LTH001 by Leanca
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LA SERBARE, 2022, Performance mit David Dragan
The two performing artists share two things, they are gender queer and have a migration background. These things result in a constant need of fighting for recognition. On the one hand in Switzerland, as foreigners, on the other hand in their home country Romania as genderqueer people. In the performance “LA SERBARE” they negotiate the relationship of their gender crossness in connection with their descent. They question the traditions and customs that presuppose conforming gender images and reinforce their sense of alienation.
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Messiah, 1993, George Ștefănescu
Medium: gouache,cardboard
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The Jazz Band, 1999, George Ștefănescu
Medium: gouache,paper
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A quick sketch of my beloved Margaretha. 🩰
Initially I was doing a sketch study of a photograph of Anna Pavlova who eventually morphed into Margie 5 minutes into the sketching process.
Photography reference credit:
George Grantham Bain. Anna Pavlova ca. 1910-1915
https://www.loc.gov/pictures/item/2014694779/
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rolling shapes
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kpo live
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Pietà, 1969, George Ștefănescu
Medium: tusche,paper
https://www.wikiart.org/en/george-stefanescu/piet-1969
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Green Harlequin, 1987, George Ștefănescu
Medium: gouache,paper
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Virgin and Child, 1997, George Ștefănescu
Medium: gouache,paper
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Red Nude, 1990, George Ștefănescu
Medium: gouache,cardboard
https://www.wikiart.org/en/george-stefanescu/red-nude-1990
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Nudes, 1965, George Ștefănescu
Medium: oil,canvas
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7, Domnita Anastasia Str. – "My Heart has lingered there!", 1999, George Ștefănescu
Medium: acrylic,oil,cardboard
https://www.wikiart.org/en/george-stefanescu/there-is-my-heart
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Carpet of Time, 1998, George Ștefănescu
Medium: oil,canvas
https://www.wikiart.org/en/george-stefanescu/carpet-of-time-1998
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The Source of Colours, 1983, George Ștefănescu
Medium: oil,canvas
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