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candied-cae · 2 years

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I've Rambled About the Witcher Once or Twice

This is going to be an ongoing masterlist for all the OFMD stuff my brain does - it's somewhat organized by its subject/style with little descriptions! But if you wanna check out my fics or drabbles... Click Here!

Art: ...

Edits: ...

Clips: ...

Proper Thoughts: ...

The Difference Between The Golden One and Burn, Butcher, Burn - short comparison between the two songs and the hints and context clues it gives on how Jaskier felt and his timeline Post-S1E6 Mountain BreakUp.

I think Jaskier only performed Burn, Butcher, Burn once

I Don't Think Jaskier Really Trusts Geralt Yet - Analysis on the Geralt/Jasker reunion scene and how it looks like Jaskier is still hurting from what Geralt did to him and is still doing

Geralt Moving to Catch Jaskier's Vest - a little ramble on how this scene looks like the first steps Geralt's taking to prove he deserves the second chance he's getting from Jaskier.

Geralt introducing Jaskier and Ciri makes me mad every single time

Wait a Minute, Jaskier did Elven Activism through song? - pulling together context clues from the scene in S2 where Yennefer and Fringilla mention Jaskier's songs to Filavandrel and what that might mean in the grander scheme of his life and career

Jaskier may be Taylor Swift in the Witcher, but if he attended a Mitski Concert he'd be on his knees - excerpts from Mitski's "Nobody" and "Old Friend" why they are super similar to Jaskier's situation.

We deserve a Geraskier SnowWhite!AU

I want Marilka Back - I miss her and I loved her character, especially her profound effect on Geralt following that first episode.

"Have You Ever Shed a Tear Over Anything Elven?" - Massive appreciation post for this incredible line from Francesca to Yennefer with small analysis on why it's important and accurate.

^Pt. 2) this is not to say Elves who "pass" a human should be excluded from the community - further explanation of Yennefer's relationship with her Elven Blood and why she has alienated herself from the community, not the other way around.

Were there Non-Mutant Wolf Cubs Vesemir Raised at Kaer Morhen? - headcanon that since there was no way to tell the Continent that Kaer Morhen lost the ability to make more witchers, there were probably many more boys who were left to the keep who might've been taken in anyway.

People Don't Understand Vesemir? - an analysis on Vesemir's character, motivations, and canon backstory on why I believe it made a lot of sense for him to want to turn Ciri (and others) into Witchers. Minor Spoilers from Netflix's Nightmare of the Wolf.

Yennefer and Cahir's Wanted Posters - Let's look at these for a moment. You try to tell me anyone was going to actually catch them based on these if not for plot reasons and them acting suspicious as hell.

Oh My God, I forgot Yen had siblings, and they could still be alive?!

Why does TWN quote a line from the books that doesn't appear in Season 1? It Doesn't Make Sense. Geralt shouldn't have this quote in the show's Canon

Why I want to like Yennefer, but struggle to sympathize due to many writing choices from S2 - Character Analysis on why Yen being a morallly grey character is already difficult for me, but with what they did with her S2, particularly how they wrote her and Ciri together, I'm really not enjoying her :( Love the Fanon, but in Canon Yen stresses me out

Netflix is making Geralt and Yen look like a married couple who want to/should get divorced, but try bringing a child into the relationship to "fix" them and I hate it

My Critiques of Yennefer and the decisions the show makes with her character are criticisms of the Writing, Showrunner, and Production team. It is NEVER about Anya

I think the writers ruined the dock scene when they killed someone - analysis on the SandPiper scene on the dock and why it makes scene for Jaskier to retaliate, but it looks like he killed someone for being immature.

S1's excessive nudity was atrocious and I am so happy they dialed it back for S2

Silly Stuff:

Jaskier invented icon behavior when he wrote The Golden One

The Golden One is barely in the show and it makes me MAD

The Saddest Death of Season 2 (joke + obvious S2 spoilers)

I'm choosing to believe Jaskier DID "win the hearts of the huntress pair"

Sometimes I cry at my job while I write Angsty Geraskier fanfics on the computer (meme)

If the Continent treated Geralt like TS fans treat J*ke Gyllenh*l after BBB (joke)

My Geraskier fanfics aren't horny, just really S A D (meme)

I watched S1 of The Witcher in my senior year at highschool, and those fanfics had me by the gd neck

The Witcher is just Fantasy Queer Eye because I said so (+ lil sketch)

#Candied-Cae #Cae’s Masterlists #Cae Has Lots of Feelings About The Witcher

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rainydawgradioblog · 3 years

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a covidsation with mary claire

For the first Covidsation for autumn quarter, here is an interview I did back in May with Mary Claire, my dear friend and one of my favorite local artists. Mary Claire is a singer-songwriter based here in Seattle who makes “sad girl rock” (see: Mitski, Angel Olsen, etc.). I first met them through the DIY scene and was lucky enough to book them at the finale Red Room show, a house venue I used to live at and help run. As evidenced by the picture below taken that very night, seeing Mary Claire play live is a magical, mesmerizing, captivating experience. Often accompanied with minimal, but tonally-rich instrumentals, their powerful and hauntingly stunning voice paired with visceral, poetic lyrics transport you into another realm. I *highly* recommend listening to their album Phantom Limb, which you can find on your streaming platform of choice or you can snag a physical copy at Everyday Music on the Hill like I did! Last month, they also just released an incredible stop-motion music video for their song off PL called “I Don’t Like Drinking”, directed, edited, and animated by Barb Hoffman, which you can find here! Thank you Mary Claire for these thoughtful responses and for creating such vulnerable, beautiful art <3

Lola Gil: Tell me about your project. How has it evolved? Which artists are you most inspired by? How would you describe your sound?

Mary Claire: Hi hi I’m Mary Claire. I was never someone who was playing music since they were a little kiddo, it was something I picked up my senior year of high school. But pretty much everyone in my family has some amazing and weirdly specific aptitude for music, so I think being surrounded by that kind of allowed me to gather an eclectic, personal understanding, appreciation, and internalized feeling for music, so I never really took lessons or anything like that. I enjoyed and still enjoy that from the start, I was okay with the fact that I didn’t know “academic” theory and I just played with what feels and sounds right. And I still do that. So I played around with all those youthful punk feelings and had an angsty band in high school that was not bad for small town Sacramento. I think I learned so much from that and it gave me a flood of unhindered and unhinged confidence for recording, performing, maneuvering stage mechanics and technicalities, etc. Also it introduced me into the world of songwriting that I did for that band and for myself that just immediately poured out of me, which led me to what I’m doing now. I am extremely lyrically-focused and write mostly about lived personal experience that I surrender to and make extremely overly-wordy. I went from a solo act, to a bigger full piece crunchier band, to me and a piano player, back to a solo set, so I’m really just kind of evolving with my resources, the songs I’m currently living in and playing, and with what would bring everything to life most fully.

I’m inspired by everyone, even if I don’t necessarily sound like them or listen to them all the time. Like, my adoration for incredibly angry punk music is what got me started in the creation of my own music, so that foundation will never leave me. Even though I won’t sound like IDLES or Shame or Pissed Jeans, their point of view and their devotion to cramming so many words into one breath is a place I also come from. We execute similar feelings in different ways. And though I currently am not anything like Yves Tumor, King Krule, or FKA Twigs, the layers in their stuff sends me so far. But I think lyrically and melodically, I pull inspiration from and sink most into Mitski, Sasami, Angel Olsen, Palehound, Big Thief, Bella Porter, Darci Phenix, Fiona Apple, Sufjan Stevens, Izumi, and Weyes Blood.

Someone once said my tunes are “sad girl rock” and I think that sticks in a fun, quick way, so that’s what I tell people. But more recently, the stuff on my upcoming album I think is like a sad, fucked up, incredibly fast-paced nursery rhyme book (lol). I’m really excited for this album I wrote, more than anything ever. Also my good friend and twin flame Francis is helping me record it and is giving me a lot of knowledge and challenges and affirmations and inspiration. I owe a lot of this second album’s production and complexity him. There are a lot more people involved in the recording of this one, so it’s a lot fuller in a new and exciting and scary way.

LG: As an artist, how have you been affected by the pandemic? I saw most of your tour you had booked was unfortunately cancelled-- are you planning on rescheduling?

MC: Rescheduling feels so completely beyond me right now, so I am just considering it to be cancelled until things in the world really start to settle down to some degree of safety and responsibility. However, the silver lining in all of this ‘rona stuff is that it has given me a ton of time to recenter myself with my music and devote my own energy into recording and feeling the core of my upcoming album. I think when the world is moving so fast, it’s easy for me to feel like I’m behind, like other people are getting shit done faster and in a more “impressive way”, in a way that matters more or has more inherent value. So when we are all forced to stay at home with ourselves, not only does it remind me that all of those insecurities are completely not real and are in fact a delusion borne from a capitalistic-productivity-equals-artistic-worth-framework, but I also get time to actually enjoy and fine tune what I otherwise might have just thrown out into the ether desperately and prematurely in hopes to be current and up to date and ~with it~.

LG: Have you been working on writing any new tunes? Have you been involved in any other creative projects recently?

MC: When I was recording Phantom Limb, I wrote the majority of my next upcoming album, so while those songs don’t feel incredibly new, there is a ton of stuff I have yet to share and that I am so eager to scream to the world. It feels like some of the stuff I am most proud of making in my entire life.

But since I left for Berlin to study abroad last fall to when I came back to Seattle this January, I really hadn’t written anything new. I think I had been going through a lot of personal and immense change and hard growth that wasn’t particularly inspiring, it just sucked and was intense and necessary, but sometimes all that bad stuff is not something you can just make art out of. Plus I had to just do something totally different and invest and surrender to techno and being a gross city Eurotrash gremlin and let that out cathartically. But recently, I wrote my first super new song in what feels like ages, and I’m so happy. I was afraid maybe I’d forgotten how to do it, but it’s pouring out of me again and I feel like me again. I have also been working a bit back and forth with a friend from the project World Peace. We just keep sending clips back and forth and weaving our separate projects together a bit, which is something I’ve never done and I’m having a ton of fun, especially because our music is so different. Besides that, I have some plans to work with another good friend Izumi after having adored them the moment I moved here.

LG: How have you personally been dealing with the pandemic and the craziness that is 2020? What has your quarantine experience been like so far?

MC: I went home to Sacramento for a month and watched more TV than I had probably in my entire life. It was really good to see my family and siblings who I miss so much. But I came back to Seattle in April and since then have just been spending my days in a limbo of online school weirdness. But I’m so fortunate that I live with so many people who are all so unique, all of whom I feel are my best friends. So I definitely don’t get too bored:)

LG: What music have you been listening to during quarantine? What has been your go-to isolation album?

MC: Okay to be honest, when I begin to think of my next album and what it feels like inside of me, I make one single playlist with like hours and hours of songs on it and it’s the only thing I listen to for like a year. So I’m prone to listening to the same stuff perpetually forever and always, but I think I’ve always sort of been like that. It makes the feeling familiar. But since I’ve felt close to the sounds of my upcoming album for a long while now, I’ve actually pretty much been listening to what is my ~album 3~ inspo playlist, because I already feel that beast growing inside of me. I’m a planner.

Most of the artists on those playlists are the ones I listed above in regards to who I feel are my biggest inspirations. But right when quarantine started though I would pretty much only play Man Alive!, I would just go through the whole thing and then restart immediately. When I was in Sacramento, my family had a rule I could only play it with headphones because it was literally nonstop, that’s just how I consume things; I take a bath in them until I feel every single part of what was made. But other than that, I’ve been bumping Peter Campanelli’s Pesto Baby and crying a lot about it, Darci Phenix’s (my best bud from Sac) Juniper Street which is some of the best songwriting literally ever, and Francis Farmer’s Bruised Fruit which is SO expertly recorded and thought out, I am so lucky he is my friend and wants to record my upcoming album with me.

LG: Arethere any spring shows that you were particularly looking forward to attending that got cancelled?

MC: Pretty much all of them imaginable.

LG: How do you think the Seattle music scene is going to be like post-COVID?

MC: Hopefully, this can recenter us and remind us we’re all really really and truly in this together. It’s up to us to lift each other up and get each other on bills and spread the word and create community for those who need it most and for those whose lives rely on this art. Seattle seems like it is really good at that on a small scale, but once it gets to a little bit larger stage, it’s easy for people to forget where they came from, who supported them, and what should be at the forefront of our radars. I think shedding this cool guy persona and getting back to why this shit is so important and listening to/PROMOTING smaller artists who are making The Best stuff is something everyone could be reminded to do.

LG: In this funky era of social distancing, how do you think artists can support each other during these weird and difficult times? How do you think social media is facilitating and/or inhibiting connection within Seattle’s overall creative community?

MC: I think people’s ability to make what seemed like such an immediate switch to social media music promotion and shows was really amazing. However, it makes me feel a bit hopeless and dystopian and sci-fi in a weird way. That being said, trying to resist the change has only proven to be detrimental to me and kind has come back to kick me in the ass. Like, I should not be turning down opportunities just because livestreams kind of freak me out in how foreign and disconnected they can appear to be. I’m no better than them, and it’s important I think to accept things where they’re at instead of pretending they’re not happening.

That being said, I think everyone has been maneuvering with such grace and empathy and compassion for others in a way that I can really feel, and I hope that sticks around forever.

- Lola Gil

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