Biblia
Stanisław Wyspiański – Wesele
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Stanisław Wyspiański - Study of a Dog (1900-1902)
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round 2.6 poll 4
Smok (Dragon) by Witold Pruszkowski, 1896:
propaganda: można się zakochać od pierwszego spojrzenia (you can fall in love at first sight with this one)
read about Pruszkowski here (PL)
submitted by @rascal-rodent (<3)
Chochoły by Stanisław Wyspiański, 1899:
propaganda: it's really atmospheric and spooky, the way that the inanimate dead poles of hay look like human figures, conducting some secret meeting on a november evening. it's not strictly an illustration to wyspiański's "Wesele", but you can see in this the same concept - of the gloomy nights between autumn and winter being a time when the mind becomes uneasy with its surroundings and when strange things happen
submitted by @gniew777 <3
(chochoł is like a straw covering for a young tree so that it doesn't freeze to death in winter)
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date idea idziemy razem na wesele i czytamy na głos całe wesele wyspiańskiego
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polishposting again
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Stanisław Wyspiański (Polish, 1869-1907)
View of Kosciuszko Mound, 1904
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Stanisław Wyspiański, Śpiący Mietek (Sleeping Mietek)
1904, pastel on paper
Notes: Mietek is a diminutive the male name Mieczysław.
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A thing about Polish culture
123 years ago a wedding between a peasant girl and known aristocratic writer took place. Why is this important? Because my blorbo Wyspiański decided to pull a fucking masterpiece inspired by the event.
The Wedding has everything: love, riot, violence, disappointment, fear, despair and indulgendce. If you ever attended a Polish wedding, you know exactly what this is about.
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Stanisław Wyspiański - Planty Park at dawn (1894)
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round 5: bracket 5 vs bracket 6 champion
Bóg Ojciec (God the Father) by Stanisław Wyspiański, 1904:
propaganda: I mean look at it. have you noticed that one of god’s hands is flesh while the other is bone? or how there is a big gaping hole in the middle, where god’s body should be, that his sleeves frame two sides of something that isn’t there? also, behind god there are waves and darkness. wyspiański chose to depict god the father by capturing the exact moment that he creates light! and when you walk into the unlit church’s interior, this massive stained glass figure is indeed the only bright thing in a completely dark upper gallery
submitted by @gniew777
Burza (The storm) by Zdzisław Jasiński, 1925:
propaganda: the atmosphere of this is unreal (no pun intended), the colors, the motion, drama and chaos, all over an unsuspecting peaceful landscape.
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matching icons for you and your bestie <3
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Stanisław Wyspiański - Self-portrait, 1897
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