#qraqeb

[easternfreebeats]

Guembri & Qraqeb Grooves

#youtube #Qraqeb #hajhouj #gnawa

[coochiequeens]

In Morocco, young women are reclaiming the centuries old art of Gnaoua by bringing a new and inclusive energy to the spiritual musical repertoire that gained worldwide popularity after it was listed by UNESCO as intangible culture heritage in 2019.

"Tagnaouite has gained worldwide recognition with its UNESCO listing. Why shouldn't a woman play the guembri? Why shouldn't women be part of this dynamic? Women were at best simple members of Gnaoua groups, but never leaders. And the day I had the opportunity to play the guembri and succeeded in playing this instrument, I didn't hesitate for a second," shared Asma Hamzaoui, frontwoman of the all-female "Bnat Timbouktou".

The 26-year-old Casablanca native is one of the first women to perform Gnaoua, which blends African rhythms with spiritual chants and poetry. Her father, a Gnaoua master, initiated her into the art form at a young age. "I've accompanied him to his evening gatherings since I was seven years old," recounted the young woman, who in 2012 formed the group "Bnat Timbouktou", or The Girls of Timbuktu. "I gradually learned to play the guembri, a three-stringed lute made of camel skin. My father made sure that I learned as much as possible before I flew solo."

The all-female ensemble wowed the festival-goers -- with Hamzaoui on vocals and the guembri, and four musicians on qraqeb steel castanets.They played alongside the Amazones d'Afrique, another all-female group, from Mali. This young woman’s ambition empowered many others such as Hind Ennaira to explore their passion for the traditionally masculine art form, which blends African rhythms with spiritual chants and poetry. Gnanoua is also an ensemble that goes beyond just music, it also impacts clothes.

Feeds the spirit

"I started in 2016 and the idea of putting a group together was born in 2018. I put together a traditional ensemble made up of men with myself alone as the female leader, I tried to change the concept (of all-male Gnaoua groups)."

Originally practised by enslaved people and dating back at least to the 16th century, Gnaoua has gone from being practised largely in private gatherings, where therapeutic rituals accompanied the music, to public events such as concerts and festivals.

The Gnaoua festival held every summer in Essaouira has been promoting Gnaoua culture worldwide since 1997.

Jimi Hendrix StyleYousra Mansour, the frontwoman of the band Bab L'bluz ("The Blues Gate"), which fuses Gnaoua, rock and blues, also encountered challenges entering the music scene.

"There were two constraints for me: first, the fact that this field is usually reserved for men, but also how we interpret traditional music," explained the musician."It is not very accepted or even tolerated by some of the stricter individuals."We replaced the bass with the guembri and the guitar with the awisha (a small guembri) and created a kind of 'power trio' in the style of Jimi Hendrix with reimagined traditional instruments," explained Mansour.The 32-year-old vocalist passionately defends women's freedoms, saying that "as a woman, I have not had an easy life".

"There was a lack of women in this field. When I see Asma Hamzaoui or Hind Ennaira, they are magnificent," she said."It is not easy to evolve in a predominantly male universe, but we see changes emerging."

#women around the world wednesday #Morocco #Women in music #Gnaoua #Bnat Timbouktou #Bab L'bluz

[burlveneer-music]

KADEF - s/t LP - I am particularly excited about this new permutation,  “improvised Gnawa Jazz Krautrock“

A group of musicians invited by Devin Brahja Waldman and Ziad Qoulaii for a recording session in Montreal, QC. This music speaks about freedom and evolution of consciousness. The album could be categorized as improvised Gnawa Jazz Krautrock: a combination of sounds we are able to discover for the first time thanks to the artists involved. KADEF: Karma, Agape, Discernment, Enactment and Freedom Karma: choice and consequence based in Agape, meaning Love: to honor the sacred boundaries of Human Beings and the intelligence of the Universe; for which we require Discernment: in order to disentangle truth from deception and identify the voice of conscience towards Enactment: to heal and evolve our hearts and minds in order to manifest wise action which leads us to Freedom: the birthright condition of the human species and all sentient beings of the Earth Ziad Qoulaii – vocals Mathieu Pelletier-Gagnon – keyboards Anas Jellouf – guembri / qraqeb / drums (4) Devin Brahja Waldman – drums / saxes / electric bass (4) Vicky Mettler – guitar (1,3) Sam Shalabi – guitar (2,4,6,7) Anass Hejam – guitar (5) Hamza Lahmadi Kenny – oud (9) Rachid Salamate – guembri / vocals (10,11,12) Music by KADEF Artwork by Ala Dehghan

#jazz #gnawa #krautrock #kadef #montreal #rr gems #2023 #improvised music

[desertmoroccoadventure]

Nestled amidst the golden sands of the Sahara Desert, Khamlia emerges as a hidden oasis of culture, music, and soulful experiences. Tucked away in the southeastern region of Morocco, this quaint village exudes an undeniable charm that captivates travelers from around the globe. From its vibrant Gnawa music to its breathtaking desert landscapes, Khamlia offers a unique glimpse into the rich tapestry of Moroccan heritage and hospitality.

Gnawa Music: The Heartbeat of Khamlia

At the heart of Khamlia's allure lies its pulsating rhythm of Gnawa music. Originating from West Africa and deeply rooted in spiritual traditions, Gnawa music holds a profound significance in Moroccan culture. As visitors wander through the narrow alleyways of Khamlia, they are enveloped in the soul-stirring melodies of the guembri, qraqeb, and mesmerizing chants of Gnawa musicians.

The Sacred Art of Gnawa Trance

Immerse yourself in the hypnotic rhythms and trance-inducing beats of Gnawa music during a traditional performance in Khamlia. Witness the transcendent rituals where musicians and devotees unite in spiritual communion, transcending earthly boundaries through music and dance. Feel the energy surge through your veins as you surrender to the intoxicating allure of the Gnawa trance.

Exquisite Handicrafts and Artisanal Treasures

Beyond its musical heritage, Khamlia is also renowned for its exquisite handicrafts and artisanal treasures. Explore the bustling souks and market stalls adorned with vibrant textiles, intricate metalwork, and handcrafted pottery. From intricately woven Berber carpets to ornate silver jewelry, each piece tells a story of time-honored craftsmanship and tradition.

Sunset Spectacles in the Sahara

As the sun begins its descent over the vast expanse of the Sahara, Khamlia transforms into a canvas of breathtaking hues. Settle atop a dune and witness nature's masterpiece unfold as the golden rays cast an ethereal glow across the desert landscape. Let the tranquility of the desert envelop your senses as you marvel at the kaleidoscope of colors painting the horizon.

Culinary Delights: Flavors of the Desert

No visit to Khamlia is complete without savoring its culinary delights infused with the flavors of the desert. Indulge in aromatic tagines, savory couscous, and delectable mint tea, served with warm hospitality and genuine smiles. Experience the essence of Moroccan cuisine as you dine under the starlit sky, serenaded by the distant melodies of Gnawa music.

Adventures in the Desert: Camel Treks and Desert Safaris

Embark on an unforgettable journey into the heart of the Sahara with camel treks and desert safaris departing from Khamlia. Traverse the undulating dunes and vast expanses of sand, guided by experienced nomadic guides who share their insights into desert life and lore. Spend a night under the twinkling stars in a traditional Berber camp, where stories of ancient caravans and nomadic tribes come to life around the campfire.

Preserving Tradition: Sustainable Tourism in Khamlia

As Khamlia welcomes travelers from far and wide, the village remains committed to preserving its cultural heritage and natural environment. Sustainable tourism initiatives empower local communities, ensuring that future generations can continue to embrace and celebrate the traditions of Gnawa music, desert hospitality, and Berber craftsmanship.

In Conclusion

Khamlia beckons adventurers and culture enthusiasts to embark on a journey of discovery amidst the timeless beauty of the Sahara. Whether you're drawn by the allure of Gnawa music, the serenity of desert sunsets, or the flavors of Moroccan cuisine, Khamlia promises an unforgettable experience that transcends the ordinary. Come, wander through the sands of time and uncover the hidden treasures of this enchanting desert village.

#adventure #desert #moroccan #travel #morocco #travelblog #marrakech #tourism #tour #trip

[yousrart]

Music instruments

This art painting design is inspired by the variety of instruments in different cultures as: Gumbri, Guitar, Qraqeb, Saxophone, Tbilat, Riqq, Drum.

Check the link down below to order and discover the other products of this design👇

For more abstract art painting, check our website store👇

YousrART.redbubble.com

With love❤️

Y.B

#printedcanva #printedtshirt #printed textiles #printed design #printed mugs #t shirt printing #print #printsforsale #printondemand #poster #print on demand #tshirts #t shirt design #totebag #hoodies #sweat shirt #art painting #original art #fine art #phone cases #canvadesignchallenge #casquette #phone case design #art #mousepad

[mysticmismarriageof]

#Krakeb #qraqeb #قراقب #gnawa #percussion #maghrebi #instrument

[playongivemeexcessofit]

Lila 🌌 🇲🇦

Formed in New York City, Innov Gnawa is a Grammy-nominated group of Moroccan expats who make traditional Gnawa music. Often referred to as “Sufi blues”, Gnawa combines spiritual lyrics with trance-like rhythms. The group is led by Ma'alem Hassan Ben Jaffar, a master musician and spiritual elder of the ensemble who plays a three-stringed African bass known as a “guembri”.

The group’s new Daptone Records release Lila is named after a traditional ceremony in which the Ma'alem and his qraqeb ensemble dedicate an evening of healing through music. This all-night rhythm fest is a spiritual ritual which cleanses the body, mind, and spirit.

Innov Gnawa · Lila

#innov gnawa #lila

[thejoyofviolentmovement]

New Audio: Acclaimed Act Innov Gnawa Releases a Hypnotic Ode to The Night

New Audio: Acclaimed Act Innov Gnawa Releases a Hypnotic Ode to The Night @InnoveGnawa @daptonerecords @sweisspr

Founded in 2014 by Fez, Morocco-born, New York-based master musician Maâlem Hassan Ben Jaafer (sintir, vocals), the New York-based Grammy Award-nominated act Innov Gnawa, which currently features core members Casablanca, Morocco-born, New York-based Amino Belyamani (chorus, qraqeb, piano) and Salé, Morocco-born, New York-based Ahmed Jeriouda (chorus, qraqeb, cajon) and a cast of collaborators,…

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#African Diaspora Music #African music #Casablanca Morocco #Daptone Records #El Ghaba #Fez Morocco #Grammy Award #Innov Gnawa Chorfa #Innov Gnawa El Ghaba #Innov Gnawa Lila #Jimi Hendrix #New Audio #New Audio: Acclaimed Act Innov Gnawa Releases a Hypnotic Ode to The Night #New Single #Paul Bowles #Randy Weston #Salé Morocco #Single Review #Single Review: El Ghaba #Single Review: Innov Gnawa El Ghaba #singles #The Joy of Violent Movement: New Audio: Acclaimed Act Innov Gnawa Releases a Hypnotic Ode to The Night #world music

[easternfreebeats]

Qraqeb & Blues Bass - Chill-Out Music

#youtube #bass #gnawa #qraqeb #blues

[eelagreen]

Ritorno all’essenza - Deserto

Un’alzataccia notturna, una colazione gentilmente preparata da Ahmed, un saluto caloroso e siamo in marcia per il deserto. Arriviamo al tramonto, dei ragazzi in tunica blu e bianca ci accolgono coi loro cammelli. Saliamo in groppa e inizia il tragitto verso l’accampamento. I colori caldi della sabbia ci avvolgono, il caldo ancora afoso è contrastato dal primo vento della sera, i cammelli ci cullano su e giù e l’unico modo è lasciarsi andare al loro passo. Un sorriso smagliante sui nostri volti mostra il nostro stupore, felicità, entusiasmo ed eccitazione. Il paesaggio è mozzafiato e non stiamo nella pelle per ciò che verrà.

I nostri compagni di viaggio ridono e scherzano con noi dall’altra fila di cammelli. Si respira un aria rilassata e divertente, tra tecnologia all’avanguardia per immortalare il momento e un viaggio all’insegna del ritorno all’essenza, arriviamo finalmente all’accampamento con le gambe indolenzite dall’insolito mezzo di trasporto.

Una cena a base di cous cous, pollo e verdure e te alla menta viene servita nella tenda principale, dove conosciamo i nostri amici nomadi e un po’ meglio i nostri compagni di viaggio. Veniamo tutti da parti diverse del mondo. Italia, Portogallo, Spagna, Olanda, Argentina.. tutti uguali e interconnessi da un’energia comune: il viaggio. Ci spostiamo al centro dell’accampamento attorno ad un fuoco dove i local ci suonano con tamburi e qraqeb una canzone berbera e cantano parole e suoni in una lingua sconosciuta. Il rumore del tamburo rieccheggia sotto la pelle e nelle corde del cuore, il fuoco scoppietta a ritmo e noi, incantati come serpenti al suono del flauto.

I ragazzi ci insegnano con difficoltà a maneggiare gli strumenti ma alla fine io, Anne, Alex e altri due compagni di viaggio sotto la guida e i sorrisi di Aasim riusciamo a suonare un pezzo degno di nota e scoppiamo di felicità per la difficoltà superata, tra lingua e cultura diversa la musica ci ha uniti in un unico momento stupendo che ricorderemo per sempre.

I compagni di viaggio stanchi ritornano ai propri alloggi per la notte mentre Aasim ci accompagna sulla duna più vicina per guardare la costellazione di Cassiopea e le stelle cadenti che riusciamo a scorgere esprimendo i nostri desideri. L’emozione indescrivibile del deserto dall’alto di una duna è incredibile. Le stelle così inverosimilmente luminose, il nero blu del cielo così immenso e infinito. Il rumore del silenzio ci circonda, ci siamo solo noi e i cammelli dormienti circostanti. Da lontano si scorgono minuscole luci di altri accampamenti, il vento inizia a fischiettare tra le dune, la sabbia fine scorre come farina tra le mani e noi ci sentiamo piccoli piccoli in un mondo così grande e diverso. Comunichiamo facilmente tra qualche sprazzo di inglese, italiano, francese e gesti, e ci capiamo come fratelli. Là, in mezzo al deserto, siamo uniti e uguali, sentendoci nudi di fronte alla vastità e alla bellezza della natura incontaminata.

#deserto #zagora #zagoradesert #marrakech #marocco #blogmarocco #maroccoblog #blogdiviaggio #viaggioneldeserto #zainoinspalla #cammelli #desert #merzouga #merzougadesert #moroccotravel #travel #travelling

[burlveneer-music]

Yelfris Valdés - For The Ones... - Fourth World explorations by Cuban trumpeter

Yelfris is a Cuban artist, composer and trumpet player, who mixes the latest electronic technics with the spiritual chants and mystic rhythms from the Orishas

After the success of his first EP ‘The World of Eshu Dina’ last year, trumpeter Yelfris Valdés debuts his new project ‘For the Ones…' Released on Vinyl and Digital on October 4th via newly formed Música Macondo Records. For this record Yelfris employs an adventurous and experimental shift in his composition, drawing on his classical training and love of jazz whilst at the same time delving further into the world of electronica, gaining inspiration from artists like Jon Hassell, Bonobo and Aphex Twin resulting something truly unique.

Yelfris Valdés: Trumpet, Flugelhorn, Vocals (A1, A5 and B4) Al Macsween: Electric Piano Sylvain Couesmes: Beat Maker, Producer Josh Barber: Bass Ernesto Marichales: Percussion Dario Congedo: Drums Carmen Martorell: Spoken Word (B5) Modou Touré: Vocals (B1 and B3) Simo Lagnawi: Vocals, Guembri, Qraqeb (A3) All tracks written by Yelfris Valdés Artwork by Fran Rodríguez - www.lacabezaenlasnubes.com

#Yelfris Valdés #orisha #yoruba #jazz #world music #2019 #cuba #uk #musica macondo #fourth world #afro-futurism

[gypsysouladventr-blog]

  Who are the Berber people? The name Berber is actually a variation on the Latin original word “Barbarian”, this applies to the Barbary coast, on the coast of Northwest Africa was named after the Berbers because they and Arabs pirated ships going to the Mediterranean Sea. The Berbers actually call themselves “Imazighen”, which means ‘the free’. Berbers are actually non-Arabic tribes; who over the last several hundred years have actually converted to Islam.

The Berbers have been in North Africa since at least 3000 BC according to scholars. Morocco is made up with the majority of Berbers, 10.4 million (40%) of the population. These can be divided into three main groups with different dilects: the Riffians, the Chleuh and Central Moroccan Amazigh; 2/3 of the Berber people actually live in rural and mountainous areas, most being farmers.

Traditionally, Berbers raise sheep, cattle and goats; some work in flourmills, do woodcarving, quarry millstones, and make pottery or jewelry. Women generally do the cooking and caring for the home and children, weaving, and pottery. Today many Berber people work in Spain or France as migrant workers and send money home to their families.

A traditional word used in the Berber language is ‘Fard’, a word which literally means “The individual is nothing without the tribe”. The immediate family comes first and they are the most important thing to these wonderful people. Most of the time family members live together and most stay close to home, women children and extended family actually end up working together closely in their own homes. If you ever visit one of these families, be prepared to eat more food than you will ever want to eat your life (ie/bring a walker because your belly will be so full it will become difficult to walk afterwards). The Moroccan culture, and especially the Berber people hold their guests in very high esteem, hospitality here is taken VERY seriously.

If you look into some of the religious beliefs of the Berber people, interestingly they actually believe in a spiritual dimension, or ‘Baraka’ or the positive power of the saints. It is a major source of what has inspired most artisans in Morocco and often is what helps to create the traditional designs of the Berber people. Baraka can infuse itself into all things, at different levels, such as: jewelry, talismans, ceramics, textiles; it can also be in artistic vocabulary (like song & dance), suffuse itself in plants like henna and oleander, sandalwood, saffron and myrrh. So what is Baraka exactly and why is it so prominent in this culture? Baraka traditionally thought and used to deal with the darker forces of life, curing illnesses and protecting oneself against the evil jnoun (spirits) and the evil eye. For example, I say an adorable little boy on the street in Marrakech, and told the mother ‘oh he is sooooo cute’ and smiled and motioned that I wanted to pinch his cheeks. The guide I was with told me to say Baraka, which would deter the evil eye, because it is very common for mothers to be superstitious that you will jinx their children by doing this — so saying this word can avoid the curse of the evil eye. Another example is of a Berber woman dancing in Jamma el-fna with a certain colored scarve over her head to get rid of a certain demon or bad spirit that could be plaguing her life. Watch it here:

The Berber people commonly wear different symbols and say different words to help protect them from the evil eye. Berber women commonly would wear tattoos, jewelry and henna with different patterns to help protect themselves; now with many converted to Islam where tattoos are forbidden, they weave the symbols into the textiles, jewelry and henna even to this day. So if you see the designs of henna drawn on the hands and the feet of a bride, this is something that is both protecting and nurturing for the marriage that has been used and evolved throughout the centuries of use.

If you see photos of the Amazigh women/Berber women, you may find some with the tattoos I previously mentioned. These tattoos were traditionally placed by the family on the face as a sort of rite of passage (usually around the time of her menstrual cycle) signifying her transition into womanhood.

This would typically happen in groups, with several girls being tattooed at once, making it a very social activity. Now that Islam is so prominent, you typically do not see tattoos on the faces of any Berber woman under the age of 30.

There is actually a museum in Marrakech called, ‘The Tiskiwin Museum’ – where you can see some of the preserved arts of the Saharan people, and Berber people of Morocco. There is also a book to help you see what the different designs of the Berber people actually mean by -Cynthia Becker Phd called ‘Amazigh Arts in Morocco + Women Shaping the Berber Identity’, such as circular motifs in pink and red, colors categorized as light, resembling the sunlight, are embroidered over other motifs. They hover like the sun above the other designs, creating a composition that resembles the natural world and its plentifulness, connecting women to fertility.

Textiles and symbols: traditional Berber carpets contain distinctive patterns and colors and are woven from sheep wool or camel hair.

The materials are hand washed and naturally dyed from saffron yellow to wild mint green and from pomegranate and henna. These carpets are known for their strong geometric designs, and have been dated as far back as the Marinid era (Berber dynasty). Carpets in the middle Atlas generally have a traditional diamond grid. Even the wool itself is thought to have a protective power. Berber weaving is highly dependent on the female culture, and is passed down traditionally within the home. The young learn from the old, and are expected to learn all the different ways to weave & loop, and the different patterns, color ranges, and symbols. Historically women wove carpets for their families, and the men traditionally produced carpets that were more specialized as professional master weavers. Each tribe has a signature pattern and commonly tells a story, revealing acts of ceremony, or designs that related to fertility and protection.

  Music and Dance: You may hear Chaabi Music while you are in Morocco, and this is actually a common folk or ‘pop’ music that is very common at celebrations and markets. Typically an instrument known as a gimbri (sinter or hajhuj) a guitar with three strings and 4 chords typically played. The gimbri has a low bas like tone, and was borrowed from the popular Gnawa traditional music that is typically known as mystical and used in healing rituals commonly.

Gnawa music was brought up from Sub-Sahara African areas and is common in Morocco amongst the Berber people, especially in Southern Morocco. Other instruments used are the Lira (a flute made of bamboo),

a Bendir (a drum played with the fingers) which has a snare stretched across the back that produces a buzzing sound when played,

a Darbouka (single head drum held under one arm),

and the Qraqeb (or karkabas)– this is a set of Metallic castanets or a type of symbol, originating from when the slaves would clang their chains together to make music & now has been adopted into traditional Gnawa music.

  Who are the Berber People? What I have learned so far about these AMAZING people Who are the Berber people? The name Berber is actually a variation on the Latin original word "Barbarian", this applies to the Barbary coast, on the coast of Northwest Africa was named after the Berbers because they and Arabs pirated ships going to the Mediterranean Sea.

[in-marocco-con-laura]

Vi ho già parlato della storia, dell' origine e dei tanti festival della musica in Marocco Oggi vi racconto quali sono gli strumenti musicali Per gli arani e i berberi la musica rappresenta un modo per raccontare storie da tramandare a generazioni successive. Gli strumenti caratteristici di questa musica sono .. LA TABLA - La Tabla (o tubblaa) è un tamburo costituito da una cassa di legno o terracotta a forma di barile sulla quale viene tesa una pelle e fermata con dei legacci. In genere lo strumento è composto da due corpi differenti, dotati di un cerchio di pasta (il sihai) composto da manganese, riso bollito e succo di tamarindo grazie ai quali si ottiene una suono armonico. L’ “OUD “ LIUTO MAROCCHINO - Ha il manico stretto e corto rispetto al corpo dello strumento e la parte terminale del manico è inclinata all’indietro. E’ uno degli strumenti più caratteristici della musica araba sia moderna che tradizionale. Tra l’VIII e il X secolo aveva solo quattro corde, rappresentati i quattro elementi: fuoco, acqua, terra e aria. In seguito le corde aumentarono a sei. Il VIOLINO ARABO – KHAMANJAH - Il violino viene sonato nell’orchestra di musica colta araba, il Takht, e anche nelle cerimonie sufi. In Marocco è frequente vederlo suonare in verticale, come se fosse un piccolo violoncello. IL QRAQUEB MAROCCHINO - Questo strumento viene fabbricato a mano ed è costituito da metallo e stringhe di cuoio. E’ nella forma di 4 piatti anche chiamati qraqeb o quraqesh. E viene suonato con le mani tipo le nacchere . IL BENDIR – TAMBURO - ll Bendir è un tamburo a cornice. E’ piuttosto diffuso nel magreb ed il suo uso è legato alle tradizioni rurali e alle cerimonie dhikr. Viene suonato con le dita , Dum (tutte le dita colpiscono insieme il bordo del tamburo) o il Pa (le dita allargate colpiscono il centro del tamburo). IL REBAB - Il RABAB è una specie di violino, ad arco, realizzato da un unico pezzo di legno e avente due corde. Nella versione moderna più recente, presenta una forma stretta e convessa. TBILA – BONGO MAROCCHINO - è costituto da una coppia di tamburi fatti di ceramica e chiusi da una pelle di capra. #inmaroccoconlaura Inmaroccoconlaura.com https://www.instagram.com/p/CPpminxnDm_/?utm_medium=tumblr

#inmaroccoconlaura

[dreamerdiplomat]

my favorite qraqeb partner in crime ❤️ (at The Green Zone) https://www.instagram.com/p/B8SLMIgn_V1/?igshid=ag0wgn546xum