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#more than any other site (although i will acknowledge that i don't have twitter... it's probably even worse over there. lol)
hollowsoul12 · 1 year
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Ok so this post was meant to be for a specific bright fan (so im not trying to call out all bright fans or all bright fictives/systems) , but since they have me blocked me since its upload and since they have made it clear that they don't actually care about the victims of bright, I'm making this post anyway.
So, one bright fan on here has decided to make a callout post not only villainizing DJKaktus, but also @daisybellejpeg, you know just the person that is helping make shaw who is a VICTIM OF ADMINBRIGHT S*XUAL AB*SE AND HAS BEEN TRUAMATIZED BY HIS CREATIONS. They claim that Daisybelle is anti-DID/systems and also trying commit Jewish eraser. So since I am very pissed off at the moment, I'm just wanted clear up stuff about that this and leave a little note to people like this fan (also sorry daisy if I put any words in your mouth or act "white knightly", I just feel some else saying something show that their isn't personal bias) :
So for starters, DAISYBELLE IS NOT ANTI-DID/SYSTEMS. They have mentioned multiple times that they acknowledge that they bright systems/fictives are a special situation.
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Plus, Daisy in general is always going to be slightly antagonistic towards bright, them being a direct victim of Adminbright, but so far Daisy (imo) has done a good job being clam about handling people who still hold on to bright (at least better than I have). The only thing they have stated that will not tolerate is people giving shit to them about how they create shaw, as its become a healing tool for them.
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Now the Bright fan that made that post had decided to include two screenshots "proving" that Daisy is anti-DID/system and a Jewish yet completely left out context points.
For the first one, they completely left out the beginning part of conversations and completely doesn't point how the person daisy is responding to has no idea what they are talking about and the fact that person ten starts to act in a sort a jerkish explaining after daisy saying the initial description.
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This, to me, feels very patronizing thing to say especially, and so no surprise Daisy proceeds to go off on them about being patronized. For some reason, though, bright fan tried to twist this into daisy erasing the Jewish rep. This, however, is not only not what they said, as all Daisy said was "you deadass don’t know this since we haven’t even decided on a race", (although I should mention daisy is pushing for shaw to be Mexican American), but even if Shaw isn't Jewish, its probably because they don't want any more connections to bright outside of the number, not because they want erase Jewish people.
As for the second screenshots, while I will admit that daisy was a bit harsh to the user (as they were system stating people to stop using bright and they did make a joke about the way worded on twitter), Daisy, as mentioned before sees Shaw a healing device and people telling others to stop using it doesn't really do anything change. Plus Daisy ends up explaining their point of view in the comments.
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Now their is technically one more set of screenshots that try to prove that Daisy does not understand how DID works, but as I mentioned in the beginning, they have said they aren't a expert on DID and that it is a complex situation. At most they have urged people they use the interfaces on sites block tags that causes problems.
That is about all for me laying out the facts, however one more note for the bright fan that made that callout post and for people like the bright fan: can you fucking not villainize the victims of the Duckman. Like, its one thing to go after Kaktus, but its whole another to go after a victim of Bright, one that has a entire fucking document showing the trauma they endured and still haven't fully healed from it, thus clearly having a continued negative stigmatism. Not only does this make you all look like complete dickheads completely inconsiderate about the victims of adminbright, but also paints of bright fans and system/fictives in a negative light along with you. You could of block the shaw tag. You could have used the interface to ignore all the people that cause your mental state problems. Hell, you could of found or make a character that served as a transition from bright, like Dr. Myriad. But instead you decided to attack a already hurt person and doubling down on usage of the character.
Also, P.S., if that origional poster isn't a fictive/system and was simply using other peoples mental disorders as a way to villainize Daisy, then they can go fuck themselves.
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traincat · 3 years
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I know the comic piracy debate is a never-ending cycle, but in India where I live, you can't get western comics (or manga for that matter). There aren't comic book stores. Sometimes on Amazon you can find collected editions worth more than INR 1000 at least, for the paperbacks. Most older collections, even from the early 2000s, will be upwards of INR 6000. And sure, it's because the exchange value is so low for Indian rupees, but that's still a LOT of money to Indian citizens. You can get digital editions of random odd issues for approx. INR 150, so that's there. But overall it's really a huge investment to buy a physical comic. So yes, I pirate. But I get so guilty when this debate rolls around, every time. I just don't see any other alternative.
I debated whether or not to answer this considering I haven't really addressed the comics piracy issue before so I'm not sure I'm the right account to talk about it, and also because my askbox is not a confessional and I am not a priest, but then some Spider-Man news broke that I feels ties into it this so whatever, we're going for it. The comics piracy debate comes up every couple of months and will probably continue to come up every couple of months until forever and all of these points have been stated before by others because nothing in this debate is new. First things first, you shouldn't feel guilty. I'm going to suggest actually that nobody should feel guilty, unless you are like, a millionaire and you're exclusively pirating indie books. The prices you're quoting are prohibitively expensive but I have some unfortunate news for everyone involved: the prices are really bad in the US, too. If you want good collected editions, especially in hardcover, they're going to run at similar if not quite equal prices. Comics have gone from a cheap hobby to an overwhelmingly expensive hobby.
This is a good article comparing to the cover costs of American comics since the 1960s adjusted for inflation which I think puts some things in perspective. Comics currently cost roughly $5 USD per issue, which doesn't sound that bad, even though most of my monthly streaming services are roughly that price for a whole month's access to a library of content. But it only doesn't sound that bad if you're not buying special issues (the Marvel Pride book retailed for $10), and if you're only reading one or two books a month. The problem is, American superhero comics are specifically designed so you're not reading just one or two books per month -- this is why we have events! And crossovers! Not for the story potential but because it forces the consumer to purchase more product. This is why there's constantly an event running with a checklist of tie-in issues in the back. So now you're spending probably at least $20 a month. If you're a fan with a lot of interest in different titles, and in different publishers, this can easily hit triple USD digits. It's a money pit. It's not affordable to most people. And this is where that new Spider-Man news comes in, because it was announced today that Amazing Spider-Man is going back to a thrice monthly schedule like it used to operate on during Brand New Day. Which sounds good at first -- more comics, yay -- until you realize that's probably going to be $15 USD a month for a one title. That's $180 a year for one title, not including annuals or special issues. That's not feasible for a lot of fans -- young fans, poor fans, fans with other financial obligations etc. And most people aren't reading just one title. I don't know how the X-Men fans are currently financing their Krakoa habit and I'm afraid to ask. There are services like Marvel Unlimited, which make things slightly more affordable, but I imagine the wait for newer issues to hit the service can be alienating for some fans who want to join in current discussions, the library has some incredibly massive holes in it which is unacceptable when it's coming from inside the mouse house, and I believe, although I could be wrong, that it is not available in all countries. Comics are no longer an easily accessible hobby, if you're paying for everything you read.
"But the creatives deserve to get paid" is the common argument and yeah, they do, I'm not arguing that point. They should absolutely get paid and they should get well. I'm a writer, I'm a published writer even, and I want to be a published novelist, and I definitely want to get paid, and I'm reserving the right to be a complete hypocrite about this, as I do with everything in my life, but this is where the difference between indie publications and Marvel publications comes in: Marvel is owned by Disney. There is absolutely no excuse for Disney not to pay their creatives. If they are not getting paid fairly, it's not because you pirated a book -- it's because Disney has a vested interest in not paying their creators, as evidenced by Alan Dean Foster's lawsuit claiming that they are withholding royalties from him. Fans pirating these books are not the reason the creatives are not getting paid fairly -- the creatives are not getting paid fairly for the same reason that Disney park employees experience homelessness, and it's because Disney would rather put that money into the pockets of their executives. There is no debate on that subject. It's easier and perhaps more convenient to blame fans for pirating comics rather than putting all of their money into what has been for years now a prohibitively expensive hobby to keep up with, but the fact of the matter is Disney could pay all of their creatives what they're worth without hurting their bottom line and instead chooses not to. That is not on you, as an individual reader. You have no reason to feel guilty about that, no matter what your circumstances are, and you do not have to justify your actions to either me or the House of the Mouse. I'm with you, and Disney ultimately doesn't care. They're making that money up elsewhere and then not distributing it fairly to the people who create the properties their media empire is built off of. But especially if you're buying older books, you should know that your money is not going to the creative team -- once it's out of publication, they're not going to get any of the money you spent on it. The argument then becomes that you should be supporting local comics stores which yes, is true, but also doesn't apply to everyone, like anon who doesn't have access to local comic book stores. And again, this can become prohibitively expensive -- collections are expensive. Older, hard to find collections can be very expensive. Once something is out of print, all bets are off on what it might be selling for. Buying single issues is only affordable if the single issue isn't desirable or sometimes if it's in exceedingly bad condition. For the sake of transparency, I have a fairly big single issue collection because it's my preferred format, but I had the time to bargain hunt, access to local comic book stores and large comic conventions, and I'm very good at sniping eBay auctions. The most I have ever dropped on a single issue was expensive for me -- and still under three digits USD -- and it's for an issue from the '60s that is not in great condition.
The problem with this debate is that it is generally a nuanced issue that always gets boiled down to "piracy bad" in a way that makes a lot of well meaning and well intentioned fans, especially the ones with extenuating circumstances, feel bad. It's not your fault. You shouldn't feel guilty. There are a huge amount of reasons why someone might pirate something that are not bad reasons and do not make you a bad person who is personally withholding money from the creators -- because you're not. I don't publicly tell people where to pirate comics, mostly because I really don't think it's that hard to find out for yourselves especially because several creators involved with Marvel themselves have, I suspect accidentally, posted pages of their work to social media WITH THE BANNER OF A WELL KNOWN COMICS PIRACY SITE STILL IN THE IMAGE please learn how to crop, so maybe my standpoint on the issue wasn't well known, but there it is. I think readers should, if they are able to financially and otherwise, support the creators they like, but that it should be acknowledged that this is a more complicated issue than it's commonly made out to be on Twitter and that the largest part of the blame needs to be put on the companies making these comics inaccessible to many and who refuse to pay their creators fairly, not on individual fans. Don't feel guilty, anon.
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freegrain · 4 years
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Things We Can Do to Support Fiona and #BlackLivesMatter
Hey, so I decided to make a post on things we can do to deal with racism and support #BlackLivesMatter within the fandom 💜 A lot may be obvious but it's just a simple guide to things to help. Also be noted, I am not black but I am a person of colour. (ik it's a long post, I'm on mobile so I'll stick a keep reading in when I can, sorry!)
1. Check Yourself 
The thing to remember that we are not infallible. We are human, we can mistakes and say things that are hurtful without meaning to. Acknowledge this. If someone calls you out, thank them and try not to make the same mistake in the future. Depending on your upbringing, your experiences, the people around you, you may support BLM wholeheartedly but pick up microaggressions, say words that you shouldn’t, think ‘jokes’ are funny when they’re not. But as long as you learn, it means you are trying. 
2. Friends Shouldn’t Be Defensive 
The second place we look is at the people we surround ourselves in in fandom. If you see someone doing something racist; be it through art, fanfiction, how they refer to people, shoot them a message explaining why you think what they're doing is wrong. Most people would unaware and would be glad to know. However, if they get defensive and insist they're not racist, perhaps stop and think about how important this person is to you. And if you find yourself getting defensive, please look again and try see it from their perspective!
3. YouTube
Ah, the big one. As AH's content is based off YouTube this is where we can do the most! Fiona has already mentioned that she knows videos with her in them get less views, get more dislikes, get more hate comments. So things we can do include:
1. Watching videos
See Fiona in a vid that you weren't going to watch? Maybe put it playing in the background, or put headphones in if it's distracting. Your view counts! All of ours do!
2. Reporting hate comments
Hate Speech is illegal on YouTube. If you see any comments, report them with either hate speech or harassment/bullying (although, I'm not sure how well YouTube handles this but it's better than nothing). I won't encourage you to engage with these commenters but if you do, be aware that people who openly hate are usually quite set in their opinions.
3. Overwhelm the hate with love
We know that AH doesn't read all the comments because how could they? However, if they were to read them, they'd see the top comments first. This is why it's important to comment nice things, like other positive comments and dislike negative ones. Also like the video! Trevor has said many times that with the new algorithm, likes impact how a video is recommended and viewed.
There is also roosterteeth.com. I personally don't use the site but I assume much is the same!
4. Social Media
Both our own and theirs! Let your voice be heard! Leave supportive comments on their Twitter and Instagram. Also, some AH members have been doing personal fund raisers so check them out if you see them.
Social media also includes the content we as fans create! Be it fanart, moodboards, fanfiction, show your support to Fiona and the others 💜 I've seen people talk of a Fiona Week (like a ship week but for celebrating what a wonderful person she is) but nothing has come of that as of yet. (If no one picks it up 👀 I'll see how busy I am). In general be supportive!
5. Fanmail
This one would have been easier if they were in their office and we all know how AH are with packages. But better late than never! If you can, send letters or gifts in to let Fiona know she's loved from the community. Also, from the AHWUs, they've mentioned that Fiona is usually the one to drop by the office to collect packages for everyone so if it's addressed to her, she'll probably get it.
6. Also!
Here's a link to a petition micooll made to let Fiona know how much the community loves her. You can sign or leave a comment, I just thought it was a cute idea!
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And that's what I could think of 👉👈 of course, there are probably other ways so feel free to add on.
As always, sign petitions, donate, spread posrs, educate yourself. This was for internal fandom stuff but there's other things we can do to support #BlackLivesMatter
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buddha-in-disguise · 4 years
Text
Oh boy, another long post today. But this is who I am 😂 And well, another person decided to make asinine comments about Supercorp fans on their Twitter account about how Supercorp fans are mostly young and White, so ... here we go.
Yesterday I mentioned The 100, and how Clexa is still something spoken about today for LGBTQ people. Even those who weren't around it as it went on, a lot of you will of at least heard of it, know it has caused a shift in LGBTQ fandoms, even if you don't know details.
I was actually a little late into The 100, mostly because it wasn't easy to watch episodes at the time in the UK. Unfortunately that timing meant I had barely got into the fandom before they went straight into the kill your gays trope.
The thing Clexa did was twofold. Firstly, although not the 1st time it had happened, it was the 1st time real and very much needed discussion over TV's decisions to 'Bury your Gays,' went on. It also showed as a collective LGBTQ fandom force (other than perhaps Xena), it was powerful. We initiated change because of it.
Are Supercorp that powerful? You know what, I think they just might be getting there. After all, media are now beginning to write much more about the issues Supercorp is raising.
Mo Ryan changed LGBTQ fandom in her reporting of Clexa. She still is changing things on how the TV industry works (her reporting on sexual harassment in the TV industry alone is incredible. If you don't follow her on Twitter I highly recommend you do).
Here are facts taken from GLAAD (you can see the full report here: https://www.glaad.org/sites/default/files/GLAAD%20WHERE%20WE%20ARE%20ON%20TV%202019%202020.pdf
The main takeaways are this.
GLAAD and Harris Poll’s Accelerating Acceptance study shows that 20 percent of Americans 18 to 34 – a key demographic for networks to court, as well as the rough age range where several characters fall – identify as LGBTQ.
As such, GLAAD recommendation is TV produce shows to reflect that percentage. In other words, 20% of characters cast are LGBTQ.
Sadly that figure is still roughly 50% below that recommendation. See pic.
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Here is the other key takeaway, and is why Supergirl, by giving us Supercorp, wouldn't be just performative in its LGBTQ representation but groundbreaking.
'At a time when viewers have more options for entertainment than ever before, Hollywood must include lead LGBTQ characters whose stories are told with nuance and depth that reflect the real world that audiences know if they want to retain and grow their audiences.'
'... must include LEAD LGBTQ characters.'
Hello! Waves in Supercorp! Right here! Also canon to some of the comic. Hellooooo.
Also important is the last segment: '... whose stories are told with nuance and depth that reflect the real world that audiences know if they want to retain and grow their audiences.'
Sadly, as it stands with Season 5, Supergirl have not even given the canon LGBTQ rep nuance or depth in the storylines. If anything, it was the worst season ever. Less than 10 minutes of just Dansen? Only one Nia episode of depth. Having LGBTQ characters, if you don't utilise them, is performative. Supergirl have been just that. Especially as Kelly is Black, so double performative by them. Sheesh.
Supergirl have two stark choices now.
They ignore Supercorp and will forever vilified by LGBTQ audiences on how they queerbaited. And I mean forever! We aren't a small fandom, and LGBTQ fandom memories are long. Hell, just this week Xena was all over my timeline as it celebrated it being 25 years since it was shown.
Or Supergirl can take on GLAAD's recommendation, grasp Supercorp with both hands, really give Dansen, Kelly, Alex and Nia good solid LGBTQ storylines and be forever praised (even if some lingering resentment might surface on treatment of the LGBTQ fans and rep) for doing so. 25 years worth potentially.
They literally have nothing to lose. Last season alone proved that ignoring Lena and Kara on any level, trying to enforce unwanted men into storylines, tanked viewing figures.
The moment Lena and Kara reconciled, social media went crazy - and for the first time in ages, trended - Twitter picked it up on their moments. Media outlets loved it. Viewing figures improved.
Yet, despite all this, despite all the fans I know, despite us constantly acknowledging that some fans go too far, despite the fandom being a huge, diverse group, with a vast age range, we continually get vilified.
And for what?
Wanting what heterosexual fans get given ad nauseam?
Why, other than internalised homophobia (& yes, that can exist even if someone identifies LGBTQ), do people object?
All we want is the bare minimum that heterosexual cis people get given each and every day a thousand times over.
If you can't accept my comments, or even understand what GLAAD recommends is still falling way short, and that without LGBTQ fans voices amplifying the messages, we would have nothing, you're part of the problem.
If we sit quietly by, simpering in a corner we get nothing. This isn't a gay agenda. It is simply asking for equality, & it doesn't cost you anything.
Well, I've never sat by quietly simpering in the corner. So that is why I've written another long assed post.
/end
Unedited, so apologies for any mistakes.
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So I arrived up possessing a handful of versions, such as, “Deconstructing How Mashable, ProBlogger & KISSmetrics Reached Hundreds of thousands of Viewers.” This new headline experienced a CTR of 10.1% (almost a 500% advancement more than the original). Inside a matter of times of switching to this headline, the publish went viral, making shut to two,000 shares. I’m not by alone, either. Leo from Buffer published a great publish last year showing how easy it was to double the general functionality of his website posts by split up screening two assorted headline variants on Twitter. If you're interested in optimizing a specified piece of posts or site posts for engagement, it may be worthwhile to operate a multivariate experiment to identify the ideal ordering of content material supplies blocks. If you want to have truly geeky, use a warmth map to identify where most internet site visitors are dropping off, then add something interesting all at that point to keep them engaged. In February, I wrote an insanely extended put up showcasing 109 beautiful responsive WordPress themes. I figured no person would scroll through all 109 themes but wished to find out whether modifying the ordering inside the themes would result in engagement and time spot in on a webpage. Employing a combination of old-fashioned spreadsheets and VWO just click on maps, I might be ready to identify the abnormally collaborating and unengaging themes. This enabled me to reorder the themes so that most likely essentially the most collaborating themes were positioned in the very best from the publish. The heat maps and click maps also showed me where I had been getting the most important drop-offs in engagement. By moving some of the themes with abnormally large CTRs to these points, I used to be capable of extending the frequent time invested on internet website page (although not by a considerable sum). Just one of my greatest challenges being a blogger is balancing compound length and posts or site posts frequency. It is proven that, on common, longer posts generate a lot more shares, links and website visitors. With each other using the very same time, expanding materials frequency can also improve engagement, providing which the articles or blog posts or weblog posts is scaled although maintaining a degree of quality. This brings us to a dilemma. We (or our team of writers) only have so quite a few some several hours within the doing working work day to create content material, so is it greatest to publish one particular specific two,000-word post, or two one,000-word posts? However there exists absolutely no definitive answer, we can of course experiment to work out the point at which additional compound generates diminishing returns. Quick Sprout did an analysis like this comparing articles or blog posts resources length vs. common rankings, the quantity of links and social shares. They located which the frequent length of a report that ranks #1 on Google is two,416 terms. You may find out numerous limitations to this kind of analysis, but inside of the celebration you have enough content articles or website posts, you're going to acknowledge a special pattern of what length and frequency abilities exceptional for the personal site. As emphasized earlier, we are likely to judge books by their covers. As it turns out, we also judge people’s social profiles. Rand Fishkin of Moz determined that his demand from customers of accrued followers on Twitter increased when he changed his Twitter profile picture as revealed beneath. Though the images you use unquestionably contribute to how people perceive your social profile, you may find out of course an amount of other factors, from your bio for the most recent tweets and shares. An amount of a protracted time inside the earlier, Cyrus Shepherd ran an interesting experiment to ascertain the result of his Google+ photo within the CTR of his content articles. What he determined was that altering his profile photo elevated his SERP CTR by 56%. While obsolete appropriate shortly soon after the recent announcement that Google is dropping creator photos from search rewards, this illustration illustrates that our photos can have an effect on our CTRs. When producing your profiles, keep in mind the images you use and how you describe oneself will have an effect on the velocity of followers and engagement which you get. And when in doubt, examination. We’ve presently talked about how a great deal impact your headlines have on determining whether your post generates tens or 1000's of shares, but what about everything else that determines whether someone does or doesn’t click on your website hyperlink? Being an instance, consider this publish that just arrived up in my newsfeed. You will discover eight aspects from your publish which figure out my opportunity to merely simply click: The publisher has control previously mentioned several of these elements and can optimize them to spice up my likelihood of clicking. The best way to experiment with these various elements is by running a Fb ad or promoted tweet campaign where everything is identical except for 1 variable (whether the image, description or headline). AdEspresso ran a split up think about a��take a look at like this and located that a little modify in their post’s description made a huge difference: one variation generated 0 likes as well as the other generated 70. Obtaining the perfect combination of elements that drive the best merely click on by way of expenses and engagement is a matter of trial and error, but obtaining the sweet place can pay off exponentially. Because the recent controversy in extra of Facebook’s social experiments has revealed, people tend not to just take into consideration kindly to currently being manipulated emotionally. Make certain you are likely never to cross that line. Conversion price tag optimization does not account for how people feel. It only cares about what people do - and how your viewers feel is critical. Enjoyed the publish.
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