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little-lovett · 3 months

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sweeney todd round 3 details (nicholas christopher, delaney westfall, joe locke) 🥹

- first of all, a huge congratulations to the adorable and ungodly talented joe locke on an amazing broadway debut. when he started singing in pirelli’s i said “holy shit he sounds REALLY good” out loud. that VOICE!!! his voice is so beautiful, his accent and movements were perfect, and he really just nailed it overall. his ‘not while i’m around’ actually destroyed me. he sang it so gorgeously IN THE OBC KEY and was so genuinely our courageous, protective, vulnerable little guy. at the end he hugged mrs lovett and collapsed into her lap and i just melted :,,)

- AHHH nik and delaney. they are so good together!!!! they give such a classic sweeney and lovett vibe because they read as literally insane. just absolutely unhinged little devils. they know exactly what they’re doing and they enjoy it. it’s definitely a contrast to josh and annaleigh who read more as normal people who got themselves into an insane situation.

- delaney… omg. she’s a gorgeous little thing but she is fierce. she’s loud, brash, maternal, and sexy all at once. she’s very belty and she has this beautiful BEAUTIFUL vibrato. her lovett was super energetic and scrappy and tough as nails. but her love for nik’s sweeney was so softening and beautiful. she felt like a lansbury x ashford hybrid and i adored it.

- nik was absolutely wonderful. i loved that his sweeney sounds much more australian than british, it kind of makes him stranger and more mysterious. he was cold and angry and often stoic so he was definitely more unsettling than josh. and still, sometimes he’d let those delicious little peaks into his love shine through. i felt for him and absolutely believed him. but he really was chilling. his movements, his anger, his sadness, his MANIC MOMENTS!!! holy shit. everyone was screaming for a whole minute after his epiphany because it really was crazy. on “nor a hundred can assuage me i will have you” HE WENT UP A WHOLe STEP AND BELTED IT OUT HELLO he was fucking terrifying.

- whenever he and mrs. lovett are sharing an intimate little moment and someone walks in, nik really snaps up and tries to act normal. it makes them look so suspicious and i love it 👀

- the jump into hell really really got me today idk why. it always hits, but today it just made me burst into tears and start screaming my head off. them finally surrendering to eachother and just taking that final leap together. idk. it went really hard.

- daniel torres was on as pirelli and he’s gotta be in my top 3 fav ensemble members so i was SUPER excited. and he devoured. SO flamboyant and vocals were excellent.

the biggest of congratulations to joe and our incredible understudies on a beautiful brilliant show ❤️🩸🔪🥧

#my heart is so full #joe locke #sweeney todd #sweeney todd revival #broadway #delaney westfall #nicholas christopher #musical theatre #sweeney todd broadway #sondheim

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ourownbelovedbohemians · 6 months

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people who say that it isn't worth it to spend over 100 dollars a person to see a Broadway show have obviously never experienced the magic of ''The Ballad of Sweeney Todd'' live.

#broadway #musical theatre #west end #josh groban #annaleigh ashford #felix torrez-ponce #maria bilbao #nicholas christopher #gaten matarazzo #sweeney todd #sweeney todd the demon barber of fleet street #stephen sondheim

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forevermore1389 · 1 month

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Happy Saint Patrick’s day to him and him only

#I headcannon him as a Leitrim man #mo fhear beag amaideach 🥰🥰#and to the Irish convict whose name sweeney took #adolfo pirelli #sweeney todd #mrs lovett #Pirelli Sweeney Todd #nicholas christopher #josh groban #annaleigh ashford #sweeney todd revival #sweeney todd 2023 #this is so stupid i’m sorry

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timegays · 4 months

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Beauties

#annaleigh ashford #nicholas Christopher #wip #sweeney todd #my art #the sillies

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sixty-silver-wishes · 11 months

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My thoughts on Broadway's "Sweeney Todd"

A few days ago, my friend and I saw Sweeney Todd on Broadway, and I have a lot of thoughts about the production. I've been obsessed with this musical for years and have seen quite a few performances, so here's what I thought of this one.

Right away, it was amazing. The lighting added a lot to this production, and while the way the set was constructed was a bit unconventional (usually, there's a separate area of the stage sectioned off for the pie shop so two scenes can happen at once, but in this one, they had a bridge over the stage that some scenes took place on), I thought it was still effective. The orchestral arrangement was an interesting change (and even sounded like Shostakovich or Weill at times!), although I was disappointed to not hear the iconic factory whistle in the opening.

So, the acting. I'll go through each character/actor and what I thought of their performance, and how it impacted the overall show. "Sweeney Todd" is a play where every single action or bit of dialogue is important and culminates towards the conclusion, and so the way the characters are interpreted often offers a different angle on the play as a whole.

Josh Groban did an excellent job as Sweeney Todd, and I really appreciated that, since his voice is very melodic, he didn't try to replicate Len Cairou or George Hearn. Sweeney is a very complex character, and I've noticed that most actors who play him take on a different angle of his personality to focus on. Cairou focuses on the pensive, methodical side of the character, Hearn's Sweeney emphasizes madness and rage, and while I'm not a huge fan of Johnny Depp's performance in the movie adaptation, his Sweeney Todd focuses more on his melancholy side. Groban's Sweeney, by contrast, is sentimental. We see him express rage and impatience, two core aspects of Sweeney Todd, but where he's most effective are numbers like the "Johanna" reprise and "No Place Like London/The Barber and his Wife." Sentimentality isn't an emotion typically associated with the character of Sweeney Todd, but Groban's performance hammered in how critical it is to his character. After all, Sweeney Todd is haunted and motivated by his past- his love for his wife and daughter, and his hatred of the judge who tore them from him. This even allows for moments of tenderness- for example, during the "Johanna" reprise, Sweeney spares a man who comes into his barber shop, because he came with his wife. While this could be explained by him not wanting any witnesses, Groban's performance made this moment (forgive the pun) surprisingly cutting. Sweeney is hoping to be reunited with his daughter and is reminiscing about Lucy, and so the man who earlier declared that "we all deserve to die" is letting a young couple live. Groban's "Epiphany," probably the moment I examine the most when watching an actor play Sweeney Todd, was stunning. The insanity and anger wasn't as pronounced as Hearn's, perhaps, but with the way Groban played the character, it didn't need to be. His rage is mainly driven by grief more than madness, and it showed through his angular movements, the near-desperation mixed with fury during the "you, sir" sequence where he breaks the fourth wall, and of course, his emotional performance during the "and I'll never see Johanna"/"and my Lucy lies in ashes" sequences, which require a sudden, yet convincing, emotional shift that he pulled off masterfully.

Jeanna De Waal's Lovett was just plain fun. While I was curious to see how Annaleigh Ashford would have played her, De Waal pulled off a youthful Mrs. Lovett in a hilarious, flirty way. Angela Lansbury was perhaps the most iconic Lovett (although LuPone's performance was stunning as well), and was particularly notable for her dark comedy through the juxtaposition of being a matronly pie shop owner and an accomplice to murder and cannibalism. I feel like the "matronly" aspect of Mrs. Lovett is probably one of the most important facets of her character, which is why I tend to prefer performances by older actresses as Lovett to younger ones, but De Waal, like Groban, gave a unique performance, in her case using her youth to her advantage. Her Lovett was constantly flirting with Todd, which created some hilarious juxtaposition between their personalities, and she added a lot of energy to her comedic lines, especially during "A Little Priest," where her chemistry with Groban was a blast to watch. I do wish she had a bit more chemistry with Gaten Matrazzo as Toby, which would have made the ending scene hit harder emotionally, and her sinister side explored further. De Waal focused mostly on the comedy aspect of Mrs. Lovett, who at her core is a ruthless manipulator, so I understand she's an incredibly difficult character to pull off when balancing those two elements. Nonetheless, I thought her acting was really enjoyable to watch, although she was more effective in comedic scenes than dramatic ones.

I don't have a ton to say about Jordan Fisher's portrayal of Anthony; I liked his performance overall, but I felt he came across as slightly too mature, although maybe this came down to his voice. Anthony is a very idealistic and naïve character, meant to contrast with the cutthroat, conniving world of "Sweeney Todd." I didn't think I really got this with Fisher as much as with some other performances I've seen, but the maturity he gave to the character did pose an interesting angle in his scenes with Todd, as Groban's sentimentality meant an almost paternal dynamic between Todd and Anthony. This isn't an angle I see a lot, but it was definitely one I thought was really fascinating. His chemistry with Maria Bilbao as Johanna was good, and I felt he provided some grounding to her more neurotic portrayal.

I loved Bilbao's Johanna. Technical skill of singing "Green Finch and Linnet Bird" aside (which she nailed), I feel like a lot of productions miss the point of this number. "Green Finch" is to introduce Johanna and her trapped circumstances, yes, but I see too many productions that simply have it performed as a sad, pretty, virtuosic number, without saying too much about who Johanna is as a character, or the effects the circumstances she sings about have had on her. Betsy Joslyn's was unique in that she attempts to seem somewhat frazzled while singing it, but her purposefully-crossed eyes and overexaggerated vibrato risk coming across more as caricature than a sincere performance. Bilbao, however, is heartbreaking. Her Johanna is fighting to keep her wits together, evidently broken by living with an abusive father figure, and when she sings "teach me to be more adaptive," it almost seems like a prayer. (This also has the effect of making the following number, "Ah, Miss," darkly hilarious, as it implies Anthony was watching this random girl having a mental breakdown and immediately decided he was in love with her.) Her blocking was restricted and tense, almost making her look like a caged bird, and her facial expressions and gestures were cautious and restrained, bringing to mind a scared animal. This really brought home the essence of Johanna's character- while she's often played as a classic ingenue, Johanna is, in fact, a subversion of the archetype- a realistic portrayal of the mental strain a young girl locked away with a man like Turpin and kept from seeing the outside world would actually face. I honestly really like Johanna as a character because there's a lot more depth to her than is often portrayed, so it was really refreshing to see Bilbao apply this level of nuance to her.

Matrazzo's Toby was, of course, excellent. Toby is probably the character with the most variation across productions, as he can be portrayed as anywhere between a child to a young adult. Matrazzo shone particularly in two scenes- "Not While I'm Around" and the final monologue. Like "Green Finch," "Not While I'm Around" is a number that's frequently misinterpreted, with some performances portraying it as simply as an example of Toby's affection for and devotion to Mrs. Lovett. "Not While I'm Around," despite its lyrics, is not a sweet, tender number. In context, it's terrifying, and luckily, Matrazzo portrays this. His Toby is desperate, even frustrated. While it's not particularly dwelled on in the play, Toby has been mistreated by Pirelli, and so latches onto Mrs. Lovett, who he sees as a genuinely nurturing protective figure. However, not only is Lovett turning people into meat pies, she has no real love for Toby and is primarily focused on manipulating Todd, who, in turn, is also trying to use her for his own gain. However, from Toby's perspective, he's been abused, sees signs of abuse in Todd, and wants to prevent Mrs. Lovett, whom he genuinely loves, from meeting the same fate. Matrazzo's desperation puts this context largely into focus, adding to the suspense of the number. And in the final monologue, I got chills from the way he vacillated between a manic sing-songy tone and complete numbness, sometimes even normalcy. I've seen many productions where Toby keeps the "insane" tone throughout the monologue, but Matrazzo doesn't do that. When he says "you know, you shouldn't harm anyone," it's eerily straightforward and calm.

John Rapson (Beadle Bamford), Nicholas Christopher (Pirelli), and Ruthie Ann Miles (Lucy) were all fun to watch; I enjoyed how Rapson kept the character quirk of rolling his "R's," which not all Beadle Bamford actors do. His falsetto range was incredible, and his performance during "Parlor Songs" was both amusing and suspenseful. Christopher's Pirelli was good, but I felt he didn't place as much over-exaggeration in his lines as I would have liked to see, although I really enjoyed his facial expressions. And Miles' Lucy was absolutely haunting; I've seen a few productions where "Poor Thing" is portrayed through interpretive dance, and thought she especially stood out here, as her movements and blocking added a lot to her character.

Finally, Jamie Jackson as Judge Turpin was repulsive in the best possible way. His voice and delivery had me on edge, and I also couldn't get it out of my head that his facial expressions reminded me of Werner Krauss in "The Cabinet of Dr. Caligari," which added a whole extra layer of creepiness. His Turpin felt incredibly realistic, like that creepy uncle or skeevy politician you always read about in the news, although he was surprisingly effective with comedic lines, especially the way he enthusiastically delivered the line "ah yes, women!" in "Pretty Women." He brought an air of discomfort to the stage every time he was on it, and the suspense in every scene between him and Groban was extremely palpable.

#sweeney todd #broadway #stephen sondheim #josh groban #gian matrazzo #jeanna de waal #maria bilbao #jamie jackson #john rapson #nicholas christopher #ruthie ann miles #musical #musical review

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hanorganaas · 1 year

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another thing about sweeney todd last night, Josh groban wasnt there, but his understudy nicholas christopher ATEEEEE

#nor speaks #nicholas christopher #sweeney todd #RESPECT YOUR UNDERSTUDIES

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writerswritecompany · 2 years

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Quotable – Nicholas Christopher

Find out more about the author here

#Nicholas Christopher #Writing Quotes

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broadwaytwinsies · 1 year

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#mrs lovett #annaleigh ashford #sweeney todd #nicholas christopher

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aalex-aarts · 3 months

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I saw Sweeney Todd this weekend (1/20) with Nicholas Christopher and Jeanna Dewaal, would anyone happen to have audio/video slime tuorial of them as Sweeney and Lovette. Thank you 🫶

#sweeney todd #broadway musicals #musical theater #broadway #nicholas christopher #jeanna dewaal #sweeney todd broadway

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theblackestofsuns · 4 months

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A Short History Of The Island Of Butterflies (1986)

Nicholas Christopher

Viking Penguin

#A Short History Of The Island Of The Butterflies #Nicholas Christopher #Viking Penguin #Started This Today

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twiststreet · 8 months

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"Film Noir"

for Paul & Alison

(Nicholas Christopher)

The girl on the rooftop stares out over the city and grips a cold revolver. Laundry flaps about her in the hot night. Each streetlight haloes a sinister act. People are trapped in their beds, dreaming of the A-bomb and hatching get-rich-quick schemes. Pickpockets and grifters prowl the streets. Hit-men stalk informers and crooked cops hide in churches. Are there no more picket fences and tea parties in America? Does no one have a birthday any more? Even the ballgames are fixed, and the quiz shows. Airplanes full of widows circle the skyline. Young couples elope in stolen cars. All the prostitutes were wronged terribly in childhood. They wear polka-dot skirts, black gloves, and trenchcoats. Men strut around in boxy suits, fedoras, and palm-tree ties. They jam into nightclubs or brawl in hotel rooms while saxophone music drowns out their cries. The girl in the shadows drops the revolver and pushes through the laundry to the edge of the roof. Her eyes are glassy, her hair blows wild. She looks down at her lover sprawled on the sidewalk and she screams. A crowd gathers in a pool of neon. It starts to rain.

#poetry or batman tag #nicholas christopher

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mthguy · 11 months

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"When I Go" From WE AREN'T KIDS ANYMORE (Studio Cast Recording) Music & Lyrics by Drew Gasparini (2020)

Featuring Colton Ryan, Raymond J. Lee, Lilli Cooper, Nicholas Christopher, and Bonnie Milligan

“I'm living in what started out like a dream I'm working for the thinkers on the scene I'm fighting for the chance to be undefined I'm leaving something behind I'm waiting for this messy light to turn green I'm hoping for the chance to wipe it clean I'm dying for the ones who come to the show I'm leaving something when I go All I know, even when it's over I'm leaving something when I go.”

#youtube #when i go #drew gasparini #colton ryan #raymond j lee #lilli cooper #nicholas christopher #bonnie milligan

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freshlybrewedbookreviews · 1 year

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It was Calzas who told me that your life is a road along which you leave many markers—points in time and places on the map. The ones in time you can only revisit in your mind, and they never change. The places can be revisited firsthand, but they’re constantly changing. To keep a place the same, he said, you can no longer return to it—and then it becomes a point in time.

Nicholas Christopher (A Trip to the Stars)

#A Trip to the Stars #Nicholas Christopher

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v1xyboy9 · 19 days

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You can tell he’s possessive.

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recklessmatt · 1 month

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motive - m.s

PAIRING: matt sturniolo x fem!reader

WORD COUNT: 2.1K

GENRE(S): smut hehe

SUMMARY: you invite matt over since he was assigned to tutor you but things take a twist when you’re the one doing the tutoring

WARNINGS: smut [virgin sub matt! (reader LOWKEY got a corruption kink), unprotected sex, oral (male receiving), slight overstimulation, praise kink, breeding]

“matt did you finish the page?” you ask sitting with your legs crossed on the chair at your desk. turning your head to look at the boy sitting on your bed with a book in hand, he looks up at you and shakes his head. you pout slightly and continue to turn your focus to your work in front of you. you and matt are the complete opposite, he always got excellent grades, teachers loved him, always so polite to everyone. you on the otherhand, had decent barely passing grades, teachers despised you, and you just didn’t care. the way you two were so different made you so intrigued by him. once you found out that matt was assigned to tutor you, you felt shots of anticipation and excitement spreading across your body.

you two sit in silence for a couple minutes, but then you get bored. you turn your attention to matt again and you were about to speak but you noticed how immersed he was in his book. you take the opportunity to take in all his features, how his nose scrunches slightly, his brunette locks covering his vision slightly, the frames that sit on his nose perfectly, and those pink pouty lips that you wanna kiss so bad.

“hey matt, let’s play a quick game.” you say. matt looks up shyly through his glasses and says quietly “we’re supposed to be reading our books.” oh he’s so adorable. “i knowww but we’ve been reading forever let’s take a quick break.” you say shutting your laptop.

“what are we playing?” matt asks you slightly tilting his head. “mmmm, 20 questions.” matt nods. “alright matty, first question. have you ever kissed a girl?” you ask. his eyes widen and he looks down. “i don’t wanna play anymore…” he says quietly, causing you to pout. “i won’t tell anyone, i promise matty.” you assure him. he slowly raises his head and lets out a sigh. “no i haven’t.” he murmurs so quietly you almost missed it. “are you a virgin?” you ask, he nods shyly. you suddenly clench your thighs at the thought of him being so innocent. you lift yourself off the chair you were on to move onto the bed sitting next to him.

“do you wanna learn how to kiss?” you ask lowly placing your hand on his thigh which causes matt to slightly flinch from the contact. he looks at you with those big blue eyes, not knowing what to say. he nods very slowly. you lean in barely making contact with his lips.

“i need words baby.” you whisper to him. matt lets out a shaky breath “yes please.” “just follow my lead alright?”

you close the space between you two and matt lets out a surprised yelp. you start slow, molding your lips together, moving in sync. you bit his bottom lip causing him to moan lowly in your mouth. you take the opportunity to slip your tongue in, dancing around with his tongue which makes both of you moan.

you then slowy start to move your hand up his thigh to his clothed member, giving it a slight squeeze making matt let out a higher pitched moan. you continue to your movements starting to rub him through his pants. every second that passes makes matt crave for more. you then pull your lips away.

“have you ever touched yourself baby?” you ask against his lips still palming him, matt lets out a whimper “s-sometimes.” he says shakily. “w-wait we have to study.” matt stutters out. “i know hun, we’re gonna try something okay? you’re gonna trust me on this okay?” you say. “o-okay.” you give him a quick peck on the lips.

“lay back on the bed baby.” you say slightly pushing him away. matt lays back down on the bed still holding onto his book. “i want you to read your book out loud for me baby okay?” you look at him. matt widens his eyes then shyly nods at you. “s-she turned to Mrs. Mckee and…” he reads out loud and once he started reading you crawled down enough to where your face was in line with his clothed member. you started to rub him through his pants, unbuckling his pants and slowly undoing his pants which causes matt to stop reading. “wait what are you doing?” he questions. “shhh keep reading baby don’t mind what i’m doing.” you pull his pants down just enough for you to have access to his member.

“i-it was n-nine-o-clock…” matt continues on, stuttering through his words which makes you smirk. you freed his member and it was already dripping with pre cum which causes you to salivate. he was big; thick enough to stretch you out perfectly. you hum in approval and wrap your fingers around him, looking back up at matt and you can see him struggling to keep his eyes open, stumbling over his words, heavy breathing. it turned you on so much just to see the boy in front of you crumble just from the feeling of your soft hand wrapped tightly around his member. you slowly start to pump your hand up and down his shaft which causes matt to let out a loud groan.

“mmmm, i ca-i can’t keep reading.” he stutters out, eyes closed and head thrown back. you pause your movements. “keep reading or i’m gonna stop.” you strictly say, hand loosening. “no! no, i’ll keep reading!” matt quickly picks up his book and starts to read again. “t-the little dog was…” hearing the words pass through his lips causes you to smirk at how desperate he was.

your thumb flicked against his slit as it spread the leaking precum from the tip to the base, you glance up and see matt trying his best to distract himself from the feeling of your hand pumping him up and down. you use this opportunity to flatten your tongue and lick him from his base all the way to his tip. lips wrapping around his tip, you swirl your tongue around it and this causes matt to let out a whimper. the noise he let out brings you to clench your thighs for some sort of relief.

you continue to swirl your tongue around his tip before lowering your mouth taking him deeper. whimpers continue to leave matt’s mouth as you continue to bob your head up and down. you then realize that it’s silent and all you can hear are matt’s moans and groans. you take your mouth off him and look at him. he looks so fuckable right now. hair sticking to his forehead, out of breath, bottom lip between his teeth, glasses keep slipping off due to how sweaty he is.

“what did i say?” you ask pumping him with your hand. “mmm, i-i’m sorry it f-feels too good.” he says throwing his head back. “pick up your book baby.” matt sighs and starts reading again.

you lower your mouth back onto him and suck on him like your life depended on it. you can feel matt already getting close and you continue to bop your head up and down, your hand stroking what couldn’t fit in your mouth. you feel his dick start to twitch and that makes you go even faster wanting him to finish. “oh my god i th-think im gonna come.” matt whines breathlessly using the book he has in his hand to cover his mouth as a way to quiet down his noises. as you continue to suck him off, matt lets out a loud groan and you feel a thick warm layer of cum filling your mouth.

you swallow every drop of him not leaving any mess behind. you look up at him and see matt breathless, chest heaving and eyes squinted behind his glasses. the sight of that makes you even more drenched. you crawl ontop of him tossing his book aside.

“did that feel good baby boy?” you ask running your manicured fingers along his face. he nods shyly looking down slightly embarrassed for finishing quickly. you push his hair back and lift his chin up making him look at you, those damn doe eyes. “don’t be embarrassed baby. you did so good for me.”

biting your lip, you leaned in to kiss his, feeling his plump, soft pink lips against yours. a moan escaped your mouth at the sweet taste of his tongue, fighting against yours desperately. you bite down on his bottom lip which makes matt moan in your mouth. you pull away removing your top and your bra. matt doesn’t know what to do except stare at your breasts with his hands glued to his side. you let out a low chuckle and grab his hands placing them on your tits. you take the initiative to have his hands squeeze them causing you to let out a moan and roll your hips along his hard on. matt feels his eyes almost closing once again and mind going blank.

“w-wait it hurts” matt stutters out. oh my god he’s so cute. “aww, you’re just a little overstimulated baby. i’ll make it better” you say leaning in to give him a peck. “you trust me right?” you ask. he nods. “i need words baby.” you say firmly. “i trust you.” he quietly says. you smile and give him another peck.

slightly raising yourself over his lap and lifting your skirt up, you used one of your hands to position the tip of his cock against your entrance and the other to pull your panties to the side. a soft groan escaped matt’s lips as he felt the wetness of your core against his cock. you slowly lowered yourself on him and pulling him in for a kiss to muffle his moans and groans. once you have finally bottomed out, you began moving your hips, having both of you get used to the feeling, the friction made him pull you closer, face buried in the crook of your neck while small whimpers left his lips, going straight to your core. your walls clenched around him tightly, drawing a loud groan from his chest, eyes rolling to the back of his head.

he fit inside you so perfect. he felt so good filling you up. “oh my god baby you feel so good stretching me out. fit so perfectly inside me.” you praise him running your fingers through his brunette locks. this praising causes matt to let a whimper out.

“oh you like that baby? you like being told how you’re such a good boy for me. how you fuck me so good?” you start to bounce on his cock. “uh huh” he lets out a higher pitched moan. “w-wait im gonna cum.” matt throws his head back, hands around your waist. “yeah? you wanna fill me up with your cum? you wanna cum inside my tight little pussy baby?” you hummed against his ear. this earned you a whimper falling from his lips and hands tightening against your waist. “what a naughty boy, who would’ve guessed that perfect student matthew sturniolo is such a filthy slut” you whispered in his ear moving your hips faster. “please please please im so close” he moans out. “you wanna fill me up so bad don’t you huh” you say moaning out, picking up your pace, gripping onto his shoulders. “yes yes yes” matt pleads with glassy eyes and hot tears threatening to spill from the overwhelming pleasure making him dizzy. his hands gripping your waist trying to bring you closer causing a moan to escape from your lips making him more desperate. you felt matt lift his hips to meet yours, the tip of his cock hitting your most sensitive spot as he tried to match your fast pace making you let out a loud moan “yes, you’re doing so good for me matt i’m so close.” you throw your head back feeling his cock thrust into you deeply.

you pull matt in for a heated kiss, sloppily moving your mouths and tongues together. you clench around him causing him to moan in your mouth. “please let me cum please please please.” matt begs so desperately against your lips. “cum for me baby boy.” and that’s all that took for matt to reach his high, hips stuttering, and body trembling. feeling him shoot his warm load paint your walls and hearing the sob matt let out as he came had your walls tightening and clenching around him milking him dry.

after taking a moment to breathe you raised yourself to get off of him, matt wincing from the slight oversensitivity. you lay back down on your bed right next to him, he looks at you breathlessly. you smile at him in exhaustion and give him a kiss on the cheek.

“ready to tutor me?” you ask cheekily with a smile. matt turns to you with a look causing both of you guys to laugh out loud.

gotta tag bae @luverboychris and @thesturniolos

author's note: hi i am SO sorry i lacked on writing AND i changed the title 😭 this story was lowkey kinda long IN MY OPINION at least, only bc im used to writing like 500 words tbh but i hope you guys like it. but i alr have another request in the inbox so another matt smut will be up next ;) enjoyyy, fanks for reading. <3

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