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ajabkahaniyatv · 1 year

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animation-stories · 2 years

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गर्भवती बहु vs गर्भवती बेटी | Hindi Kahani | Moral Stories | Saas vs Bah...

#youtube #गर्भवती बहु vs गर्भवती बेटी #Hindi Kahani #Moral Stories #Saas vs Bahu #Hindi Kahaniya #Kahaniya #Saas Bahu ki Kahani #Saas Bahu #Saas Bahu Stories #Saas Bahu Story Tv

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kahaniyatoons · 4 months

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पीले दातों वाली बहू |Saas Bahu Ki Kahaniya|Moral Stories Hindi Stories...

#youtube #पीले दातों वाली बहू |Saas Bahu Ki Kahaniya|Moral Stories Hindi Stories | Fairy tales | Hindi Story

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2dcreation · 11 months

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#hindi kahani #hindi kahaniya #hindi kahani cartoon #hindi kahaniyan hindi kahaniyan #hindi kahaniya moral stories #hindi kahaniya tv #hindi kahani new #hindi kahaniya new #hindi kahani video #hindi kahani story #hindi kahani saas bahu #hindi kahani hindi kahani #hindi kahani fairy tales #hindi kahani for kids #hindi kahani bhoot wala #Youtube

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crazycarss · 1 year

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అత్తగారి ఇల్లు - Mother-in-Law's House 🏡 Birds Stories | Telugu Kathalu ...

#youtube #mother in law #saas bahu #telugu kathalu #telugu stories bul bul tv

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shut-up-rabert · 1 year

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I want to shout this BAD.

Indian. Serials. Or Soap-Dramas. Are. Not. That. Bad.

I mean- I saw people arguing how being a Nagin makes no sense and I was like- so being turned into a shapeshifter vampire with bloody fangs makes sense? Hypocrisy smh.

I can name quite a few Indian shows (the Tv ones, Web series are already appreciated) that actually are amazing! They just fall short when creators choose quantity over quality.

Of course, classics like Sarabhai vs Sarabhai, Office Office, Byomkesh Bakshi, Malgudi days, Mahabharata and Ramayana get the praise they truly deserve! But here some relatively modern shows that get looked over due to same old Saas-Bahu genre.

Yeh unn dino ki baat hai (90s romantic drama), Har yug mein aayega ek arjun (my favourite criminal thriller), Adaalat (law-crime thriller), Beyhadh (the first season is one the best psychic-romance thrills ever), Ek Hasina thi (romantic thriller + also contains Vatshal Sheth from Tarzan the wonder car and is- chef's kiss).

Also can I say Naagin 1, no matter how much everyone bashes it today, was actually a dhasu show?

Honestly, I can add quite a few to the mix myself. Saraswatichandra? Best Romance I’ve seen till date. Ishqbaaz? Laughing out loud since episode 2. Qubool hai? The one time I like Karan Singh Grover. Laut Aao Trisha. Saubhagyavati Bhava. Bepanah. Starplus Mahabharat. Madhubala. On and on and on. Heck, even Anupama wouldn’t be so bad if it stuck to the plot and not for duniya bhar ka drama. But that’s exactly where the problem arises. All these serials start very VERY promising. They deliver well at the beginning aswell. The starting is what gets you hooked, you hope for something entertaining and they seem rather fit for that role. Sure, the overdramatism is there, but this is India, we can digest that much dhum tananananananana tere na tere na tin.

Things start going south when shows start pulling TRP. All the money hungry producers think that “hmmmm, this looks nice, I can milk it. What can possibly go wrong?” Hint: possibly everything can go wrong.

Lets look at Ishqbaaz for example. Three brother, three different perceptions of love, three distinct love stories. A shining new concept with four rather attractive leads to have the young adult population flocking, isn’t it?

It starts really great aswell. The first few episodes stick to the point very well, excessive delay like 3-4 days for like one person to turn around and shit aren’t there. It’s funny, it’s cute, it shows character arcs brilliantly. You’d expect the main leads to all fall in love, learn something and the show to end , right?

Wrong. It starts going off hinges really fast as soon as Starplus realises that the money making cow should stay. The main lead is suddenly super toxic. Shit like ghar ke bahu bete suddenly staging Agatha Christie level conspiracies and having the same intellect as Batman on shrooms becomes the norm. Drama like chhat se girkar yadaasht chale jaana, sautan ka plan samjhna, aur end m pta chlna ki bhencho sab kiya dhara heroine ki saas ka tha. Yep.

I stopped watching here but the thing is there was a look alike adla badli arc after this, so you can see how bad it went.

Next I watched, Saraswatichandra. I kid you not, it had the BEST setting one could ask for. A emotionally stinted guy coming all the way from Dubai to reject this girl, staying in her house. When everyone thinks they are getting married but they resent each other and secretly start falling in love, no? What more can one ask for? They admit their love and do actually get married while none in the families is wiser.

BUT, they had to add faltu ka natak, so add faltugiri they did. Bina baat ka action, stereotypical portrayal, heroine ki kahi aur shaadi, waha se uska talak, heroine ki sister falling in love with hero, whole family conspiring, kidnapping, yada yada yada, y’all get the jist.

The thing is, this wouldn’t be as bad if the characters still acted wisely in the bizzare situations. Or if the situations made sense. Who THE FUCK breaks their engagement a day before the wedding because they got disowned by their dad? Why did he immediately forget that he’s still entitled to his mother’s stuff? Akal kaha hai teri madarchod?

Producers butcher good storylines for paisa. People with no motivation are trying to kill bahu because they are bad. Police is not doing its job, not because its corrupt but because saas bahu ko khud detective khelna hai. Family drama mein randomly kahi se bhi chudail aa jaati hai even if the show not fantasy based. Vamp mast 16 khoon kar deti hai but still is legally allowed in the house. (Konsa law hai ye bc?) Why is everyone so out of character suddenly? WHY IS EVERYONE STUPID?

So, here’s the issue with indian serials: they don’t stick to the story, nor do they develope the story according to the characters, instead they alter the characters, premise and genre of the soap according to whatever story they think will fetch more views. This makes the whole thing bizzare.

Of course, some norms are always relaxed in dramas and a lot more in fantasy/supernatural dramas, but there’s a limit to how much there should be based on characters/ premise of what you offered in the first place.

Bhabhiji and Happu work as well as they do despite overlooking all the points I mentioned because they refresh their storyline every week and aren’t a continous saga, plus they never took themselves seriously as and always promised to be whacky. This is not true for Ganga, Saath nibhana saathiya, Sasural Simar ka, Kumkum bhagya etc., Prachi suffering by the hands of her stepsister cum co-wife even though she can easily turn the tables by making a police report for bigamy becomes frustrating to witness at one point.

Didi ye kya bakwaas likha hai, seedhey bolo na: Indian serials are indeed good and full of potential, but the producers and writers refuse to see that potential and make us flock to other dramas by diminishing our energies.

#what can i say except I’m sorry #This was asked ages ago #And I JUST found it in my drafts #god #🥹🥹🥹 🫂❤️✨#sorry suvi #asks

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1984vikas · 5 months

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serialslytical · 1 year

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How Indian TV Serials Have Captivated Audiences for Decades

Since the first Indian television serials were broadcast in the late 1980s, they have captivated and entertained audiences for decades. The popularity of these TV serials has grown over the years, and today, they are some of the most watched shows in the country. From soap operas to costume dramas, Indian TV serials have a wide range of genres and storylines.

Indian TV serials are known for their melodramatic storylines and often-cheesy dialogue. The most popular shows are typically soap operas, which are stories that follow the lives of a group of characters and explore themes such as family dynamics, relationships, and social issues. These shows often feature large casts and are often filmed in melodramatic settings. Popular soap operas such as Kyunki Saas Bhi Kabhi Bahu Thi, Kahaani Ghar Ghar Ki, and Bhabhi have been running for more than a decade and still remain popular with audiences.

Costume dramas are another popular genre of Indian TV serials. These shows often explore Indian history and culture and are set in a period before modern times. Popular costume dramas such as Jodha Akbar, Mahabharat, and Porus have captivated audiences with their dramatic storylines and stunning costumes. These shows typically feature a large cast of characters and are often filmed in lush settings anupama spoilers.

Another type of Indian TV serial is the daily soap. These shows typically air every day and follow the lives of one family or group of characters. Popular daily soaps such as Diya Aur Baati Hum, Yeh Rishta Kya Kehlata Hai, and Naagin have been running for years and remain popular with audiences.

Indian TV serials are also known for exploring social issues such as poverty, gender inequality, and casteism. These issues are often explored in the context of melodrama and often feature characters from different backgrounds coming together and overcoming their differences. Popular shows such as Balika Vadhu and Bade Acche Lagte Hain have explored such issues and resonated with viewers.

Indian TV serials have a wide range of genres and storylines, and they have captivated audiences for decades. The popularity of these shows has only grown over the years and they remain some of the most watched shows in the country. From soap operas to costume dramas, these shows explore a variety of themes and issues that are relevant to viewers. As Indian TV serials continue to evolve, they will remain a popular form of entertainment for many years to come.

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shippersark · 1 month

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#MrunalJain #YRKKH #YRKKH4

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indiatimelines-blog · 2 months

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Rashami Desai reacts to Ranveer Singh-Johnny Sins’ Ad

Ranveer Singh’s recent advertisement for a sexual wellness brand featuring adult star Johnny Sins has ignited a firestorm on the internet. The commercial, which humorously parodied the over-the-top drama often seen in Hindi television’s saas-bahu serials, has drawn mixed reactions. One notable critic of the ad is Rashami Desai, a seasoned actress with a strong background in the television industry.

Taking to Instagram stories, Rashami Desai expressed her disappointment with the ad, particularly highlighting its portrayal of the television industry. She began by reflecting on her own journey, starting from regional films and transitioning into television. Desai emphasized the significance of television, often referred to as the “small screen,” as a platform where diverse content, including news, cricket, and Bollywood films, is consumed by the masses.

Desai conveyed her dismay at how the advertisement seemed to belittle the television industry and those who work within it. She lamented the perception that actors from television are treated as lesser than their counterparts in the film industry, despite their hard work and dedication. The actress articulated her belief that the struggles and aspirations of television actors are often overlooked, with the big screen being deemed as the ultimate goal.

The heart of Desai’s critique lies in the disparity between the portrayal of reality on television shows versus the perceived glamorization of reality on the big screen. She argued that while television endeavors to showcase culture and love to its audience, advertisements like this one deliver a harsh reality check, potentially undermining the respectability of the television industry.

Desai concluded her statement by expressing her hope that others would understand the depth of her emotion and the importance of acknowledging the contributions of the television industry. Her words serve as a reminder of the value and dignity inherent in the work of television actors, urging for greater recognition and respect within the entertainment landscape.

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ajabkahaniyatv · 1 year

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