#rikon shiyou yo

[seawherethesunsets]

NISHIKIDO RYO as KANO KYOJI

LET'S GET DIVORCED (2023)

#rikon shiyou yo #let's get divorced #jdramaedit #userdramas #asiandramanet #dailyasiandramas #asiancentral #nishikido ryo #userstorge #usermare #mostlyfate #lextag #tobelle #bysya #i dont think i'll gif more from this drama #just wanted to gif him in the first ep hahah cos i never moved from the 1st ep unfortunately #missed himmmmm

[abdulraveman]

Nishikdo Ryo for Cinematoday 2023.06.19

rough translation of the interview

Nishikido Ryo is not in a hurry after becoming independent: "I want to live an easy-going life"

Kudo Kankura and Oishi Shizuka, who is currently writing for the 2024 Taiga drama 'Hikaru Kimi e', two extremely talented scriptwriters, have teamed up under the producer and director of 'Ikebukuro West Gate Park' and 'Kisarazu Cat's Eye' for the Netflix series 'Let's Get Divorced' (exclusive distribution starts 22 June). Nishikido Ryo, who established his own label 'NOMAD RECORDS' in 2019 and started his solo career, talks about the changes he has undergone since becoming independent.

Let's Get Divorced is a comedy in which Kurosawa Yui (Naka Riisa), a nationally popular actress, and Shoji Taishi (Matsuzaka Tori), an unenthusiastic hereditary politician, decide to separate, but their respective circumstances make it difficult for them to do so and things fall apart. It is during this delicate period that Yui meets Kano Kyoji, played by Nishikido. Nishikido says: "It's a great honour to be asked to play this role, and I hope I can do it in my own way. However, I wasn't that enthusiastic about it", he recalls when he received the offer.

After becoming a freelance actor, Nishikido "dabbled" in acting, such as in the Amazon Music short film "No Return," for which he worked again with Daihachi Yoshida, director of "Hitsu no Ki”. Following the NHK BS Premiere drama Kazoku Dakara Aishitan Janakute, Aishita no ga Kazoku Datta , this is the first drama in a long time in which viewers are exposed to Nishikido as an actor. However, Nishikido himself said, "You can still ride a bicycle even if you haven't ridden it for a while. Maybe that's how I feel about acting".

For Nishikido, the crank-in for "let's get divorced" was a scene with Naka Riisa. "We went out for Chinese food right after we meet. I had met Ms. Naka during the reading before shooting, but I was still nervous about the first scene. I pretended not to be nervous," he said with a wry laugh.

Kyoji is also a character with a strong presence in the drama. He spends his daytime hours in a pachinko parlour, and at first it is not even clear what kind of work he does. Despite this, he is somehow confident, calm and unfazed, and seems to be living in his own time, detached from his surroundings. As soon as she meets Yui, he quickly enters Yui's heart, which is shaken by her divorce, and while he is at times deeply gentle, he is at other times as cold as a sharp knife. In a word, he is a man who is very appealing to women, and Nishikido pulls off Kyoji in a very natural way. Nishikido says of Kyoji, "There are people who go to very good universities and have amazing titles, but then do unexpected things. I think he has a strong sense of self and has high priorities. And yet, he doesn't expect anyone to understand him. As a man, I envy him if I could live like that. Normally, I would be more concerned about my surroundings," he says, looking somewhat at ease with himself.

Nishikido, however, shows a contented expression after filming for the first time in a long time, saying, "More than anything, it was fun, and I realised that I really like acting. He adds, "It wasn't because I could lead different lives or for any clear reason at all", but "Someone came up with the script, and then the staff all thought about it, decided on the costumes and did the make-up. I memorise the lines, and it takes shape as a work of art. If someone watches it and thinks it's interesting, I'm happy. It's not more or less than that, it's just a feeling," he says, explaining the joy of acting. Unlike music, I don't make my work alone," he says slowly, choosing his words carefully, "I think it's wonderful to make a film together with co-stars and staff.

On the other hand, it is difficult for him to watch his performances objectively. "I don't tell anyone if I have any criticism about my performance (laughs). But I want to think that what came out in my expressions, what was captured on camera, and what was edited was the best I could do.” As for the drama, he said, "I want everyone to see it as soon as possible. It's a very interesting story, and the characters are all lovable. I like that there is no one who ends up being just a hateful person," he said confidently.

How did you spend the time away from acting?  “Nothing has changed. There was never a time when I did not watch movies or dramas, and I never thought to myself, "I want to act too!” It was too presumptuous of me to even think about such a thing. It was my own choice to take a different path.” Ryo said naturally. “I feel that offers received before I became independent have a slightly different meaning than offers received after I became independent. I feel that acting offers is more significant now because they thought I was the right person for the role” He says, expressing his gratitude.

As for the reason why he wasn't in a hurry, he said, "In my case, it was it not I want to act in films but there aren't any films for to appear in, It was the result of my own choices, so I had no negative feelings at all” he said, without wavering in his choice. But he was not aggressively or forward about it and said, "I thought, it's okay if I can't act in the future. So I wasn’t saying, "I'm going to make it in the next production!" I'll just do my best, and if I catch someone's eye, there might be a next time. Even if I don't act anymore, even if I don't do this kind of work, I'd rather live a normal, easy-going life," he says, somewhat overlapping with Kyoji.

It is also striking that he describes his change of heart since becoming independent as 'running, to feeling like skipping'. “Skipping is surprisingly fast yet easy. So I don't dislike it, but I try hard to express it somehow. I enjoyed the parts I enjoyed before, and I still suffer from the parts I suffer from. But now, it is all up to me to decide what path to take. That is why each and every responsibility falls on me. At the same time, I have a solid feeling that I am carving out a path for myself. The experiences I accumulate are clearly different from before. It is up to each person to decide which is better, but I prefer this one. It's not like I can say "No, it's been fine!", but I don't want to say anything negative about it either. So I hope that as more years go by, I can connect today to tomorrow, when I will be glad that I chose the path I have taken so far. Then maybe something will come out of it.” he said quietly and confidently.

#nishikido ryo #ryo nishikido #錦戸亮 #Let's Get Divorced #rikon shiyou yo #translation

[redsamuraiii]

One is rich but is constrained by expectations and reputation to uphold, the other is poor but is free to do what he pleases without the fear of being judged.

Let’s Get Divorced (Ep 6)

#let's get divorced #rikon shiyou yo #tori matsuzaka #matsuzaka tori #japanese drama #j drama #jdrama #dorama #japan #asian drama

[thethera-rossa]

#rikon shiyou yo #let's get divorced #riisa naka #naka riisa #japanese actress #japanese actor #ryo nishikido #nishikido ryo #drama caps #caps #quote #drama quote #2023 #jdrama

[limowlee7389]

Currently Watching: July.

KOREAN.

+ Revenant (2023)(23 Jun-) ~ Airing. ★★★★★

I LOVE this show! This is easily the best thing I'm watching right now. Kim Tae Ri never disappoints. I am loving the dark tones that this drama has offered for its opening week.

+ King of the Land (2023)(17 Jun-) ~ Airing. ★★★☆☆

This is the fun watch of the season. It feels more like a 2000s drama. This feels like a nostalgia trip for me. It can come off as super cliche, but the banter between the two leads is fun. Lee JunHo is always a joy to watch. I am relieved to see that Im Yoo Ah seems to be keeping up with him.

+ See You in My 19th Life (2023)(17 Jun) ~ Airing. ★★★☆☆

This may not be great drama writing, but I'm finding it very watchable. My primary gripe is that the leads are a bit mismatched. Shin Hye Sun can run circles around Ahn Bo Hyun when it comes to acting chops. She just brings so much energy to her characters. Ahn Bo Hyun is more just to stand there and look depressed and a bit damaged. I do enjoy the setup and watching what aspects of Ban Ji Eum's 19 lives have made it into the present day.

JAPANESE.

+ Rikon Shiyou Yo (2023)(22 Jun-) ~ Airing. ★★★★☆

This show is shaping up to be everything I wanted in a new KudoKan project. I love our leads as dislikeable as they are. It was so funny to me how they could go from arguing one moment to hosting Shoji Family Relaxing Kitchen the next. The timing is so precise. My hope for this show is that our leads are actually successful in getting their divorce.

ANIME.

+ Hell’s Paradise:  Jigokuraku (2023)(3 Apr-1 Jul) ~ Airing. ★★☆☆☆

I wanted to love this, but I much prefer the source material. I still feel that the opening is GOLD, but overall this adaption feels like a product of Mappa's underinvestment.

+ Insomniacs after School (2023)(15 Apr-3 Jul) ~ Airing. ★★★☆☆

This show has so much charm, but it's sometimes too sleepy for me.

Plan to Watch.

D.P. 2 (2023)(28 Jul-)

Completed.

The Good Bad Mother (2023)(26 Apr-8 Jun)(2/10) ~

Mare (2015)(8 Jan-12 Jun)(7/10)

One Day Off (2023)(12 Jun-13 Jun)(6/10) 

Suga:  Road to D-Day (2023)(19 Jun)(6/10)

Other Things I Watched.

Heartbreak High (2022)(3 Jun)(8/10) ♥ 

The Lost City (2022)(9 Jun)(5/10)

Never Have I Ever (2023)(s4)(8 Jun-10 Jun)(5/10)

Human Resources (2023)(s2)(10 Jun-11 Jun)(5/10)

BTS:  PERMISSION TO DANCE ON STAGE - LA (2022)(14 Jun)(6/10)

Taylor Swift:  Reputation Stadium Tour (2018)(17 Jun)(7/10)

Olivia Rodrigo:  Sour Prom (2021)(17 Jun)(8/10)

Homecoming:  A Film by Beyoncé (2019)(18 Jun)(8/10) ♥ 

ariana grande:  excuse me, i love you (2020)(19 Jun)(7/10)

Happier than Ever:  A Love Letter to Los Angeles (2021)(19 Jun)(5/10)

Folklore:  The Long Pond Studio Sessions (2020)(19 Jun)(8/10)

Skip and Loafer (2023)(15 Apr-20 Jun)(10/10) ♥ ~

Komi Can't Communicate (2022)(c1)(31 Oct 22-21 Jun 23)(8/10) ♥ 

Yamada-kun to Lv999 no Koi wo Suru (2023)(1 Apr-24 Jun)(6/10) ~

Tengoku Daimakyou (2023)(15 Apr-24 Jun)(7/10) ~ 

Helluva Boss (2020)(s1)(16 Jun 22-24 Jun 23)(7/10) ~

Cunk on Earth (2022)(26 Jun-27 Jun)(7/10)

Cunk on Britain (2018)(27 Jun)(7/10)

Oshi no Ko (2023)(18 Apr-28 Jun)(5/10) ~ 

Normal People (2020)(20 Jun-30 Jun)(10/10) ♥

#drama status #currently watching #revenant #see you in my 19th life #king the land #rikon shiyou yo

[twaddlingtwaddler]

i'm not even kidding... this broke me😞😭

#離婚しようよ #松坂桃李 #仲里依紗 #matsuzaka tori #naka riisa #let's get divorced #letsgetdivorced #jdrama #jmovie #netflix japan #rikon shiyou yo

[shirtlessjohnnysidols]

Shirtless Nishikido Ryo

Rikon Shiyou Yo ep 5

part 2

#nishikido ryo #NEWS #kanjani8 #錦戸亮 #関ジャニ∞

[diversamenteintelligente]

DIVORZIAMO!

Divorziamo!(Let’s Get Divorced)(Rikon Shiyou Yo)Anno 2023Commedia, Profondo, Romantico9 episodi da circa 1 oraSu: Netflix TRAMA Taishi Shoji (Matsuzaka Tori) fa parte di una famiglia di politici, lui è la terza generazione che si presenta nel distretto da sempre roccaforte della sua famiglia, non ha possibilità di far emergere la sua vera personalità, costretto dai doveri della famiglia di…

View On WordPress Un politico di terza generazione e un'attrice vogliono divorziare, ma intorno a loro fanno pressioni perché ciò non accada, i due riusciranno a vincere le interferenze esterne?

[thethera-rossa]

#riisa naka #naka riisa #japanese actress #nishikido ryo #ryo nishikido #japanese actor #let's get divorced #rikon shiyou yo #jdrama #2023 #quote #drama quote #caps #drama caps

[redsamuraiii]

When you’re tired of having to uphold your image to others and just wants to be comfortable being yourself.

Let’s Get Divorced (Ep 2)

#let's get divorced #rikon shiyou yo #riisa naka #naka riisa #nishikido ryo #ryo nishikido #japanese drama #j drama #jdrama #dorama #japan #asian drama

[abdulraveman]

Nishikido Ryo Secret meeting between Naka Riisa & Nishikido Ryo!?  Let's get divorced

#nishikido ryo #Let's Get Divorced #rikon shiyou yo #such a cute adulterer

[abdulraveman]

Nishikido Ryo for GQJapan 2023.06.23 in Dior

rough translation of his interview below

GQJapan Interview with Nishikido Ryo for Netflix Series "Let's Get Divorced "I wondered if it was okay to live more selfishly".

We interviewed Nishikido Ryo, who returns to tv dramas after a four-year absence to act in the role of a man who is playing both of the main characters in "Let's Get Divorced," which has been available exclusively worldwide on Netflix since June 22 (Thursday). He talks at length about everything from the appeal of the character Kano Kyoji to "What is true coolness?”

Actor Nishikido Ryo is back.

In the Netflix series "Let's Get Divorced", a new member of parliament, Shoji Taishi (Matsuzaka Tori), and a national actress, Kurosawa Yui (Naka Riisa), who play a friendly couple for the sake of public appearances, overcome various obstacles and work together to achieve their goal of "getting a divorce". Nishikido plays Kano Kyoji, a "sexy self-styled artist" who meets Yui by chance and becomes close to her.

His presence brings a thrill to Yui, who has grown tired of their married life, as he goes to play Pachinko every day and creates mysterious "artworks" in his garage-like home, which he calls his studio. Yui says that he is "a person who’s alive yet dead." He is uninhibited in what he says and does, and is certainly a man of a certain sex appeal.

This film was co-written by Kudo Kankuro and Oishi Shizuka. They did not write one story each, but rather took turns writing a little bit at a time, as if they were exchanging diaries. Kudo-san said of Kyoji, "I wondered if women find that kind of thing sexy. To be honest, I had no idea, so I'm glad Oishi-san wrote it for me (laughs). I understood now that it’s onscreen.” Oishi, on the other hand, said, "He’s like a Zenkyoto (a radical student leftist) man from a generation older than mine. It may not be the kind of character that scriptwriters today would write, but the older generation liked that kind of character" (both from press materials).

Indeed, the character has the air of an 'outcast hero' from a Showa-era girls' manga. How did Nishikido himself see the appeal of such a character?

“I think it's about not being influenced by your surroundings. I like what I think is good, and I am interested in what I am interested in, but not in what I am not interested in. With so much information available on TV and social networking sites, I think it's quite a difficult thing to do, and it makes you feel insecure. But Kyoji is not afraid to be true to himself. Or rather, he probably doesn't even think about how he is seen.”

What is true coolness?

There is a scene in the film where opposition MP Go Soda (Yamamoto Kōshi), who is the candidate opposing Taishi, gives his best speech and the audience is engulfed by it, when Kyoji, who is present, clearly points out Soda's misstatement. This scene shows what is at the core of this seemingly free-spirited man. He is aloof, but has a passion lurking deep within him. This part of him is so compatible with the image of Nishikido himself that I feel that no one else could have played the role but Nishikido. When I told him this, he said, "Really? I'm glad to hear you say so.”

“Of course I hoped that Kyoji's coolness would be attractive, but that doesn't mean I should try to make myself attractive or act sexy. It would be very embarrassing/cringe-worthy, the moment it is found out. I was performing while praying "I hope it looks like that."”

By the way, there are several scenes in the drama where Kyoji smokes, and it is said that Nishikido's suggestion was used in one of the scenes.

“When they asked me what to do after smoking outdoors, I said, 'Why don't you put it out on the soles of your shoes?' You can't litter, and it wouldn't be cool to step on it and pick it up. It's not really an idea, though.”

The relationship between Yui and Kyoji eventually becomes known toTaishi, and the two confront each other directly towards the end of the story. Born and raised in a political family, Taishi exchanges words with Kyoji, a type he has never met before, and honestly admires him, saying 'You have something I don't have' and 'You are endlessly free, amazing'. But after he leaves, Kyoji throws the paper cup he was holding onto the floor.

“It's amazing that Taishi would come to that place, isn’t it? Kyoji probably already felt defeated at that point. He (Kyoji) thought he was going to bite him, but he didn't. Because Daishi probably didn't even think he was bitten, and he probably left without even realising he had won, right?"

After saying this, Ryo added, in typical Osaka fashion, "I don't know!" he added with a laugh.

“I don't really know. Ah, I just know that when I saw the video of that scene, I thought to myself, "I'm so tiny”. The sense of scale with Taishi was just too different. (Laughs)”

When I ask him “Who do you think is cooler, Taishi or Kyoji?” he said "They are both cool, aren't they?"

“Sorry for the half-assed answer, but .......I think each of them have their own cool and bad parts, not just the two of them, but everyone in this piece is cool in their own way. I thought Yui, Henry, and Yui's manager all had their own coolness.”

I want to have fun doing fun things.

Kyoji's attitude of knowing who he is & doing what he wants, which is the basis of his coolness, is also something that is quite difficult to maintain while living in society. Were there any parts that resonated with you?

“I myself can say that I am living as I please, or I should say, I am living the life I want to live. It is not that I am only doing what I want to do, but I think it is okay to live more selfishly, and I have come to value my time more”

As noted at the beginning of this article, this is the first time in four years that he has appeared in a drama. In addition, among the dramas in which he has appeared in the past, Ryusei no Kizuna (2008) and Gomen ne Seishun! (2014), which, like this drama, was written by Kudo Kankuro and produced by Isoyama Akira, and both were directed by Kaneko Fuminori.

“When I was working on 'Ryusei no Kizuna', Kaneko-san kept telling me to 'be careful with my enunciation” I thought I was speaking clearly. When I met him for the first time in a while in Gomen ne Seishun, I was told that my speaking had improved a lot. I think he said that once or twice this time, too. He only praised my fluency (laughs)."

Producer Isoyama, who was present at the interview, added, "Of course, that's not all. (Director Kaneko) was very complimentary, saying 'You thought it through very well’.” To which ryo replied "I ‘m embarrassed that he thought so! It's so lame” He exclaimed in agony.

“I just didn't happen to have any chance in the past four years, so I didn't really feel that I had a gap in my drama career. Now that I've been approached, I just want to do my best, and if I'm invited to do something like this, I want to go anywhere. Not only in acting, but I also want to enjoy myself while doing things that look like fun.”

He goes where his heart takes him - to be happy, comfortable and free. It is this lack of self-consciousness that attracts and holds people's attention.

#nishikido ryo #let's get divorced #rikon shiyou yo #translation

[abdulraveman]

Nishikido Ryo

TV Bros. 2023年8月号

ryo mentions some of Kano Kyoji's costume in Let's Get Divorced were his own clothes

#nishikido ryo #ryo magazine #magazine #let's get divorced #rikon shiyou yo

[abdulraveman]

Nishikido Ryo

Natalie Mu 2023.06.28

rough translation of the interview below

Q: First of all, how did you feel when you were offered this film?

Ryo: I felt honoured to be asked to be an actor again.

Q: Let's Get Divorced was co-written by Kudo Kankuro and Oishi Shizuka. The two of them wrote a several scenes each, like an exchange diary, what did you think when you first read the script?

Ryo: I thought, "That's interesting." I knew that it was written by both of them, but I didn't know which part was written by which person, and I was surprised that something written by both of them could become a single drama script in this way. I was surprised at the core of the story. As for the story, for example, if I heard from someone in my private life that they were getting divorced, I might think "I see, good luck with that", and just like in the drama, something might start from the divorce. ...... However, I have never compared the contents of the dramas that I have been allowed to appear to myself. I think it's all about "interesting as a drama".

Q: Kano Kyoji, played by Nishikido, falls in love with Kurosawa Yui, an actress played by Naka Riisa and is involved with her husband, Shoji Taishi, played by Matsuzaka Tori. What was your impression of Kyoji?

Ryo: He says what he wants to say and does what he wants to do. Perhaps it may seem selfish, but I had the impression that he values who he is the most.

Q: Were there any aspects of Kyoji that you found easy or difficult to play?

Ryo: I've never found it easy to play any role. I read the script, think 'this is how I should say the lines', and if it's different, I discuss it with the director or producer and make corrections. I think the result is a complete work of cinema.

Q: So, what was your impression of Kyoji now that you actually played him?

Ryo: There are several scenes in which he gives an object of his own making to Yui, saying, "This is how I feel," and in one scene where he gives an object to Yui, the script's introduction says, "An object that looks as much like faeces as possible" (laughs). But as Kyoji, he is doing it seriously to convey his feelings to Yui, and when I was performing the scene, I thought, "This (scene) isn’t supposed to be funny," and then I thought, "It's bad if I were to laugh here," so I concentrated on it and did my best.

Q: Kyoji's character is set up as a "self-proclaimed artist with a hint of sex appeal" - were you conscious of his sex appeal?

Ryo: I don't think you can ever be sexy if you think, 'I'm going to do this to be sexier’. That’s just based on my thoughts on "What is sex appeal? (Laughs) I think sex appeal is something that leaks out, not something that is forced out, so I did it while praying, "Let it leak out, even if just a little!”

Q: Kyoji was described by Yui when they first met as "alive yet dead". What do you think of Kyoji's way of life?

Ryo: I wasn't particularly conscious of that either. 'Alive yet dead' may refer to Kyoji's actions and facial expressions, but that’s how Yui perceived. However, I think some things changed little by little after meeting Yui. For example, it is not easy to walk into the campaign office of Yui's husband, Taishi, and suddenly say, "I need to talk to you," and Kyoji had no hesitation in doing so, so I thought, "That's amazing.

Q: What did you think of the finished film?

Ryo: Once I started watching it as one of the viewers, I thought I would probably watch all the episodes at once. And because there are no commercials in the middle of the show, each episode is about an hour long, which I thought was a huge luxury. I also felt that it was a luxury to be allowed to act in such a film.

Q: What did you think of the performances of the lead actors, Matsuzaka and Naka?

Ryo: I thought Matsuzaka-san was a great fit for the character of Taishi, and I thought he was a wonderful actor. Ms Naka-san usually wears her hair in a flashy colour (laughs), but when she is acting, she is naturally a solid actress, and I thought the gap between the two was amazing. I felt that she was a wonderful actress. Also, when I watched the scenes I was not in later, I thought to myself, "It's amazing that everyone does so many things in spite of their busy schedules”.

Q: As an actor, how did you encounter the role of Kyoji?

Ryo: It's a very personal thing, but thanks to all of you, I think it has become a role that the most number of times people say "I love him" among all the roles I've played so far.

Q: Did Oishi or Kudo-san say anything about the finished drama?

Ryo: No, I haven't been able to see them after the shoot, so I don't have anything special to say. Besides, I don't think it's anything to worry about. It's not limited to this time, but there may be times when it doesn't work out even if I had a great response. Recently, I don't think there is that much of a gap anymore, but I believe that the viewers are the judge of the finished work. However, I think "Let's Get Divorced" was a very interesting production from the side of the side of someone who’s in it, and I hope many people will see it.

Q: This is the third drama in which Nishikido has appeared in Kudo-san’s production, following Ryusei no Kizuna and Gommen ne Seishun!! What does Kudo-san’s productions mean to you?

Ryo: There is no one who is just plain mean and infuriating. I think he is good at writing works about people who are in the end forgivable or forgiving in some way. In "Let's Get Divorced", which he also wrote together with Oishi, there are no nasty people who make you think, "What the hell is wrong with him? It's a good feeling to watch the film because there are no nasty people in it.

Q: Nishikido-san, you have recently been appearing in a series of dramas and movies. Have you noticed any changes in the difficulty or enjoyment of acting?

Ryo: I think there are a lot of people who can act well by just by feeling, but I've never had much success with that, so I try not to dwell about it. I don't want to sound like I'm trying to be cool when I say "I'm doing it by feeling" (laughs) but that's the only way I know how to do it. I don't think I can perform a role by myself.  If I remember my lines well and face the person in front of me, that person will respond to me. Even if it's not a line, sometimes they will respond with a facial expression. If I can be aware of these changes, I think I will be able to perform the role properly.

Q: is there anything you would like to do in your future acting career?

Ryo: When I was a teenager, I might have said, "I want to be in this kind of work," but now I would like to try various things if given the opportunity. I hope that in the future, there will be something that I can do, not just with roles that are offered, but something that from my own initiative.

Q: Nishikido-san, you are also active as a musician. Is there any connection between what you value in both your activities as an actor and a musician? Or are they completely different?

Ryo: I have never thought about it. I don't think it's necessary to think about it, and I don't know ....... I don't think there is any need to force a connection. I just have to do my best to do what I have to do.

Q: Does having both activities have any positive effect on each?

Ryo: I don't know that either. I think there is both fun and pain in both. For example, when I am going on a tour, I think, "Let's put out some new songs," and I work hard on them, but sometimes the deadline looms and I think, "What am I going to do? Acting and music are the same in the sense that they are both work that I am doing right now, so I don't change my mind about them. I don't need to switch my mind. I think I have been able to strike a good balance between the two.

Q: For example, what are the moments when you feel enjoyment in your musical activities? Ryo: It's the same with acting, but I don't often think "it's fun" while I'm doing it. There are times when I work hard and when the work is finished I think "that was fun", but I don't think I've ever worked while thinking "this is fun, this is fun". I chose the path I'm on now, so if I waver in that

#nishikido ryo #ryo nishikido #let's get divorced #rikon shiyou yo #translation

[abdulraveman]

Rikon Shiyou yo / Let’s get divorced

Exclusive worldwide distribution from 22 June! Let's Get Divorced is a family comedy about a couple who used to be in love but are now working towards the unwavering goal of getting divorced.

Key art depicting the big smiles of Tori Matsuzaka as the husband of a rookie senator and Riisa Naka as his wife, a nationally-acclaimed actress, has been unveiled.☂

How will they turn out....?

#nishikido ryo #matsuzaka tori #naka riisa #rikon shiyou yo #離婚しようよ #錦戸亮 #松坂桃李 #仲里依紗

[abdulraveman]

Let’s Get Divorced / Rikon Shiyou Yo Stills 

Nishikido Ryo as Kano Kyoji & Naka Riisa as Kurosawa Yui

#nishikido ryo #naka riisa #Let's Get Divorced #rikon shiyou yo