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artbyblastweave · 5 months
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Frederick Sinclair is a really interesting foil to Mr. House. I mean you start digging into this and it's just parallel after parallel after parallel. Start at the high level. House sinks inordinate amounts of resources into saving the city of Las Vegas - not the people, but the city- from nuclear destruction; as long as the stage endures, he can get anyone to wear the costumes. Sinclair sets up an entirely new "community" totally off-the-grid for the sake of protecting one woman, plasters that place with her likeness. House is a visionary with a 200-year action plan to rebuild society in his image, bootstrap space exploration, and construct an interplanetary empire; Sinclair sank everything he had into building the most secure facility possible for a woman who he knew was terminally ill anyway, just to ensure that her last few years lived in the aftermath of the nuclear apocalypse would be as comfortable as possible- there's a fundamental pessimism baked into what he was doing. Both House and Sinclair relied heavily on automated defensive systems and cutting-edge, esoteric technologies to accomplish their ends, but House built his power base on proprietary robotics and computing technology, much of which he personally designed- an outgrowth of his policy of never widening his circle any more than he absolutely has to. Sinclair, in his naive techno-optimism, outsourced his utopia, grabbing flashy third-party technologies like a kid in a candy store- opening a backdoor for the Think Tank to poison his city and ultimately getting everyone at the Gala Event killed when the holograms malfunctioned and went berserk.
Their management styles are inverse. House allows countless abuses to occur under his aegis because he subscribes to a libertarian-when-convenient philosophy where he doesn't much care what the little people do as long as he gets his cut and they don't rock the boat too much- a hands-off approach that fosters resentment amongst his subordinates, lets the White Gloves and Omertas get up to untold levels of fuckery while Freeside languishes and Benny conspires against him. Sinclair, by contrast, had a sincerely-held utopian-straight-edge safety-first micromanagement approach built into the very bones of the casino, he appeared to genuinely give a shit about the safety of the construction crew on the villa, and he was well-liked by nearly everyone who had any direct contact with him- and yet untold horrors also went down under his aegis, because his myopic focus on building the vault for Vera let Dean Domino and the Think Tank run circles around him, good intentions be damned. Their respective interpersonal dispassion and obsession are on display in how they react to betrayal. House's tone never rises above exasperation when it comes time to clean house of Benny, the Omerta Leadership and the White gloves; he treats them as problems to be solved, gears that are slightly out of alignment; By contrast, when Sinclair learns that Dean and Vera have been playing him, he channels the monomaniacal energy he previously directed towards protecting Vera towards the goal of building the perfect poetic-ironic death trap for her and Dean.
There are some other parallels in their personal lives. For one thing they both trusted a pastiche of a 40s lounge singer a lot more than they should have. They both tried to digitize, immortalize their girlfriends- and the discrepancy in how they went about it is telling. House's recreation of Jane isn't terribly robust, and in terms of House's overall project she's an afterthought. She's more a sock-puppet than a person, a sanded-down copy of a woman who died forever-and-a-half ago, forever agreeable, never saying no. Convenient. Only the most superficial visual elements preserved- an illustration of her face on a robotic chassis. Sinclair was obsessive in recreating Vera, preserving her likeness. It's all over the villa, her hologram is everywhere, her voice is everywhere. The terminal in the lightwave lab in Old World Blues reveals that he was still obsessed with getting her hologram right even after the love curdled into hate. All of it a monument to the real woman, and yet in all of it the real woman is still lost, buried under the mythologized projection. He didn't respect the real person enough to let her know that she was dying. A total failure of preservation from the opposite direction. (Except in the suites, where you can hear her very authentic dying pleas.)
You find both of them in their basements. House only looks a little better than Sinclair, but he's got much more of a voice in the narrative. He took steps to make sure he'd be around to tell you what he thinks about everything, fine-tuned the voice with which he speaks to the world, the face he presents. It matters to him that he gets to tell his own story. We find out a lot about House, from House; but for the kind of figure that he is, a shocking amount of what we learn about Sinclair comes from other people, people who knew him or wrote about him. The only image of him you can find is a downplayed element of a larger mosaic. The two documents you find that're written from his perspective have been buried for 200 years, and they're yards from his corpse. And the more recent of the two is an apology. I mean admittedly at the point where he wrote that apology Sinclair was personally turbofucked regardless. If the cloud didn't get him the holograms would have, or the radiation, or, or, or. You can read some level of ego into what he did in the face of that. But however futile it was, he died in the specific way that he did because he recognized that he'd done something awful, and he was trying everything he could think of to correct it. Somehow I find it very hard to imagine House doing either of those things- admitting fault or putting skin of his own in the game to make it right.
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normasshearer · 5 months
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Be careful, Joe. - I'll be alright, just so they don't get their hands on this [money].
EVELYN KEYES & GLENN FORD in MR. SOFT TOUCH (1949) dir. Gordon Douglas & Henry Levin
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thestalkerbunny · 3 months
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A bit about the fluffiest monsters in New Chicago, The Nekomatas.
They control most of the Monster owned Restaurants in New Chicago that cater to the 'special' diets some monsters have (Human flesh.) as well as dominating and overseeing the docks of the New Chicago Harbor-granting them constant surveillance at what comes in and out of the city or more importantly-WHO'S coming in and out or doing WHAT exactly. Much to the annoyance of any other crime family in the city-it's like people opening your mail before you even get it. Except it's a bunch of cats always up in your shit.
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letterboxd-loggd · 1 year
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Mr. Soft Touch (House of Settlement) (1949) Henry Levin & Gordon Douglas
December 18th 2022
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adammilligan · 2 years
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did raphael ever actually voice his sentiment that god was dead to michael. i doubt it. that's the type of shit that would've gotten michael Angry with a capital A. but. in apocalypse world. when au!michael killed au!lucifer. and was having a whole category five moment over the fact that god hadn't shown up. did au!raphael step forward? did he tell michael what he thought. did he tell him god was dead. and did au!michael. who was already trying so desperately to cling to the remains of his faith. kill him. did he try to lay the blame on au!raphael. did he try to make it seem like the reason god hadn't come back was because of the unfaithful. and when he killed him. and not one but two of his brothers lay battered and broken at his feet. is that when he lost it. for good
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normasshearer
4h ago
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Be careful, Joe. - I'll be alright, just so they don't get their hands on this [money].
EVELYN KEYES & GLENN FORD in MR. SOFT TOUCH (1949) dir. Gordon Douglas & Henry Levin
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hotvintagepoll · 2 months
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Congrats to the ultimate winner of the Hot & Vintage Movie Men Tournament, Mr. Toshiro Mifune! May he live happily and well where the sun always shines, enjoying the glories of a battle hard fought.
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A loving farewell to all of our previous contestants, who are now banished to the shadow realm and all its dark joys and whispered horrors—I hear there's a picnic on the village green today. If you want to remember the fallen heroes, you can find them all beneath the cut.
What happens next? I'll be taking a break of two weeks to rest from this and prep for the Hot & Vintage Ladies Tournament. I'll still be around but only minimally, posting a few last odes to the hot men before transitioning into a little early ladies content, just like I did with this last tournament. The submission form for the Hot & Vintage Ladies tournament will remain up for one more week (closing February 21st), so get your submissions in for that asap! Once the form closes, there will be one more week of break. The first round of the Hot & Vintage Ladies Tournament will be posted on February 29th, as Leap Year Day seems like a fitting allusion to leaping into these ladies' arms.
Thanks for being here! Enjoy the two weeks off, and send me some great propaganda.
In order of the last round they survived—
ROUND ONE HOTTIES:
Richard Burton
Tony Curtis
Red Skelton
Keir Dullea
Jack Lemmon
Kirk Douglas
Marcello Mastroianni
Jean-Pierre Cassel
Robert Wagner
James Garner
James Coburn
Rex Harrison
George Chakiris
Dean Martin
Sean Connery
Tab Hunter
Howard Keel
James Mason
Steve McQueen
George Peppard
Elvis Presley
Rudolph Valentino
Joseph Schildkraut
Ray Milland
Claude Rains
John Wayne
William Holden
Douglas Fairbanks Sr.
Harold Lloyd
Charlie Chaplin
John Gilbert
Ramon Novarro
Slim Thompson
John Barrymore
Edward G. Robinson
William Powell
Leslie Howard
Peter Lawford
Mel Ferrer
Joseph Cotten
Keye Luke
Ivan Mosjoukine
Spencer Tracy
Felix Bressart
Ronald Reagan (here to be dunked on)
Peter Lorre
Bob Hope
Paul Muni
Cornel Wilde
John Garfield
Cantinflas
Henry Fonda
Robert Mitchum
Van Johnson
José Ferrer
Robert Preston
Jack Benny
Fredric March
Gene Autry
Alec Guinness
Fayard Nicholas
Ray Bolger
Orson Welles
Mickey Rooney
Glenn Ford
James Cagney
ROUND TWO SWOONERS:
Dick Van Dyke
James Edwards
Sammy Davis Jr.
Alain Delon
Peter O'Toole
Robert Redford
Charlton Heston
Cesar Romero
Noble Johnson
Lex Barker
David Niven
Robert Earl Jones
Turhan Bey
Bela Lugosi
Donald O'Connor
Carman Newsome
Oscar Micheaux
Benson Fong
Clint Eastwood
Sabu Dastagir
Rex Ingram
Burt Lancaster
Paul Newman
Montgomery Clift
Fred Astaire
Boris Karloff
Gilbert Roland
Peter Cushing
Frank Sinatra
Harold Nicholas
Guy Madison
Danny Kaye
John Carradine
Ricardo Montalbán
Bing Crosby
ROUND THREE SMOKESHOWS:
Marlon Brando
Anthony Perkins
Michael Redgrave
Gary Cooper
Conrad Veidt
Ronald Colman
Rock Hudson
Basil Rathbone
Laurence Olivier
Christopher Plummer
Johnny Weismuller
Clark Gable
Fernando Lamas
Errol Flynn
Tyrone Power
Humphrey Bogart
ROUND 4 STUNGUNS:
James Dean
Cary Grant
Gregory Peck
Sessue Hayakawa
Harry Belafonte
James Stewart
Gene Kelly
Peter Falk
QUARTERFINALIST VOLCANIC TOWERS OF LUST:
Jeremy Brett
Vincent Price
James Shigeta
Buster Keaton
SEMIFINALIST SUPERMEN:
Omar Sharif
Paul Robeson
FINALIST FANTASIES:
Sidney Poitier
Toshiro Mifune
and ok, sure, here's the shadow-bracket-style winner's portrait of Toshiro Mifune.
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Episode 180: She's out there somewhere
Yesterday, we saw four men together in a crypt. They are visiting parapsychologist Peter Guthrie, hardworking young fisherman Joe, instantly forgettable young lawyer Frank, and the unnamed Caretaker of the old cemetery. They witnessed an uncanny event when the ghost of Josette Collins opened the coffin of Laura Murdoch Stockbridge, who died (by fire!) in 1767. The ghostly intervention was…
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jackofbells · 1 year
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"Everybody's doing the best he can in his own way." [Glenn Ford hides his stash as Joe Miracle, while Evelyn Keyes, as the "primary worker" at a settlement house, serves as his foil, in the equally brutal noir and touching Christmas classic "Mr. Soft Touch" (1949)]
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fieriframes · 1 year
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[Spoke with Mr Keyes just now.]
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tspoe-pods · 2 years
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I’ve really enjoyed watching these James Wong mysteries.
This is the last, and if Monogram hadn’t just released five others with Boris Karloff in “yellow face”, I’d commend them for actually casting a Chinese actor.
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425599167 · 4 months
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Fallout: New Vegas is all about rebuilding society in the Mojave, and the three given factions all attempt to do so by recreating the past. The NCR models itself on the now-destroyed United States, with all the problems involved. Caesar created the Legion in the image of Rome because he believed it could best thrive in the wasteland. Mr. House is arguably the most forward-thinking with his focus on technology and eventual interplanetary travel, but he still rebuilt New Vegas from his nostalgic recollections of the city. Building on the past isn't wrong, the problem is these three factions don't appear to be learning from anything that happened.
NCR characters never directly acknowledge that they're following the example of a society that destroyed itself. Caesar criticizes them for this, believing the republic functioned best while under the quasi-monarchy of Aradesh and Tandi. But Caesar ignores how 1) Rome also fell and 2) he's confronting the same problem as a brain tumor is on the verge of killing him. Even if you treat his tumor, he's still mortal. Caesar was given an education, and his knowledge of strategy and history let him build the Legion, which he then made anti-intellectual and revisionist. The society he created cannot replace him, and will fragment when he dies. House is more contemptuous of the pre-war world, but he still brought it back, and specifically assigned the Omertas with the role of ruthless mobsters who will kill anyone in their way. Apparently he thought that was a good idea.
This extends into the DLCs, too. Elijah plans to use the Sierra Madre to wipe the slate clean and restore the Brotherhood of Steel to their position of unrivaled power, with himself back as Elder. Every day, Joshua Graham feels the pain of being burned. The Think Tank scientists are all stuck in loops, stuck in the past, stuck with their flaws centuries after believing they overcame their humanity. For all my grievances with Lonesome Road, it fits the pattern, as Ulysses saw a new society forming, saw it burn, and couldn't move on. If you let Ulysses live, he has similar criticisms of the NCR, Legion, and House. They're all idealized recreations, like the Vera Keyes hologram. Let go, begin again.
Benny may be a weird mix of dangerous and absurd, but he contrasts the other factions well. He jumped at the chance to join House, fought his tribe's previous leader to make it happen, then planned to take down House, too. House dismisses Benny as not understanding complex technologies due to his tribal upbringing, but he built a computer lab attached to his suite and studies technology as best he can. Benny doesn't want to relive the past, he wants to move forward, he wants something better. You can kill him and take his role, or, when facing certain death at Caesar's hands, he'll explain his vision and ask you to see it through.
After replaying everything, though the other endings have understandable support, I think the Independent route fits the story's themes best, the only one where something definitively new is being built. The Courier isn't remaking anything. Part of this is simply open-ended roleplaying, allowing the player to imagine the character's completed goal. If you choose one of the other three, the Courier can work to correct their faction's flaws and counter the destructive nostalgia affecting them. The Independent ending isn't necessarily the "best" for the Mojave, the Courier's morality and a hundred other decisions determine that, but it is the most compelling conclusion to the story.
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thestalkerbunny · 2 months
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Behind every organized crime leader that smells of cigarettes-there is a giant woman who is Academically much smarter than him.
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v-akarai · 4 months
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References in Servamp
Arabian mythology
Jinn. Ch. 16
Greek mythology
Elpis. Ch. 75
Moirai. Ch. 108
Pandora. Ch. 130
Pygmalion. Ch. 123
Pandora's Box. Ch. 97
Japanese mythology
Gashadokuro. Ch. 129
Kitsune. Ch. 3
Raijin. Ch. 85
Norse mythology
Baldr. Ch. 39
Freya. Ch. 65
Frey. Ch. 131
Gleipnir. Ch. 101
Hati. Ch. 91, 131
Hod. Ch. 39
Hliðskjálf. Ch. 96
Idunn. Ch. 65
Loki. Ch. 15
Mimir. Ch. 29
Mjölnir. Ch. 53
Ragnarök. Ch. 101, 122, 131
Sigurd. Ch. 101
Thor. Ch. 41
Yggdrasil. Ch. 42
Biblical references
Abel. Ch. 8
Adam. Ch. 128
Boaz and Jachin. Ch. 42
Eden. Ch. 21
Eve. Ch. 1
John the Baptist. Ch.122
Lucifer. Ch. 135
Nod. Ch. 29, events
Hinduism
Asura. Ch. 57.5, 89.
Tarot
The Fool - Mahiru. Ch. 50
I. The Magician – Night trio. Ch. 41
II. The High Priestess – Mikuni. Ch. 42
V. The Hierophant - Shuhei. Ch. 77
X. Wheel of Fortune - Junichiro. Ch. 53
XII. The Hanged Man - Tsurugi. Ch. 50
XV. The Devil – Shamrock. Ch. 72
XVI. The Tower - Touma. Ch. 47
XVII. The Star - Iduna. Ch. 73
XVIII. The Moon - Yumikage. Ch. 69
Literary references
 "Alice's Adventures in Wonderland" Lewis Carroll. Ch. 3, 4, 7, 19, 98, 122. Misono, Lily, Dodo, Mitsuki, Yamane, Hattori, Mikuni, Bad B and Good B.
"As You Like It" William Shakespeare. Ch. 10, 38.5. Mikuni's spell.
"My Fair Lady" English nursery rhyme. Ch. 10 Mikuni's spell.
"Dracula" Bram Stoker. Ch. 12, 30. Hugh.
"Romeo and Juliet" William Shakespeare. Ch. 23, 34. Hyde, Ophelia.
"Faust" by Johann Wolfgang von Goethe. Ch. 29 Johannes.
"Through the Looking-Glass" Lewis Carroll. Ch. 29, events. Mikuni, Johannes.
"Julius Caesar" William Shakespeare. Ch. 23 Hyde.
"Strange Case of Dr. Jekyll and Mr. Hyde" Robert Stevenson. Ch. 23, 37. Hyde, Licht.
"Macbeth" William Shakespeare. Ch. 24, 31. Kuro, Saint Germain, Mahiru.
"Night on the Galactic Railroad" Kenji Miyazawa. Ch. 26. Higan.
"The Little Prince" Antoine de Saint-Exupéry. Ch 30, 67. Kuro, Mahiru, Sloth demon, Gear, probably Jeje.
"Hamlet" William Shakespeare. Ch. 33, 34. Hyde, Ophelia.
"The Phantom of the Opera" Gaston Leroux. Ch. 36 Licht and Hyde technique.
"Peter and Wendy" James Barry. Ch. 44, 56, 74. Tsurugi, Touma, Mahiru.
"Ring a Ring o' Roses" nursery rhyme. Ch. 53 Junichiro's spell.
“Peter Pan in Kensington Gardens” James Barry. Ch. 53, 75. Tsurugi, Touma.
"Death in Venice" Thomas Mann. Ch. 55 Gilbert technique.
"Total Eclipse" a play by Christopher Hampton. Ch. 55 Rayscent's technique.
"The Morning of the Last Farewell" Kenji Miyazawa. Ch. 57.5 Tsubaki.
"Spring and Asura" Kenji Miyazawa. Ch. 57.5 Tsubaki.
"The Catcher in the Rye" Jerome Salinger. Ch. 62 Shuhei.
"Four and Twenty Blackbirds" Agatha Christie. Ch. 62 Shuhei's spell.
"Metamorphosis" Franz Kafka. Ch. 62 Shamrock technique.
“The Nighhawk's Star” Kenji Miyazawa. Ch. 62, 76. Shamrock technique.
"Rock-a-bye Baby" an English lullaby. Ch. 70 Touma's spell.
“Schlafe, mein Prinzchen, schlaf ein” lullaby. Ch. 70 Touma's spell.
"Who Killed Cock Robin" an English nursery rhyme. Ch. 70 Yumikage's spell.
"The Wonderful Wizard of Oz" Lyman Frank Baum. Ch. 70, 88. Tsukimitsu brothers’ spells.
"Daddy-Long-Legs" Jean Webster. Ch. 74. Dark Night Trio, Touma.
"The Divine Comedy" Dante Alighieri. Ch. 118, 120, 121. Niccolo, Ildio, Gluttony demon.
“A Brute's Love” (人でなしの恋) Edogawa Rampo. Ch. 122 Mikuni, Lily.
"Coppelia" ballet Leo Delibes. Chapter 122 Mikuni, Lily.
"Salome" Oscar Wilde. Ch. 122 Mikuni, Lily.
"Turandot" opera by Giacomo Puccini based on the play by Carlo Gozzi. Ch. 129. Lily's technique.
"The Tempest" William Shakespeare. Ch. 131. Licht and Hyde.
"The Old Man and the Sea" Ernest Hemingway. Ch. 134 Hugh.
"Flowers for Algernon" Daniel Keyes. Ch. 135 Hugh.
"Jane Eyre" Charlotte Brontë. Ch. 136. Hokaze.
"Madama Butterfly" opera by Giacomo Puccini. Ch. 136. Lily.
"Hansel and Gretel" the Brothers Grimm. Ch. 140. Faust and Otogiri.
Music
"Für Elise" by Ludwig van Beethoven. Ch. 34
"Jesu, Joy of Man's Desiring" by Johann Sebastian Bach. Ch. 125
Movies
"It's a Wonderful Life" (1946). Ch. 131
"Life is Beautiful" (1997). Ch. 131
I believe this list can be expanded. Somewhere I’ve written only chaps when some reference was mentioned for the first time and omitted all further mentions.
Special thanks to hello-vampire-kitty, joydoesathing and passmeabook, because some works wouldn’t be included in the list without their observations.
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authortobenamedlater · 2 months
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E5 deep dive! This will be fun because Mr and I have VERY different opinions on certain parts of this episode.
The good:
This might be Pablo Schreiber’s best performance yet, and that’s saying something.
Everyone delivers in this one. Soren and Laera have some great moments, separately and together. Riz’s final lines with John (and that hug!), Halsey’s and John’s speeches at Vannak’s funeral, Kwan’s vision and her shamelessly calling John on his BS. This episode does a great job of showing the fallout from Reach on a small scale. Not what it did to humanity as a whole, but what it did to these individual humans.
The exit from Reach and Riz’s last run for Vannak are epic.
Vannak gets a great send-off, and can we talk about how well-preserved he was after being dead for a week?
Makee continues to be one of the most intriguing characters for many reasons, not the least of which is she’s inexplicably (literally inexplicably; they haven’t explained it) alive. She cries as she watches Reach fall, then says she cares nothing for “the Demon” (who she ordered ‘Gatanai not to kill a few hours ago). She and Cortana appear to be hatching some kind of plan.
Speaking of Cortana…EVERYTHING I thought about that opening scene in the first episode got flipped on its head. Did Cortana sell her soul (operating system?) to Parangosky in exchange for John or something?
Also speaking of Cortana, John is so not OK without her it hurts to watch. “If I’d had my armor, if I’d had her with me” 😭 “There’s a space where there used to be a voice and a feeling someone knew me” 😭😭 Just get these two back together already.
Kai’s little strut when she meets the S-IIIs 😍
The bad:
Reach didn’t quite go out with the bang it deserved, unless there’s a heck of a surprise in store. I’m not sure what would have been the bang it deserved, but this wasn’t it.
Admiral Keyes is not around. Yes, I knew he wasn’t going to be, but I love him darn it.
Vannak was all dead, not only mostly dead as I had hoped and will continue to imagine.
Still no Miranda, not that I expected her. Does she know her dad is dead?
Observations/predictions/wishful thinking:
Riz’s exit. One part where that @mrtobenamedlater and I do not agree. I saw this coming from the start of the season. Riz was already hurting and increasingly disillusioned with Spartan life. Now she’s even more beaten up. She was never really going to be a Spartan again. She can barely even walk when she tells John she’s done. Her departure made a good contrast to John’s response. His way to honor Vannak’s sacrifice is to hunt down his killers; Riz’s way is to live the life his sacrifice spared.
I don’t think this is the last of Riz, however. We’ll run into her again.
Makee seems to be filling the Sesa ‘Refumee role from Halo 2, with her line about the Prophets being liars. She is on no one’s side because no one is on her side.
Given that Makee describes ‘Gatanai to Cortana as the fleet master and calls him “the Arbiter,” I guess he’s the Silver Timeline’s Thel ‘Vadam? And his line to Makee about how she lives only by his grace? Did he personally revive her or something?
Also I’m going to assume Makee never touched the artifact in E2, probably just as well since that would have taken John out, and that she and ‘Gatanai took it off Reach. Why didn’t she touch it though?
Did Kessler get kidnapped for a new Spartan program? I’m all about Uncle Master Chief going to rescue his surrogate nephew by the way.
Where did Perez and that transport go? I was sort of expecting to find them on Aleria.
This episode will get derided as “filler” but it sets up a lot for the rest of the season: The Arbiter, the ring, Kwan’s and Madrigal’s place in all this, the Spartan-IIIs.
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