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indiesole · 10 months

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Indies (Lifetime) Playlist Tributes to Music Legends -Part 5

SHIV HARI 'S TOP 75 COMPOSITIONS ! :

Yt Link:

Yeh Kahaan Aa Gaye Hum – Silsila

Dekha Ek Khwab – Silsila

Tere mere hoton pe - Chandni

Megha Re Megha - Lamhe

Morni Baga Ma Bole - Lamhe

Chudiyan Khanak Gayeen - Lamhe

Likha Hai Yeh - Darr

Ye lamhe ye pal hum - Darr

“ – “ (sad version)

Kabhi Main Kahoon - Lamhe

Mohe Chhedo Na - Lamhe

Neela Aasman So Gaya (Male) – Silsila

Neela Aasman So Gaya (Female) - Silsila

Baadal Pe Chalke Aa - Vijay

Tu Saawan Main Pyaas Piya - Parampara

Main Sasural Nahin Jaoongi - Chandni

Chandni O Meri Chandni - Chandni

Sar Se Sarke - Silsila

Ladki Hai Ya Shola - Silsila

Aa Meri Jaan - Chandni

Lagi Aaj Sawan Ki - Chandni

“ (Jhankar)- “

Meri Bindiya - Lamhe

Jo Tum Todo Piya - Silsila

Khud Se Jo Vada Kiya Tha - Silsila

Gudiya Rani - Lamhe

Mehbooba - Chandni

Jaadu Teri Nazar - Darr

Tu Mere Saamne - Darr

Yaad Nahin Bhool Gaya - Lamhe

Ishq Da Rog Bura - Darr

In Aankhon Ke Zeenon Se - Faasle

Meri Aankhein Hain Aap Ki Aankhein - Vijay

Chandni Tu Hai Kahan - Faasle

Janam Janam - Faasle

Darwaza Band Karlo - Darr

Parbat Se Kaali Ghata Takraee - Chandni

Mere Haathon Mein - Chandni

Medley - Lamhe

Tu Mujhe Suna - Chandni

Sahibaan Meri Sahibaan - Sahibaan

Prem Hai Deepak Raag - Sahibaan

Yeh Qaafile Yaadon Ke - Faasle

Ham Chup Hain (sad) - Faasle

Hum Chup Hain - Faasle

Mere Sathiya Mere Saath Chal - Parampara

Faasle Hain Bahut - Faasle

Bahan Jinah Di Pakdiye - Silsila

Rang Barse - Silsila

Ang Se Ang Lagana - Darr

Tu Kya Pyar Karega - Sahibaan

Is Mele Mein Log Aate Hain - Sahibaan

Bansuri Yeh Bansuri Nahin - Sahibaan

Solah Button Meri Choli - Darr

Aadhi Raat Ko Palko Ki Chhaon Mein - Parampara

Are Jaane Wale Mujhe Chod Ja Tu - Sahibaan

Hum Banjare Dil Nahi Dete - Parampara

Zindagi Har Janam - Vijay

Main Botal Nahin Sharab Ki - Sahibaan

Mhare Rajasthan Ma - Lamhe

Akkad Bakkad Bambe Bo - Vijay

Tera Karam Hi Teri Vijay Hai (male) - Vijay

“ (female) – “

Phoolon Ke Is Shehar Mein - Parampara

Naujawano Ka Zamana Hai - Parampara

Rakhna Athanni Sambhalke - Vijay

Mora Banna Dulhan Leke Aaya - Faasle

Sun Le Ye Saara Zamana - Faasle

Moments of Rage Dance (Instrumental) - Lamhe

Moments Of Passion ( Instrumental) - Lamhe

Mere Hathon Mein Nau ( Instrumental) - Chandni

Dance Music (Instrumental) - Chandni

INDIE'S ALL TIME 60 NO. 1's ! ! (Based on the No. 1 Songs at Binaca's Annual Bollywood Music Countdown - from 1953-93!)

Yt Link:

List:

Meri Pyari Behaniya Banegi Dulhaniya (2nd version) - Sachaa Jhutha

" (1st version)

Zindagi Ek Safar - Andaz

Shayad Meri Shaadi Ka Khayal - Souten

Tu Ganga ki Mauj - Baiju Bawra

Ae Dil Hai Mushkil Jeena yahan - CID

Chahunga Main Tujhe Saanjh Savere - Dosti

Duniya mein kitna gham hai - Amrit

Sawan Ka Mahina Pawan Kare Shor - Milan

Papa Kehte Hain Bada Naam Karega - Qayamat Se Qayamat Tak

Teri Pyari Pyari Surat Ko - Sasural

Mere Samne Wali Khidki Mein - Padosan

Ankhiyon Ke Jharokhon Se - Ankhiyon Ke Jharokhon Se

Ab Kya Misaal Doon - Aarti

Ehsan Tera Hoga Mujh Par - Junglee

Jo wada kiya vo nibhana padega - Tajmahal

Tu pyaar ka sagar hai - Seema

Nain so nain nahi milao - Jhanak Jhanak Payal Baje

Yashoda Ka Nandlala - Sanjog

Angrezi Mein Kehte Hain Ki I Love You - Khuddaar

O Sathi Re Tere Bina Bhi Kya Jeena – Muqaddar ka Sikandar

Baharon phool barsao mera mehboob aya hai - Suraj

Mere angane mein tumhara kya kaam hai - Laawaris

Gori Hain Kalaiyan - Aaj Ka Arjun

Tarzan o my Tarzan - Adventures of Tarzan

Chalo Bhaag Chalein Purab Ki Ore - Kalyug Aur Ramayan

Zindagi Ka Naam Dosti - Khudgarz

Mere paas aao mere dosto ek kissa suno - Mr. Natwarlal

Om shanti Om - Karz

Dekha Hai Pehli Baar - Saajan

Mera Joota Hai Japani - Shree 420

Mere Mann Ki Ganga Aur Tere Mann Ki Jamuna - Sangam

Aaja re o mere dilbar aaja - Noorie

Jaayen Toh Jaayen Kahan - Taxi Driver

Zara Saamne To Aao Chhaliye - Janam Janam Ke Phere

Dafaliwale Dafali Baja - Sargam

Do Hanson Ka Joda Bichad Gayo Re - Ganga Jamuna

Hai Apna Dil To Awara - Solva Saal

Yeh Zindagi Usi Ki Hai - Anarkali

Jis Dil Mein Basa Tha Pyar Tera - Saheli

Chitthi Aayi Hai - Naam

Kabhi Kabhie Mere Dil Mein – Kabhi Kabhie

" (male version)

Kaise Rahun Chup - Intaquam

Khaike Pan Banaraswala - Don

Yaari Hai Iman Mera Yaar Meri Zindagi- Zanjeer

Maine Pyar Tumhi Se Kiya Hai - Phool Aur Kaante

Sun Saiba Sun - Ram Teri Ganga Maili

Zindagi Bhar Nahin Bhoolegi (Male)- Barsaat Ki Raat

Nirbal se ladayee - Diya Aur Toofan

Mehngai Mar Gayee - Roti Kapda Aur Makaan

Mujhko yaaron maaf karna main nashe me hoon - Main nashe me hoon

Haal Kaisa Hai Janaab Ka - Chalti Ka Naam Gaadi

Dum Maro Dum - Hare Rama Hare Krishna

My Name Is Lakhan - Ram Lakhan

Mera jeevan kora kagaz – Kora Kagaz

Dil Vil Pyar Vyar Main Kya Janu Re - Shagird

Choli Ke Peeche Kya Hai - Khalnayak

Bindiya Chamkegi Chudi Khankegi – Do Raaste

Tu Mera Jaanu Hai - Hero

Koi Patthar Se Na Maare - Laila Majnu .

RUNA LAILA 's TOP 120 (HINDI) SONGS ! :

Yt Link:

Dama dum mast qalandar

Tumhe ho na ho mjhko toh itna yakeen hai

Do deewane shehar mein

Ghungroo toot gaye

Chidiyan da chamba

Chitta kukkad banere te

Kala sha kala

Nashe siya band botale

Kurti meri chheet di

Katyu chuk

Mera babu chhail chhabila

" (Pak film)

" (Hin film)

Ye dil vale aao

Kat te hain din

Dilbar haseena

Meri jaan tujhpe

Aaja piya

Lao mehndiyan

Mehndi taan sajdi

Aaya ladiye

Pukaro o kanha tum

Bole re papihara

Pardesi pakhiara

Gulon mein rang

Bana gulab toh kante

Khayal-o-khwab

Aaye kuch abr

Zakhm ko phool

Sunri abhagan

Kabi kaha na kisi se

Kehdo is raat se ruk jaye

Kya aise kam sukhan se koi

Dil ki haalat ko koi kya jaane

Ab kahan pyaar mein

Uzr aane mein bhi

Garche sau baar

Aziz itna hi rakho

Nagma o shar se hay

Aa ke aik pal mujhe

Ja re ja kaga

Kehdo iss raat se

De de pyaar de de

Romance

Pyaar woh shararat

Chalo chalen

Aao sunlo

Pyar karen

Allah re is dil ne

Badra le ja neer

Piya aaja sawan aaya

Jab teri yaad ka toofan

Unki nazron se jo

Preet bhi jhuthi

Tu khafa hai toh

Main woh kanwal hoon

Ali baba ali baba

Kaho sakhi kaho sakhi

Ek se badhkar ek

Eh dil mera banjara

Raavan dhakna

Saanjh savere

Dhoop ho

Mera bhola sanwariya

Aapko do ghadi fursat

Yeh dil

Chanka mainu

Chiktara chiktara

Kehdo iss raat se

Aese chup hain

Saiyan ja re ja

Ranjish hi sahi

Surmayi shaam

Wadiyan wadiyan

Kabhi kaha na kisise

Dekha tujhe toh nazren fisal gayi

Mar gayoo re rasgulla ghumai ke

Main kali anar ki

Woh aankhen

Saathi saath nibhana

Haiya hoo

Disco express 85.Tera mera saath rahe

Daiya re daiya

Mere meherban 88.Jabse humne khizan ko

Sun saathi sun

Mera babu chhail chhabila

Jadoo

Holiday

Hello hai

Pyar tra aye jaan e jaan

Dil tera deewana

Suno suno meri ye kahani

Jab tak jahan mein

Yaadon ka dhuaan

I love to sing for you

Disco premee

Oh nooo

Chalo tumne kisi se

Tum na aaye oo

Chhod gaya re chaiyan

Tum aaye ho na

Doob gayi sab yaadein

Jaaiye shauq se jaaiye

Aap dil ki anjuman mein

Tham tham kar

Ek mahal tha

Kaisa gharonda toota

Tooti hai meri neend

Piya ao na

Meri marzi main gaoongi

Don't be silly

O ho ho ho jaanan

Aap ne jab se mujhe

Ganga amar ma

Majhi tumhi majh

O majhir .

ANTARA CHOWDHURY’S TOP 20 HINDI SONGS! (@INDIES) :

Yt Link:

.Tum ho kahan

.Dheere dheere – Minoo

.Dheee dheere(duet) -Minoo

.Yeh nigahen – Khoya Khoya Chand

.Aaja aaja – Oh Darling Yeh Hai India!

.Aisa bhi hua hai – Madhur Smriti (pvt album)

.Mane na mane na bandhan – (pvt album)

.Beet jaat barkha rut – Madhur Smriti (pvt album)

.Man se man ka – Title song of TV serial ‘Tumhari Disha’

.O koi ajnabi - Madhur Smriti (pvt album)

.Aur ek sham maine tere naam-Madhur Smriti (pvt album)

.Diwane ho - Madhur Smriti (pvt album)

.Teri galiyon me hum aaye - Minoo

.Mastana ye jharna - Madhur Smriti (pvt album)

.O Kaali re - Minoo

.Maina ke maina ke – Chemmeen Lahren

.Ishq ka naam hai - Pehredaar

.Kyun aaj kal – 7 ½ Phere

.Khwab khwab – Mann Ke Manjeere (pvt album)

.Sajne tere naina - Madhur Smriti (pvt album)

.Aaya dekho re salona din – Triyacharitra .

JAGJIT KAUR ‘S TOP 30 HINDI SONGS! :

Yt Link:

.Tum apna ranjo gam - Shagoon

.Gori sasural chali – Shagoon

.Baaj rahi hai ohir bansuriya

.Chanda gaye ragini – Dil-E-Nadan

.Mohabbat ki dhun – Dil-E-Nadan

.Dekh lo aaj hum ko - Bazaar

.Pehle toh aankh milana – Shola Aur Shabnam (1961)

.Tu kaunsi badli me mere chand hai aaja

.Agar dil dil se takraye toh – Shola Aur Shabnam

.Khamosh zindagi ko ek afsana mil gaya – Dil-E-Nadan

.Chal aao sainya - bazaar

.Pind dia number dara

.Kahe ko byahi bides

.Hariyala banna aye re – Razia Sultan

.Chanda gaye raagni - Dil-E-Nadaan

.Kab yaad mein tera saath nahi - Anjuman

.Ladi re ladi –Shola Aur Shabnam (1961)

.Dard bola toh sunai dega – Dard (serial)

.Pehle jo mohabbat se inkar kiya – Pardesi (1941)

.Lai we ranjhya wah – (Punjabi folk)

.Uske khel nirale - Noorie

.Phir meri khabar lene – Yeh kya jagah hai doston

.Sakhi re sharmaye – Pyase Dil (1974)

.Phir wohi sawan aya – Shola Aur Shabnam (1961)

.Ada jadoo – Mera Bhai Mera Dushman

.Aashiq ho toh aisa ho- Noorie

.Suniye huzoor pyar ka charcha - Suryamukhi

.Nain milake pyar jagake – Mera Bhai Mera Dushman

.Sadda chidiya da chamba ve – Kabhi Kabhie

.Idhar aa sitamgar – Sawaal

.Baaje shehnai ri banno – Chambal Ki Kasam

.Suno na bhabhi – Thodisi bewafaii

.Mahiya ve mahiya – Posti (1950)(Punjabi) .

AARTI MUKHERJEES’S TOP 50 (HINDI) SONGS ! :

Yt Link:

Do naina aye ek kahani – Masoom

Manokaamna – Manokaamna

Shyam teri bansi pukare – Geet Gata CHal

Aaiga aiga aiga ye kya ho gaya – Boyfriend

Sara mora kajra churaya tumne – Do Dil

Dhire dhire dhal re Chanda – Angulimaal

Yeh kya hua mujhko – Manokaamna

Solah shukrawar bishi anusar – Solah Shukrawar

Chanchal bada – Manokaamna

Main wohi darpan wohi – Manokaamna

Kabhi kuch pal Jeevan ke – Rang Birangi

Do panchhi – Tapasya

A mere humkadam – Humkadam

Chhodo baiyan na chheda mohe – Taraana

Aaj ki raat charongi – Khamoshi

Soye jasbaat – Ek Baar Kaho

Milan kar do mere ram se – Lallu Ram

Billi bajaaye baaja – Sahara

Kar gaya kanha – Geet Gaata Chal

Husn hai ya koi qayamat hai – Saudagar

Meri tanhai ka – Rusvai

Yaadon ko bhool jaye – Sooraj Mukhi

Hey bansi wale teri gali aye hain gwale – Phir janam lenge hum

Bachchon tum ho khel khilone – Tapasya

O paatal ke raja – Nagin Aur Suhagan

Tera mera jeevan bhar ka sath hai – Pyar Ke Rahi

Tum hamare ho – Chimney ka dhuan

Nache re languriya – Lallu Ram

Brahmachari – Lallu Ram

Pyaar ki raah mein – Ek Baar Kaho

Pyare bhaiya ki main – Mangal Dada

Happy birthday to you – Sajan Bina Suhagan

Dheere dheere dhalte dhalte din dhal jaye – Dukh Dard

Teri meri mohabbat bhi – Khoon Ki Takkar

Tum bhi akele toh kuuch bhi nahi – Nai Imarat

Nainon mein chori chori - Nadaniyan

Rakh ke dher ko – Abnaband

Insaniyat hi sabse pehle – Ram Tere Kitne Naam

Dekho sapne saje dhol – Ganga Ki Saugandh

Rang se – Love In Canada

Jaago anjaani rajkumari – Ek Soorat Do Dil

Ek do teen gin bhai gin – School Master

Yeh samaj kab tak – Be abroo

Jai ho mata – Aangan Ki Kali

Dhoop bhi dekhi – Aangan Ki Kali

Zinda hoon magar zinda hoon nahi – Khanjar

Yaad ati rahi shakl bholi teri – Lallu Ram

Dukhiyon pe kuch raham karo – Talaq

Ae Watan Tujhko Hum Na Bhoole Kabhi - Love In Canada

Ankhen badi hai nemat baba – Apna Ghar .

SALMA AGHA ‘S TOP 180 SONGS ! :

Yt Link:

. Saans bhi loon toh - Meri Adalat (film)

" - (duet) (Harpal)

Yeh manzar yeh nazarey - Harpal

Rang jeevan mein - Harpal

Hai logon ki zubaan pe - Harpal

Iqrar main karti hoon - Harpal

Kuch chehre aise hote hain - Harpal

Baat choti si - Bazaar e husn/ Harpal

" (film version)

Zindagi yun thi - Awaaz o andaz

Jeena bhi kya hai jeena - Kasam paida karne wale ki

" (part 2)

Faza bhi hai jawan jawan - Nikaah

Aye mere mehboob (1) - Salma

Dil ke armaan ansuon me beh gaye - Nikaah

" (remix)

Dil ki ye arzoo thi - Nikaah

Kabhi aa ja - Ulfat

Mujh mein wafa ki - Ulfat

Main raina jaagun - Ulfat

Junoon e jurm e wafa - Awaz o andaz

Aaj phir aaine ne

Kehna na tum ye kisi se

Raaste yaad nahin

Balma barkha rut ayee

Jaan e man (film version)

" (album version)

Huzoor aap aye

Hogi mulaqat

Tu pyar leke

Woh raat sapnon me aye

Zindagi se ye gila hai

Maine kholi dil ki kitab

Channa tere pyar ne

Narm fiza ki karvaten

O sajna o sajna

Tu mera kya lage

Mitha mazedaar - Abba remix

Toba toba - Abba remix

Kabhi kabhi - Abba remix

Ab laut aao humraahi - "

Chiquitita - "

Pehli pehli preet - "

Tanha akela yeh kamra

Mujhe tune

Guzar na jaaye

Chale aao chale aao

Ho jayegi badnaami

Meri kahkashan bhi tu

Jaddo mainu pyar naal

Aisa mohe laage sajan

Tu bas gaya hai

Kya kuch na kaha

O piya dil mera

Main koyal sevan baagh

Mana ke humpe

Was akhiyan de

Wichadh gaya mere

Rang sawala

Sakhio ni badnaam na karna

Yaad koi aa raha hai

Yeh mausam suhana

Husan mera hai chandani

Mere dildar khuda hafiz

Aiye aiye aiye

Lehron ki tarah tujhko

Channa dil janiya

Ye mana ke tumne

Do ajnabi yeh raaste

Yeh soch kar ke gham ke kharidar aa gaye

Kala doria

Zulfon se main kar doongi shaam

" (film version) (Aakhri Shikaar film)

Jab shaam ke saaye dhalte hain

Aaya tha jispe dil

Sajan mere rehnde ne

Ik baar milo humse (film version)

" (album version)

Jhoom utha paagal man

Jalwa e gul ko bulbul bahut hai

Sanjh dhali neha phir bhar aye

O piya dil mera

Aaja re tere bin

Sanoo de kay dawanee diyan

Jaha aaj hum mile hain

Pyar hai ek nasha

Munda chumda balori wangan

Shah e madina

Aaj phir aaine ne

Mera naam salma

Pehla pehla pyar

Hum se karta hai

Teri mohabbat meri jawani

Jhoom jhoom jhoom baba

Kasam paida karne wale ki

Dafli bajao ariyo

Aaj di raat nashe wich

Mujhe log kehte hai kadmon ki dhool

Door na mujhse jao

Main har dil ka gham

Dance dance

" (part 2)

Chumma chumma

Tai tai

Aaina haseen hua hai

Aaj dil thaam kar mera

Kahe baithe ho naina churai ke

Duniya tey pyar di kahani

Na aundi te changi si

Aaj makiyan sadiyan udeekan

Husan mere di channani

Sanu apne mukadran ne marya

We soniya mein

Hum sa meri jaan nahi koi

Chundi wade hawa

Chummi lendi hai hawa

Aaja re aaja kar loon

Dil no sazaa mili

Pyar ki ye rahe

Chehra chhupa liya hai

Ankhen jame sharab

Dil neeven ralda

Chand chamakta hai jaise

Luk nahi sakda chhup nahi sakda

The name of the game - Abba remix

Zindagi tere dar pe fanaa

Chamka ne pendiyan

Meethi meethi hoti hai - Aag hi aag

Main har diul ka gham - Meet mere man ke

Sote sote aadhi raat - Siskiyan

Jara jara tu pyar kar

Lage tose naina

Hum aik hain

Husn pe nikhar hai

Raat jag jag ke

Bura jo dekhan main chala

Veer ve val mod mohara

Superboy

Chhutti ka din

Shaam ki aankh hai

Maa hoon na suhagan hon

Ae dost mit gaya hoon fana ho gaya hoon

Kar de kar de

Jalwa e gul ko bulbul

Rim jhim barse pani

Kahe saphere mujhe gheren

Ho gaya humko pyaar

Bewafa bewafa

Aa gale lag jaa

Mera koi ilaaj kar le

Sachi sachi bol behna

Pyar gareeb da sehnda aya

Deeewane ho jayen - Qatilon e quatil

Ek too hover ek main

Nazron ka pistol

Sajna tune chhoo liya

Badami nainon wali

Welcome

Hello handsome

Jaa ke rouze naane de

Hey sakina masum sakina

Shah e madinaa

Ya mohammad ya ali

Maktal se yah aati hai sada

Hey husain hey shaahidaane

Sibte payambar yaad ate hain

Tu jo udhar aag hai

Wahi hai yeh duniya

Barish mein main khadi thi

Tu ik heera ni baliye

Achhi nahi hoti pyar me ladai

Kobra - Kobra

Tarasti hai deedar ko

Teri adaon ne milkar

Chor chor kahin dekha

Aye mere mehboob meri zindagi (2)

Na dil bolta - Jungle ki beti

Wafa se chala hai mohabbat ka naam

Apan ke paas na sona - Ek se badhkar ek .

SANDHYA MUKHERJEE’S TOP 20 (HINDI) SONGS ! :

Yt Link:

Bol papihe bol re – Tarana

Aaja re balam tujhe meri kasam – Ek Do Teen

Ye baat koi samjhaye re – Sazaa

Aa gupchup pyar Karen – Sazaa

Maine jo lee angdayi – Jagte Raho

Dil laganewale aapse hazaron hain – Husn Ka Chor

Dheere dheere dil mein sama – Husn Ka Chor

Phir badhi vo rajkumari – Pehla Aadmi

Taaron ki roshni mein – Pehla Aadmi

Udasiyon mein nazar kho gayi – Fareb

O janewale kisi ka salaam leta ja – Husn ka Chor

Main naina neer bahaun – Pehla Aadmi

Jungle Mangal – Baghi

Tore naina laage – Mamta

Ishq mein ho jao barbad – Izzat

Ho gaya tere majnu ko – Husn Ka Chor

Ashkon mein chhipi ulfat ki kahani – Pehla Aadmi

Hum chale nai duniya basane – Pehla Aadmi

Kya kya sitam sahe hain – Izzat

Tera jhoomta shabab – Izzat

Rut hai suhani – Manohar

Doob gaye sab aas ke tare – Manohar .

SUSHEELA 'S TOP 30 (HINDI) SONGS ! :

Yt Link:

1. Takatu taka tai - Singhaasan

2. Kya kya kahoon re kanha - Piya milan

3. Tere liye maine janam liya - Singhaasan

4. Bade tum veer - Gul e bakawali

5. Jai jai ram - Lav Kush

6. Shri satguru ke aashish hai - Kam kala tandav

7. Shiv shakti ka - '

8. Aatma jyoti hoon main - "

9. Kaam ki kaamna hai - "

10. Suno re suno - Ram bhajan

11. Sainyog anand hai - Kam kala tandav

12. Shakti tatva rupdhan - "

13. Shiva jyoti rupani - "

14. Parda uthne wala hai - Bachpan

15. O Mother Mary - "

16. Phan ko khole mtrityuwala - Kam kala tandav

17. Jaatasyahi - "

18. Sachit anand - "

19. Ardhanareeshwar - "

20. Aaj na hai mere sajan - Bhakt prahlad

21. Kamini gajagamini - Kam kala tandav

22. Srijan karya karta - "

23. Aadi kaal se - "

24. Widhwansini hai - "

25. Shiva jyoti tatva roop hai - "

26. Rasavani shringar - "

27. Kam kala hai - "

28. Tere seene mein bhi dil

29. Yogi yunjita - Kam kala tandav

30. Shirdi jai sairam - Sabse bada nirala

31. Song from Akbar (61)

32. Kanavu kanda kaathal .

PREMLATA 'S TOP 30 SONGS ! :

Yt Link:

Chup chup khade ho zarur koi baat hai - Badi bahen (49)

Jadugar bhagwan anokhe - Shole (53)

" (version 2)

Thandi pawan chale - Footpath

Aye chand sunahri raaton ke - Bahut door

Yahan nainon me pyar - Char din

Piya mera chulbula - Char chand

Karle char nazar - Mehfil

Dekoh na hbula dena - Dolti naiyaa (50)

Tera budhapa umar meri baali - Gharaana (49)

Ambuva ke ped suhane - Sabak

Mori ankhiyan bhar bhar ayengi - Bahut door

Main samajh gayi kehte ho mujhse - Mamta

Sajan ghar jane wale o m,anzil door nahi - Char din

Kahan chale kahan chale ji chhod ke- Bhai bahen (50)

Kisi ko kya khabar - Bhai bahen (50)

Main sagar ki mast lahar - Dhuaan

Tera dil tere gaalon pe ek til - Dhuaan

Chupke chupke haye ham par - Dolti naiya

Halke halke - Ishwar bhakti

Aa utar hamare dware - Dhobi doctor

O tere dil se mera dil mila - Ghazab (51)

Badla nazar ata hai zamane ka zamana (male) - Tara (49)

" (female)

Duniya se nyare hain khel hamare - Tara (49)

O saiyan tere jaadu bhare nainon - Kyun ji (52)

Koi aane wala hai tere ghar - Ishwar bhakti (51)

Kehta hai ye dil chal unse mil - Naghma (53)

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pavitrtimes · 3 months

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Amitabh Bachchan's Early Movies as a Young Actor

The name that resonates with the core of Indian cinema - Amitabh Bachchan. Long before he was the 'Shehanshah' or the 'Angry Young Man' of Bollywood, this remarkable actor was a bright-eyed beginner navigating his path through the turbulent tides of Indian cinema. This blog post will take a stroll down memory lane, exploring Amitabh Bachchan's early cinematic journey and his evolution as a young actor.

The Introductory Act

Amitabh Bachchan first stepped into the limelight with the film 'Saat Hindustani' in 1969. Although the movie did not fare exceptionally well at the box office, Bachchan's performance was noted. This film not only served as his debut but also laid the groundwork for him to step into more challenging roles with ease.

A String of Early Roles

His initial journey was marked by a string of roles in movies like 'Anand' (1971), 'Reshma Aur Shera' (1971), and 'Parwana' (1971). These films allowed Bachchan to showcase his talent as a young actor on the rise.

In the much-acclaimed film 'Anand', Amitabh Bachchan shared the screen with Rajesh Khanna. Despite being a supporting role, Bachchan managed to make an impression with his performance as the stoic Dr. Bhaskar Banerjee, showcasing his flair for subtle, intense performances.

The Breakthrough: Power-packed Performances

The year 1973 marked a significant turn in Amitabh's career, starting with 'Zanjeer', where he stepped out of supporting roles and took centre stage. The audience got their first glimpse of the 'Angry Young Man', and Amitabh Bachchan became a household name. His intense performance set a new tone for the Hindi film hero, breaking away from the romantic hero mould prevalent during that time.

This era of Bachchan’s career was marked with a slew of unforgettable performances in movies such as 'Deewar' (1975) and 'Sholay' (1975). These two films are considered classics of Indian cinema and are indicative of Bachchan's growing prowess and popularity. His exemplary performances as Vijay Verma in 'Deewar' and as Jai in 'Sholay' are still considered iconic.

Rising to Stardom: The Resilient Journey

Despite experiencing struggles early in his career, Bachchan’s determination did not wane. Even as a young actor, his dedication was evident in every role he undertook. His constant desire for innovation and self-improvement led him to be flexible in his roles, further expanding his acting repertoire.

Films like 'Kabhie Kabhie' (1976) and 'Muqaddar Ka Sikandar' (1978) epitomized this aspect. Whether he was enacting the role of a passionate poet in 'Kabhie Kabhie' or playing a heartbroken orphan in 'Muqaddar Ka Sikandar', Bachchan exuded an earthy appeal that was swiftly resonating with the masses, making him one of the most sought-after actors of his time.

Beyond the 'Angry Young Man'

While his 'Angry Young Man' persona was greatly loved by audiences, Bachchan did not allow himself to be typecast. He showcased his versatility by taking up divergent roles. For instance, his unforgettable performances in 'Don' (1978) and 'Mr. Natwarlal' (1979) clearly depicted his comfort with both dramatic roles and light-hearted, charming characters.

In essence, Amitabh Bachchan's compelling work as a young actor brought a fresh and enduring angle to the Indian cinema industry. His early works stand testament to a star who was ahead of his time and made a mark with the sheer power of his talent. Even today, the charisma and magnetism of young Amitabh Bachchan live on, etched forever in the annals of Indian cinema.

#Amitabh Bachchan #Deewar #Don #Sholay #Big B

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drcpanda12 · 9 months

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He goes by the infamous moniker Mr. Natwarlal born Mithilesh Kumar Srivastava. You won't forget him after reading about him, the man dubbed "the Conman of India" . Roots and Beginnings: The Early Years of Mr.Natwarlal Natwarlal, an Indian conman most known for his high-profile crimes and jail breaks, was born Mithilesh Kumar Srivastava and lived from 1912 to 25 July 2009. He is accused of selling the Taj Mahal, the Red Fort, the Rashtrapati Bhavan, and the Indian Parliament House numerous times. In the village of Bangra in the Bihar Siwan district, Mithilesh Kumar Srivastava, who would later become Natwarlal, was born. He was the elder brother of two to a Station master. He was able to take 1,000 rupees out of his neighbor's account before he noticed after realizing how simple it would be to fake his signature when Natwarlal's neighbor sent him to deposit his bank drafts, which is how he first learned to forge. Natwarlal fled to Calcutta and registered as a student for a bachelor's in commerce while working as a part-time stock dealer. He made an unsuccessful attempt to start a fabric business as well. Natwarlal's father was a station master, so he was knowledgeable about India's railway freight industry. He also gained awareness of banking regulations thanks to his bachelor of business degree and his time spent working as a stock broker. He was able to pull off the scams because to his proficiency in falsifying paperwork and signatures. The Making of a Legend: Tracing the Career Journey of Mr.Natwarlal Natwarlal briefly adjusted his strategy after being apprehended for the first time in 1937 for stealing nine tonnes of iron. Police reported that he would frequently visit prostitutes, offer them poisoned alcohol, steal their jewelry and cash, and then flee. Natwarlal quickly decided that this strategy was too risky, so he returned to con artists. Natwarlal is accused of defrauding thousands of rupees from hundreds of shop owners, jewelers, bankers, and foreigners while disguising himself with more than fifty identities. He frequently employed innovative techniques to defraud people, as in the 1950s when he defrauded the Punjab National Bank of 6.5 lakh rupees through a scheme involving train freight and bags of rice. He was extremely skilled at imitating the signatures of well-known people. He is alleged to have stolen substantial quantities of money from a number of industrialists, including the Tatas, the Birlas, and Dhirubhai Ambani. According to a story, Natwarlal included the members of parliament in the "sale" of the Parliament House to a foreign buyer. According to legend, Natwarlal was something of a Robin Hood in his home hamlet of Bangra. According to legend, he donated his earnings to the less fortunate. He became well-known thanks to stories of his heists, which tended to be non-violent and only targeted the rich and powerful. Whenever Natwartal visited Siwan town, a local claimed that he attracted sizable crowds. According to one story, Natwarlal once traveled to Bangra to use his loot to organize a huge feast for the entire community. He provided each poor villager with 100 rupees during the feast . Natwarlal received significant punishments for many of his high-profile crimes, and the length of his prison term grew with time. Natwarlal was charged with 14 counts of forgery in Bihar alone and received a 113-year prison term. It is estimated that he only served 20 years in prison during his lifetime as a result of his numerous escape attempts. Natwarlal was detained nine or ten times, but he managed to escape most of the time. His escapes were frequently exceedingly crafty. For instance, Natwarlal fled the Kanpur jail in 1957 by dressing in a smuggled police uniform, paying off the guards in his cell with a bag full of cash, and then leaving the building while guards saluted him. Newspapers were indeed in the suitcase. At the age of 84, Natwarlal was last detained in 1996.

He was transported by police from the Kanpur jail to the All India Institute of Medical Sciences, New Delhi for treatment, but he managed to escape again despite his advanced age and use of a wheelchair. He was last seen by authorities on June 24, 1996, at the New Delhi railway station, and he was never seen again. Natwarlal's brother later asserted that he was cremated in Ranchi in 1996, the year he last eluded capture. This makes it difficult to determine his exact date of passing. Natwarlal's attorney asked for the dismissal of more than 100 charges against him in 2009, stating that Natwarlal passed away on July 25, 2009. He was married twice. He left one daughter behind. In Indian history, Natwarlal is regarded as the greatest con artist. In India, con artists who pull off extremely cunning scams are frequently referred to as Natwarlal, and many Indian con artists claim that his career served as an inspiration. His activities have been compared to those of Victor Lustig and Frank Abagnale. The residents of Bangra are proud that he was born and raised there. At the location of Natwarlal's former home, the community intended to erect a statue of him in 2011. [1]

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knewtoday · 9 months

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getmemymicroscope · 1 year

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It's crazy to think about how Emraan Hashmi's career has gone from 'serial kisser' (Murder, Zeher, Tumsa Nahin Dekha, Aashiq Banaya Apne, Aksar) to spanning a career that includes not just 'serial kisser,' but also: 'one who always dies' (*spoiler warning*: Murder, Chocolate*, Kalyug, Aksar, Gangster, Awarapan, Jannat, Jannat 2, Hamari Adhuri Kahani, Chehre); large cast star (Once Upon a Time in Mumbaai, Mumbai Saga, Baadshaho, Shanghai; The Dirty Picture); and even occasionally solid single-lead movies (Why Cheat India; Ungli; Raja Natwarlal; Mr. X). That's not to say all the movies were amazing or anything, but he's become pretty dependable as an actor (and while the song quality hasn't lived up to the success of his first couple of movies - which was going to be hard to do, living up to this appearance of Himesh as a singer, and then even getting Atif Aslam involved there for a bit - Zeher, especially; Kalyug, too - it is still pretty good overall). In fact, in this aside about songs in his movies, while you can't go wrong with Aashiq Banaya Apne and Aksar, as full soundtracks, I also love Tum Mile and Once Upon a Time in Mumbaai, and essentially every movie has one to two absolutely solid songs.

At the same time, it really sucks to see Akshay Kumar struggling through a string of flops right now, because - well, this is nothing like his string of bad movies in 1994 (11 movies released in total - though Mohra and Main Khiladi Tu Anari were actually good, and Suhaag was entertaining) or 1997 (7 movies in total) or that weird span he had of really bad 'comedies' that people inexplicably loved (Garam Masala, Deewane Huye Paagal, Phir Hera Pheri, Heyy Babyy, Khatta Meetha, Action Replayy, Tees Maar Khan, Thank You - though I will admit to, on multiple rewatches, having developed a soft spot for the absolute spoofiness of Tees Maar Khan). That's not to say his movies this past year were all excellent (looking at you, Raksha Bandhan, which was one of the worst movies I've ever seen), but this string seems to be more because people are stupid (they are) than a bad choice in movies. Sure, Ram Setu left something to be desired and Cuttputlli suffered from one too many idiot characters, but Akshay's been solid throughout. This isn't a rehash of the early 90s, that's for sure - people are just being dumb (as evidenced by the box office, aside from Pathaan, has been a disaster).

Selfiee is, by no means, one of Akshay's greatest roles ever - and probably not Emraan's either. But it's nowhere near 'bad' or anything either. Probably what hurts it most is that it depends entirely on being an emotional drama (with that random attempt at comedy that is the other actor, which arguably wasn't really needed for the story - but I guess it works a bit better than having him be a completely serious competitor) - and in a day of crazy action movies, emotional drama appears to be a bit harder for people to sit through.

At it's core, though, it reminds me a lot of Taxi No. 9211 (which I absolutely love!) - it's not as good, in my biased opinion, possibly because by making one of the characters a 'big name actor' (in the movie, I mean, not because they cast Akshay Kumar), the movie automatically goes to a much larger scale than the individual battle between Jai and Raghav. That battle is contained between them, and their loved ones, and one poor rule follower/pencil pusher at a bank; whereas here, almost immediately, it becomes a full-scale nationwide thing involving not just 'a common man,' but instead the "Common Man." And that just seems to be a bit harder to pull off, especially about something like a driving test (like, what the hell is up with that 10 question test he gives him; are they able to freestyle questions like that?).

The other movie that comes to mind is An Action Hero - which is sort of funny, because Akshay had a guest appearance in that role where he was advising Ayushman's character on what to do in that setting. Of course, in that movie, it was the death of someone and not just a driving test issue - and also, of course, the movies are completely different and pursue completely different stories. But the idea of an actor 'gone rogue' (less rogue, here, since he's actually able to defend himself) and the country up in arms about the sudden lack of deitiness of their self-annointed god is very similar - to the point where, in both movies, we have a bunch of very, very annoying media people who just do not shut up.

As this movie progressed, I saw more and more similarities to Taxi No. 9211 - Emraan as Nana, Akshay as John. And while the scale is much more grand, the basic battle - egos; common man versus rich man - in the backdrop of a time limit brought forth by something out of their control is very similar. Not as fun, here, maybe - I don't want to keep harping on it, but I really do think a lot of it had to do with the overzealous public that was over-the-top invested in everything - but still pretty fun overall.

Main Khiladi Tu Anari is obviously a fun song (though, sadly, it's an end credit song - though, given the gist of the movie, I think that was pretty obvious from the moment the song released) - a rant about Bollywood's obsession with destroying old classics with remixes instead of just coming up with new stuff aside - but the song at the beginning was just meh. The background music that played was pretty cool. Akshay and Emraan are, obviously, absolutely fantastic. Absolutely love them. Diana Penty sadly has very little scope, and Nushrratt Bharuccha's role is only slightly bigger. Adah Sharma was a surprise, in the sense that I had no idea she was going to be in the movie.

I do like that they didn't drag everything out too far and give us too many false endings (a la Pathaan, or RRR) - the whole thing is about a driving test, and they do pretty good about sorta sticking to that. There's probably a lot that could be said about the over deification of stars by the public (very similar to the bullshit that goes on with some politicians here, and with religious zealots here and there) and how ridiculously people act in that setting (see: the paparazzi, aka media, the entire movie; the fans at the end, once Akshay leaves; the talking media heads on the TV, egging everything on), but sadly, we're probably a long, long time from that changing. Whether you should ever think of some such celebrity as a god is questionable (no; the answer is a very simple no); but the society is such that so many people do it (see, again, the success of Pathaan, for example, and the stupid zealots that keep pushing a boycott over things like the color of a sari or lyrics in a song or words in a dialogue or content in a book).

I really did enjoy this movie, and I would not be opposed to watching it again for entertainment.

#movies #gmmm does bollywood #movieblr #gmmm does movies

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newsaza · 1 year

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Yaarana director Rakesh Kumar passes away- Cinema express

Veteran actor and director Rakesh Kumar passed away in Mumbai on November 10 in Mumbai after a long battle with cancer. He was known for helming films like Khoon Pasina (1977), Mr. Natwarlal (1979), Do Aur Do Paanch (1980), Yaarana (1981) and Sooryavanshi (1992). Amitabh Bachchan, who has frequently worked with the director in the past, wrote a blog post for him. “But morose is the day… for…

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squarwell-breakingnews · 1 year

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Abhishek Bachchan, Jaya Bachchan, Shabana Azmi attend 'Yaarana' director Rakesh Kumar's prayer meet - Times of India

Abhishek Bachchan, Jaya Bachchan, Shabana Azmi attend ‘Yaarana’ director Rakesh Kumar’s prayer meet – Times of India

Veteran director Rakesh Kumar who is kown for movies like ‘Yaarana’, ‘Mr Natwarlal’, ‘Do Aur Do Paanch’ breathed his last on November 10. Kumar was battling against cancer for a very long time. His prayer meet was held in the city today and it was attended by Abhishek Bachchan along with mother Jaya Bachchan. Since Amitabh Bachchan has worked with largely with the director in most of his films,…

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znewstech · 1 year

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Abhishek Bachchan, Jaya Bachchan, Shabana Azmi attend 'Yaarana' director Rakesh Kumar's prayer meet - Times of India

Abhishek Bachchan, Jaya Bachchan, Shabana Azmi attend ‘Yaarana’ director Rakesh Kumar’s prayer meet – Times of India

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harpianews · 1 year

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Jaya Bachchan, Abhishek Bachchan, Shabana Azmi arrived at the prayer meeting of director Rakesh Kumar, paid tribute

Veteran actor and filmmaker Rakesh Kumar passed away on 10 November. prayer meeting was held for Rakesh Kumar On 13 November in Andheri, Mumbai. Celebrities including Jaya Bachchan, Abhishek Bachchan and Shabana Azmi among others paid their last respects to the veteran director. Rakesh Kumar passed away in Mumbai after a long battle with cancer. He was known for films such as Mr. Natwarlal,…

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microlyric · 2 years

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तौबा तौबा क्या होगा Tauba Tauba Kya Hoga Lyrics In Hindi- Mr. Natwarlal

Hello friends if you are Looking Tauba Tauba Kya Hoga song lyrics then you landed right place so don’t worry relaxed and enjoyed the Mr. Natwarlal movie all songs lyrics peacefully at one place. You can find and read this lyrics easily in any smartphone and Tablet such as Samsung, Motorola, Sony, Xiaomi, Vivo, Oppo, LG, Huawei, Asus, Lava, Micromax, iTel, Nokia, Oneplus, iphone, HTC and other…

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#Amitabh Bachchan #Amjad Khan #Asha Bhosle #Mr. Natwarlal #Rekha #Saregama #Tauba Tauba Kya Hoga

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newslobster · 1 year

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Amitabh Bachchan Pays Tribute To Mr Natwarlal Director Rakesh Sharma: "One By One They All Leave"

Amitabh Bachchan Pays Tribute To Mr Natwarlal Director Rakesh Sharma: “One By One They All Leave”

Amitabh Bachchan shared this picture. (courtesy: amitabhbachchan) New Delhi: Amitabh Bachchan remembered the late director Rakesh Sharma, who is known for his films such as Mr Natwarlal, Yaarana, Khoon Pasina and many more. The filmmaker Rakesh Kumar, 81, reportedly died on November 10. The megastar, on Saturday, shared an emotional note in his official blog. He wrote, “But morose is the day……

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filmmakersvision · 5 years

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Amitabh Bachchan: The Actor, The Superstar, The Living Legend

October 11, 2019

by Inakshi Chandra-Mohanty

When I first watched Sholay as a naïve seven-year old girl, I didn’t realize that this was the beginning of a love affair with the movies and the enigmatic persona of Amitabh Bachchan. For the first time, I saw Bachchan as an actor, not a superstar. It is surprising since Sholay is one of the few films during Bachchan’s prime years, that isn’t typically remembered as a “Bachchan film.” Its prominence as an Indian cinema classic derives from the ensemble nature of the film, an amalgamation of brilliant performances, succinct writing, legendary music, and path-breaking cinematography and direction. But still, I felt drawn to his performance as the laid back, hilariously sarcastic Jai. Maybe his performance stood out due to the subdued nature of the character, a stark contrast to the remaining performances in the film. Or maybe my perception was influenced by the manner in which I had been exposed to his work before watching Sholay.

Like many Indian kids, growing up in the 21st century, my introduction to Amitabh Bachchan began with Kabhi Khushi Kabhi Gham. As a young four year old, I was aware of his status as a legend. But no more than that. My view of him was strictly limited to the fatherly figure I had witnessed in Kabhi Khushi Kabhi Gham, Mohabbatein, and later Kyun Ho Gaya Naa. My parents, uncles, and aunts, who were avid watchers of his films, had spent their childhood years during the Bachchan era. So, between the ages of four and seven, alongside these newer films, I was shown Bachchan films from the 70s. There was Bachchan, the angry young man, in Zanjeer and Deewar. There was Bachchan the comic star in Chupke Chupke and Amar Akbar Anthony. There was Bachchan, the stylish star in Don. But in all these, he was a “star.” No different than his contemporaries, Dharmendra, Vinod Khanna, Shashi Kapoor, Rishi Kapoor, etc. By the time I watched Sholay, I had grown accustomed to seeing his younger self on screen, albeit in a very different manner. Not only did Sholay display his strong acting skills elevated above his superstar status, but it also prompted me to reexamine some of his films that I had viewed earlier, with a more rounded perception of his character. I found his acting to be far more subdued than his contemporaries, who had given into the norm of louder acting in the 70s. Even in roles where he was required to be loud, such as Namak Halaal, Kaalia, Suhaag, Mr. Natwarlal, etc. he managed to keep his acting toned, and far away from criticism for overacting.

My love for Amitabh Bachchan cemented itself after my viewing of Sholay and only continued to grow as I eagerly watched more and more of his work. By the age of 10, I had seen 40 films of his. And now, 10 years later, by the age of 20, I have seen 80! So obsessed was I with his work, that the 10-year old me, decided to write a letter to Amitabh Bachchan for a school assignment where we had to write to a famous person. To me, no one on earth could be more famous than Amitabh Bachchan. My classmates wrote to a wide range of American celebrities. One person even wrote to the U.S. president. But I was clear. My letter would go to India. It would go to my idol Amitabh Bachchan. In this letter, I recounted my love for him and his work, to the best ability that I could as a 10 year old. It included the number of films I had seen of his, my obsession with Sholay, and a few sentences on my favorite scene from Sholay, when Jai throws colors in Gabbar’s eyes. Though I never got a response, the process of mailing a handwritten letter to my favorite actor was extremely exciting and gratifying. Hopefully, one day I will get the opportunity to meet him and I will present to him the copy of the letter that I keep safely in my room.

I still wonder what prompted my love for Bachchan to grow to an extent that was far beyond any other kid in my generation. My generation reveres him, respects him, but their knowledge of him is limited to just that. They don’t passionately react to his films in the same way that they might react to Shahrukh Khan, or Ranbir Kapoor. I still get surprised looks when I tell people that my favorite film is Sholay and my favorite actor Amitabh Bachchan. He is the only actor, whose films I will watch regardless of the quality of the film. I will go watch a horrible film like Thugs of Hindostaan in theaters, just because of my faith in the ability of his acting performance to transcend story, cinematography, and direction.

He is an actor, he is a superstar, he is a legend. But more than that he is an inspiration for all generations, including those to come. There is so much left to say about him, so many more experiences, so many more films. This one page article cannot do justice to the legendary superstar that he is.

@srbachchan

#Features #amitabh bachchan #sholay #kabhi khushi kabhie gham #mohabbatein #kyun ho gaya na #zanjeer #deewar #chupke chupke #amar akbar anthony #don #namak halaal #mr natwarlal #kaalia #suhaag

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