#specifically 8 and grace no one touch me im fine

[breaddo]

thinkign about characters i like being sweet and tender with each other

#specifically 8 and grace no one touch me im fine #edit: this blew up so just to clarify this isnt my image i just didnt expect this to explode . please do not think this is mine #unless you are looking at the newly added doctor who image which i DID put together

[neoncat666]

extremely long shadows over welde character analysis post

by extremely long i mean its fucking 3k words cause I go too silly.

Spoilers up to ep 8 and its mostly rambles so apolocheese. I also posted this on my twitter so if u saw it there here's an actual text version LOL

Argentum:

Oh my god. You are soooo…… First of all, in the story we’ve gotten this. Argentum is a strong headed, curious person who is a bit stubborn and holds themself at a bit of a graceful appearance on the outside. They are smart, witty, but also a bit of a temper especially when it comes to frankly a little stupid ideas. They are also kind and care for others. We were shown from the beginning that they enjoy their work and meeting fans and even with people they just met are willing to help them stay safe. Also they’re a little dumb. Sometimes curiosity overrides rational thinking and that was shown when they touched the weird fucking webbing in the cave and also that ENTIRE plan when there was the confrontation between Vhaeraun and Lolth which was fucking actually crazy. This isn’t even beginning to talk about the head friend. I am constantly thinking about that voice and who that could be. Brings us speculation around them. Argentum is not human, or at least fully human. Their eyes are def not human and Hayden is a silly lil guy who would pull a trick like that. There was one speculation on them possibly being a Kalashtar and I think it could fit but honestly for now it hasn’t been on my forefront. I also bought the inscriptor class finally and was looking at how possibly they were built. What stats what subclass ect. I don’t fucking know.. Now you might be asking “Hey why don’t you just ask?” CAUSE IM SCARED. But honestly cause I wanted to see if I could figure it out myself lmao. It boiled down to either Mystery or Historian subclass is what Snail helped me narrow to. Could be wrong tho. There’s also little tidbits about Argentum that have come from outside the sessions like when I asked if they had a canonical birthday cause “celebrating fictional characters birthdays is cringe” “fuck you happy birthday argentum” is funny. Still honestly wanna know if any of the party has canon birthdays. I got hit with the “Oh they don’t know their own birthday.” and then swindled. There was also the discussion on Hayden’s pcs never really having parents or family and Argentum was included in that list which more or less got confirmed in session this episode (7). I still don’t know their motives, still don’t know their relationships with others because it seems everyone is connected to someone except Argentum, and I still don’t know who their patron is and if that is the same as the voice in their head. Love the silly though

Phoenix:

Fifi….. Not much was known about you until today and holy shit did it rock my world. Before we had known he was the apprentice to Ipswich and was sent in his place as guest of honor. We also then found out he was a spy working on tailing Lolth and that’s kinda all we knew about Phoenix for a bit, at least heavy lore wise. He’s a sarcastic, witty, bitch and I love him so much. I could never surpass Snail as Phoenix Enjoyer but it’s close. We learned a bit more during the nightmare drink sequence where he met his patron and got his powers fucking zapped. A couple things stood out to me from it. How his patron looked and specific wording from Phoenix. We know Ipswich isn’t mortal anymore but Phoe had said something along the lines of “I’d get my ass kicked and be right back here the next day.” He is surrounded by death or even just the undead. His patron deals in undead magic and I don’t think if Phoenix gets knocked down he wouldn’t be back again looking all fine the next day. We don’t know his patron’s name which like. Fuck. but lmao. Anyways Ipswich is tracking him like crazy and says he has this important quest although we don’t know a lot of Phoe’s thoughts and feelings on what he’s doing. To me it almost seems like he’s a tool or pawn for others and idk if I can fully call him a good person. Doing a bit of research into his pact and such it seems that he’s just going to possibly lose more and more humanity as he gets stronger but also i couldn’t tell you how much he has already. There’s also the whole cousins and throne thing that got dropped this episode. It seems his family is also involved with this whole scheme but Phoe is the favourite of the bunch. The idea that he could possibly be royalty was also thrown around and i think if he was like secret prince it would be from a large family all vying for a throne or he is working with Ipswich and others to usurp the current ruler and take the power for himself. Although knowing Fifi it’ll probably be like a secret third option. Not much except he’s so 90s movie older sister to me and the fact Ipswich runs a school for swindlers which is kinda funny.

Sunder:

Babygirl. Pookie. Love of my life who I want to kill me. God. This is now my love letter to you. I saw you across the bar and thought you were sooo scary and I’ve been enraptured ever since. Anyways that’s a freak. He’s not the most talkative and seems more lonely despite everything. They’re funny, loyal, kind, and ruthless. We didn’t get much for Sunder for a bit until mostly the shopping episode. We learned a bit through Kelly and the nightmare drink of what makes up Sunder but it didn’t really culminate until the head crushing I would say. Honestly I don’t even care I just fucking love the way Sunder is played. Like I’m sitting here trying to find words that aren’t just I think he’s neat cause I do think analyzing him is intriguing. They’re going to get angry and they’re going to get violent and you are not safe. It’s something that was so surprising at first because of how much Sunder kind of fell into the background. The nightmare drink gave us the first look at this, that Sunder had apparently killed someone, a kid even, but a lot of their violence was played off as a joke by the community, I know I did. Learned today that the person in that nightmare was Ilmater and it shows that she wasn’t lying when she said that visions and nightmares of this accident are a plague. I believe them when they say it was an accident and idk how young they were but to harbor that from a young age will fuck you up. Their morals are something that intrigues me i would say the most. No trouble in murder although I assume that’s more or less towards people who piss him off or are generally bad people. He’s kind hearted and that’s shown a lot especially with this last interaction I’d say. I still need to like rewatch a lot of parts of it but “we were just kids” genuinely fucking rocked me to my core and it got me i won’t lie. We’re still very early in but idk, I want to see Sunder truly happy and not haunted by the ghosts of their past. I feel this was most likely the first step but it’s hard to say as we go forward. I think violence and blood will always follow it’s just how they choose to take it.

The Wall:

I think now Wall is the character we know the least about, at least to me. We know his duty to Eilistraee and his duty to Zephrael and also his little foodie quirks (love him dearly) but outside of that I don’t think we know a lot. He’s the character I have the least notes for now but I do know this. He is loyal to a fault, a little dense, kind, and revels in battle and violence. I think about his nightmare and the fear of losing her and the sword then what happened to this episode. He’s had this since he was a child and then he had this dream, this trip to the beastland plane and looked Eilistraee in the eye and fought her. I believe he still loves her, cares for her, but I also think it has changed since that episode no doubt. Rewinding a bit, I think a bit about him being told he has to be pure of heart in order to wield the sword. What does pure of heart truly mean? Wall loves fighting and murder. He actively committed torture. Also he’s the bodyguard for an objectively bad man. There’s the argument of his intentions are pure although I doubt you can do a lot of what he did and have those intentions be fully pure. It’s just something I think about more than probably a normal person should teehee. Anyways the conversation he and Rae had at the beginning of this session should classify as psychological warfare cause I genuinely do not think I’m ever going to recover. I have been talking about it for weeks how they are the chosens, favored, by literal enemies and seem to have some sort of hit on them by a couple of deities now. I thought about how it might affect relationships and how Wall views them. We know he’s very loyal but I always wondered how far he would need to be pushed before that is broken. Seems like an extreme amount. His morals are probably what intrigue me the most tbh. I’d kill to know what his alignment is LMAO. Most of all I just really love the Wall because he is goofy and silly but he also isn’t a stupid brick wall that doesn’t know anything and I really enjoy seeing the times he gets to explain things. Fuck it we Wall.

Zephrael:

Okay so this will be the longest one cause I’m biased and yes Zephrael is my favourite. I always feel a little bad when it comes to that and showing that favouritism because I truly do love the entire party so much. This hit me the most when the show was just starting out and I did feel like I needed to show how much I loved each character and not just focus on Rae lol. I hope this thread can at least show that (if you even make it this far) Anyways Zephrael is a fucking freak and I love him so much. I’ve done multiple posts on him before and yeah Im gonna repeat some of it here i wont lie. Right out the gate we probably learn the most and yet the least about Rae’s past and present. He is an emissary for the reformed church of Lolth and an honored guest. He had known about Edo’s work before and talked about how it had helped with relations between the public and the reformed church. This means everything and nothing to us. But it does show that despite Rae’s… oddness, he is extremely well spoken when he wants to be and I think about that speech a lot. The next few episodes gave us some more information yet also a lot more questions. These weird pains that seem to predict disasters, the extreme phobia of spiders despite being a paladin of Lolth, and his both egotistical yet self deprecating attitude. It was fascinating to watch him because he clashed but never in a way that made him irredeemable and I’ll go more into that at the end section. A few early things I thought about a lot before the catalyst that was the nightmare drink were who the reformed church was, where did Zephrael come from, why was he chosen as this ambassador, and why he didn’t know undercommon but knew abyssal. These are still questions I have to this day LMAO. The nightmare drink vision I possibly overanalyze the most next to Phoenix’s. It stood out due to the fact that it wasn’t, bad. Rae could see again, he saw his father and best friends again, he got told he was going to learn the truth again. Why was this considered a bad thing? Everyone else experienced horrors and regrets yet Zephrael got sorrow. It jumpstarted the part aasimar Rae theory tho. Angel imagery Rae makes me clinically insane I won’t lie and his father having these large wings and bright white light did not help. There’s the big question of what he is and also how he joined the church. Hell, even how he feels about the church as well, truly at least. During one of the hiatuses fandom went crazy and Snail Snailmuds dropped out of nowhere that the runes on Rae’s body weren’t just random but fucking translated abyssal that said “PAIN CHAOS POWER” which first of all goes hard second of all what the fuck.

Theory crafting for Zephrael always feels like climbing uphill and also being constantly shot at cause every time something happens with that man it turns out to be a secret third thing going on oh mygod. Anyways I’ve discussed whether or not he was forced into this church, was kidnapped, born into it, ect because at the end of the day, he seems to very much be a tool or pawn for this church and/or Lolth. Also the whip being an artifact of Lolth or whatever they’re called again I forgot??? What the fuck dude. ALSO HIM SLEEPING IN BATHTUBS????? Grizzly has said this will make sense later but genuinely what the fuck there is something wrong with him. Moving on, revelation about the tattoos comes out and we get the torture episode. Well we get the holy shit they just killed those guys begining and then torture. First of all, I cheered louder than anyone else when Rae actually did fucking combat instead of running away and also the fact he can use his whip. Anyways dumb and dumber torture a guy and first of all the lay on hands to keep him alive during torture was insane and I hope to see it again in anything and it’s also where it’s learned that the tattoos on him were “forcibly engraved” which was honestly brushed off and a lot happened that I think most people forgot but I didn’t cause I’m crazy. Anyways moving on from THAT we get the typical Rae. Dodging questions when Argentum tries to interrogate him and also dunno if he’s just fuckin lying or not when he does actually answer them.

Episode 6 and 7 are where I think Rae slightly pivots. Not really noticeable but he feels a little more, close. It was also a change I noticed with the cast and I think that helped a lot of character dynamics as well. Rae’s stupid beef with Argentum was so fucking funny and I do think about him wanting to heal Sunder before himself after the Bulette because if he heals Sunder, how would that help him. Yes they’re his bodyguard but the monster is dead and it’s not like Sunder can heal him back. It was a decision that I think was the most different for Rae because he was shown to care deeply for Wall but not so much the others as much. He still doesn’t care for the others as much as he does The Wall but I do think he has grown a fondness or care for the others whether he wants to or not. And thats the thing, I could not tell you if he does actually wanna care for them or not. Yes they are allies and help but he seems to try and keep things at a transactional level or how much power it may bring him. He still does but like his dynamic with Argentum seems closer cause the antagonizing feels more like siblings getting on each other’s nerves rather than a growing distance. I think Sunder also displaying that brutality may have put him more into Rae’s good books too. Anyways he read a fucking book huge day. Now he has even worse mommy issues. Ep 7 killed me with hammers but that was spoken about. His relationship with Wall is something that fascinates me though. Rae is selfish, it’s not hidden at all, yet he does seem to care deeply for Wall and almost defends him more than he would defend himself. It’s nice to see for this bodyguard and his charge dynamic but ep 7 spread some light on it and I do think their bond will outlive the will of the Gods but what do I know, I’m not anyone at that table. Zephrael is rude, odd, egotistical but also masochistic and does care deeply when he wants to and you don’t see that kind of character as much I wanna say. He’s my favourite cause his weird gnc swag enraptured me thats all he is post over.

Not actually over cause there’s one last thing. These characters would not be these characters without the wonderful players behind them. Each episode brings out better and better performances that have me actually going crazy over them. I genuinely wouldve had nothing to write about if it weren’t for the fact everyone brings so much life into these characters and loves them so much that they feel so fucking real. They don’t feel flat or simple but very nuanced characters that I love to study and even be wrong about (i actually hate being wrong and every time im wrong i get so ashamed) but Argentum’s flourishes and talks to get out of situations, Phoenix’s wit and holy shit that dread form voice, Sunder during the market fight and then the softer scene with Varic, Wall’s humor and even talking about the more serious stuff, and Zephrael’s ability to balance harshness and endearing at the same time. That’s Hayden, Leizu, Juzo, Ben, and Grizzly and I genuinely cannot fucking talk about the performances enough. I’ve thought about making a post just about it but I fear I just wouldn’t be able to articulate what I wanna say enough. Then obviously it wouldn’t even be possible without the fucking amazing world building and npcs Jonah has provided. Everything is so immersive and I find myself caring for each and every npc we meet whether caring for their safety or caring too much cause I dislike them. Every npc sticks with me and I grow so attached so quickly because they feel so real in this world that also feels so fucking real. It feels like we are just peeking into another world and I actually can’t multitask when watching sow cause I get too sucked in. It’s really hard to do that and I talk about it a lot but never really publicly so I thought I would here.

Anyways for real this time post over, this ended up way longer than I thought it was gonna be so ur a real one if you read this all the way through lol. I’m off to go think about sow merch again as I wait for permission and stuff cause im crazy. See ya later

#shadows over welde #argentum rillis #phoenix sow #sunder sow #the wall sow #zephrael sow #dm.txt

[abitterlifethroughcinema]

The Five (+1) Movies To Catch For the New Year

WOKE! 2020 Film Awards PReviews  

by Lucas Avram Cavazos

It is a mighty and yet daunting task this ‘2020 thing’ that is upon us. I think inherently we all know that some things are going to shift, others will change, some will expand and a lot more are likely to im/explode. Despite the factuality of it all, one constant I will always turn to, and recommend to you my lovelies, is cinematherapy. It goes without saying that some upcoming movies, which are either now or soon to be at our local VOS movie theatres, are also about to sweep some awards and with Oscar nominations going live this second week of January, I believe the movies below will soon be water cooler twawk, so me here at A Bitter Life brings you a BCN in VOSE look at the five (PLUS ONE!) films to catch before awards season intensifies.

In fact, it was a rather decent year for some great fare and not such a hodgepodge of Marvel and Disney movies forced down our throats every other week. The film I must start off with on this 2020 Film Awards Preview would be the excellent South Korean film Parasite ####-1/2, unanimously chosen as the winner of this year’s Palme d’ Or at Cannes and easily gracing the top or near-top of most film critic’s lists this year, as well it should. Telling the story of a South Korean family, the Kims, who slowly become interlopers within the confines of the uber-wealthy Park family. Starting off with one of them acting as a tutor, they slowly find a way to fill a need for the Park family, all while acting as non-related good Samaritans…that is until a botched getaway vacation and an underground bunker with a tale to tell reveal themselves and send the two families into a quagmire that must be seen and lived to be believed. (Now playing all over BCN/CAT/ESP)

Next up would be my personal favourite this year, though very closely followed by the aforementioned film! Once Upon a Time in Hollywood ####-1/2 became, at least for myself, a redeeming factor in the oeuvre of Quentin Tarantino after the meh! feelings given off by his last big screen outing a couple of years ago. Taking the tragic, real-life story of the Manson Murders that ended the life of Roman Polanski’s then-wife Sharon Tate, director Tarantino buckles his audience into their seats and sends them into a time zone tunnel to 1969 Los Angeles. One of the things that has always revolved around a Tarantino movie is the element of revenge. Here, we have a different take on a true event, but the concept is widened by the director using actors Brad Pitt, Leonardo di Caprio and even Margot Robbie as conduits of a bygone era that give a peek into a mindset and time that usually must be lived to be remembered. The fact that we, the viewing audience, feel like we were actually there in ’69 and then also given the chance to make up our own mind as to a possible different ending to the Manson family murders is mere evidence of a great director/writer who seamlessly gives us a choose-your-own-adventure saga with superb cameos. Excellent cinema once again. (Soon on DVD/Blu-ray & VOD)

The next big film that has increased the star power and respectability factor of Happy Gilmore, uh I mean, Adam Sandler is the ever-loved and heralded film Uncut Gems ####.  If we have to put some truth to power, it must be noted that part of the film’s appeal is that it is such a New York City film. When you then throw in the elements of a thriller mixed with the Diamond District of Manhattan AND a run-around plot that also includes ballers and entertainers like Kevin Garnett and The Weeknd playing themselves, what you get is a peek into  what feels like a true-life crime show playing out in front of your eyes. Add in the ever-excellent Tilda Swinton and Natasha Lyonne, as well, and even despite the long 2-1/4 hour running time, what you get is Adam Sandler, under the direction of the Safdie brothers and along with the good graces of Netflix (who will also be distributing the film in Europe), becoming the new Comeback Kid. (To be released in BCN/CAT/ESP via Netflix on Jan.31)

While we’re on the subject…Netflix. Whatever your thoughts may be on the streaming site service (and others like it), it goes without saying that VOD services have become the wave of the future. Home cinema and entertainment centres/systems are what make for the latest in silver screen viewing. For the last three-plus years, the world cinema system (not to mention film academies and award outlets) have had to adapt to a new reality few probably ever even thought of before this new digital age. Just a few days ago, perhaps showing a bit of wane after receiving the most nominations, only two actress winners took home trophies, Olivia Colman as The Queen in The Crown and Laura Dern for A Marriage Story, reviewed below. With that said, famed director/ writer/ producer Marty Scorcese decided to go the Netflix route for his (likely) last mafia opus The Irishman ####, detailing the life story and inner workings of the Philly mob, while also detailing intricacies of the Teamster unions, Jimmy Hoffa, the Kennedys and the inner workings of the US mafia and its many minions. Financed by Mexican firm Fabrica de Cine (mad side-eye and furrowed brow) amongst Netflix and other studios for international rights, the production of the film apparently ballooned up to (and some reports even say, well beyond) $160 million. With just under 8€ million reaped at the worldwide box office (taquilla) coffers, it’s fair to say that this film in all its glory should have been edited to a slightly shorter length and intended for movie theatres. It has had a fairly great response by viewers on the streaming site du jour, but even Sandra Bullock garnered hella more viewers with her formulaic thriller Bird Box earlier in the year. As a student and tutor of history, the elements of the film that stood out to me went beyond the impeccable performances, specifically by Pacino as Jimmy Hoffa, but of course De Niro and Pesci as Frank Sheeran and Russell Bufalino, as well, but it was Scorcese’s capturing of that forgotten time around which we find so many Trump supporters harkening to, and it details the trials and tribulations of the working class then…and perhaps, even now. That aside, I abhorred the expensive de-ageing CGI process to make the Italian acting kings look younger…just vile. It was like they suddenly became animated secondary characters from a dropped scene in Spielberg’s Tin Tin film a few years ago…bloody odd for a live-action mafioso epic. Still…Scorcese is the only working director who can capture that essence of a time gone by and dress it in Hollywood’s finest if overly-priced storytelling. Which brings us to the other Netflix gem to catch…but only when emotionally prepared.  (Now streaming on Netflix and select screens)

Marriage Story ####, a.k.a. that likely Oscar-nominated film that will require too many tissue moments, also makes its way to this list. Trust, I can get my heart strings pulled quite easily if the right sentiments abound, so I was non-plussed going into this because I had already heard from my film fest peops that it was a bit of a tearjerker. Undeniably, there is a brutally-displayed realness that envelops the main characters of this film, particularly actresses Scarlett Johansson and Laura Dern. Helmed by the wonderful Noah Baumbach, Johansson gives a near-best performance as former teen actress turned TV actress Nicole Barber, who separates from her NYC theatre-directing husband played by Kylo Ren himself, Adam Driver. When she takes a role and moves to LA, along with their child, things become even more real. There is a gutsy bravado that clearly makes itself beyond relevant, as the melancholy yet funny film continues, and I, for one, could hardly keep the sobs at bay with the ending of the film. This is the stuff that ‘rom-drams’ need last their heart, not that paltry shite fed to too many simpletons by Nicholas Sparks. (Now streaming on Netflix and select screens)

Aaaaaaaaand…lastly, Knives Out ####-1/2 rightly fixes itself into a final slot on this list because it is one of those long-lost wonders of vintage cinema…a star-studded quasi-whodunnit with wit and thrills and superb, serio-comedic acting by everyone involved. A mere smattering of those actors would be Daniel Craig, Chris Evans, Jamie Lee Curtis, Spanish actress and Golden Globe nominee Ana de Armas, Michael Shannon, Toni Collette and even Don friggin’ Johnson! Following an investigation into the sudden death of famed mystery writer Harlan Thrombey (Christopher Plummer), who had just invited main members of his family to his mansion for his birthday celebration, we see the touches of a perfectly poised ensemble film. Director/writer Rian Johnson has really stepped up to the plate with the best of the new directors and fresh off his box-office behemoth Star Wars: The Last Jedi from a couple of years back, his helming a film like Knives Out really plays his hand heavily in his diversity and directing tenacity. The fact that he also wrote this fine piece of script and dialogue makes him even more worthy of a possible director nod and it goes without saying that the cast is undoubtedly the finest ensemble piece made and released in the last year, and if you’ve been seeking a classic feel of a film with a smart, sharp modern twist, this film will satiate any of those olskie-olskie longings of a nostalgic murder mystery that makes you feel good after you leave the cinema. (Now playing in BCN/CAT/ESP)

#cinema #ABitterLifeThroughCinema