A character i designed in class today, got the assignment to make a character and for some reason i was thinking about bells
I realized while making her that she'd actually fit into my oc world pretty well and add some really interesting stuff
Have not come up with a name for her yet unsurprisingly, so lets just call her Bell Goat(sheep? cow?) Grandma for now
Also heres the sketches from when i was trying to come up with ideas, first i drew the bells in the corner, then the person in the top right, and then the sketch i ended up refining
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Is karkat going to go through a similar arc as peridot?
Karkat's arc is a bit of a mix between Amethyst and Peridot, but both sorts of flipped on their heads!
The idea with Karkat is that he's a Jasper who woke up too early. Unlike Amethyst who woke up too late, Karkat emerges from his hole some hundred years before he's supposed to. The planet is incubating and not being super closely monitored because everything's all set and they're just waiting for the gems to grow. This leaves Karkat pretty much alone on a desolate, dark, dying planet.
He wishes for nothing more than to go back to sleep, he tries to crawl back into his hole multiple times waiting for consciousness to slip, but he can't go back to "keep growing" after he's emerged.
The longer you wait, the more your mind fills. It’d be wrong to call them memories, you didn’t exist before, so they can’t be memories.
Purpose. What your purpose should be. You’re a Jasper, you’re a Quartz, made for war. You’re a soldier, you’re a warrior for Homeworld. You’re supposed to be big and strong, ready to fight for your creators, for your Diamond.
You’re supposed to fit your hole. You can’t.
So he makes a life of wandering the planet. It's cold and boring, so fucking boring, and he thinks a lot about what he could do. He thinks about how he's a failure to the Diamonds, swapping between fear of being discovered here and wanting nothing more than to interact and talk with another sentient being.
Unbeknownst to Karkat, another group of gems nears the Kindergarten. The Alpha Kids are a small group of rebel gems who stole a ship off Homeworld. Upon needing to stock up on supplies, Roxy locates an incubating Kindergarten that is long enough in its cycle for no gems to inhabit the planet, but early enough that they can still retrieve what they need. They land on the Kindergarten and Karkat eavesdrops, stunned to be witnessing actual living real people.
But Karkat realizes what they are, when he listens in and realizes that they're traitors.
He sees this as an opportunity. If he can turn these rebels in, then the Diamonds won't shatter him! He won't be a failure!
So he boards the ship, sneaking on as a stowaway. Roxy almost immediately finds him and it turns into that little scene.
Jane and Roxy convince Dirk to let Karkat live and stay aboard, and Karkat stays locked up in one of the rooms. He's like a little hissy cat, but he's also completely overwhelmed and overstimulated just being around things that aren't the Kindergarten.
With a lot of time and a lot of slowly building trust, Karkat starts to warm up to the Alpha Kids and eventually becomes a proper part of their squad.
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y'all know the 'and i love you so much i'm gonna let you kill me' line from that one florence + the machine song but i just can't stop thinking about it. like it is the ultimate anders line. the ultimate handers line.
you know, anders's life is (was) about running. he's good at it. he invented new ways to escape for every occasion. he got rid of fereldan templars. he kinda got rid of the wardens. he stayed out of kirkwall templar's sight for years. he could kill people and abandon duties and get away with it because it was what he knew the best.
and then he did something that would shake the world. something that people would demand his head for. before they had demanded it for who he'd been born. and then they got the reason that could not be denied. and he didn't run.
no way that he couldn't. kirkwall was burning and panicking, he could mingle with the crowd and disappear and leave no tracks behind but he didn't. he stayed and he wholeheartedly believed that hawke would kill him.
he was waiting for his coup de grâce. he would rather die by the hand of someone he knew and loved than by the hand of the people he was successfully running from because they hated him and he hated them. more importantly, once he had taken the life of his first love because there had been no hope for him, no salvation.
and he believed there was no hope for him now as well.
(and if hawke doesn't kill him he's so inspired. he's eager to fight because he doesn't want to die. he still has so much to do and now his life is finally completely his, because the first time he doesn't run he's spared. instead of a brand of tranquility or another year of solitary confinement or a knife in the back, he gets to know that there's someone who loves him so much they won't give up on him. they won't become his silent judge and this is the way they save him: not by denying his ideals, not by stopping him from fighting for his cause, but by letting him know there's still hope)
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Thinking about the Clive and Bill parallels again...
Both started with pretty average goals (gaining money / getting closure). Both became obsessed with said goals to the point of going through with their plans no matter the cost. Both became consumed by the desire to pursue a goal that isn't actually achievable (You can get more money but it will never feel like it's enough. You can lash out in anger but it won't make the anger go away). Both ended up killing innocents.
And yet.
Bill getting rid of his humanity in the hopes of getting money. Clive getting rid of his money in the hopes of getting his humanity back. Bill claiming he despises people like Clive when he has himself killed innocents for his own selfish plans. Clive claiming he hates politicians and scientists but still using science to build a mecha and politics to justify its use. Bill hiding everything, hiding from Claire that the machine isn't ready, hiding his crime from everyone. Clive exposing everything, exposing his secret base to Layton, exposing Bill and Dimitri's crime by his staging. Bill covering up the incident while Clive broadcasted his crime inside the fortress.
I don't know where I was going with this. Maybe that prime minister Bill looks like a honest citizen, just your regular Londoner really, while Clive is so obviously violent and destructive : and yet, Clive is the dove and Bill the hawk. Funny.
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hc that willscam wasn't made with hermie's memories. so when he asked who hermie was it was genuine because he would have no idea who that would be.
but he was made with the idea of hermie.
so he has this vague, fluttering ache, this groundless attraction. has the stage directions and nothing else. and everyone else has the script, sees the one he's understudying and all the ways he doesn't add up. he's pulled on in the final act and he's never seen the play before
so he has to know. they're in heaven, so he wishes that he did.
and then he knows. it's not quite like becoming hermie, not like hermie being reborn into a new body-- it's like a parent telling you a story of something impressive you did when you were younger that you had forgotten. it doesn't really change anything about you, but now you've incorporated it into your memory.
so now he has context.
now he knows the nameless shadow, the ultimate goal, the boy that died among friends but died yearning and alone nonetheless. he knows every stray thought, every mindless interaction, every rejection, every act and reality.
and he sees that boy and he understands him. feels his brightness and his bitterness and his love. (sees that what he was given when created pales in comparison.) he mourns for that boy and what he could have had and what he did and vows to carry that with him from then on.
and when he was brought back from the dead and got the chance that hermie never could, it solidifies.
they're not the same person, but he vows to carry the legacy that had once been forced upon him. vows to be more and have more than hermie was ever thought to. because they both deserve it.
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Wanted to draw something for this silly headcanon forever ago but since I still haven't you get this post instead.
About that DC au for Vat7k I have, where the team is the young justice league. Random fun fact : they all play DnD together, its a homebrew campaign where Varian is the DM, the campaign is called The 7 Kingdoms. And as you may have guessed, its actually just the vat7k story.
"But Varian is the DM how can he be the main character ?" Thats a good question audience I do not have! You could also ask who tf gets to play a fantasy campaign and just.. play as themself ? (Well. Probably some people cuz you can do what you want but our beloved characters wouldnt pass the opportunity to be literally anyone who isnt them.-)
Actually Varian doesnt play Varian. Hugo does. It started as a joke to bother him but the rest of the league thought it was the funniest thing ever and wanted to add to the joke. So Hugo is Varian, Aiden is Hugo, Nuru is Yong, Yong is Nuru and Varian wants to kick all of them out of his house rn.
They are all terrible caricature of each others. It actualy ends up helping them understand each others better- also free therapy I guess-
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