every album i listened to this year pt. 1
i listened to 238 albums that were new to me this year. this is the first 119 of them + basic genre tagging.
A Sunny Day In Glasgow - Sea When Absent [noise pop]
ABBA - Volume 25 [karaoke]
Agriculture - Agriculture [black metal]
Agriculture - The Circle Chant [black metal]
Alcest - Écailles de Lune [black metal]
Altar of Plagues - White Tomb [black metal]
Animals as Leaders - Parrhesia [djent]
Another Heaven - 1: You Are Loved [shoegaze]
Art Sorority - Older Boys [folk punk]
Ashenspire - Hostile Architecture [black metal]
Atomic Guava - Peasants of the Future [power metal]
awakebutstillinbed - chaos takes the wheel and i am a passenger [emo]
Bad Religion - New Maps of Hell [punk]
bar italia - Tracey Denim [post-punk]
Basketball Divorce Court - rebound [punk]
Big Black - Atomizer [noise rock]
Big Thief - Dragon New Warm Mountain I Believe In You [alt-country]
Black Ends - Stay Evil [noise pop]
Black Math Horseman - Black Math Horseman [black metal]
Blanky - Blood Harmony [alternative]
Bosse-de-Nage - Bosse-de-Nage [black metal]
Bosse-de-Nage - ii [black metal]
Bosse-de-Nage - iii [black metal]
Bosse-de-Nage/Deafheaven - Split EP [black metal]
boybrain - In The Company of Worms [punk]
Bríi - Último Ancestral Comum [rock]
Cable Ties - All Her Plans [punk]
Callous Daoboys - Celebrity Therapist [hardcore]
Charlie Megira - Da Abtomatic Meisterzinger Mambo Chic [lo-fi]
Chat Pile - God’s Country [sludge metal]
Chat Pile - Remove Your Skin Please [sludge metal]
Chat Pile - This Dungeon Earth [sludge metal]
Chat Pile & Nerver - Brothers in Christ [sludge metal]
Cherub Tree - where are your manners [alternative]
Choncy - Community Chest [post-punk]
Corker - Falser Truths [post-punk]
Crime of Passing - Crime of Passing [post-punk]
Dark Factory - Dark Factory [new wave]
Days ‘N Daze - Rogue Taxidermy [folk punk]
Days ‘N Daze - Songs We Recorded for Splits [folk punk]
Dazy - OTHERBODY [alternative]
Deafheaven - New Bermuda [blackgaze]
Deafheaven - Sunbather [blackgaze]
Deeper - Careful! [post-punk]
Dirty Old Town - No Returning Home [alternative]
Dummy - Mandatory Enjoyment [post-punk]
dust - et cetera, etc [punk]
Eddy Arnold - Cattle Call [country]
Ekko Astral - Quartz [punk]
Ekko Astral - The Quartz Farewell [punk]
Elizabeth Colour Wheel - Nocebo [black metal]
Erik Hall - Canto Ostinato (Simeon ten Holt) [neo-classical]
Erik Hall - Music For 18 Musicians (Steve Reich) [neo-classical]
Explosions in the Sky - All of a Sudden, I Miss Everyone [post-rock]
Explosions in the Sky - How Strange, Innocence [post-rock]
Ezra Furman - All of Us Flames [art rock]
Ezra Furman - Perpetual Motion People [art rock]
Ezra Furman - Transangelic Exodus [art rock]
Ezra Furman - Twelve Nudes [art rock]
Feeble Little Horse - Girl with Fish [shoegaze]
Fela Kuti - Beasts of No Nation [afrobeat]
Fela Kuti - Coffin for Head of State [afrobeat]
Fela Kuti - Expensive Shit [afrobeat]
Fela Kuti - Roforofo Fight [afrobeat]
Fela Kuti - Zombie! [afrobeat]
Feminazgûl - The Age of Men is Over [black metal]
Frail Body - A Brief Memoriam [hardcore]
Fucked Up - Dose Your Dreams [hardcore]
GEL - Only Constant [hardcore]
Genital Shame - Gathering My Wits [alternative]
Gilla Band - Live at Vicar Street [noise rock]
Godcaster - Godcaster [psychedelic rock]
Hatchie - Giving the World Away [dream pop]
hey, Ily! - Internet Breath [bedroom pop]
Hoaxed - Hoaxed [alternative]
Home is Where - i became birds [emo]
Home is Where - our mouths to smile [emo]
Home Is Where - The Whaler [emo]
Horse Lords - Comradely Objects [microtonal]
Horse Lords - Hidden Cities [microtonal]
Horse Lords - Interventions [microtonal]
Horse Lords - The Common Task [microtonal]
Hot Snakes - Automatic Midnight [post-hardcore]
Housewives - Twilight Splendor [post-punk]
Ian Noe - Between the Country [bluegrass]
illuminati hotties - FREE I.H.: This Is Not the One You’ve Been Waiting For [pop rock]
Institute - Readjusting the Locks [post-punk]
Jane’s Addiction - Nothing’s Shocking [alternative]
Jeff Rosenstock - HELLMODE [punk]
Jeff Rosenstock - No Dream [punk]
Jeff Rosenstock - POST- [punk]
Jeff Rosenstock & Laura Stevenson - Still Young [punk]
Josaleigh Pollett - In The Garden, By The Weeds [bedroom pop]
julie - pushing daisies [alternative]
Kitten Forever - 7 Hearts [riot grrrl]
Kurt Vile - b’lieve i’m goin down… [alt-country]
Lamp of Murmuur - Saturnian Bloodstorm [power metal]
Leonard Bernstein - Chichester Psalms [choral]
Leonard Cohen - New Skin for the Old Ceremony [folk]
Leonard Cohen - Songs from a Room [folk]
Leonard Cohen - You Want It Darker [folk]
Liturgy - 93696 [black metal]
M(h)aol - Attachment Styles [post-punk]
M(h)aol - Gender Studies [post-punk]
Malthusian - MMXIII [black metal]
Mamaleek - Cadejos [black metal]
Mamaleek - Come and See [black metal]
Mamaleek - Diner Coffee [black metal]
Mamaleek - Those Who Pass Between Fleeting Worlds [black metal]
Mandy, Indiana - i’ve seen a way [post-punk]
MDC - Live at CBGB’s [hardcore]
MDC - Millions of Dead Children [hardcore]
MDC - Millions of Dead Cops [hardcore]
MDC - Multi-Death Corporations [hardcore]
Meat Puppets - Meat Puppets II [alternative]
Meat Puppets - Up on the Sun [alternative]
Messa - Close [hard rock]
meth. - Mother of Red Light [noise rock]
Midori - Aratamemashite, Hajimemashite, Midori Desu [hardcore jazz punk]
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We've made a new pedal!
Here's the first teaser for our new Pitch Magpie pedal, a pitch shifter that aims to capture the best of the weirdest pitch shifters from the 90s...
Background
For the past couple years, we've been trying to make a delay-based pitch shifter that sounds good. It hasn't been easy. There's a reason that most pitch shifters have switched to FFT-based algorithms: latency. There's a reason the monophonic Whammy is more popular than the delay-based PS3. Usually, to make a delay-based shifter sound decent, you need to use long delay times, which creates some serious latency. That's fine for organ type effects, but it can be pretty limiting. In contrast, reduce that latency too much and you've got a metallic ring mod, especially on the lowest string of the guitar. But with some tweaking and some crossfade tricks, we think we've found the perfect middle ground. And although there's still a tiny bit of lag, you probably won't care once you add the filters or vibrato haha!
Why filters and vibrato? Well, when I have used those old delay-based shifters, I always thought they sounded best when combined with other pedals — especially for creating special effects! So I though: what if those effects were combined with the shifter? Not just slapped on after the pitch shifting circuit, but actually integrated into the circuit, so that turning up the feedback ("overtone") effects the filter or the vibrato too. The results were even better than we hoped! Sure, it's nice that the pedal can double as a random chorus or a modulated highpass with the pitch shifter section disabled. But turn on the pitch shifter, and the resonance of the filter and the overtones of the pitch shifter start to interact as you turn up the feedback. And if you set the shifter near minimum with high feedback, you get all sorts of comb filter effects. With just a few knobs, the possibilities are really surprising!
Features
It's hard to express how many ideas and variables we packed into the Pitch Magpie. But the three modes are a start. Each is based around the same core pitch shifter, but each offers a unique effect:
Glis Mode (“glissando”) generates an auto-slide, adding a pitch slide when the input signal goes over a certain threshold (think: Hounds). The slide time is controlled by the param knob, which also selects between two slide shapes (basic or U-shaped).
Res Mode applies a resonant filter, selectable between lowpass and highpass with random modulation options. There’s always a bit of resonance, but turning up the overtone knob adds even more, with feedback and oscillation at extreme high settings.
Vib Mode applies vibrato to the the wet signal. Setting the pitch knob to center bypasses the pitch shifter, allowing you to create chorus effects by blending the dry signal. It can even work as a random vibrato (tape warble) with the param knob at max.
With all of our pedals, we try to keep the controls as concise and performance-friendly as possible. We could easily make this kind of pedal with a ton of knobs. But we wanted to find sweet spots and make it quick to move between them. Though we also made sure to give enough adjustment for things to get weird!
The Pitch Magpie's Param knob on takes this idea to the extreme. The knob is most dramatic on the Res mode: left of center, it controls the frequency of a lowpass filter; right of center, it controls the frequency of a highpass filter. But set the knob to minimum and it randomly modulates the frequency of the lowpass. As maximum, it does the same for the highpass.
The Pitch knob is quantized to the semitone, offering 31 distinct settings. For continuous pitch control (for whammy-style effects or microtonal adjustments), the expression input can be used.
As on the Oxford Drive and EQ-201, the footswitch is configured for “flexible” bypass. Tap the switch briefly to turn the pedal on and off. But hold down the footswitch, and it was act as a momentary switch, keeping the pedal active until you release it. This seems particularly useful with this pedal, especially on more chaotic settings. You can also alternate the default bypass state of the pedal by holding down the footswitch while plugging in the power jack.
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