ADVENT WEEK: DAY 001.
Trigger/Content Warnings: kissing, alcohol, brief mentions/hints at transphobia, mentions of nsfw content.
— NOVEMBER 15, 2015: you’re eighteen: eighteen with a non-profit just starting to really take flight but still no first kiss. tonight was going to be the night. it had to be. at least — that is what you tell yourself as you wipe the brown liquid that remains on your lips after that final swig of liquid luck. you might even be in love.... you think. she’s your friend, but there’s something there. you swear there is, and now, she's heading back to college in a few short weeks for her next quarter, which means... there’s everything to gain and nothing to lose.
when she sees you, she smiles, and your face burns. fingers reach out to gently rest upon her shoulder, accompanied by a nod towards the kitchen for a ❛drink and fresh air❜. it’s something you saw in a movie. then again, it could have been a video: one of those videos. so desperate for perfection in this moment that you had been dreaming of, since you had seen her face light up when you told some stupid joke, you devoured everything you could find to help inform you on how to make your move.
who could blame you really — for rolling into more explicit material — when all you can find about others that look like you — are like you — are stories of anger and loss? yes, sometimes those videos were worse, but some... well... some provided at least information on the how: how he could make the move, how he should lean in, how he should finally seal the deal and press his lips into hers.
with her hand in yours, you lead her to the kitchen, grabbing drinks along the way as you step out onto the porch. the cold chicago wind causes you to jump slightly, pulling your jacket and her closer into you. there’s an amused smile on her lips. you both know what’s about to occur, but you can’t seem to do it... not yet at least. your body, leaden in fear and doubt, remains still, but she — oh, she leans closer into you, chin tilting up to look at you properly. she tells you you look handsome, that these few months have clearly done you well. she tells you that she’s proud: proud to be your friend and see what you’ve done with yourself.
that’s what finally breaks whatever spell your body’s been under. there’s nothing romantic or sexy about it like the images from the videos you used to research meticulously. your hands reach out to try and grasp her face but instead fall to your waist as your lips eagerly press into hers. it’s all too fast. before you’re able to try and adjust, to make her feel how you feel, she’s pulling away with a laugh.
❝oh fuck. now i really know i’m drunk.❞
your lips fall into a frown, but you nod. she’s right. you’ve both drank too much.
❝don’t tell anyone about this. they won’t let either of us live this down.❞
again, she’s right. you’e just friends. two friends that had a bit too much to drink, and one with a silly idea that wouldn’t leave their head.
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AT AGE FOURTEEN YOU THINK YOU HAVE THE WORLD FIGURED OUT. you are wise beyond your years in so many ways --- yet you are still so inexperienced in the human experience . . .
you learn to waltz because your mother says you must and it’s not that you object to learning such things but you’ve never stood quite this close to a boy for this length of time. you carry a natural grace with you always, but somehow turn into a bumbling idiot every time your partner tries to lead. his name is benjamin and he laughs at you when you step on his feet, but he doesn’t seem particularly cruel. he’s amused, but still you scowl and hang your head just hoping he doesn’t see how your cheeks burn hot with embarrassment.
it gets better with time, you get better with time --- yet still, you are hardly a natural. the other girls get swept across the floor with ease and you . . . you have to work harder at it. you always have. or maybe it’s that you don’t like to let others lead.
after a particularly grueling lesson you plop yourself down in a cozy leather chair in your grandfather’s study and whine about how your feet hurt and how you can’t get the steps in time with the music and how you might as well quit ( you’re not a quitter, though --- you both know this ). he tells you that ginger rogers once put it this way --- that she did everything fred astaire did, but backward and in high heels. it’s an impressive way of looking at it and you internalize it, memorize it, chant it in your head like a mantra.
and the next day you enter the dance studio with your head held high, the sort of confidence one notices radiating off you in waves. you’re determined to get it right, to be the best --- and benjamin notices too.
he pulls you in close as the music ends and you ask him why he’s still dancing and he says he’s not. his face is too close to yours and his eyes flutter shut and before you can ask him what he’s doing he plants one on you thinking that you feel it too. but you don’t think of him like that --- he’s only an obstacle on your way to being the best at something.
it’s not what you expected, you don’t feel anything --- it’s not like the movies or like what her friends have said. you linger a moment in shock and then you realize everyone is staring. he could’ve waited for a moment alone but instead he took your first kiss in front of everyone --- you think he was trying to prove something, trying to put on a show. and maybe he was, but you refuse to stay for the curtain call. you run out of the studio quickly, just trying to leave this moment in the dust.
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𝐝𝐚𝐲 𝐨𝐧𝐞 𝐚𝐧𝐝 𝐭𝐰𝐨 — 𝐦𝐢𝐬𝐭𝐥𝐞𝐭𝐨𝐞 𝐚𝐧𝐝 𝐠𝐨𝐥𝐝𝐞𝐧 𝐫𝐢𝐧𝐠𝐬.
DAY ONE / MISTLETOE.
you’re fourteen.
he presses his pursed lips against yours.
you shut your eyes tight, just like you’ve seen in the movies.
you don’t know what to do with your hands.
his lips taste like coca cola, and when he pulls away,
all you can think about is why he chose to kiss you
in the parking lot
of a rema 1000 supermarket.
/
at school, everyone talks about you kissing joey larsen.
your friends ask you what tricks you did with your tongue,
ask you about how wet it was.
you tell them it was just a simple press of lips.
you think maybe it’s so lackluster,
because you don’t have feelings for joey larsen.
he’s nice and smart, but the romantic in you
wishes you felt a spark.
instead, all you have of that memory is the taste of coca cola,
and the smell of the dumpster near which you were standing.
/
you’re sixteen.
you’ve lived a lifetime in a handful of months.
coming back to school is just another hurdle.
the stares from your classmates burn holes into the back of your head.
they all whisper behind your back;
to your face, they speak words laced with pity.
it makes you want to turn invisible.
but the gossip and attention follows you and shoves you into center stage,
a spotlight thrust onto you that you can’t cower from.
a morrison sibling, dead. the other, walking around as a ghost.
/
maybe you start dating him because he’s speaks to you like you’re normal
not broken.
maybe it’s because your loss is insignificant.
maybe it’s because he doesn’t really care about you.
it doesn’t matter.
you blend in with the other girls, a hand intertwined in his as you attend parties with people
who were once your friends.
( you pushed them all away, didn’t you ? covered your aching heart with ambition.
but the lingering taste of loneliness doesn’t leave your tongue. )
/
the music is too loud as you avoid all their stares.
you’re the girl from the paper,
you’re just desperately trying to find footing again
in a life where you feel like you don’t belong.
/
he presses you up against the wall and leans in slowly.
you exhale as he presses your lips together and you close your eyes.
it’s hesitant. it’s awfully public.
maybe your audience is waiting for something.
maybe you are too.
when he kisses you, it’s the closest you’ve felt to being a normal teenage girl,
being kissed by a handsome jock.
you can’t help but feel as if you’re playing a part.
you kiss him back, looping your shaking hands around his neck.
everyone’s staring anyway, may as well give them a show.
/
you’re twenty two.
you kiss him because you’ve thought about it almost every day since watching the sunrise with him.
you kiss him and when your lips slot together,
it’s the closest feeling to magic that you can describe.
he kisses you, soft and sure and smiling, fingers caressing your skin like you are
something precious.
and in his arms, you melt.
DAY TWO / GOLDEN RINGS.
➛ rose’s wardrobe is fairly simple. on a day to day basis, rose can be seen wearing sweaters ( she likes ones that are off the shoulder, but she has quite a few that aren’t either ), in a pair of jeans, boots, and a soft coat. she doesn’t have a lot of variety in her wardrobe — it’s mostly all earth toned and solid colors, and she doesn’t spend too much time thinking about it.
➛ rose is almost always carrying around her staple brown leather bag, passed down to her from her father. in it, she always carries a little notebook and a pen, a voice recorder, and a disposable camera. especially recently, rose never knows when she’s going to see something worth noting, and she always wants to be ready.
➛ the one time rose gets adventurous with her wardrobe is during night outs. she’ll wear some lace, maybe some silk tops, and will have a lot more exposed skin than usual. this is due to the fact that the bar or club she’ll end up in will have low lighting, and rose doesn’t feel like an odd one out for dressing so differently. it also gives her a little boost on confidence when people hit on her.
➛ her hair is usually in natural bouncy waves, sometimes in a low ponytail with some curls falling out to frame her face. her jewelry is minimalist — she only wears two rings, one on her point finger, the other on her ring finger on her left hand. sometimes she wears a simple gold necklace, and she has only two ear piercings with gold studs. her makeup is usually minimalist, mostly due to time, so rose will usually put on some concealer, some brow gel and mascara and call it a day. when she goes out, however, she’ll usually put on a dark lip and add a smokey eye.
➛ during the summertime, rose usually wears flowy pieces. whether it’s a dress, or a pantsuit, she opts for comfort and breeziness. however, she really enjoys the cold, so in the winter the coats she wears aren’t particularly warm, but practical.
➛ she’s rarely seen wearing hats, aside from a large fuzzy winter one henry helped her pick out right before he passed.
➛ she usually likes a small heel in her boot, partly because she’s short, but also because she likes how it makes her look and feel. at events or parties, she’ll opt for a higher heel.
➛ check out her pinterest for more !
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𝐚𝐝𝐯𝐞𝐧𝐭 𝐰𝐞𝐞𝐤 𝘥𝘢𝘺 𝘰𝘯𝘦
~ 𝓂𝒾𝓈𝓉𝓁𝑒𝓉𝑜𝑒
the first time you attend an event with so-called MIXED COMPANY, you are seventeen years old. there have, of course, been birthday parties with girls from your school, family parties and business events. but for the most part these events were not conducive to the kind of goings-on that could be considered part of the quintessential teenage experience. perhaps this is why the other girls in your cohort titter and giggle in anticipation of the upcoming combined formal, where boys from the brother school will be in attendance. like you, many of your friends have had minimal interaction with boys, and as such there is certainly an air of mystery and excitement about the possibilities this event poses. before long there are whispers in the halls and private group chats which spread the new of an AFTER PARTY, no teachers, no parents, and the lure of an unattended liquor cabinet. you exchange glances with your best friend - it is far from both of your comfort zones and yet… perhaps TOGETHER, you will be brave enough to face the potential of the event. besides, neither of you would ever let the other go alone...
the formal bears the sort of stiffness and awkwardness that you might expect based on name alone. you stand in a sea of designer dresses and tailored suits, and watch on with a confused smile as the scene before you unfolds. it is not the FAIRYTALE BALL, romantic comedy moment that many of the girls seemed to have assumed it would be. unsurprisingly, when you have been deprived of normal social interaction with boys your age, the transition to darling socialites who dazzle all onlookers with moves learned in your recent ballroom class, is not so easy. instead, you watch groups of girls awkwardly huddled like penguins. you stifle a laugh as your cohort throw furtive glances to the groups of boys who for the most part appear OBLIVIOUS to the subtext of the event and are acting, perhaps, they way they might on a rugby field rather than a black tie event.
and yet, while dancing with your friends, one points out that you appear to have captured the attention of one of the boys. you steal a glance, CHEEKS FLAMING, at the group behind you, and your eyes meet his. he is handsome - you suppose, in that kind of classic way. but there is also something awkward about him, somewhat LANKY and bumbling. you turn back to your friends, eyes wide as they tease, ‘ evelyn’s got an ADMIRER ’ they giggle, and you wonder why those words cause your chest to tighten.
arm in arm with your best friend you steel yourself as you walk into the after party. to say that the atmosphere of the room is diametrically opposed to that of the school hall is putting it mildly. gone are the restraints of formality; suit jackets removed, hemlines are shorter. away from the watchful eyes of the teaching staff, and with the kind of COURAGE or perhaps naivety that alcohol allows to the privileged progeny of london, suddenly the girls of north london collegiate and the queen elizabeth’s school boys are intertwined, talking, laughing. someone hands you a glass of something, and a long sip causes you to blanche at the taste. you see your friends, clem and rosie, waving you over to where they sit, with the boy from earlier, who is in turn surrounded by his schoolmates. another long sip and a nervous laugh with chloe and you find yourself walking forward. “ EV! this is oliver! ” comes the not so subtle introduction offered by clem. you find yourself saying that it’s lovely to meet him, asking if he is enjoying the night, sitting yourself down amongst the group. after all, wasn’t this the POINT of the evening? to meet, mingle, go a little crazy?
you find yourself watching him speak, without really taking in much that is said. a few words break through, enough for you to realise that your friends weren’t far from the mark by attempting to set this up. top grades, orchestra, tennis, and ambitions to work in finance. as your eyes glance over his features, you begin to see your future unfold before you, imagine the SMILES on your parents faces as you bring home someone so well matched.
when he asks you if you want to go outside, you think, what for ? but the looks on your friends faces are encouraging, their expressions spurring you on. you glance around for approval from chloe, but find her seat vacant ; gone to the bathroom perhaps, or getting another drink. you give him a smile, and say simply, “ okay ”, thinking that some fresh air would be nice, away from the din of the music and laughter. he leads you to a balcony, encasing your hand in a slightly clammy grip. you are looking up, exploring the stars with wonderment when you realise his hand has moved to your cheek, turning it gently to face his.
his lips are on yours before you can ask what he is doing. you find yourself, in a moment that seems to last for HOURS, realising that this was the purpose, the reason he led you away, and you wonder if you wanted this to happen, after all, you followed him, didn’t you? his lips are soft, but press a little too firmly, your noses bumping awkwardly. you realise you feel NOTHING but a sense of disappointment. is this what it was MEANT to feel like? is this how everyone else felt? this … nothingness ? accompanied by the pressure of another person against you?
by the time he pulls away, you realise that you have no idea what comes next. he utters something about how lovely you are but your brain is trying to piece together what any of this means. a hasty “ i uh - have to go to the ladies room ” is the only thing you can muster as you make your exit back to the party, heart pounding in your chest.
your first kiss doesn’t awaken anything in you, except for a strange sense of dissatisfaction, and disillusionment with notions of romance. but you tuck those thoughts away, and as your friends excitedly question you about ‘ WHAT HAPPENED ’, you find yourself hoping that someday you might kiss someone and feel MORE.
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DECEMBER 9TH : MISTLETOE
𝐀𝐃𝐕𝐄𝐍𝐓 𝐖𝐄𝐄𝐊 𝐃𝐀𝐘 𝐎𝐍𝐄 : tell us about your character’s first kiss .
mentions : frank and carol sullivan , rose morrison .
content warning : alcohol , food , and kissing .
new years eve, 2014. you’re fifteen years old and you and seventy - five other people are packed in like sardines. as you and your parents step inside the two - story row house five doors down from your own, all you remember thinking is that this is definitely some sort of fire code violation. received a whopping four hours earlier, the invitation was the definition of a pity invite. your dad had run into marci sherman while perusing foodtown’s bleak spreadable cheese section, and she thought it was just so sad that the man who heroically repaired her washer valve’s plans to ring in the new year consisted of a quiet night in with the family.
historically speaking, sullivans weren’t exactly a social breed. your parents kept their circle to a modest handful, just a rotating cycle of family friends who swept into town a few times a year to sip boxed wine and gush about how big you’ve gotten. despite the innate lack of blood relation, you were instructed to call these people aunt and uncle; carol was an only child, and frank hadn’t spoken to his brother since he caught him stealing from the plumbing business twelve years ago, so the pickings were about as slim as the selection of non - alcoholic beverages at this party.
you’re tired. you’re bored. you can’t stop refreshing words with friends to see if rose played her turn, despite the fact that it’s been almost a year since you’ve so much as heard from her. ever the attentive host, mrs. sherman catches you staring at your phone and promptly swoops in, ushering you towards her son’s bedroom to play with the other kids. well, for one, you were far too old for playing, and for two, paulie sherman was eleven. years ago, you were recruited to babysit with the promise of twenty bucks in your pocket, a dream that died the moment he threw his xbox controller at the screen and pinned it on you. the so - called others were around the same age, if not younger, with the exception of a girl named jackie who introduced herself as paulie’s cousin from pennsylvania.
she was nice enough, though she wouldn’t stop talking about her boyfriend and how his best friends list on snapchat kept flip - flopping between her and a girl from his youth group. pretty, too, even with a scowl on her face and a mouth full of braces adorned with pink and aqua rubber bands. after an agonizing twenty minutes of watching paulie and his school friends play russian roulette with a nerf pistol, jackie comes to the conclusion that said boyfriend is, in fact, cheating and asks if you want to go outside.
“ it’s, like, 20 degrees out. ” you point out, and your ears begin to burn with embarrassment. low of 20, your weather app said that morning, feels like 8. did pennsylvanians not feel cold? “ and mrs. sherman said — ”
“ no one’s putting a nerf gun to your head. ” she fires back, and slips out the door with you scrambling on her heels.
much to your relief, you find the adults are far too drunk on spiked cider and mr. sherman’s famous wing dip ( equal parts canned chicken, blue cheese, and frank’s red hot ) to notice two young teens slinking through the crowd. across the kitchen, you spot your parents joined at the hip, being subjected to a never - ending slideshow reel of someone’s myrtle beach vacation. a sharp pang of pity jabs you in the gut, but you quickly dismiss it. they were the ones who made you come here in the first place. you were perfectly content to sit on the couch eating crescent dogs and watching ryan seacrest’s valiant attempt at moving his facial features.
two minutes later, you’re sitting shoulder to shoulder on the steps of a splintered deck, watching jackie smear a thick layer of goop all over her lips. the artificial scent of sugar cookie commingles with the chill in the air and you shove your hands into the kangaroo pockets of your hoodie to keep warm. as she caps the tube of gloss and flashes a shy smile in your direction, you remember thinking she’s going to kiss me — but you’ve been wrong before. more times than you could count.
“ what’s your name again? ” she asks, fiddling with her necklace. it was one of those wire pendants shaped with a pair of needle - nose pliers to spell out one’s name. jaclyn, hers declared in spray - on gold cursive.
“ jason. ”
“ hi, jason. ”
before you can even progress the bizarre turn this night has taken, she leans forward and sort of . . . places her mouth against yours. there’s something expectant in the way she lingers, as if she’s waiting for you to unleash your expert kissing prowess upon the world. a foolish part of you had always wanted your first experience to resemble the famous upside - down kiss from spider - man, though the technicalities seemed a little too advanced for a newcomer such as yourself. instead, hands not budging from their pockets, you make a feeble at attempt at kissing her back. the two of you sit there for a few moments, lips repeatedly bumping into one another’s in some strange ritual dance that in no way resembles kissing, and when the sliding door opens and mr. sherman steps outside, you’re just glad it’s over.
when the dust settles on the initial shock of being caught, jackie puts her number in your phone. you both know she’ll never hear from you, and it’s undoubtedly for the best. by the end of winter break, she and her boyfriend would reunite, and soon enough, youth group girl and new years boy would be little more than a footnote in their love story.
it’s eight minutes to midnight when your parents finally escape the trenches and flag you down in the dining room, where you’re chowing down on a plate of sweet and sour meatballs in solitude. they ask if you’re ready to leave and you cannot agree fast enough. the three of you shuffle home in silence and the whole time, you can’t stop yourself from feeling that by kissing paulie sherman’s cousin, you’ve somehow betrayed your norwegian pen pal. god, you wish you stayed home tonight.
just as you reach the doorstep, the sound of muted cheers erupts throughout the block. fifteen miles west, the ball drops in times square and if you listen hard enough, you can almost hear the opening notes of auld lang syne.
you watch as your dad stops fumbling with his keys to lean over and give your mom a tender kiss. so that’s how it’s supposed to look.
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𝐆𝐎𝐋𝐃𝐄𝐍 𝐑𝐈𝐍𝐆𝐒 !
opals advent day 2 || pinterest !
general aesthetic .
wearing art to show hints of personality, jackets with pockets deep enough to host a book, soft fabrics, pops of a warm tone in every outfit, looking like he’s trying to make a streetwear section of a magazine while on campus, slim fitting trousers to accentuate lanky legs, small personal touches (usually in the form of gifted jewellery from one of his sisters or a designer), comfortable trainers for cycling home that are scuff free, patterns, patterns, patterns.
accessories .
a focal point for everything else. eliot likes small, daily reminders of the people he loves most in the world to be represented as part of him each and every day. eliot’s love language is giving and receiving gifts and i think that’s represented best in his style ! from small hints of home such as cuff links gifted by his eldest sister, gabriela, to gifts received from his circlet over the past year that they’ve known each other; the likelihood is, if you’ve ever bought him anything he’s built an entire outfit around it at some point. in the autumn-winter months he rarely leaves the house without a burberry scarf wrapped almost up to his mouth in the biting cold mornings.
patterns .
one of eliot’s favourite things about walking prada when he was younger was always the jumpers. they reminded him of his sketches; of the comfort of looking at a piece of artwork and trying to work out the painter’s intent. and he quite likes to create a similar puzzle for other people when they look at his chosen attire (which will often also be terribly paint stained after a long evening in the strathmore art studio). the best way to work out how eliot’s feeling is often visual. muted tones when he’s working out what to wear when feeling pensive; usual warmth returned when he’s feeling better. eliot particularly likes the idea of wearing the equivalent of delft pottery on a shirt and trying to cooridinate an outfit around it — however, he’s yet to find one.
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𝘥𝘦𝘢𝘳 𝘮𝘰𝘯𝘪𝘤𝘢 𝘳𝘰𝘴𝘦 ,
miss alejandra barrera requests a wardrobe design for upcoming spring 2021 . it is pertinent that her entire wardrobe be redesigned exactly as is requested . thank you .
in order to meet her requirements, we asked her to define and describe what she likes to wear and her overall lookbook . this is what we collected . we look forward to working with you soon .
— pinks and reds , mostly . silk , silk , and more silk . cowl neck dresses , or dresses with leg splits . floral designs , with hints of glitter and stars . heels with socks . lip gloss at all times , almost never lipstick . early 2000′s , with a hint of femme fatale . classy and sleek , but playful and pretty . oversized fluffy coats . skirts and dresses , for the most , almost never jeans or sweatpants . pale and pastels , except for when it’s ruby red and dangerous . necklaces that tie around the throat delicately . butterfly hair clips . sparkly diamond necklaces . soft colours or bold colours only , nothing in-between. playsuits with boots , that are flowing and gentle on skin . top brands are hermes . gucci . dior . burberry . and , of course , prada .
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── 𝐚𝐝𝐯𝐞𝐧𝐭 𝐝𝐚𝐲 𝐭𝐰𝐨 : 𝐺𝑂𝐿𝐷𝐸𝑁 𝑅𝐼𝑁𝐺𝑆 .
prompt: tell us about your character’s fashion sense !
i. sloane gravitates towards earth tones and neutrals for most of her basics since they can be worn with anything and are a little more versatile. she likes being able to wear things that she can wear in any season just because she’s always had a pretty sparse wardrobe from when she used to move around as a kid. also they’re just easier to layer with since the colors don’t clash or anything like that so she just finds that going for more neutral tones with her basics makes them more wearable.
ii. with that said, she’s also the type of person who likes a good statement piece so cool patterns, bright socks, that type of thing. she likes cool graphic t-shirts. for some reason, i have two pictures in the edit of sweater vests and like, honestly, yeah, sloane likes a good sweater vest! a lot of her clothes have been from thrift stores just because she’s never been super wealthy, but she also sort of prefers it anyway and most of her favorite things to wear have been things that she’s thrifted over the years.
iii. shoes are sort of a different issue just because nice shoes are a little more expensive. sloane usually buys off-brand shoes just because she refuses to spend much more than $50 on a nice pair of shoes. honestly, one of her greatest accomplishments in life was finding her doc martens at a savers in chicago. they fit like a glove and everything and she literally wears them all the time. if not her docs, she reaches for her beaters. she likes converse but she did buy a pair of off-brand cdgs because she likes the little heart.
iv. sloane love love loves jewelry. she doesn’t buy super nice jewelry because she switches them out so often but she prefers silver jewelry for the most part. she’s got three piercings in both ears, and a cartilage piercing in her left ear so she switches out her earrings fairly frequently. she also digs the mismatched earrings vibe. her favorite pair is a pair that her mom, pepper, used to own. it’s one of the few things of her mothers’ she still owns and she tends to save them for special occasions. other than earrings she also likes anklets and necklaces and rings. she just loves jewelry bro. sloane also has a nose piercing, but she prefers a stud over a nose ring.
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grace helena johnson: a study in fashion. pinterest.
grace is very proud of her fashion sense and takes great pride in picking out the perfect outfit on an every day basis. she tends to wear mostly black & neutrals, with some pinks and blues peppered in. she tends to wear clothes that are both modest and sexy at the same time. she adores silks & fake fur, as well as wool sweaters. she also loves wearing dresses one day and suits the next — she’s not afraid to mix feminine and masculine in her wardrobe. she’s almost always wearing heels, even though they usually push her past 6’. sometimes she will wear non-heeled boots or sneakers. she feels as if you cannot ever be overdressed and even her fellow opals have probably rarely if ever seen her in sweats or traditionally “comfy clothes”.
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ADVENT DAY 002: GOLDEN RINGS.
EARTH TONES are a go-to regardless of the occasion. he has a pretty good idea for how different fabrics can go together and how to dress things up or dress them down, but he swears that these colors just make that so much easier.
SIMPLISTIC RINGS AND CHAINS consistently adorn his fingers and neck. it’s rather rare that you’ll see him without at least one item of rather plain, typically gold, jewelry. fish keeps rather good care of them too, as he’s not exactly one that likes to spend much money when it comes to clothing items. he tends to buy his clothes, particularly his jewelry, thrifted and then fixes them up all on his own.
KNOWING HOW TO LAYER was something that was less of a fashion statement and more of an essential growing up with chicago’s winter wind tunnels. there’s almost always a jacket that he throws into the mix or a light linen t-shirt over his tank tops or even bare chest.
FORMAL WEAR has never been his favorite. he always felt too stuffy and congested in classic suits and ties. fish tends to play with the ideas of formal wear, which — often to his parents — makes more traditionalists roll their eyes, but he enjoys it all the same.
LAZY DAYS consist primarily of pants and a minimalist cotton t-shirt or comfortable sweater paired with a chain or ascot of some sort. he enjoys looking nice and knowing that others think he looks nice, so he’ll put in extra effort even when he’s down to at least look presentable.
— PINTEREST.
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𝑨𝑫𝑽𝑬𝑵𝑻 𝑫𝑨𝒀 𝑻𝑾𝑶 : 𝑮𝑶𝑳𝑫𝑬𝑵 𝑹𝑰𝑵𝑮𝑺 .
a peak into miss josephine’s wardrobe + pinterest .
i. everyday contents : slightly oversized sweaters and cardigans in a range of colors, though the majority fall in a spectrum of neutrals and warm autumnal shades; neutral colored turtlenecks and plaid skirts; a handful of brown tweed coats; pinafore dresses; denim jeans in all colors, with a preference for black and light wash, and a fair amount of ripped ones; ( mostly ) tan peacoats and a couple of trenchcoats; flowy button - down tops. in the warmer months, her wardrobe is also full of loose dresses in bright and pastel colors ( with a preference for soft pinks, blues, and yellows ), though almost always accompanied with loose cardigan.
ii. everyday styling : pinafore and other strappy dresses worn over long - sleeved shirts whose sleeves are almost too long; oversized sweaters and turtlenecks tucked into pleated, plaid skirts with dark and sheer tights almost always tucked into a pair of heeled boots or booties ( for the extra height, of course ); long - sleeves layed beneath coats draped absently over her shoulders or beneath a sweater that she never leaves the dorms without; black messenger school bag slung over her shoulder and almost never in anything without pockets ( it’s not a want, it’s a functional necessity ).
iii. casual contents & styling : while she’s very fashion inclined ( it’s hard not to be when your parents always dressed you to perfection ), she’s actually a big fan of more comfortable and simpler outfits. if she can get away with it, there’s nothing she loves more than a sweater or graphic sweatshirt over a pair of leggings and sporting a pair of crocs ( the black ones, usually, since they go with everything ), though she does enjoy opting for worn, white vans or patterned toms slip ons. any time she can opt for something casual, especially when it comes to graphic tees and ripped jeans, she does.
iv. accessories : at any given point in time, she dons a variety of accessories, though she favors baker hats and the occasional bucket hat. she’s always sporting some kind of jewelry, often things with dainty gold chains and thin bands that are minimalistic in nature, as she’s never been one for extravagance. she can appreciate over the top jewelry and other adornments, but she’s never felt that they suit her, opting for the less obvious pieces. in terms of jewelry, plain bands, bracelets, and necklaces with simple pendants is generally the way she goes. in terms of earrings, she always wears a singular pair of ( small ) hoops in her lower lobes and occasionally diamond studs in her top ones. the only other consistent piece she wears is a simple black wrist watch on her left wrist.
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𝐨𝐩𝐚𝐥𝐬 𝐚𝐝𝐯𝐞𝐧𝐭 — 𝐠𝐨𝐥𝐝𝐞𝐧 𝐫𝐢𝐧𝐠𝐬
fashion is a trend. style lives within a person.
01. always classic, always put together. that’s how chloe davies would describe her style. as a child, many of her pieces were handmade by her grandfather and given his expertise, she was dressed in more of a preppy look ( she had so many tiny little blazers and well made coats ). but in terms of dressing, she was never put into a box. she had an opinion on the way she was dressed from a young age. after all, she comes from a family with refined taste and her mother and father and grandfather’s expertise all got passed down to the one and only prodigal daughter.
02. day to day, chloe tends to mix and match --- she’ll do denim ( but never denim with rips or holes ), but pair it with an impossibly gorgeous coat and a pair of absolutely iconic heels. she’ll sport an incredibly luxurious sweater-dress and pair it with some knee high boots and a cute cap. she favors designer goods, things that have longevity, but also items that have something special to them. she has her basics, of course, but you won’t see her carrying a louis vuitton neverfull through campus. she looks for unique pieces that make her stand out from the crowd.
03. being the davies that she is, chloe has a strong love for suits and think that they can be the perfect power statement when she wants to command a room. she feels at home in well tailored pieces, all from the family label, of course. she loves coming up with designs alongside her grandfather. she’ll describe what she wants and he sketches and brings her dreams into reality. she always feels her best when she’s in something made by him.
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DECEMBER 10TH : 𝑮𝑶𝑳𝑫𝑬𝑵 𝑹𝑰𝑵𝑮𝑺
𝐀𝐃𝐕𝐄𝐍𝐓 𝐖𝐄𝐄𝐊 𝐃𝐀𝐘 𝐓𝐖𝐎 : tell us about your character’s fashion sense. ( click source link for pinterest board )
01 : if you really think about it, jace has never actually picked out his own clothes. growing up, he would wear whatever his mom chose for him at kohl’s, target, or old navy. up until high school, his carol - approved uniform typically consisted of jeans or cargo pants, graphic t - shirts adorned with superheroes or science puns, and a hoodie --- usually in his favorite color, green.
despite money being perpetually tight, frank always insisted that a quality pair of shoes was worth the investment. as a kid, jace typically wore the same pair of nikes or adidas until they were run through with holes. to this day, he doesn’t hesitate to splurge on shoes --- though that doesn’t say much, as he doesn’t hesitate to splurge on anything.
for personal reasons, every throwback photo of him in a graphic tee has been erased from the internet.
02 : jace’s stylist, renaldo ortiz, has been dressing him almost as long as he’s been in the public eye. when jace interviewed potential candidates and most of them blew smoke up his ass to garner favor, renaldo was the only one who kept it real. he insulted jace’s pants and the rest is history !
renaldo is a big fan of the tailored look, hence why jace’s clothes are typically on the more form - fitting side. very early on he decided the exposed ankle would be jace’s signature, so most of the pants in his closet are deliberately cropped or left long with the intention of being cuffed.
he knows jace pretty well at this point, and this very much bleeds into the way he dresses him. renaldo tries to stock jace’s closet with pieces that are, in his words, idiot proof --- meaning he should be able to grab just about any top and bottom and they’ll somewhat work together.
with jace living overseas a good chunk out of the year and renaldo’s tendency to float between fashion - forward cities, they mostly communicate through facetime --- though he has a london pied - a - terre and selfridge’s connections should he ever need to visit in person.
03 : as his room at strathmore doesn’t have much by way of closet space, the rest of his clothing ( namely formal wear from past events ) is held in his manhattan penthouse or a climate - controlled storage locker only renaldo and himself have access to.
04 : since joining his circlet, he’s started to wear a lot more black and likes to incorporate onyx elements into his formal wear as a little wink towards the society.
his fashion sense is very much an evolving thing, and he’s trying to take a more active role in dressing himself. whenever he attempts to branch out and try something new, he always sends a photo to garebear to get his opinion --- which doesn’t really make sense, as he dresses a lot like jason 1.0.
i just really want him to wear a davies suit
celebrity inspiration : chris evans, chris pine, david beckham, david gandy, joe alwyn, jake gyllenhaal, henry golding, oscar isaac, ryan gosling, william jackson harper, zac efron
aesthetic : platinum and onyx links fastened to one’s cuffs, crisp collared shirts folded neatly in a drawer, pullover sweaters in a rainbow of neutrals, a slim - fit pair of slacks tailored to the ankle, a freshly - ironed oxford with several buttons undone, pulling on a sport coat and wishing it was a hoodie, jet black workout clothes with strategically placed reflective panels for early morning jogs, the initials ‘j.a.s.’ stitched into the lining of every jacket, a tattered green baseball cap with the knowme logo on it, pairs of shoes lined up like soldiers in formation, a vegan leather commuter bag slung over one’s shoulder, a pair of gloves with tech - touch fingertips.
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when : 20 january , 2013 . 1am .
where : the barrera villa veranza vacation home , pedregal
who: @elicts !!!
ALEJANDRA sits with her back ramrod straight , as always . she chews on her bottom lip as she looks at eliot , with slightly imploring eyes . “ — you’re not just doing this because you feel sorry for me , right ? “ she has to double check . she’s known eliot for YEARS and YEARS , and admittedly - the pair have been more brotherly - sisterly , than anything else . but . . with the start of high school looming in a few short weeks . . ALEJANDRA IS NERVOUS . she doesn’t want to admit it , but she is . she doesn’t like going into a situation and not being fully prepared . especially when she’s coming back , REDESIGNED ( that’s what high school is for , right ? ) . chin up straight . her confidence is half a front , and half the truth . she relaxes slightly , scooting over to eliot . “ . . . you’ve kissed a bunch of people before , right ? “ she knows he has . people look at eliot and basically THROW themselves at him . and he’s always so darned sweet . if there was anybody alejandra would trust to do THIS right with , her first time . . it would be him . “ okay . logistically . how does this work ? “
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𝑨𝑫𝑽𝑬𝑵𝑻 𝑫𝑨𝒀 𝑻𝑯𝑹𝑬𝑬 : 𝑯𝑶𝑻 𝑪𝑯𝑶𝑪𝑶𝑳𝑨𝑻𝑬 .
the classes that she is taking .
𝐎𝐕𝐄𝐑𝐕𝐈𝐄𝐖 ── re : josephine aydin, second year, creative writing + graphic design major, math minor .
most would expect that a dual major ( and subsequent minor ) in completely differing fields of study would fill her week with more course time than anything, but the reality is that neither major field of study require a significant number of compulsory courses, which means much of the time she dedicates to them goes into homework, projects, etc. josephine is known to throw herself into her courses, because she finds much of it very interesting and it’s things she likes to do rather than needs to do, but is still carefully chosen to best suit her not - so - morning person tendencies.
𝐂𝐑𝐖𝟐𝟎𝟏𝟖 ── 𝐂𝐎𝐍𝐓𝐄𝐌𝐏𝐎𝐑𝐀𝐑𝐘 𝐒𝐓𝐎𝐑𝐘𝐓𝐄𝐋𝐋𝐈𝐍𝐆 .
course description. explore various modes of storytelling in a contemporary context, with a view to developing narrative skills. engage with contemporary fiction, poetry, non - fiction, film, and theatre and will aim to investigate and understand the multiple ways readers and writers engage with storytelling and narrative. students are required to engage with and analyze their own writing and the writing of others, with the aim of helping students to hone their ability to edit and create.
schedule. this course lectures once a week for an hour and requires a two hour seminar each week for eleven weeks. josephine attends this course every tuesday. her lecture runs from 10:10 am to 11:10 am, and her seminar is lucky enough to fall on the same day from 1:40 pm to 3:40 pm.
assessments. the end of term assessment for this course is primarily a summative one, which includes a portfolio of creative writing ( 2,000 words or equivalent in poetry or script ), a self - reflective critical commentary ( 500 words ), and a review of a literary event ( 500 words ). there is also a formative assessment based on lecture discussions and tutor feedback based on on - going coursework.
standing. she currently ranks second in this class with a 98.83%, just behind isak nilsson ( small talk tells her it’s a small margin of difference, however ), not that she’s too concerned about that fact. out of all her courses, she considers it her third favorite class, mainly because she loves exploring the way storytelling presents itself in a variety of media forms ( with a preference for fiction, poetry, and film ), and it’s taught by her favorite creative writing and literature professor, and published author, dr. ophelia parker.
𝐂𝐑𝐖𝟐𝟎𝟒𝟕 ── 𝐂𝐎𝐍𝐓𝐄𝐌𝐏𝐎𝐑𝐀𝐑𝐘 𝐋𝐈𝐓𝐄𝐑𝐀𝐓𝐔𝐑𝐄 : 𝐆𝐄𝐍𝐃𝐄𝐑 𝐀𝐍𝐃 𝐒𝐄𝐗𝐔𝐀𝐋𝐈𝐓𝐘 .
course description. look at how a range of contemporary literature is constructed around issues of gender and sexuality. using prose, poetry and drama written by men and women from britain and north america, it explores what it means to write about masculinity, femininity and desire and, indeed, how these concepts affect form and determine meaning. the course provides a theoretical underpinning that will enable students to construct links between contemporary texts and relevant theories.
schedule. this course lectures once a week for an hour and requires a one hour seminar each week for eleven weeks. josephine attends this course every thursday. her lecture runs from 12:30 pm to 1:30 pm, and her seminar is also on the same day, from 1:40 pm to 2:40 pm.
assessments. the end of term assessment for this course is a summative one, which includes an essay ( 1,500 words, due by the end of week eight ) and a two hour examination. additional formative assessments may occur in the form of seminar discussions and tutor feedback.
standing. she currently ranks first in this class with a 97.68%, a feat given how complex her fellow classmates consider the content and execution of information. out of all her courses, she considers it her favorite class, and the one she is most excited to attend each week, because she loves dissecting the representation of gender in writing, understanding how individuals of differing genders and sexualities perceive others, and how it affects the overall story being told. it is also taught by dr. ophelia parker, which one may argue is the only professor she consistently seeks to take.
𝐃𝐄𝐒𝟐𝟏𝟎𝟒 ── 𝐀𝐃𝐕𝐀𝐍𝐂𝐄𝐃 𝐃𝐄𝐒𝐈𝐆𝐍 𝐏𝐑𝐈𝐍𝐂𝐈𝐏𝐋𝐄𝐒 .
course description. students will be introduced to how organizations use graphic design to benefit and enhance their image and products. students will continue to learn more about the principles and practices of graphic design in the context of business in addition to learning industry standard graphics software by applying their skills and knowledge to create original content. content will be in a variety of styles and formats to best represent a student’s range and understanding of the principles as they have been learned.
schedule. this course lectures twice a week for an hour each week for eleven weeks. josephine attends this course every tuesday & thursday. her lecture runs from 9:00 am to 10:00 am.
assessments. the end of term assessment for this course is a summative one, which includes a personal portfolio of graphic design ( at least three major pieces reflecting some part personal aspect of the student’s life ), two reflection papers ( 500 words each, one mid - semester and one at the end ), and a final project that uniquely uses at least five basic principles of design. additional formative assessments may occur in the form of tutor feedback.
standing. this course does not use traditional grades for ranking methods, opting for letter grades based on submission completion and understanding of the assignment. she currently holds an a+ in the course. her design courses are not necessarily her favorite, because of how monotonous they can seem at times, but she highly enjoys the creative liberties that her professor allows them to take with each assignment. the designing process is her favorite part. it is taught by the head of the graphic design department, dr. blake adams.
𝐃𝐄𝐒𝟐𝟏𝟒𝟔 ── 𝐏𝐑𝐎𝐕𝐎𝐂𝐀𝐓𝐈𝐎𝐍𝐒 & 𝐓𝐇𝐄 𝐋𝐀𝐍𝐆𝐔𝐀𝐆𝐄 𝐎𝐅 𝐈𝐌𝐀𝐆𝐄𝐒 .
course description. students will be introduced to the core skills and essential knowledge associated with the discipline of graphic design, as well as a range of conceptual and practical approaches to image - making in relation to the discipline of graphic design. through technical workshops and software inductions, students will explore the analogue and digital construction of graphic design, informed by historical and contemporary research, as well as find a great deal of support in experimenting with both analogue and digital methods of production.
schedule. this course lectures once a week for two hours each week for eleven weeks. josephine attends this course every thursday. her lecture runs from 5:00 pm to 7:00 pm, though generally speaking, her professor only asks that they work for the first hour as the second is often reserved for editing, questions, etc.
assessments. the end of term assessment for this course is a summative one, which includes a portfolio ( five analog & five digital pieces ) and a two hour examination. additional formative assessments may occur in the form of tutor feedback.
standing. this course also does not use traditional numerical grades for ranking methods, opting for letter grades based on submission completion and understanding of the assignment. she currently holds an a+ in the course. her design courses are not necessarily her favorite, because of how monotonous they can seem at times, but again, she does enjoy the content, and quite likes this course in particular with the option to work with analogue and digital means, as she find drawing quite relaxing. it is taught by known artist and professor, julien troy.
𝐌𝐀𝐓𝟏𝟎𝟑𝟑 ── 𝐏𝐑𝐎𝐁𝐀𝐁𝐈𝐋𝐈𝐓𝐘 & 𝐒𝐓𝐀𝐓𝐈𝐒𝐓𝐈𝐂𝐒 .
course description. an introduction to probability theory and statistical methods. the course leads to a deeper understanding of probability distributions, random variables and their role in sampling. tools such as hypothesis tests are presented and a basic introduction to the statistical software r is provided. this course acts as a foundation for mathematical statistics, general linear models, and stochastic processes. more generally, it underpins other course where an element of uncertainty / chance / randomness exists or where knowledge of the software package r is required.
schedule. this course lectures three times a week for one hour each week for eleven weeks, meets once every two weeks ( for eight weeks ) for a one hour hands - on lab, and once every two weeks for a one hour seminar ( for ten weeks ). josephine attends this course every monday, wednesday, and friday. her lecture runs from 10:30 am to 11:30 am, her lab meets every other wednesday and her seminar is held every other monday.
assessments. the assessment for this course is a summative one, with one in - term test ( worth 25% of course grade ) and one two hour examination ( worth 75% of course grade ) taken at the end of the term. additional formative assessments may occur in the form of individual written feedback ( or auto - feedback from online tests and quizzes ) via a number of marked formative coursework assignments, as well as verbal group feedback during lectures and by a seminar tutor at fortnightly seminars.
standing. it’s no surprise that she ranks first in this course, given her math history and proficiency, with a current grade of 99.21%. what may be a surprise, however, is that she considers this to be her second favorite course, over most of her major - specific coursework, as she has always loved numbers and enjoys putting in the time to understand and solve complex equations. math brings her a certain sense of happiness and considering it’s the only class she takes on mwf, it helps break up the long hours of writing and design, even if it’s the most thought intensive course she has to take. but dr. michiel ivy was both kind and made the class entertaining, and was among one of the more helpful professors she’s ever taken.
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