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#pragma short film
coolpointsetta · 9 months
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hands hands hands hands phil dunster hands hands hands hands hands hands
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PLEASE
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atorionsbelt · 9 months
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Phil Dunster in short film Pragma (2022) ft Lucy Heath
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rtell1 · 4 years
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Love is Courage
Rory Tell 
Professor Ward – Love and Film
Love is…Complicated 
Is there any concept humans have to deal with on a daily basis that is more complicated than that of love? I can just hear Avril Lavigne’s “Complicated” echoing out of my iPod right now as I write this blog.  “Complicated” to a large extent actually mirrors a lot of my teenage emotions towards the idea of love and connecting with someone. It captures the multitude of feelings that engross a young teenager’s mind, that of confusion, anxiety, desire, and affection. As one music critic aptly noted her song represented, “a moment in time where you’re childlike enough to beg for a simple explanation for everything and just mature enough to know there’s no such thing.”  She aptly brings up the idea of love as an intangible idea. Humans tend to ascribe definitions to things as to show an understanding of what those very things are. However, so much of how we feel can sometimes never truly be expressed, as there are not words that can define these intangible experiences such as love. So why do we even talk about love anyway? Love is not simple, and that is okay. In fact, I think the process of one attempting to understand love is a vital ongoing process that is never fully realized. Rather, at different points in our lives, humans become privy to its many shapes and forms. That is why love is so beautiful, because when one finds that connection, there is an almost unspeakable bond that is created. Furthermore, we are doing an injustice to society if we do not seek to discover what is unknown about ourselves. Love is one of those things, and that is why I am writing these blog posts, to hopefully come to an infinitesimal better understanding than before I started. 
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From the outset of society, understanding and dissecting the origin and idea of love has played a key role in every culture. The Greeks, of whom we will discuss in much more detail later in the blog, had many words to describe the feeling of love. Eros represented sexual passion, philia denoted deep friendship, ludus described a more playful love, agape symbolized a love for everyone, pragma signified a longstanding love between couples, and philautia was used to describe the love for oneself.  These are just some of the terms Greeks used to encompass their feelings towards one another. There is no doubt that as society has progressed; the concept of love has too, as we have become more accepting of different forms and constructs of love. But why from ancient Greece to now are societies and humans still wrestling with the idea of love and what it represents to different people. This is a question I grapple with all the time. As I mentioned prior, I think the short and the long of it is that love means different things to different people at different points in their life. There is no blanket statement, no definition in a textbook that can encompass or articulate the full range of emotions a human feels at a point in time. As much as humans tend to want to create unifying theories for specific ideas, love is subjective and changes depending on the person. Yet, love doesn’t only change depending on the person, but in fact, as we will see later on in the semester, time is a crucial element in how love evolves inside a person. The childish love we feel in sixth grade changes when someone gets married, and it continues to change as people age. 
When looking at Hedwig and the Angry Inch (2007) and Plato’s Symposium, we can view how these two different texts are responding to the idea of love. From the outset Hedwig is an extremely complicated figure. Hedwig is born, male, acts with a female persona, yet lives in between genders. Thus, pinning down what Hedwig is and wants becomes increasingly complicated throughout the course of the movie. As Yitzhak, another member of the band, says during one of the band’s opening songs, “Hedwig is like that wall/Standing before you in the divide/Between East and West/Slavery and freedom/Man and woman/Top and bottom.”  This idea, of opposition, the dialectic between Hedwig’s understanding of himself as not fully formed, but only a half of a whole person is the central narrative of the film. And to me, I believe it to be an extremely narrow and dangerous way of looking at love. The idea of the other half, that there is only one person who can make you feel whole is not a healthy way of viewing relationships and love in general. For much of the film, Hedwig is preoccupied with finding his soulmate, his other half as he describes it in their rendition of the “Origin of Love.” 
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Aristophanes speech in the Symposium thus becomes the clear metaphor symbolizing what Hedwig’s beliefs on love is at the beginning of the film. Yet, while Aristophanes assessment foregrounds the narrative and Hedwig’s initial beliefs on love, the film continues to engage with other various parts of the Symposium’s work. The film’s narrative demonstrates a more serious engagement with the Symposium’s speeches. Throughout the film, failed relationships compel Hedwig to abandon external completion of the whole for inward self-discovery and ultimate self-acceptance. This evolution in Hedwig’s mindset can be directly correlated to the evolution of the dialogue happening within the Symposium as Socrates attempts to build on his fellow friend’s ideas while putting forth his own methodology. “Like Aristophanes, Socrates argues that love is the desire for what one lacks. But in contrast to Aristophanes, who thinks the lack is the other half, Socrates conceives it as the lack of the knowledge of ‘the form of Beauty’, or as the lack of ‘immortality.’”  Thus, Hedwig begins to understand that the only thing that can make himself feel complete is the love and happiness he seeks within himself. Love is an extremely complicated journey for Hedwig, but it is ultimately a rewarding path as Hedwig begins to appreciate the fact that one has to love himself to love others.
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gigslist · 3 years
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20 Voiceover Roles - Paid Work from Home
FOUNDATION FOR WOMEN'S CANCER Webinar VOICEOVER
7 Roles
CATEGORY:VOICEOVER: E-LEARNING (VOICEOVER)
TAGS:PAIDWORK FROM HOMENONUNION
EXPIRES:October 8, 2021 4:59 PM
Foundation for Women's Cancer
Jessica DiGiovanni - Casting Director and Director
Production Description
Casting different roles to pre-record VO from home for a live webinar for the Foundation for Women's Cancer. Possible recurring job. PLEASE ONLY SUBMIT FOR ROLES YOU ARE AN EXACT MATCH FOR. We will be casting true to ethnicity, gender identity and sexual orientation.
Roles
Suzy Douglas (Voiceover): Female, 50+WORK FROM HOMESuzy Douglas African American Female To sound 64 years old (has southern dialect) - must be able to do southern dialect PLEASE ONLY SUBMIT FOR ROLES YOU ARE AN EXACT MATCH FOR. We will be casting true to ethnicity, gender identity and sexual orientation.Accents:
Southern American Required Media: Voice Reel
Alexandra Hernandez (Voiceover): Female, 25-46WORK FROM HOME
Alexandra Hernandez Hispanic Female To sound 36 years old PLEASE ONLY SUBMIT FOR ROLES YOU ARE AN EXACT MATCH FOR. We will be casting true to ethnicity, gender identity and sexual orientation.
Required Media: Voice Reel
Pragma Patel (Voiceover): Female, 50+WORK FROM HOME
Pragma Patel Indian Female To sound 60 years old PLEASE ONLY SUBMIT FOR ROLES YOU ARE AN EXACT MATCH FOR. We will be casting true to ethnicity, gender identity and sexual orientation.
Required Media: Voice Reel
Ella Grace Reed (Voiceover): Female, 45+WORK FROM HOME
Ella Grace Reed Caucasian To sound 55 years old Lives in Appalachian Mountains (slight accent) / Speaks in short simple sentences PLEASE ONLY SUBMIT FOR ROLES YOU ARE AN EXACT MATCH FOR. We will be casting true to ethnicity, gender identity and sexual orientation.
Accents: US Appalachia
Required Media: Voice Reel
Kendall Richardson (Voiceover): Trans Male, 35+WORK FROM HOME
Kendall Richardson Caucasian To sound 50 years old Transgender Male assigned female at birth PLEASE ONLY SUBMIT FOR ROLES YOU ARE AN EXACT MATCH FOR. We will be casting true to ethnicity, gender identity and sexual orientation.
Required Media: Voice Reel
Camilla Souza (Voiceover): Female, 50+WORK FROM HOME
Camilla Souza Hispanic To sound 70 years old Grandmother PLEASE ONLY SUBMIT FOR ROLES YOU ARE AN EXACT MATCH FOR. We will be casting true to ethnicity, gender identity and sexual orientation.
Required Media: Voice Reel
Marie Jakes (Voiceover): Female, 40+WORK FROM HOME
Hoa Nguyen (Voiceover): 36-50WORK FROM HOME
Rehearsal and Production Dates & Locations
Records Remotely. MUST HAVE HOME BOOTH SETUP (Sound proof booth, mic, interface) and have DAW you are comfortable working with. PLEASE SPECIFY THE SPECS BELOW in your submission. Microphone: Interface: Computer: DAW:
Compensation & Union Contract Details
Stipend: $125 - $150Pre-recorded Audio will be used one time for a live webinar.
Seeking talent: Nationwide (United States)
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Competition TV Series Sizzle 'Untitled Cooking & Building TV Project'
11 Roles
CATEGORY:TV & VIDEO: REALITY TV & DOCUMENTARYFILM & DOCUMENTARY (VOICEOVER)
TAGS:PAIDWORK FROM HOMENONUNION
EXPIRES:October 1, 2021 4:59 PM
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Company
Paul Head Casting
Paul Head, casting dir.
Production Description
Boutique TV Production company is seeking a male V.O. artist for a perpetuity buy out for their voice for a presentation sizzle tape for a male skewing documentary television project. Dialog is no longer than 5 mins and most likely TRT is 4:30. Working with a major television network on a presentation.
Roles
Collapse All RolesMALE VO ARTIST (Voiceover): Male, 25-35WORK FROM HOMESeeking male, "guy's guy" voice, gritty, deep, masculine, relatable, guy's guy and the guy next door. Shouldn't be too over the top that it becomes comedic or a caricature. Please note if you have a professional at home setup.Languages:
English
Voice Styles:
Aggressive
Approachable
Aged
Blue Collar
Charismatic
Extreme
Gravelly
Manly/Masculine
Required Media: Voice Reel, Cover Letter
Apply
Rehearsal and Production Dates & Locations
Records remotely, so talent should have professional recording setup. Los Angeles local talent have the opportunity to record with the production company's studio.
Compensation & Union Contract Details
Stipend: $100 - $200Audio is owned by the production company in perpetuity. Non-airing presentation tape. Talent will be asked to sign a NDA and release to use their voice.
Key Details
Seeking talent:
Nationwide (United States)
www.linkedin.com/in/pauldhead
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Hollow
CATEGORY:VOICEOVER: AUDIOBOOKS & PODCASTS
TAGS:PAIDWORK FROM HOMENONUNION
EXPIRES:October 29, 2021 4:59 PM
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Company
Maria Corso, Director/Producer
Production Description
Hollow is a 13-episode sci-fi epic - think Heart of Darkness/Apocalypse Now, but in space.
Roles
Donner (Voiceover): Male, 40-60WORK FROM HOMEDonner is a Corporate Liaison in his mid 40s, smug, greedy, corporate. He begins the mission with seemingly good intentions, then turns to his own interests. Need someone who can balance both sides of the character.
Hannah/Keane (Voiceover): Female, 25-35WORK FROM HOMEPVT Hannah/Keane is a tough, no nonsense leader of her crew, willing to take control of a situation and do what's necessary. She also becomes possessed at one point in the script so the actor will need to play both sides.
Carlos (Voiceover): Male, 20-45WORK FROM HOMECarlos is both a man of science and faith. A priest who is cares deeply for his people and also a top tier scientist who has designed the ship the podcast takes place on and is invaluable to the well being of the characters on it.Languages: Spanish
Issac (Voiceover): Male, 20-30WORK FROM HOME Issac is a former prisoner/slave turned confidant to our main protagonist. Loyal, goes above and beyond. Must be able to sing a little bit, he has a song in one of the episodes. Accents: Australian Required Media: Voice Reel
Jordan (Voiceover): Female, 25-35WORK FROM HOME The love interest to our protagonist Amelia. Jordan is witty, serious, and kind.
Nellie (Voiceover): Female, 30-50WORK FROM HOME Nellie is a motivational speaker, a poet. A wise mentor to our protagonist Amelia.
Anika (Voiceover): Female, 50-65WORK FROM HOME
Garcia (Voiceover): Male, 20-40WORK FROM HOME
Aquino (Voiceover): Male, 40-80WORK FROM HOME
Lacrima (Voiceover): Female, 60+WORK FROM HOME
Amelia (Voiceover): Female, 20-35WORK FROM HOME
Rehearsal and Production Dates & Locations
Records remotely, talent must have professional setup.
Compensation & Union Contract Details
Professional Pay: $50 - $200
Key Details
Seeking talent:
Worldwide
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Copper & Wool
CATEGORY:FILM: SHORT FILMSFILM & DOCUMENTARY (VOICEOVER)
TAGS:PAIDWORK FROM HOMENONUNION
EXPIRES:October 15, 2021 4:59 PM
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Company
Lux Daze Media
Tyler C. Peterson, Executive Producer & Director
Production Description
The weekend before her wedding, a young Jewish woman seeks clarity in a hilltop getaway where she forms a life changing bond with the eccentric, divorcee who owns the property. We are casting a voice to play the concerned mother of the lead character, Elisheva. Actress should be able to play around 60 years old. She is a long time member of the Los Angeles Jewish community.
Roles
Collapse All RolesIma (Voiceover): Female, 55-70WORK FROM HOMEWe are casting a voice to play the concerned mother of the lead character, Elisheva. Actress should be able to play around 60 years old. She is a long time member of the Los Angeles Jewish community.Languages:
English
Accents:
US West Coast (California, Portland)
Voice Styles:
Worried
Mature
Concerned
Annoying
Required Media: Voice Reel
Apply
Rehearsal and Production Dates & Locations
Talent must have a home studio set up to record virtually with the director on the phone with you.
Compensation & Union Contract Details
Professional Pay: $100/HourlyVoice over to be used in a phone call sequence during the film. This film will be playing the film festival circuit and be released online afterwards. A performer release form will need to be signed.
Key Details
Seeking talent:
Nationwide (United States)
https://www.luxdazemedia.com/contact
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First Look Sizzle
CATEGORY:VOICEOVER: CORPORATE & INTERNET VIDEOS (VOICEOVER)
TAGS:PAIDWORK FROM HOMENONUNION
EXPIRES:October 15, 2021 4:59 PM
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Company
Pinna Creative
Chris Del Sordo, dir.
Production Description
Casting a sales and web based video.
Roles
Collapse All RolesVO Artist (Voiceover): All Genders, 18+WORK FROM HOMELanguages:
English
Apply
Rehearsal and Production Dates & Locations
Remote recording; talent must have professional home studio.
Compensation & Union Contract Details
Professional Pay: $500Audio to be used for one year.
Key Details
Seeking talent:
Nationwide (United States)
Chris Del Sordo Principal & Creative Director [email protected] 310.948.9296
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haeyeongs · 7 years
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LGBT+ korean dramas and movies
In honor of Pride month, I’ve decided to make a masterlist of korean dramas and movies that include LGBT+ characters
Some characters are main roles, some of them are just minor ones (mostly in dramas, sadly...).I haven’t seen them all so tell me if you think some of them shouldn’t be there and also if you have any other to add, just tell me!! I will update the post regularly ♡
Dramas: 
Painter of the Wind (2008)
Life is Beautiful (2010)
Personal Taste (2010) | [MLM]
Secret Garden (2010) | [MLM]
Daughters of Bilitis Club (2011) | [WLW]
Reply 1997 (2012) | [MLM]
Reply 1994 (2013) | [MLM]
You're All Surrounded (2014)
It’s Okay, That’s Love (2014) | [trans]
Seonam Girls High School Investigators (2014) | [WLW]
The Lover (2015) | [MLM]
Lily Fever (2015) | [WLW]
The Good Wife (2016) | [WLW]
Cheese in the Trap (2016) | [MLM]
My Runway (2016) | [MLM]
Happy Ending (2016) [WLW]
Introverted Boss (2017) [minor trans character]
Prison Playbook (2017) [MLM]
Long Time No See (2017) [MLM]
Your House Helper (2018) [MLM]
Matrimonial Chaos (2018) [WLW]
Discipline (2018)
1 in 10,000 (2018) [WLW] 
Am I the Only One with Butterflies? (2018) [WLW]
Romantic Witch's Starlight Sonata (2019) [WLW]
Be Melodramatic (2019) [MLM]
XX (2020) [MLM]
Where Your Eyes Linger (2020) [MLM]
Sweet Munchies (2020) [MLM]
SF8: Joan’s Galaxy (2020) [WLW]
Movies: 
A Crimson Mark (2004) | [MLM]
Camellia Project: Three Queer Stories at Bogil Island (2005) [MLM]
No Regret (2006) | [MLM]
The Postcard (2006)
Goodbye Day (2007) [MLM]
Antique Bakery (2008)
A Frozen Flower (2008) | [MLM]
Happy Together (2008) | [MLM]
Hello my Love (2009) | [MLM]
The Depths (2011) [MLM]
Life is Peachy (2011) | [WLW]
The Perfect Man's Man (2011)
Two Weddings and a Funeral (2012)
White Night (2012)
Going South (2012) | [MLM]
In my end is my beginning (2013)
Seoul Mates (2014)
Night Flight (2014) | [MLM]
A Girl at my Door (2014) | [WLW]
Man on High Heels (2014) | [trans]
The Beauty Inside (2015) | [bi, trans?]
Weekends (2016) | [MLM]
Half (2016) | [trans]
Our Love Story(2016) | [WLW]
The Handmaiden (2016) | [WLW]
Jane (2017) | [trans]
Queer Movie Beautiful (2018) [MLM]
In Between Seasons (2018) | [MLM]
Fantasy of the Girls (2018) [WLW]
Short Films: 
Marry Me (2007) [WLW]
Just Friends? (2009) | [MLM]
Distance (2010) [WLW]
The Perfect Man’s Man (2011) [MLM]
Suddenly, last summer (2012) | [MLM]
Daymoon (2013) [WLW]
Secret (2013) [MLM]
Ordinary Family (2014) [WLW]
Pragma (2014) [WLW]
Open (2015) [MLM]
Five Steps to Accept Farewell (2016) [WLW]
The Spring In My Life (2016) [MLM]
MOMO (2016) [WLW]
Turnover (2016) [MLM]
Alice: Crack of Season (2016)  [WLW]
The Coldest Day (2017) [MLM]
Mind. (2017) [MLM]
Late Bloomer (2017)
The Turning Road (2018) [MLM]
Being Me (2018) [MLM]
Don't Say Sorry (2018) [WLW]
Some More (2018) [MLM]
Summerdaze (2018) [MLM]
Boss in Love (2018) [WLW]
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