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#rolling stone aug 2023
myfavebandfizz · 9 months
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Rolling Stone 2023
Meet FIZZ, the indie pop supergroup discovering life’s secrets
Fun and friendship form the cornerstone of the debut album from Orla Gartland, dodie, Greta Isaac and Martin Luke Brown.
By Joe Goggins
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Picture: Karina Barberis  @annalisakarina
What do you do when you can feel the machinations of the music industry wearing you down? It’s a question that the four members of FIZZ found themselves asking themselves, and each other, as each struggled with the day-to-day grind of keeping their heads above water as solo artists. It wasn’t a feeing born out of a lack of individual success, either, something that each of them have tasted; in 2021, dodie’s debut album went to number three on the UK charts, after a rise to prominence on YouTube that saw her rack up hundreds of millions of views. Orla Gartland’s first album, also released two years ago, made the top ten, too, and met with rave reviews.
Greta Isaac and Martin Luke Brown, meanwhile, have made their own solo waves, the former with a searingly experimental blend of folk and pop and the latter as a singer-songwriter who trades in witty, thoughtful confessionals. Back in June, the four of them revealed themselves to comprise FIZZ, after having initially shrouded their identity in mystery. Their debut album, The Secret to Life, is their answer to the conundrum of how to preserve passion for making art in an unforgiving climate; as they explained to us, the key is to have a laugh with your mates.
Would it have been possible to make a record like this if you weren’t all such good friends to begin with?
Orla Gartland: I think so. We’ve known each other for eight, nine, ten years, and collaborated in different ways; backing vocals on each other’s songs, and I’ve played in dodie’s live band. So, there’s a bedrock there that has helped us fast-track so much of this band. There’s a deep knowing of each other, collectively and individually, and I think the band wouldn’t have come together so quickly without that.
dodie:After lockdown, Greta and Martin moved into this flat with me, and Orla lives just down the road, so we found ourselves hanging out a lot more, and eventually we ended up going out to this studio called Middle Farm in South Devon, where Orla was doing live sessions for her album. It’s run by this production wizard called Pete Miles, who very much encourages people to be themselves musically, and in their lives too. We all worked together there and it felt amazing, like a little taste of escape. It does feel as if the band was destined to be.
Had you all reached a point with your own careers where it felt as if there was something you wanted to escape from? 
Martin Luke Brown: 100%, yeah. We made the record over two separate weeks at Middle Farm, the first one being in December of 2021, and I remember saying just before we headed down there the first time, I just wanted a holiday from the reality of what its is to be a musician. It had become very jobbing for me. I love music so, so much, and it’s such a big, expansive thing, but you create your own box to live in and it felt like such a shame that I was stuck in such a narrow little lane. I think we all felt that way a little bit, and there was this unspoken thing of us all wanting to invert how we’d been doing things for the last ten years, and just go back to being 12-year-olds in the garage, hashing it out and having a laugh. And that’s exactly what happened. If anything, it’s gotten a bit out of hand! We weren’t expecting to sign a record deal. 
dodie: We’re all very proud of what we’ve done, but I think we wanted to break free from the shackles of what’s expected from us and, also, the pressure we put on ourselves, as well. It was a chance to get away from our own egos and get together as friends, with no expectations.
Greta Isaac: And Middle Farm is a very egoless place; you change your own bedsheets, you cook your own food, you sit around the dinner table every night whether you feel like it or not, and you discuss how you’re feeling. It’s not a results-oriented place at all. Pete is about setting things up as a bit of a playground for you to experiment and then capturing it on tape. That was so refreshing to us coming from London, where it feels like a bit of a treadmill, where you find yourself hunched over a laptop agonising over snare sounds.
Was it important to feel like you could play around with ideas and just follow your noses creatively? 
Brown: I know I can be guilty, with my own stuff, of starting out with something amazing and then agonising over it, relentlessly trying to improve on it and perfect it, and all I end up doing is sucking the soul out of it. We were really firm on not allowing that to happen, and letting this be whatever it is. 
Isaac: What I found very quickly making this album is that between our friendship and our musical ability, that was enough. It didn’t need to be overthought or analysed; it was a bit like a dream, going in, coming out and only realising what we had once we were finished. 
Gartland: It took me until after we’d put twelve songs on a playlist for me to make sense of what we’d made, because it all happened so fast. We didn’t allow ourselves to mess with it after a certain point for the good of the music, which is nice, because now it’s like a time capsule of that moment in our lives.
Brown: I like the idea that it’s going to bring back a load of memories, listening to it when we’re 50 or 60 years old. That’s what we’ll focus on then, not whether the snare sound is exactly right or whether we made a mistake somewhere.
When you were thinking about musical references for the record, was a sense of fun the most important thing? 
Isaac: I think the album speaks to what we were craving, not only in our own projects but in music in general. There’s a theatricality to it that goes back tot the seventies and eighties, referencing bands like Queen and Jellyfish, like a high camp to it. That’s something The Last Dinner Party do really well, too, to have this kind of uncompromising grandeur in the way they present music to people. That’s really rare these days. 
Brown: It doesn’t feel very Brit, does it? It feels like in this country you have to be very self-effacing, and take up as little room as possible, and be humble and say, “here’s my silly little songs”. Whereas there’s tracks on this album with five key changes! 
Gartland: It’s not an album that apologises for itself in any way. That comes from the group mentality where, in our own projects, we might be a little bit more timid but, when there’s safety in number, why not make the songs the loudest, most arrogant versions of themselves? 
dodie: And that’s being reflected in the way that we’re presenting it now, visually, which is just uncompromisingly loud. I love when people are proud of the work that they make and don’t apologise for it.
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Picture: Karina Barberis  @annalisakarina
There’s a real mix of songs that are lyrically playful on the record – like ‘Rocket League’ – and tracks that are more thoughtful and vulnerable. How do you go about balancing that?
Brown: Me and Gret have got probably fifty voice notes of songs like ‘Rocket League’. We could have a whole album full of one-minute songs about everyday nonsense. That one started out as the others just having a laugh about me playing Rocket League all the time, and it’s not something I would ever have made into a song myself, but it’s so ridiculous and silly and it encapsulates what we’re about quite nicely. 
dodie: The beauty of it being an escape for us is that we didn’t want the album to be too careful or considered; it was just supposed to be about exploring our friendship. And ironically, that’s what’s ended up being the overarching theme, which is that the secret to life is experiencing all that life has to offer with your friends by your side. 
Isaac: I feel like only ten years’ worth of friendship can allow for that spectrum of pure, unadulterated silliness, from being goofy to transitioning to more sincere songs like ‘Close One’, ‘As Good As It Gets’ and ‘You, Me, Lonely’, that comes from feeling safe enough to be vulnerable, among people who feel like your family. That was really true at Middle Farm. We’d be crying one minute and cackling with laughter the next.
How does it feel to be finally playing these songs live after sitting on them for a while? 
Isaac: We’re all huge fans of each other, but I think when you get to know people so intimately, when you’re having breakfast together every day, or going out for a walk and getting coffee, or having an argument about something – all these everyday things – it’s really easy to forget how talented everybody is. I look over at Orla fucking shredding on the guitar and think, “oh my god! I forgot you play guitar. You were in my flat three hours ago.”
Gartland: There’s something really special about that; just looking around you and being proud of your mates.
Secret to Life is available on September 15 via Decca. FIZZ play eight UK dates from September 29
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cannabiscomrade · 3 months
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This will probably be more of a gasteoparesis-related question than a feeding tube one, my bad, but how did you know it was time for a tube? What was it like in the lead-up to that point, assuming it wasn't sudden? How did it get on your radar, or your doctors' radars?
That’s okay! It’s still relevant for Feeding Tube Awareness Week and honestly I’ll always take the opportunity to talk about gastroparesis or feeding tubes
It wasn’t sudden, but it also was like a stone rolling downhill, where it picks up speed to the point where you can’t get ahead of it.
I always had gastric issues with vomiting being predominant, but was misdiagnosed for a long time before being correctly diagnosed with gastroparesis.
I had a flare start up in Aug 2022 that lasted til early Nov 2022 when I was finally diagnosed with gastroparesis during a hospitalization.
I immediately started the gastroparesis diet and Reglan in multiple forms, which failed. Then I tried erythromycin, which also failed, and then I got covid and I stopped being able to tolerate liquid food at the beginning of December 2022. I could not hold down any food, even something as simple as ensure clear and had no nutrition from the beginning of December until I started feeding through my tube in the beginning of January 2023. In total I was in a calorie deficit for about 5 months.
I worked with a dietitian who was familiar with gastroparesis, a gastroenterologist PA and overseeing MD that all agreed to move to a feeding tube, but the bureaucracy of insurance and waiting for my order to move through the system as an outpatient procedure around Xmas caused me to get critically ill and I was hospitalized with starvation ketoacidosis, and my tube was placed two days later. (Long time mutual remember) it was so bad I went into starvation ketoacidosis.
In between all of this were many ER visits and hospitalizations, all of this long winded story is to say that it should NOT get this far. You should have nutritional interventions way before this point.
Unfortunately I hear a lot of stories like this in the gastroparesis community, or others where they are barred from getting a tube because they’re not “bad enough” or they aren’t under a certain BMI/weight so I like to share my story and give out this resource:
American College of Gastroenterology 2022 Clinical Guideline for Gastroparesis
And specifically this treatment algorithm to present to your doctor
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To discuss treatment options if you think you’re at a point where you need nutrition support.
Other sources say a weight loss of over 5-10% of your weight involuntarily in the last 6 months and an inability to orally maintain nutrition in combination with the above.
TL;DR I tried multiple forms of treatment with a combination of medications and followed the pictured algorithm above all the way to the bottom but then I got really really sick and almost died
Advocate for yourself Happy Feeding Tube Awareness Week!
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louisupdates · 5 months
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FITFWT23: OUTRO SONGS
NORTH AMERICA
26 May - Mohegan Sun Arena, UNCASVILLE CT: The Best, by Tina Turner
27 May - Bank of New Hampshire Pavilion, GUILFORD NH: This Charming Man, by The Smiths
29 May - Place Bell, LAVAL QC: Downtown, by Petula Clark
30 May - Budweiser Stage, TORONTO ON: Summer of 69, by Bryan Adams
1 Jun - Blossom Music Center, CUYAHOGA FALLS, OH: Bittersweet Symphony, by Verve
2 Jun - Michigan Lottery Amphitheater, STERLING HEIGHTS, MI: Chasing Rainbows, by Shed Seven
3 Jun - The Icon Festival Stage, CINCINNATI: All These Things That I’ve Done, by The Killers
6 Jun - Kemba Live! Outdoor, COLUMBUS OH: The One I Love, by REM
7 Jun - TCU Amphitheater at White River State Park, INDIANAPOLIS: Love Will Tear Us Apart, by Joy Division
9 Jun - Saint Louis Music Park, SAINT LOUIS: Johnny B. Goode, by Chuck Berry
10 Jun - Starlight Theatre, KANSAS CITY MO: Moondance, by Van Morrison
13 Jun - BMO Pavilion, MILWAUKEE: I Can See Clearly Now, by Johnny Nash
15 Jun - Huntington Bank Pavilion, CHICAGO: September, by Earth, Wind, and Fire
16 Jun - The Armory, MINNEAPOLIS: Nothing Compares 2 U, by Sinéad O’Connor
17 Jun - Harrah’s Stir Cove, COUNCIL BLUFFS, IA: Ever Fallen in Love (With Someone You Shouldn't've?) by Buzzcocks
19 Jun - Denny Sanford Premiere Center, SIOUX FALLS, SD: American Pie, by Don McLean
21 Jun - Red Rocks Amphitheatre, MORRISON, CO 😪
24 Jun - Wamu Theater, SEATTLE: There Is A Light That Never Goes Out, by The Smiths
26 Jun - Doug Mitchell Thunderbird Sports Center, VANCOUVER BC: King Of Pain, by The Police
27 Jun - Mcmenamins Edgefield Concerts, TROUTDALE OR: Always On My Mind, by Elvis Presley
29 Jun - The Greek Theatre, BERKELEY CA: Never Tear Us Apart, by INXS
30 Jun - The Hollywood Bowl, LOS ANGELES: California Love by 2Pac ft Dr. Dre & Roger Troutman
1 Jul - The Chelsea at the Cosmopolitan, LAS VEGAS: Human, by The Killers
3 Jul - Arizona Financial Theatre, PHOENIX: Liberator, by Spear of Destiny
6 Jul - The Pavilion at Toyota Music Factory, IRVING TX: Hello, I Love You, by The Doors
7 Jul - Moody Amphitheater at Waterloo Park, AUSTIN TX: Teenage Dirtbag, by Wheatus
8 Jul - The Cynthia Woods Mitchell Pavilion, THE WOODLANDS TX: Walking On The Moon, by The Police
11 Jul - St. Augustine Amphitheatre, ST. AUGUSTINE FL: Every Breath You Take, by The Police
13 Jul - Hard Rock Live at Seminole Hard Rock Hollywood, HOLLYWOOD FL: Your Song, by Elton John
14 Jul - Yuengling Center, TAMPA FL: Hit Me With Your Best Shot, by Pat Benatar
15 Jul - Cadence Bank Amphitheatre at Chastain Park, ATLANTA: You Can’t Always Get What You Want, by The Rolling Stones
18 Jul - Ascend Amphitheater, NASHVILLE: Hold Back The Rain, by Duran Duran
19 Jul - Charlotte Metro Credit Union Amphitheatre, CHARLOTTE NC: Perfect Day, by Lou Reed
21 Jul - Red Hat Amphitheater, RALEIGH NC: Moondance, by Van Morrison
22 Jul - Merriweather Post Pavilion, Columbia MD: Easy, by The Commodores
24 Jul - MGM Music Hall at Fenway, BOSTON: More Than A Feeling, by Boston
25 Jul - MGM Music Hall at Fenway, BOSTON: Here Comes Your Man, by The Pixies
27 Jul - TD Pavilion at the Mann, PHILADELPHIA: Nothing Compares 2 U, by Sinead O’Connor
28 Jul - Stone Pony Summer Stage, ASBURY PARK NJ: Dancing In The Dark, by Bruce Springsteen
29 Jul - Forrest Hills Stadium, NEW YORK: We Are The Champions, by Queen
Away From Home Festival 2023
19 Aug - Parco BussolaDomani, Lido di Camaiore: We Are The Champions, by Queen
EUROPE
29 Aug - Barclays Arena, HAMBURG: Love Will Tear Us Apart, by Joy Division
31 Aug - Royal Arena, COPENHAGEN: Under Pressure, by Queen and David Bowie
1 Sep - Spektrum, OSLO: Wake Me Up When September Ends, by Green Day
2 Sep - Hovet, STOCKHOLM: Seven Nation Army, by White Stripes
4 Sep - Ice Hall, HELSINKI: Always On My Mind, by Elvis
5 Sep - Saku Arena, TAILLINN: All Star, by Smash Mouth
7 Sep - Arena Riga, RIGA: Thuderstruck, by AC/DC
8 Sep - Zalgiris Arena, KAUNAS: Can’t Help Falling In Love, by Elvis [Zouis this day]
10 Sep - Tauron Arena, KRAKOW: Lust For Life, by Iggy Pop
11 Sep - Atlas Arena, ŁÓDŹ: Blitzkreig Bop, by the Ramones
13 Sep - Wiener Stadhalle D, VIENNA: Supersonic, by Oasis
14 Sep - Stozice Arena, LJUBLJANA: Smile Like You Meant It, by The Killers
15 Sep - Budapest Arena, BUDAPEST: Helicopter, by Bloc Party
17 Sep - Arenele Romane, BUCHAREST: My Hero, by Foo Fighters
18 Sep - Arena Armeets, SOFIA: Bombtrack, by Rage Against The Machine
20 Sep - Petras Theater, ATHENS: Go With The Flow, by Queens of the Stone Age
1 Oct - Bilbao Arena Miribilla, BILBAO (VIZCAYA): Where Is My Mind, by The Pixies
3 Oct - Altice Arena, LISBON: Farewell To The Fairground, by White Lies
5 Oct - Wizink Center, MADRID: Munich, by Editors
6 Oct - Palau Sant Jordi, BARCELONA: One Armed Scissor, by At the Drive-In
8 Oct - Pala Alpitur, TURIN: Are You Gonna Go My Way, by Lenny Kravitz
9 Oct - Unipol Arena, BOLOGNA: Helicopter, by Bloc Party
11 Oct - Rockhal, ESCH-SUR-ALZETTE: Where Is My Mind, by The Pixies
12 Oct - Sportspaleis, ANTWERP: My God Is The Sun, by Queens Of The Stone Age [very self-aware choice]
14 Oct - Accor Arena, PARIS : Bubbles, by Biffy Clyro
15 Oct - Ziggo Dome, AMSTERDAM: Song 2, by Blur
17 Oct - Lanxess Arena, COLOGNE: Can't Stand Me Now, by The Libertines
19 Oct - O2 Arena, PRAGUE: Are You Gonna Be My Girl, by Jet
20 Oct - Mercedes Benz Arena, BERLIN: Friday I’m In Love, by The Cure
22 Oct - Olympiahalle, MUNICH: Praise You, by Fatboy Slim
23 Oct - Hallenstadion, ZURICH: Last Nite, by The Strokes
8 Nov - 3Arena, DUBLIN: These Are The Days, by Inhaler
10 Nov - Utilita Arena, SHEFFIELD: Mr. Brightside, by The Killers
11 Nov - AO Arena, MANCHESTER: This Charming Man, by The Smiths
12 Nov - Ovo Hydro, GLASGOW: Gloria, by The Snuts
14 Nov - Brighton Center, BRIGHTON: I Wanna Be Sedated, by Ramones
15 Nov - International Arena, CARDIFF: 20th Century Boy, by T-Rex
17 Nov - The O2, LONDON: Can’t Stand Me Now, by The Libertines
18 Nov - Resorts World Arena, BIRMINGHAM: Till The End Of The Road, by Boyz II Men
You can also find the list at this Twitter account: ltwtoutros.
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dotthings · 8 months
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Just another reminder about being cautious in relying on sites like Variety or Deadline concerning the strikes.
At this point, Variety and Deadline especially are being used as a controlled faucet for planned AMPTP "leaks." They're literally used as tools of the AMPTP. This isn't the only situation or instance of biases in entertainment news media (or news media in general. News media is biased, it comes with the territory. There's also entire journalism classes on the subject). Or the only instance I know of where entertainment media is used as a "leak" mouthpiece for an agenda. But the strike "reporting" has made it very loud and even more obvious.
For context, let's go back to September 2020. Penske Media, which owns a bunch of stuff, went into a joint venture with MRC, which owns a bunch of stuff. Including Dick Clark Productions, a member of the AMPTP. They make TV shows. PMRC therefore has financial interests in entertainment media sites and a TV production company.
Penske Media Corporation (PMC) has joined forces with MRC to bring together entertainment magazines including Variety and the Hollywood Reporter, as well as create a new partnership for film and television content.
In joint statements released Wednesday, the companies announced they’ll each have stakes in two new joint ventures to manage the suite of influential industry titles. One entity, PMRC, will house publishing outlets of both companies, bringing together Billboard, Rolling Stone, Vibe, Deadline, IndieWire and WWD along with Variety and the Hollywood Reporter, and be managed by PMC. Another joint venture managed by MRC — producer of film and TV including Netflix drama “Ozark,” Hulu documentary “Fyre Fraud,” Lionsgate feature “Knives Out” and the Golden Globe Awards (via its Dick Clark Productions division) — will be tasked with creating intellectual property from across the publications for new TV, film and live events. Financial terms weren’t disclosed.
When the WGA and AMPTP went back into negotiations, there was supposed to be a media blackout.
Instead, last night, websites like Variety and Deadline ran articles with "leaks" about how the talks were going. The leakers being the AMPTP as a way to try to control the narrative, mislead the public in the PR war, and cause discouragement or division within the WGA, and make the AMPTP look like they're being so amazingly generous when they're still giving the WGA almost nothing.
Some tweets from WGA members:
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[Image ID:
@joerussotweets
There was no WGA strike captain meeting yesterday.
5:40 PM · Aug 15, 2023 ]
[Image ID: @jonrog1
Jesus, that Deadline article is more than just wrong, it slid into the hallucinatory. They may as well have added unicorns.
11:15 PM · Aug 15, 2023 ]
[ @Gennefer
I guess the AMPTP’s new PR firm went with the “planned leak during a media blackout to appear magnanimous in their counter offer so the WGA will seem unreasonable if they reject it” strategy.
Quote Variety Aug 14
AMPTP Would Give Showrunners Latitude to Set Size of TV Writing Staff https://variety.com/2023/biz/news/amptp-meet-wga-tv-staff-size-1235696391/
9:30 PM · Aug 14, 2023 ]
Be careful out there when you're linking to entertainment sites owned by giant media conglomerates.
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kanmom51 · 1 year
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BTS Masterlist
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FESTAS
It’s been 9 years
BTS message to Army
BTS selfie collection 21/22
BTS dance record day 1
BTS dance record day 2
BTS dance record day 3
BTS dance record day 4
BTS dance record day 4 (2)
BTS dance record day 5
Festa dinner 14 June 2022
Festa dinner - what now?
PHOTOSHOOTS
2022 BTS 달마중 [DALMAJUNG] Preview
10 Star photoshoot making
Us ourselves and BTS ‘We”
Merry Christmas from BTS over the years
Photos
EVENTS
BTS honorary ambassadors for Busan Expo 2030
BTB BTS Visited the White House to Discuss Anti-Asian Hate Crimes
BTS Oscars 2022
BTS Grammy’s 2019, 2020, 2022
OMG OMG OMG OMG
Yus
BTS on Twitter
18 April 2023 Hobi enlistment
Today we said goodbye to Hobi
PROOF MASTERLIST
A born singer
Yet to come + For youth
Still with you acapella
BTS Yet to come - the cinematic parallels
Proof ot7 Vlive - RM & V and their spoilers
Proof 2 new songs on CD 3
Proof live
BTS Yet To Come (The Most Beautiful Moment) MV Photo Sketch
Mnet comeback 16 June 2022
Yet to come - M countdown
For youth - M countdown
BTS Inkigayo 19 June 2022
Final ending fairies
Members reactions to JM’s ending fairy
BTS Proof live photo sketch
TMA 2021 BTS full performance
Wait, there was a grand prize
Run BTS dance practice
More from Run BTS dance practice
JIN
Jin birthday surprise 10 Dec 2015 - Tae eureka moment
Jin being adorable
when Jin knows he’s cute
Jin concert day 4 - happy birthday
A WTF Jin moment
Oh Jin baby
JM and JK starring in Jin’s IG post 12 July 2022
1 April 2023
Jin Weverse 17 April 2023
JHOPE
Why is Hobi ignored
Happy birthday Hobi - our ray of sunshine
Jhope ‘MORE’ MV Shoot Sketch BTB
Jhope W Korea
W Korea Hobi B-side
Jhope W Korea more photos
Equal signs - Jack in the box
W Korea missing pics from Hobi’s party
Hobi Jack in the box party W Korea photos
I just love Hobi
Me Myself & I J-Hope "All New Hope" silhouette photos
Me Myself & J-Hope “All New Hope” clip
Me Myself & J-Hope “All New Hope” photos 1
Me Myself & J-Hope “All New Hope” photos 2
Hobi’s birthday 18 Feb 2023
Hobi birthday live
Jhope live 26 Feb 2023
Jhope On the street photo sketch
Jihope, Sope and Vhope
Jhope live 26 Feb 2023
Jhope Weverse 10 April 2023
Hobi IG & Weverse 17 April 2023
Hobi's message - 7 May 2023
Jhope 24 May 2023
Jhope 16 August 2023
Hobi
Taehyung
Taenni soft going public
Tae looks happy
More about Paris
More Taenni
Again about Tae
FRIENDSHIP TATTOOS
PolyC IG story 13 November 2022
BTS friendship tattoos
Friendship tattoo
Poly C’s autograph wall
FUNNY
That that - Run BTS version
BTS members fathering styles, lol
Bangtan Bomb 29 Aug 2021 - SBS 2020 performance Link 2;
BTS investment club
OTHER
BTS’s Dynamite makes it’s way into Rolling Stones list of top 500 songs of all times.
The Truth Untold - Fukuoka Dome Japan
Late late show announcement
Leaving for LV
Bangtan bomb Feb 2015
I'm crying
D-day final
Happy birthday RM 2023
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lonely-soul-02 · 8 months
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Oasis Reunion Speculation 2011 vs 2023
2011 was a busy year on the Oasis reunion rumours front although extracts from various articles show how wide the gulf was between the brothers. What's fascinating is how Noel's WTSMG anniversary ideas back then mirror Liam's Definitely Maybe anniversary ideas now. They missed the anniversary reunion boat in 2015 but they could catch the next one. Have lessons been learned?
Liam
"Going around playing someone else's [Oasis] songs?" says Gallagher. "That's not cool, is it?"
"Oasis is an entity that is to do with Liam and Noel," agrees Bell.
But an Oasis reunion, Gallagher insists, simply isn't going to happen.
"Never," he says firmly. "This [Beady Eye] is not a stopgap until me and Noel come to our senses and start Oasis again. That is well and truly done.” 
The Guardian Feb 2011
Noel 
“Well I regret when I was sat in the car and I kind of made a snap decision, really, if I had my time again I’d have thought about it a bit more and gone back, done the gig, done the next, there was only two gigs left on the tour,” he remarked.
“It was a hasty decision I’ve got to say, and we could maybe have all gone off and done other things for a few years. In my own head the 2015, 20-year anniversary of ‘…Morning Glory’ is looming and we could have maybe come back, made a new album and played that album in its entirety [WTSMG] and gone and been the greatest thing ever, but there you go.”
Absolute Radio August 2011
Noel
Is there any chance that Oasis will ever reunite?
“Liam has said that the idea makes him vomit and it would never happen, so I don’t need to add anything to that. I don’t need the fucking money, but I think it’s a shame that songs like “Champagne Supernova,” “Rock and Roll Star,” “The Importance of Being Idle” and “The Shock of the Lightning” will never be played again. In a stadium. That kind of fills me with sadness. The money is kind of irrelevant. There’s bands that say, ‘We don’t want to get back together. We’d have to make a new record.' Why? Fuck a new record. No one gives a shit about your new record. Play the fucking old ones. The Led Zeppelin guys are like, ‘There will have to be a new record.’ Really? Yeah, because that would be fucking great, wouldn’t it? Play fucking ‘Whole Lotta Love.’ Get over it.
So, you’re saying there won’t ever be a reunion? Most groups say ‘never ever’ and then 10 years later, they do it.
"I’m saying that the singer has said “Never ever.” So we’ll leave it at that. 
Rolling Stone Magazine Oct 2011
Liam
"If we can put our shit aside, we can tour and play the album in its entirety for the 20th anniversary," Liam told Rolling Stone magazine. "I'd be up for that, if it's on our terms. There's got to be two-way respect. [Noel's] the one that keeps mentioning it," Liam said. "I want to put him out of his misery.
The Guardian Oct 2011
Fast forward to 2016...
Liam on Oasis splitting… I was more disappointed that Oasis split up. I wonder if he was. I’ve never heard him say he was disappointed about Oasis. No, he’s got what he wanted. Er, Liam seems you didn't follow his 2011 interviews!
Liam on reuniting with Noel…. Do you think I want to be in a band with that c*nt? He says, ‘Liam has to change.’ Get to f*ck. So I just tweet when he drops the ball because I will not let him get away with murder.
Q Magazine Aug 2016
What a role reversal. In Liam's case, it's all a far cry from the Oasis flag carrier he is today, whist Noel was the wistful and nostalgic one. What strikes me is how entrenched they both are in this cycle of baiting and punishing one another. As soon as one expresses interest, the other dismisses it, so that they are never in agreement, just as they are demonstrating in 2023.
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dreamings-free · 9 months
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by Joe Taysom Fri 4th Aug 2023 10.46 BST
The Libertines’ Pete Doherty has joined forces with Louis Tomlinson to release the debut album by singer-songwriter Andrew Cushin.
Waiting For The Rain is released on September 29th through Strap Originals, a label founded by Doherty and manager Jai Stanley. Cushin, who has been signed to the company since 2021, has been supporting Tomlinson on tour throughout the summer in North America and is set to play arena shows across Europe with the former One Direction star later this year.
Through his company 78 Productions, Tomlinson, who scored a number one album last year with Faith To The Future, offered to assist Doherty with the release of Cushin’s debut to help the LP reach a wider audience. “Here at Strap Originals we always put the artist first and it’s amazing that Louis Tomilinson and 78 productions are offering their support to the uber-talented Andrew Cushin,” Doherty said.
Tomlinson, who saw Cushin for the first time on Soccer AM last year, added: “As somebody who has been interested in up and coming acts, working with Andrew was a no brainer. With his incredible voice partnered with his honesty in lyric I’m really excited to work alongside Peter and the Strap Originals team to help Andrew reach as many people as possible.”
Meanwhile, Cushin said of the collaboration: “As somebody who has been interested in up and coming acts, working with Andrew was a no brainer. With his incredible voice partnered with his honesty in lyric I’m really excited to work alongside Peter and the Strap Originals team to help Andrew reach as many people as possible.”
Doherty recently confirmed The Libertines have finished work on their next album All Quiet on the Eastern Esplanade. Speaking to Far Out��last year, he exclusively revealed the band planned to make new music with former Rolling Stones producer Andrew Loog Oldham in Bogota, Colombia.
Doherty stated: “We’re still chugging along, so we’ll see. We’re going to Bogota in Colombia at the end of March, and while we’re there, we are supposed to be meeting up with Andrew Loog Oldham, The Rolling Stones producer and songwriter.”
Listen to ‘Wor Flags’ by Andrew Cushin below.
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LETTERS FROM AN AMERICAN
August 2, 2023
HEATHER COX RICHARDSON
AUG 3, 2023
There have been more developments today surrounding yesterday’s indictment of former president Trump for conspiring to defraud the United States, conspiring to disenfranchise voters, and conspiring and attempting to obstruct an official proceeding as he tried to overturn the results of the 2020 election and install himself in office over the wishes of the American people. 
Observers today called out the part of the indictment that describes how Trump and Co-Conspirator 4, who appears to be Jeffrey Clark, the man Trump wanted to make attorney general, intended to use the military to quell any protests against Trump’s overturning of the election results. When warned that staying in power would lead to “riots in every major city in the United States,” Co-Conspirator 4 replied, “Well…that’s why there’s an Insurrection Act.”
The Insurrection Act of 1807 permits the president to use the military to enforce domestic laws, invoking martial law. Trump’s allies urged him to do just that to stay in power. Fears that Trump might do such a thing were strong enough that on January 3, 2021, all 10 living former defense secretaries signed a Washington Post op-ed warning that “[e]fforts to involve the U.S. armed forces in resolving election disputes would take us into dangerous, unlawful and unconstitutional territory.” 
They put their colleagues on notice: “Civilian and military officials who direct or carry out such measures would be accountable, including potentially facing criminal penalties, for the grave consequences of their actions on our republic.” Josh Marshall at Talking Points Memo recalled today that military leaders told Congress they were reluctant to respond to the violence at the Capitol out of concern about how Trump might use the military under the Insurrection Act. 
Political pollster Tom Bonier wrote: “I understand Trump fatigue, but it feels like the president and his advisors preparing to use the military to quash protests against his planned coup should be bigger news. Especially when that same guy is in the midst of a somewhat credible comeback effort.”
On The Beat tonight, Ari Melber connected Trump Co-Conspirator John Eastman to Senator Ted Cruz (R-TX). Just before midnight on January 6, 2021, after the attack on the U.S. Capitol, Eastman wrote to Pence’s lawyer to beg him to get Pence to adjourn Congress “for 10 days to allow the legislatures to finish their investigations, as well as to allow a full forensic audit of the massive amount of illegal activity that has occurred here.” On the floor of the Senate at about the same time, Cruz, who voted against certification, used very similar language when he called for “a ten-day emergency audit.” 
An email sent by Co-Conspirator 6, the political consultant, matches one sent from Boris Epshteyn to Trump lawyer Rudy Giuliani, suggesting that Epshteyn is Co-Conspirator 6. The Russian-born Epshteyn has been with Trump’s political organization since 2016 and was involved in organizing the slates of false electors in 2020. Along with political consultant Steve Bannon, Epshteyn created a cryptocurrency called “$FJB, which officially stands for “Freedom. Jobs. Business.” but which they marketed to Trump loyalists as “F*ck Joe Biden.” By February 2023, Nikki McCann Ramirez reported in Rolling Stone that the currency had lost 95% of its value.
Since the indictment became public, Trump loyalists have insisted that the Department of Justice is attacking Trump’s First Amendment rights to free speech. Indeed, if Giuliani’s unhinged appearance on Newsmax last night is any indication, it appears that has been their strategy all along. Aside from the obvious limit that the First Amendment does not cover criminal behavior, the grand jury sidestepped this issue by acknowledging that Trump had a right to lie about his election loss. It indicted him for unlawfully trying to obstruct an official proceeding and to disenfranchise voters. 
Today, Trump’s former attorney general William Barr dismissed the idea that the indictment is an attack on Trump’s First Amendment rights. Barr told CNN’s Kaitlan Collins: “As the indictment says, they're not attacking his First Amendment right. He can say whatever he wants. He can even lie. He can even tell people that the election was stolen when he knew better. But that does not protect you from entering into a conspiracy. All conspiracies involve speech. And all fraud involves speech. Free speech doesn't give you the right to engage in a fraudulent conspiracy.” 
Rudy Giuliani has his own troubles in the news today, unrelated to the attempt to overturn the results of the 2020 election. His former assistant Noelle Dunphy is suing him for sexual harassment and abuse, and new transcripts filed in the New York Supreme Court of Giuliani’s own words reveal disturbing fantasies of sexual domination that are unlikely to help his reputation. (Historian Kevin Kruse retweeted part of the transcript with the words, “Goodbye, lunch.”) 
The chaos in the country’s political leaders comes with a financial cost. According to Fitch Ratings Inc., a credit-rating agency, the national instability caused by “a steady deterioration in standards of governance over the last 20 years” has damaged confidence in the country’s fiscal management. Yesterday it downgraded the United States of America’s long-term credit rating for the second time in U.S. history. 
Fitch cited “repeated debt-limit political standoffs and last-minute resolutions,” “a complex budgeting process,” and “several economic shocks as well as tax cuts and new spending initiatives” for its downgrade. The New York Times warned that the downgrade is “another sign that Wall Street is worried about political chaos, including brinkmanship over the debt limit that is becoming entrenched in Washington.”
The timing of the downgrade made little sense economically, as U.S. economic growth is strong enough that the Bank of America today walked back earlier warnings of a recession. Treasury Secretary Janet Yellen noted that the key factors on which Fitch based its downgrade had started in 2018 and called the downgrade “arbitrary.” The editorial board of the Washington Post  called the timing “bizarre.” But the timing makes more sense in the context of the fact that House Republicans could not pass 11 of 12 necessary appropriations bills before leaving for their August recess.
The White House said it “strongly disagree[d]” with the decision to downgrade the U.S. credit rating, noting that the ratings model Fitch used declined under Trump before rebounding under Biden, and saying “it defies reality to downgrade the United States at a moment when President Biden has delivered the strongest recovery of any major economy in the world.” But it did agree that “extremism by Republican officials—from cheerleading default, to undermining governance and democracy, to seeking to extend deficit-busting tax giveaways for the wealthy and corporations—is a continued threat to our economy.”
LETTERS FROM AN AMERICAN
HEATHER COX RICHARDSON
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2023 Disney Film Tournament
All films that count under my criteria are under the cut, as well as my poll posting schedule. If you feel like a film should or should not be included, feel free to send an ask!
Snow White and the Seven Dwarfs is the automatic winner of the 1930s section because it’s the only one.
Positive propaganda is allowed, I just may not publish it all if there is heavy volume.
Winners of the year have a sun emoji and are italicized, winners of the decade have a moon emoji and are bolded, the final winner will be blue and have a star emoji.
1930s
☀️🌙1937 - Snow White and the Seven Dwarfs
1940s - Week 1, 11 July 2023
1940
Pinocchio
☀️🌙Fantasia
1941 - Dumbo
1942 - Bambi
1943 - Saludos Amigos
1945 - The Three Caballeros
1946 - Make Mine Music
1947 - Fun and Fancy Free
1948 - Melody Time
1949 - The Adventures of Ichabod and Mr. Toad
1950s - Week 2, July 18 2023
1950 - Cinderella
☀️🌙1951 - Alice in Wonderland
1953 - Peter Pan
1955 - Lady and the Tramp
1959 - Sleeping Beauty
1960s - Week 3, July 25 2023
☀️🌙1961 - One Hundred and One Dalmatians
1963 - The Sword in the Stone
1967 - The Jungle Book
1970s - Week 4, Aug 1 2023
☀️🌙1970 - The Aristocats
1973 - Robin Hood
1977
☀️The Many Adventures of Winnie the Pooh
The Rescuers
1980s - Week 5, Aug 8 2023
1981 - The Fox and the Hound
1985 - The Black Cauldron
☀️🌙1986 - The Great Mouse Detective
1988 - Oliver & Company
1989 - The Little Mermaid
1990s - Week 6-7, Aug 15 & Aug 22 2023
1990 - The Rescuers Down Under
1991 - Beauty and the Beast
1992 - Aladdin
1994 - The Lion King
1995
A Goofy Movie
Pocahontas
☀️Toy Story
1996 (because there is no 1993 movie, I will fit both of these in the decade poll)
James and the Giant Peach
☀️The Hunchback of Notre Dame
1997 - Hercules
1998
☀️🌙✨Mulan
The Lion King II: Simba’s Pride
A Bug’s Life
1999
Doug’s 1st Movie
☀️Tarzan
Toy Story 2
Fantasia 2000
2000s - Week 8-9, Aug 29 & Sept 5 2023
2000
The Tigger Movie
Dinosaur
☀️🌙The Emperor’s New Groove
2001
Recess: School’s Out
☀️Atlantis: The Lost Empire
Monsters, Inc.
2002
Return to Never Land
☀️Lilo & Stitch
Spirited Away
Treasure Planet
The Jungle Book 2
2003
Piglet’s Big Movie
☀️Finding Nemo
Brother Bear
2004
Teacher’s Pet
Home on the Range
☀️The Incredibles
2005
Pooh’s Heffalump Movie
☀️Howl’s Moving Castle
Valiant
Chicken Little
2006
Bambi II
The Wild
Cars
☀️The Nightmare Before Christmas
2007
Meet The Robinsons
☀️Ratatouille
2008
☀️WALL•E
Roadside Romeo
Tinker Bell
Bolt
2009
Up
Ponyo
Tinker Bell and the Lost Treasure
Disney’s A Christmas Carol
☀️The Princess and the Frog
2010s - Week 10-11, Sept 12 & Sept 19 2023
2010
Toy Story 3
Tales from Earthsea
Tinker Bell and the Great Fairy Rescue
☀️🌙Tangled
2011
Mars Needs Moms
Cars 2
☀️Winnie the Pooh
2012
The Secret World of Arietty
Arjun: The Warrior Prince
☀️Brave
Secret of the Wings
Wreck-It Ralph
2013
Monsters University
Planes
☀️Frozen
2014
The Pirate Fairy
Planes: Fire & Rescue
☀️Big Hero 6
2015
Tinker Bell & the Legend of the Never Beast
☀️Inside Out
The Good Dinosaur
2016
Zootopia
Finding Dory
☀️Moana
2017
Cars 3
☀️Coco
2018
☀️Incredibles 2
Ralph Breaks the Internet
2019
Toy Story 4
☀️Frozen II
2020s - Week 12, Sept 26 2023 (They JUST all fit!)
2020
☀️Onward
Soul
2021
Raya and the Last Dragon
Luca
☀️🌙Encanto
Diary of a Wimpy Kid
2022
☀️Turning Red
Lightyear
Strange World
Diary of a Wimpy Kid: Rodrick Rules
Favorite Over All the Decades - Week 13, Oct 3 2023
The list of contenders for this poll will update as the results roll in.
1930s - Snow White and the Seven Dwarfs (1937)
1940s - Fantasia (1940)
1950s - Alice in Wonderland (1951)
1960s - One Hundred and one Dalmatians (1961)
1970s - The Aristocats (1970)
1980s - The Great Mouse Detective (1986)
1990s - Mulan (1998)
2000s - The Emperor’s New Groove (2000)
2010s - Tangled (2010)
2020-2022 - Encanto (2021)
Overall Winner: Mulan (1998)
The NEW 2020s poll, with the winners from 2020, 2021, 2022 and 2023 as the contenders, will start January 1, 2024.
If the overall 2020s movie winner changes, I will then hold a new decades poll on January 8, 2024.
The 2020s poll from 2024 and onward (lol) will just have the top movie from each year go against the new ones. If we run out of slots available for all the new movies with the previous winners, I will hold a poll with just the new movies, get a winner, and then run it against the old year winners of the 2020s.
If I remember to run this tournament into the 2030s, I will do an Over the Centuries poll comparing the favorite of one century of Disney animation to another :).
My main blog is @deathsmallcaps and my art blog is @patheticbatman if curiosity strikes you.
I’m pretty sure there is another poll going on like this, I’m just running this one for my own amusement, and because I like to think about these in terms of decades.
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laurolive · 6 months
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Paul and Linda, a collection of PDAs: Part 4 - Arm in Arm, Hand on Shoulder, etc.
In other words, more more hands and arms to hold onto each other …
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March 25, 1971 Heathrow Airport, London, England
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Date unknown, guessing 1973 from the ages of the children. Paul surrounded by his family of girls, arm in arm with Linda.
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I believe this is 1973 Band on The Run photo shoot.
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As above, right picture edited with a smooth background.
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Fall 1974 during early sessions for Venus and Mars at Abbey Road. A nice pose with hand on Linda’s shoulder. First photo was included in Daily Mail article Jan. 6, 2023, on Mary McCartney’s Abbey Road documentary.
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Jan. or Feb. 1975 New Orleans. You hold my arm while I hold my joint. 😆 Photo by John Taylor.
Per Daily Mail article Aug. 8, 2013 “I want to SHAKE your hand!” The caption for this photo was as follows: “Young love: McCartney and his wife Linda caught in an unposed moment, taken by fan John Taylor.”
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1976 for Rolling Stone. Paul places a steadying hand on Linda’s shoulder (maybe it’s to steady himself 😊) as daughters Mary and Stella show off their cuteness.
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1978 in front of a castle near Folkestone. Linda is on her appaloosa horse, resting a comforting hand on Paul’s shoulder. Photo by Jim Sugar.
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1978 Another pic of Paul and Linda posing with her horse. Photo by David Thorpe/Daily Mail.
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1985 London. Photos by Terry O’Neill
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April 4, 1989 at The Grosvenor House Hotel for the Ivor Novello Awards.
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Oct. 1992 On their property in East Sussex with Linda atop her beloved appaloosa horse as she poses with her hand resting affectionately on Paul’s shoulder, for Vanity Fair article “Moll of Kintyre.” Photo by Harry Benson.
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1993 Photo shoot for the album Off The Ground. Arm in arm and ready for the altar; but, alas, it is not a real wedding (it’s not a recreation of their 1969 nuptials nor a renewal of vows).
They’re just donning the costumes of a bride and groom, who evidently are not in sync with the era of their marriage. Paul’s groom looks to be from the late 1950s, while Linda’s dress looks like an heirloom from the 1850s — kind of matronly with a veil that looks like she’s wearing a lace tablecloth — but Linda looks cute in it and gives it some old fashioned charm.
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krispyweiss · 8 months
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Roger McGuinn at Midland Theatre, Newark, Ohio, Aug. 22, 2023
There’s no need for Roger McGuinn to write a book. His Songs and Stories With … tour is his autobiography. And hearing the man speak and sing about his incredible life and career is much more enjoyable than reading about it anyway.
As the jangle of an electric guitar playing the Byrds’ arrangement of “My Back Pages” filled the hall - “My ‘My Way,’” McGuinn called it - he walked on stage, stepped to a mic and began to sing. At 81, McGuinn’s voice betrayed some fragility at various points during his two-set, 110-minute performance inside Newark, Ohio’s, three-quarters-full Midland Theatre. But he still plays and sings like a Byrd.
After the opener, McGuinn, dressed in all black save for a red feather in his fedora, took a seat and, surrounded by a banjo, 12- and six-string acoustic guitars, his trusty electric Rickenbacker and tropical plants, proceeded to tell his life’s story. And the concert had the arc of a book, beginning with his childhood in Chicago where he first heard “Heartbreak Hotel” and “Be-Bop-A-Lula” - snippets of which he played - before he went to the Old Town School of Folk Music and got turned on to Bob Gibson and Lead Belly, leading McGuinn to offer full versions of “Daddy Roll ’Em” and “On Easter Morn’ He Rose.”
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A teenaged McGuinn then met Pete Seeger, from whom he learned “Turn! Turn! Turn!,” played on electric, and “Rolling Down to Old Maui,” rendered acoustically. He was hired by the Limeliters, met David Crosby in California and Joan Baez (“Virgin Mary”) in New York. He traveled to South America and was inspired to write what would become the bridge of “Chestnut Mare” while sitting on a cliff and eventually went to work for Bobby Darin in Las Vegas - McGuinn was there when Darin discovered Wayne Newton. This was all before McGuinn met Peter Fonda, which prompted “The Ballad of Easy Rider.”
McGuinn wrapped the first set with “I Wasn’t Born to Follow” and “Mr. Spaceman.” He opened set two the way he’d opened the gig, with the sounds of “So You Want to be a Rock ’n’ Roll Star” announcing his arrival and “Lover of the Bayou” following. And despite any wear and tear on his vocal cords, the McGuinn of 2023 is smoother than the raspy McGuinn of 1970’s (Untitled).
From here, McGuinn’s storytelling turned nonlinear as he talked about his friendship with Tom Petty (“King of the Hill”); touring Europe with him and Bob Dylan (a singalong “Knockin’ on Heaven’s Door”); and the shenanigans of Dylan’s Rolling Thunder trek. It was here that McGuinn got permission to record Joni Mitchell’s “Dreamland,” also performed, and was inspired to write “Jolly Roger” by the pirate-like nature of the cross-country escapade in a retrofitted Greyhound bus borrowed from Frank Zappa
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McGuinn plucked the banjo on “Old Blue” and recalled working in the Brill Building and nicking the Beach Boys to write and record “Beach Ball” with the the City Surfers, featuring the Bee Gees on background vocals. He then went on to explain how the Byrds ripped off the Beatles not only in their name but by taking the latter’s idea of using folk chords in rock music and - sampling “I Want to Hold Your Hand” to demonstrate - as inspiration for creating folk-rock with songs like “The Water is Wide” and “You Showed Me.”
The Byrd was as enthusiastic as a small child with a new toy when he talked about reconnecting with Crosby and joining forces with Gene Clark, Michael Clarke and Chris Hillman; meeting the Beatles and the Stones in England; and serving as the opening act for Hoyt Axton, whose mother wrote the aforementioned “Heartbreak Hotel,” thus bringing the story full circle.
The set proper closed with McGuinn showing off his substantial lead-guitar chops on a lengthy acoustic rendering of “Eight Miles High,” before he walked off without a word. He walked back on without a word, preceded again by the telltale jangle, and performed “I’ll Feel a Whole Lot Better,” “She Don’t Care about Time” and “May the Road Rise to Meet You” while standing at the off-center mic.
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Including parts or all of 30 songs in total, the set and its stories left even the most knowledgable McGuinn fans even more so. And no one left a stranger.
Grade card: Roger McGuinn at Midland Theatre - 8/22/23 - A-
8/23/23
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veryveryberry · 2 years
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rating every concert ive been to (ongoing)
blood sweat & tears (jul. 22, 2017) @ barnstable county fair stage
don’t remember this except it was at the barnstable county fair and it was too dusty lmao.
1/10
queen w/ adam lambert (jul. 25, 2017) @ td garden
i had no idea who adam lambert was (i was like 10 at the time) but he was amazing. this was my first concert so it was something else. nothing will top this concert.
9.5/10 (they did not play is this the world we created…? so minus .5)
blackpink (apr. 27, 2019) @ firstontario centre
we had to drive 7 hours to get to this one, but oh gods were they good. they played like all their songs (which wasn’t much at the time.) rosé was so pretty!! and her solo cover??? absolute icon.
6/10 was very tired and my throat was sore for days.
the rolling stones: no filter (jul. 7, 2019) @ gillette
i had a panic attack at the beginning and could not hear when a song ended/started but was still really good!
5/10
the who: moving on (sept. 13, 2019) @ fenway
THIS CONCERT. absolutely amazing. my aunt met charlie watts a couple of days later and showed him photos of us lmao. setlist was amazing.
7/10
day6: gravity (sept. 15, 2019) @ the orpheum
absolutely amazing. my aunt was matching with jae for half of the concert lol. crowd was amazing. we sang happy birthday to jae bc it was his birthday!! i still have the banner <3
8/10
stone temple pilots (nov. 5, 2021) @ the palladium
absolutely iconic. we had seats that were literally over the stage. dean deleo kept trying to throw us picks but kept missing lol. (my twin ended up getting one) opening band was pretty slay too.
7.5/10
genesis (dec. 16, 2021) @ td garden
honestly i do not remember this concert. like at all lmao
4/10
the who: the who hits back! (may 18, 2022) @ td garden
ICONIC! loved this concert, played so many bangers and we sang happy birthday to pete townshend. beat that.
9/10
waxahatchee (june 21, 2022) @ the roadrunner
very vaguely remember this and i wanted to leave the entire time.
3/10 i lost one of my earrings:(
barrie (jul. 21, 2022) @ mfa
got in for free lmao. it was at the mfa and my aunt works there so we got free tickets. got to meet the artist too, she was vv nice. .5 gets knocked off bc some dudes dawgs were out the entire time. traumatizing.
9.5/10
elton john: goodbye yellow brick road (jul. 27, 2022) @ gillette
had a panic attack at the beginning of it bc my dad yelled at me but it was so slay. very emotional. everyone was SCREAMING the lyrics to rocketman it was so fun.
8.5/10
earth wind and fire & santana (aug. 10, 2022) @ xfinity center
ewf: absolutely incredible. so slay. played boogie wonderland and then lets groove and then september. the three remaining members were so slay.
santana: honestly did not pay attention and had a panic attack in the middle of it lmao.
ewf: 9/10
santana 2/10
japanese breakfast w/ yo la tengo (sept. 29, 2022) @ the roadrunner
so slay, although some old guy kept rubbing up against me💀. i was with my aunt (concert buddy) and my dad the entire time and we were just vibing.
8/10
the rose: heal together tour @ the roadrunner (oct. 17, 2022)
basically a birthday concert, wanted to cry they were so amazing. woosung/sammy was so ethereal in the light. dojoon kept making faces at our section. jaehyeong was so pretty, hajoon was so cute. crowd was amazing!!! played all the bangers. played my favorites back to back!!! jaehyeong finished my heart at the end while wearing the MA flag!!
10/10
the cure (jun. 16, 2023) @ the bell centre
ok this concert was great aside from the fact i was running on 5 hrs of sleep. robert smith sounded amazing and just like the songs. a point gets knocked off bcs of the annoying woman in front of us, another gets knocked off bcs we were hungry and there was very limited food options on the floor we were on.
8/10
tears for fears (jun. 27, 2023) @ cmac performing arts center
i 🫶 amphitheater shows. we all thought they were gonna play everybody wants to rule the world and mad world during the encore but they played ewtrtw SECOND and mad world halfway through the show. recognized more songs than i thought (sowing the seeds of love, etc). we got moved closer to the stage bc some of our seats were blocked by the projectors so bonus points.
9/10
extreme w/ living colour (aug. 05, 2023) @ the roadrunner
went for my uncle, got to stand in vip and chill out it was great. more than the words was on top and living colour was great.
8/10
måneskin (sept. 25, 2023) @ td garden
slaid the house down. i love them! screaming and crying they were so amazing. even uncle (picky w bands) was impressed. love thomas & vic sm.
10/10
eric nam (oct. 14, 2023) @ roadrunner
birthday concert pt. 2! got to help out & meet my aunt’s coworkers and so many other amazing people. he sounded so good and it was so fun. bu shout out!
9.5/10
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louisupdates · 8 months
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FITFWT23: HAMBURG RECAP
Concert number: 41
Date: 29 AUG 2023
Place: Barclay Arena
Capacity: 15,000
Venue: [bp_audi0] [oli crump] [oli crump] [michael blackwell] [Kenny/ Sam]
Livestream [another]
Louis’ IG story, and another!
LTHQ Twitter and Instagram [x]
Concert Group Picture
Fashion: CDLP tank, Saul Nash pants [helen]
Lithograph
Setlist
Photos: [Louis & the band pre-concert] [HQ] [HQ] [x] [x] [HQ] [HQ] [back] [HQ][silhouette] [HQ smiling] [HQ] [biblical] [HQ barricade] [nose boop] [HQ] [HQ] [rainbows] [🌈] [HQ vein] [HQ barricade] [x] [HQ barricade] [HQ 👁️] [HQ armpit] [barricade] [barricade] [barricade] [rainbows] [x] [back to you] [x] [x] [HQ] [leaving Barclays] [gifs] [gifs] [gifs] [gifs] [gifs] [Night Changes lyrics] [helen] [b&w] [HQ] [HQ] [HQ] [HQ] [HQ] [HQ] [HQ] [HQ] [HQ] [HQ] [HQ] [x] [x] [x] [x] [x] [x] [HQ] [HQ] MORE PHOTOS
Videos: [x]
Speeches: a very fucking loud start, these songs feel incredibly authentic
Outro: Love Will Tear Us Apart, by Joy Division
Press:
Trends: [x]
EUROPE merch, [x] [x]
Misc: size of the crowd, catering by Sarah’s Kitchen, unseens from 1D [gifs] [gifs] and Rolling Stone article, 28clothing IG story, The Lathums post
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games-und-lyrik · 7 months
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Lone Flower Games: Familienspaß aus Köln
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Lone Flower Games arbeitet in der lebendigen Stadt Köln unermüdlich daran, familienfreundliche, lockere Unterhaltungssoftware zu kreieren, die Freude für Spieler jeden Alters verspricht. Dieses Team ist niemand anderes als Lone Flower Games, bestehend aus drei talentierten Personen: Jan und Felix, die die Magie der Programmierung beherrschen, sowie Susanne, die kreative Kraft hinter Kunst, Effekten und Animationen. Die Kölner Verbindung von Lone Flower Games Die Spiele: Ein Bouquet voller Spaß Baldiges Debüt auf Steam Die Kölner Verbindung von Lone Flower Games Köln ist mehr als nur die Kulisse für die kreativen Bestrebungen von Lone Flower Games; sie spielt eine wichtige Rolle in der blühenden Videospielindustrie in Deutschland und Europa. Die Stadt ist vielleicht am besten für die Ausrichtung der Gamescom bekannt, der weltweit größten Fachmesse für Videospiele und interaktive Unterhaltung. Seit Jahren strömen Gaming-Enthusiasten aus der ganzen Welt nach Köln, um ihre gemeinsame Leidenschaft für Spiele zu feiern. Aber die Gamescom ist nur die Spitze des Eisbergs. Die Stadt unterstützt aktiv das Wachstum der lokalen Spielebranche, indem sie Start-ups fördert und finanzielle Unterstützung für lokale Entwicklungsprojekte bietet. Diese Unterstützung hat dazu beigetragen, dass Köln zu einem Zentrum für Innovation und Kreativität in der Gaming-Welt geworden ist. Die Spiele: Ein Bouquet voller Spaß Nun wollen wir uns anschauen, worum es bei Lone Flower Games eigentlich geht - ihre Spiele! Die Mission des Teams besteht darin, Erlebnisse zu schaffen, die nicht nur unterhaltsam, sondern auch für die ganze Familie geeignet sind. Hier sind einige ihrer aufregenden Titel: 1. Wooly Bloom: In diesem bezaubernden Spiel begeben sich die Spieler auf eine Reise durch eine whimsische Welt, die von niedlichen Kreaturen bevölkert wird. Das Ziel? Wunderschöne Gärten pflegen und dabei die verborgenen Geheimnisse entdecken. 2. Origami Lovers: Origami steht im Mittelpunkt dieses entzückenden Puzzle-Spiels. Mit Präzision und Kreativität falten die Spieler Papier, um komplexe Formen zu erstellen und knifflige Rätsel zu lösen. Es ist eine einzigartige Variante der traditionellen Kunst des Origami. https://youtu.be/q6DCHA8R1mc?si=Q3HEU_leAaHmrVpI 3. Pagotopia: Abenteuer erwartet die Spieler in dieser phantastischen Welt. Schließ dich den Pagos, einem Stamm neugieriger Kreaturen, an, während sie ihre magische Heimat erkunden. Löse Rätsel, enthülle Geheimnisse und genieße die bezaubernden Landschaften. Baldiges Debüt auf Steam Aufregende Neuigkeiten für alle Gaming-Enthusiasten! Lone Flower Games ist auf Kurs, ihr erstes Spiel 2023 auf Steam zu veröffentlichen. Während die Einzelheiten noch unter Verschluss sind, kann man sicher sagen, dass Fans die gleiche Hingabe an familiengerechten Spaß erwarten können, die ihre bisherige Arbeit auszeichnet. Während Lone Flower Games weiterhin im Herzen von Köln blüht, dürfen wir nur die wunderbaren Erlebnisse erwarten, die sie für Gamer auf der ganzen Welt bereithalten. Mit dem Engagement, Spiele zu schaffen, die Menschen zusammenbringen, und einer Stadt, die ihre Bemühungen aktiv unterstützt, steht diesem kleinen Team eine vielversprechende Zukunft in der Welt der lockeren Unterhaltung bevor. Bleibt dran für weitere Updates von Lone Flower Games und behaltet die Veröffentlichung auf Steam im Jahr 2023 im Auge. Dies ist ein Team, das nicht nur Spiele entwickelt; sie kultivieren Freude und Kreativität in der Welt des Gamings, Blüte für Blüte. Weiter geht es zur Website des Entwicklers Hier geht es zur Steam-Site der Origami Lovers Andere Artikel auf Games und Lyrik: Cyberpunk 2077 – Entfessle deine Zukunft: Tauche ein in eine pulsierende Welt Trapmaker 3: The Final Trap – Ein Schlussakkord voller Rätsel und Spannung The Witcher 3 – Wild Hunt – Hearts of Stone Ankh 3: Kampf der Götter Face Noir – Eine Reise in die düstere Welt des 1930er Jahre New York Hollywood Monsters 1 – Erlebe monströse Abenteuer The Witcher 2: Eine fesselnde und subversive Fantasywelt Silence – Stürze dich in die atemberaubende Welt von ‚Silence‘ The Whispered World – Entdecke die Unbegrenzte Magie – Ein Abenteuer, das dein Herz erobert! Piranha Bytes: Die kreativen Köpfe hinter fesselnden Rollenspiel-Abenteuern Killzone Shadow Fall – Entscheide das Schicksal einer zerrissenen Welt im explosivsten Kampf aller Zeiten! Risen 1 – Erlebe eine epische Abenteuerreise A Year of Rain – Entfessel die Macht des Sturms in Daedalic Entertainment’s atemberaubendem strategischen Meisterwerk! 1954 Alcatraz – Eine atemberaubende Flucht aus dem berüchtigtsten Gefängnis der Welt! Lesen Sie den ganzen Artikel
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