. I had always just assumed that I’d reached the end of my last regeneration and you weren’t too pleased with that, so… You know, describing it now, it does seem very irresponsible. But I don’t recall having any complaints.”

“No, I shouldn’t think you would.” River smiled, but her mind was racing. “How would that even work? Eventually, we’d come back round to when we first met on your end, and what, I wipe myself out of your memories? Selectively, for your entire lifetime? I think you might notice a little thing like that.”

“I suppose you must have had a plan for it, but I can’t remember it now. I just remember the two of us, together through the centuries.” He smiled fondly and River felt like the ache in her chest would strangle her. “I remember our family.”

“Our what?” she cried, as the older Doctor had a sudden choking fit.

“Our family. Our children and…” Dread slowly dawned on the young Doctor’s sweet face. “Oh, please, no,” he whispered. “Don’t tell me they’re… No, this happened! It happened in both versions of my memories!” He looked to his older self, panic-stricken. “Tell me you remember!”

“You had a family,” River soothed, as Babyface stumbled over his own tongue. “It just wasn’t with me.”

“What?” he laughed incredulously. “Who else would it be?”

“Your first wife, sweetie. I’m your second. Well, the second one that counts.”

“No, that’s— I’m sorry, that’s nonsense.” He turned to the older Doctor again. “You can’t tell her, is that it? Because she hasn’t done it yet? I’m sorry, River, maybe I shouldn’t have—”

“No!” Babyface shouted, finally collecting himself. “Yes, we— I had a family, on Gallifrey, before I ever left. River wasn’t there, obviously, because that’s not how anything works!”

“Who, then?” the young Doctor demanded. “Who was your first wife?”

“I— I— she was—” He opened and closed his mouth silently, looking increasingly horrified.

“You don’t like to talk about it,” River explained. “She passed away.”

“Yes, but just between me and myself,” the young Doctor pressed on with an utter absence of tact that made it easier than ever to see this was the same man before her, “who was she? And your children, what were their names?”

River hesitated, watching as the older Doctor wrestled with himself. These were details not even she had ever asked him for. She knew the general outline, of course, and that was enough. It was a hurt so deep and so impossibly ancient, she couldn’t truly imagine how distant it must be for him now. No sense in forcing him to open that door and dwell on it again.

“I, I don’t,” he finally muttered, looking almost fearful, “I don’t talk about it. I don’t think about it.”

“You’ve forgotten them,” the young Doctor said, voice low and furious. “How could you?”

“S-Susan,” Babyface stammered, wide-eyed. “I left Gallifrey with Susan.”

A relieved smile flashed across the young Doctor’s face. “And where did you suppose she came from?”

“No, she… I don’t…” Chair legs scraped abruptly across the tile as the older Doctor bolted up from his seat, white-faced, and stumbled back from the table.

“Doctor?” River stood, her hearts racing.

His eyes met hers for a split second, the strange terror in them sending a chill through her, and then he was gone like a shot.

“Doctor!” She made to chase after him, but his younger version was still clasping her hand.

“He’ll be fine,” he reassured her. “He’s just working it out.”

“Working it out?” she repeated, too stunned to reach out and grasp for the obvious. She turned to him in a daze. He smiled, and for a fleeting moment she fancied she could see the long contentment of a life she’d never dared dream of, etched in each little line on his older, younger face.

“I told you, River.” He laid his other hand over hers, warm and steady. “It was always you.” ***

#thank you so much for these they were great questions!!#i need to like shut up though these are such long answers lollllll #amillionmillionvoices

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zerochanges · 5 years

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Mobile Suit Gundam Narrative - One Night Movie Premiere

If you told me ten years ago that I would be able to regularly watch anime movies on the big screen in theatres I would have surely not believed you. Besides maybe a few Pokemon movies or an occasional film in some mega franchise I don’t particularly care for such as Naruto, the prospect would probably seem alien to me even. So it’s funny how times have changed and how anime screenings in theatres is becoming increasingly more common in North America. Just last month I was able to watch the phenomenal Dragon Ball Super Broly film in a packed theatre with a ton of other nerds and it was a delightful experience. Before that I got to see the fun anime version of Die Hard known as My Hero Academia: Two Heroes, and before that a love letter to Go Nagai known as Mazinger Z Infinity! Now only a month after Broly I get to watch an honest-to-God Mobile Suit Gundam motion picture in a theatre too? I feel like the luckiest guy alive.

If I am being honest, I actually hate going to the cinema most of the time, and spent many years avoiding doing just that. I was always the type of person that was happy enough to rent a movie once it released on DVD/BD and that was the extent I would need out of cinema at large. The only exception I started to make was when Disney purchased Star Wars, and that was more out of fear that ravenous fans online couldn't keep their mouths shut than it was about anything else. Over the years however I started to develop a greater appreciation towards movie theatres at large and a lot of that has to probably do with anime. As I began to become a serious collector of anime and made the transition from my old DVDs to crisper BDs I realized I was at the point where as a fan I wanted the most out of my all time favorite movies--because these were not just my favorite anime movies but my actual favorite movies, and that’s when I realized I truly wish I could have seen them the way they were meant to be; on the big screen, with an insanely powerful surround sound system, with fans all gathered around cheering at the best moments. I will probably never get this experience for Akira, or Galaxy Express 999, or the many other films that mean the world to me now, but I can get the experience for future movies, so I don’t want to miss out ever again.

Gundam is one of my favorite franchises from my childhood. As a young kid I fell in love with the amazing robot designs and was blown away at the prospect of an anime that just felt so different from DBZ, which besides Pokemon was probably my only real understanding of anime at that age. As a teen and young adult especially the franchise became increasingly important to me and left a lasting impression on my psyche. I can’t tell you my favorite Gundam series nowadays because the answer will probably be different every time. Maybe I’ll say the original Mobile Suit Gundam, warts and all, it’s everything I love about anime from the 1970’s and to this day I still love the original Ocean Group dub from Canada. This dub while wooden and showing its age terribly will forever be etched in my mind as the definitive voices for most of the Universal Century characters despite Shuichi Ikeda buttery smooth, ecstasy inducing voice in most of the Japanese series. Maybe I’ll say Zeta Gundam as Kamile was a character my younger self identified a lot with and the series as a whole left a very strong impression on me. Maybe I’ll say Turn A Gundam, a beautiful psychedelic series that displays some of the best writing from series creator Tomino.

So yes, having a chance to see any Gundam film in theatres was something I couldn't miss. Even if said film ended up just okay it wouldn't matter, as not in my wildest dreams did I actually think I would get this opportunity. I figured the closest I would ever be to seeing Gundam on the big screen would be if I happened to be in Japan for some reason around the time a new Gundam OVA or film was being screened. When Gundam Narrative tickets went on sale for North America I bought them the day online orders were opened and was even the first person to buy a seat at the theatre (thanks to reserved seating I could see nobody else had bought a seat yet). It didn't matter to me that I had to drive 45 minutes to the cinema, nor did it matter to me that I honestly knew nothing about Gundam Narrative, I just wanted to experience Gundam this way at least once in my life. And so last night I made the trek across the city and finally got to see Gundam like I never have. Now I have decided I want to share some of my thoughts and impressions about it. This won’t be a formal review, nor is it meant to be, as more or less I’m just expositing some of my thoughts, off the cuff.

First a little background information. Sunrise’s current "UC NexT 0100" project that tackles the next century of Gundam’s UC (Universal Century) time-line as well as their ambitious promise to deliver a new theatrical Gundam film every 1-2 years from 2018 onward is something to behold, so it’s no big surprise to me that the first film to kick off both of these initiatives would be a sequel to the highly acclaimed Gundam Unicorn OVA series. Saying Sunrise is kind of on a Unicorn kick right now would be an understatement after all. I actually don’t mind this so much however like a lot of people seem to, as Unicorn deserves all the praise it got and there is no two-ways about it being a pivotal factor behind Sunrise’s returning commitment to the UC time-line again after releasing nothing major in it for nearly a decade. Gundam Narrative serving as a sequel to Gundam Unicorn is something I am totally neutral about.

My greater concern going into the Gundam Narrative film was more that Gundam and films have a pretty rocky history. Honestly most Gundam movies tend to be more on the awful side. If I had to rate all the ones I've seen I would probably only say Gundam Thunderbolt: December Sky and Gundam Thunderbolt: Bandit Flower are fantastic, the original Mobile Suit Gundam film trilogy is an excellent compilation movie series and a good enough replacement for its own television version, the Zeta New Translation films are incredibly disappointing and omit too much, Char’s Counterattack is a hot mess that barely makes a lick of sense, Gundam F91 would have been a fantastic TV show but as a movie it makes me sad, A Wakening of the Trailblazer is okay but also undone by its own weirdness, Endless Waltz is what you would expect out of Wing, the Turn A compilation movies are pointless, and G-Savior sure was … a thing that exist.

Well I am happy to say Gundam Narrative is among the rare films for the franchise that I thoroughly enjoyed from start to finish! A lot of this has to do with the scale being relatively small versus the usual scale in Gundam films that are way too big for their own good. Narrative’s laser focus on chasing after the missing Unit 03, the Golden Phoenix sibling to the two Unicorn and Banshee units we've seen in the previous Gundam Unicorn series allows it to tell a story largely separated from politics and the world at large--and let’s the characters become the main focal point of the film like any good movie should.

This aspect alone is missing from so many other Gundam films and is partly why so many fail at being a good viewing experience. I’d say the few that do find that focus, mainly the Thunderbolt series of films and the original trilogy of movies made from the 1979 TV series are the best in the franchise’s filmography. A ton of other Gundam films tend to be bloated as well with rather boring middle sections, so the brisk fast pace of this 90 or so minute runtime for Narrative was a welcome relief. There are some awkward cuts to the film sure, but honestly I felt this beat sitting in the theatre for two and a half hours bored at the long winded middle section that goes nowhere like some previous Gundam films are especially guilty of. This was just enough time to tell a story of this scope properly. Of course the characters and scope of the story isn't enough to carry an entire film so the fantastic soundtrack from returning Unicorn composer Hiroyuki Sawano helped to sell a lot of scenes in the film as well.

The biggest factor that made Narrative for me however had to be the film’s focus on the more metaphysical aspects of Newtypes. Despite my disliking of a lot of Char’s Counterattack I still find the more psychedelic (so to say) aspects of it to be fascinating, just as I always have when such spiritual topics have shown up in prior Gundam works by Tomino and the many teams at Sunrise. While far from perfect I always enjoyed this kind of kooky spiritualism to the Gundam universe, a sort of new age 80’s science fiction interpretation of the soul would be the best way I can describe it but there’s no real way for me to do it justice nor to make it not sound ridiculous. Since Tomino has left a lot of Universal Century Gundam series have focused more on everyday soldiers instead and not so much on Newtypes, the future evolution of mankind, and the soul. In fact I always felt Sunrise somewhat shied away from a lot of these aspect to Gundam since then, so when we got to see this aspect return near the very end of Gundam Unicorn it was a nice treat to me personally. Having it permeate almost the entire runtime of Narrative’s story had me over the moon. A lot of people disagree, and more power to them, but I just can’t get enough out of the spiritual aspects seen in Narrative.

Gundam Narrative being a modern UC time-line production means it of course has references and lore connections to a ton of other classic Gundam series and moments. I really enjoyed most them even if they were just silly fan service moments. I love that we got to see the famous Colony Drop drawn with modern day high budget animation and it wasn't just reused old footage. Getting to see clips of the Psycho Gundam ravage Hong Kong City was a joy on the big screen even if it lasted only about 10 seconds. I loved that we got to hear some of Char’s Dakar speech again in Narrative--this gave us an opportunity to hear Keith Silverstein, the modern English voice of Char since 2010 handle this legendary speech of his from Zeta Gundam.

Speaking of the English dub my favorite performances were definitely Griffin Puatu’s portrayal of the protagonist Jona Basta that had to carry a lot of the emotional weight of the film and Stefan Martello’s portrayal of the off-the-walls insane Zoltan Akkanen who was just a pure fun villain that ate up every scene he was in. The Narrative Gundam itself being a reworked prototype of Amuro’s Nu Gundam from Char’s Counterattack four years ago was also a fun way to fit another Gundam into this time frame and I love it gave us such a classic looking Gundam in the Unicorn era of the franchise.

I had almost zero expectations for Gundam Narrative, and all I really wanted was the big screen experience for Gundam. As someone that loves the psychedelic spiritual aspect of Tomino’s old works, and someone with zero expectations that a Gundam movie can really be all that good anyways I walked away from that theatre last night loving what I saw. Gundam Narrative has me personally excited for the future of Gundam films, especially if it means we may see more theatrical screenings in North America for said films. This is probably not a film for everyone, and is definitely heavy on both your love of Gundam Unicorn and your love of some of the craziest stuff Tomino would whip out in his heyday of working on the franchise, but if you’re like me I think this one will be a lot of fun, even off the big screen.

#Gundam #Mobile Suit Gundam #Universal Century #Gundam NT #Gundam Narrative #Anime

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misterclandestine · 6 years

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My Favorite Stuff from 2017

It’s been a tough one, but there was a lot of awesome stuff that made it easier. Here are some of my favorites in no particular order.

DAMN by Kendrick Lamar, Album - The World felt different once this was in it. Kenny’s 4th release proved he’s just as thoughtful, agile, and hungry as ever.

everyone’s a aliebn when ur a aliebn too by Johnny Sun, Book - You can go through this hybrid graphic novel/picture-book in one sitting, but there’s so much to chew on here that I recommend taking time with this story, which follows Jomny, a misspelling aliebn sent to earth to study human behavior. The brief, direct interactions simply, & hilariously reveal everything beautiful and tragic about what it is to be alive.

Abstract: The Art of Design, Series - This Netflix series drops you into the lives of 6 masterful creators moving through subcultures of artistry (i.e Footwear Design, Illustration, Stage Design). Each revealing their varying methods, ideas, and joys about creativity. The standout episode follows Christoph Niemann, an illustrator for the New Yorker, and his blue-collar approach to his work.

Game of Thrones: The Spoils of War, TV Series - Though this season was rushed, clumsy and arguably unrecognizable from the compelling and prestigious drama that has unprecedentedly impacted our culture, you won’t find a more gripping hour of television. You know a show is wilding out when you don’t know who the hell to even root for anymore (Get em, Drogo! Wait, not Bronn! Wait, not the incestuous child killer!)

Insecure: Season 2, TV Series - The show you didn’t know you needed. Issa Rae’s hilarious dramedy paints a picture of what it’s like to be young, ambitious, unapologetic, lonely, intelligent, sexy, successful, and losing.

Last Week Tonight with John Oliver: Season 4, TV Series - Oliver’s weekly recap simultaneously manages to be enlightening, funny, depressing, and hopeful. His takedown of Alex Jones was one of the most satisfying things I consumed all year.

Do Not Disturb by Drake, Song - the final track of More Life, a surprise ‘mixtape’, samples ‘Time’ by Snoh Alegra, and is one of his most personal songs to date. Without a chorus, he raps for 3 minutes about not needing romance, fear of irrelevancy, and the quickening passage of time. Gracefully shifting between insecurity and arrogance with dizzying fervor, Aubrey continues to capture the emotional woes of an entire generation.

Get Out, Film - Jordan Peele’s directorial film debut is the rare instant classic, and it’s not because it has one of the most crowd-pleasing endings of all time. The satirical, social commentary cloaked in the guise of a horror comedy, refuses definition, and peels back layers of race, and class previously untouched in cinema.

Melodrama by Lorde, Album - With a kajillion pounds of pressure on her shoulders to follow up one of the best pop debuts of all time, Ella delivers. She croons on top of Jack Antonoff’s unruly production about heartbreak, fame, and the feeble impact of acclaim. As one Twitterer put it “I gain an extra chromosome when the beat drops in ‘Sober II’.

mother!, Film - I can’t say I enjoyed this movie because it was the second most excruciating sit I had at the theater all year (kudos to Justice League), but it left me SHOOK. It’s clearly allegorical, but what makes it masterful is that the way you take this movie in is colored almost entirely by your own personal experiences.

Master of None: Season 2, TV Series - A perfect double-feature to Insecure (give me a shared universe where Dev and Issa are a power couple). Ansari’s relentlessly entertaining series accomplishes what every second season strives for. It tops the first, while redefining and expanding itself. The show is tirelessly committed to the experiences of ‘others’ (a deaf person, a lesbian, a non-believing muslim, service workers in NYC etc.) It’ll leave you crying, laughing, and hungry.

Split, Film - When we’re lucky, films hit ya with “SURPRISE, muthafucka” moments that Jesus himself would not see coming. Shyamalan’s second hit in a row (after a run of all time duds) ends with one 17 years in the making. The iconic villain terrifyingly played with razor-sharp swiftness by the world-class James McAvoy is the icing on the cake.

Isaiah Thomas, Athlete - If not for Russell Westbrook’s record breaking response to Kevin Durant’s betrayal, the “King in the Fourth” takes home the MVP. Watching him play through tears the day after his sister died in a car accident will stay with me forever. His 53 point performance on her birthday a few weeks later starkly reminded me of the unifying, powerful spirit of sport.

Moonlight’s Best Picture Win - I’ll begin by saying that I really liked La La Land. A month after we swore in Don, we got it wrong again… psych! I’ll never forget the roller coaster of emotion that came over me in this moment. Barry Jenkin’s tale told through 3 untraditional acts (titled ‘Little’, ‘Chiron’ & ‘Black’) was gorgeously shot, flawlessly acted, and supremely helmed. It arrived at a time we needed it most and Mahershala Ali FINALLY got his shine.

Coco, Film - We got one shot this year, and we NAILED it. This breathtaking portrait of Mexican culture demands to be seen on the big screen and illuminates the importance of dreams, family, and tradition. No manches!

‘No Man’s Land’ scene in Wonder Woman - There were two times in the theater this year that I felt that sinking drop of a roller coaster in my belly, this was one of them. Gal Gadot and Patty Jenkins must be emboldened and protected at all cost.

Woody Harrelson, Actor - The rare movie-star actor quietly had a phenomenal year, further etching the grooves of his name into Hollywood lore. His turns in The Glass Castle, The War for the Planet of the Apes, and Three Billboards in Ebbing Missouri prove he’s STILL at the top of his game. I’m shocked that his heartbreaking portrayal of a drifting, alcoholic yet whimsical and passionate father in The Glass Castle hasn’t gotten more attention.

S - Town, Podcast - The colder you go into this one, the better. All I’ll say is that you’ll step away from this one feeling some type of way about people, the feeble sustainability of the planet, and clocks.

The World Series, Sports - The. Best. Ever. After being devastated by Hurricane Harvey, the Astros grant Houstonians some restoration via their first World Series Championship in a thrilling 7-game series that was literally witnessed by the World.

The Keepers, Documentary Series- This 7 episode series documenting the varying controversies surrounding the Catholic Church left me epiphanized about what it means to remove the seemingly impenetrable powers of institutions. Targeting one single individual, or a group of individuals or an organization won’t get it done. We must take down the viral ideas themselves.

Bladerunner 2049, Film - Aside from being wondrously constructed technically (you won’t see better production design or cinematography - give Deakins his Oscar now dammit), this story about a robot serves up a surprising amount of soul. Denis Villeneuve, solidifying his auteur status, delivers a nostalgic yet entirely unique follow up to the beloved sci fi classic.

‘Throne Room’ scene in The Last Jedi - This was the other time I felt like I was falling in the theater. Despite considerable problems, Rian Johnson showed us stuff we’ve never seen before in the SW universe. It’s the showdown you dream about as a kid.

The Big Sick, film - Kumail Nanjiani’s autobiographical story of how he met his lover is sorta the woke edition of Meet The Parents. Like Dev on MON, Kumail struggles to blaze trails while upholding loyalty to family and falls in love for a white girl along the way. Ray Romano and Holly Hunter turn in a pair of the year’s best performances.

Big Little Lies, Mini Series - I resisted the marketing for this one initially: dissatisfied, rich folk in Monterey. But the re-teaming of Jean-Marc Vallée (Wild, Dallas Buyers Club, Demolition) & Reese Witherspoon seemed promising. Momentum grew with each weekly installment (I overheard people theorizing whodoneit in restaurants), which is refreshing in the Netflix age. The leads are all stellar (believe the hype about Kidman) and Zoe Kravitz proves she should be working more.

Creature Comfort by Arcade Fire, Song - A painful examination of youth that’s equally heartbreaking and melodic.

Homecoming Season 2 - The fictional podcast about the remnants of a government coverup of a failed rehabilitation program for distressed veterans makes some questionable narrative choices in it’s second season and Oscar Isaac is absent throughout most of it (likely due to a loaded schedule). He does “appear” at the end of the second episode ‘CIPHER’, in a brilliant usage of audio storytelling, and it left me in puddles.

Mindhunter, TV Series - We all know Fincher is a technical maestro, but I don’t think he gets enough credit for being a complete storyteller, which he clearly is. The 13-episode made-to-binge Netflix series based off the book by the same name follows Holden Ford, an idealistic FBI profiler, and Bill Tench, played by Holt McCallany subverting every macho character role he’s ever taken on as a highly intelligent, hardened fed, as they attempt to break ground on our understandings of serial murderers. All of Fincher’s trademarks are there with sprinkled elements of Seven, & Zodiac.

Tyler the Creator’s Tiny Desk Concert, Podcast - I enjoyed ‘Flower Boy’, but didn’t find myself returning to it. That all changed after this. In a year of fantastic TDCs (i.e: Thundercat, Chance the Rapper) Tyler’s stands out. With help from a pair of stellar background singers, his array of talents are on full display, namely: composing and orchestrating melody and harmony.

Colin Kaepernick, Athlete - it’s not about the flag or the military don’t @ me.

20th Century Women, Film - Released wide in January, it remains one of the year’s best. Set gorgeously in 1970′s Santa Barbara, Mike Mills’ deeply personal tribute to motherhood, women, & outcasts overflows with heart.

Kamala Harris, (D) CA Senator - She is so bad, can we get started on the 2020 bumper stickers now?

What Now by Sylvan Esso, Album - ‘Hey Mami’ from their 2014 debut popped up on my Pandora one day and I was IN. Amelia Meath’s angelic vocals layered over Nick Sanborn’s unpredictable production is sublime. The “Echo Mountain Sessions” include dope af live recordings of the album’s standout tracks.

Logan, Film - The Wolverine movie we deserve also features a star-making performance from Dafne Keen and an unrecognizable Professor X. With a decade between the last time he inhabited his iconic portrayal of Charles Xavier, Sir Patrick Stewart strides (wheels?) back into the role with award worthy tact.

Fargo Season 3, TV Series - The best season yet and that’s really saying something. David Thewlis is haunting as Varga, the creepiest, most frightening villain in the series’ history and a collection of top-tier thespians rounds out the rest of the cast. There’s also a moment in one of the later episodes similar to the ending of ‘Split’ that’s a real delight.

Mr. Robot Season 3, TV Series - Showrunner Sam Esmail moves us through this complex dystopia, which has begun to bear resemblance to our reality lately, with complete CTRL. We see Mr. Robot AND Bobby Canavale like never before. That oner episode is pretty cool too, but it’s not even the season’s best.

Other Notables: Patton Oswalt: Annihilation, Girls Trip, The Leftovers Season 3, Glow, Twin Peaks: The Return, Ingrid Goes West, BEAUTIFUL THUGGER GIRLS by Young Thug, Add Violence by NIN, Good Time, Stranger Things: Season 2, Legion, Dunkirk, Crashing, NO ONE EVER REALLY DIES by N.E.R.D, 4:44 by Jay-Z, Dirty John, Wind River, Dear White People

FYI: I still haven’t seen/listened to a lot of stuff, namely all the big award contending films.

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